Over the past decade, she has gained international recognition for her room-sized tableaux, which depict historical narratives haunted by sexuality, violence and subjugation and are made using the paradoxically genteel eighteenth-century art of cut-paper silhouettes. Set in the antebellum American South, Walker's compositions play off of stereotypes to portray, often grotesquely, life on the plantation, where masters, mistresses and slave men, women and children enact a subverted version of the past in an attempt to reconfigure their status and representation. Over the years, the artist has used drawing, painting, colored-light projections, writing, shadow puppetry, and, most recently, film animation to narrate her tales of romance, sadism, oppression and liberation. Her scenarios thwart conventional readings of a cohesive national history and expose the collective, and ongoing, psychological injury caused by the tragic legacy of slavery. Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography, and a 36-page insert by the artist.

    

    Daffy Duck enters the Valley of the Eternals. Faulkner and bell-bottoms cling to beauty's evanescence.Even in single poems, Young's tone and style vary. No one feeling or idea takes precedence over another, and their simultaneity is frequently revealed; sadness may throw a squirrelly shadow, joy can find itself dressed in mourning black. As in the agitated "Whirlpool Suite": "Pain / and pleasure are two signals carried / over one phoneline."In taking up subjects as slight as the examination of a signature or a true/false test, and as pressing as the death of friends, Young's poems embrace the duplicity of feeling, the malleability of perception, and the truth telling of wordplay.

    That’s a mantra that Colson Crook lives by and for very good reason. The odds were stacked against him from his birth to a single mother in a low-income area of Port Arthur, Texas. He’d succumbed to the odds on more than one occasion, but now he is living the life he is destined to live. Trying to get other people to forget about his past seems to be the problem, especially his family. However, over the years, he’s learned to deal with their negativity. His life is almost complete, except in one area. Love. It had eluded him for years and he’s accepted that. But one fateful night, his eyes land on the woman that could change his relationship status forever.Sky Jones is a successful teacher that wants to make a difference in the lives of her students. However, dealing with the attitudes of the teenagers she teaches, constantly increases in difficulty and threatens to make her forget her reason for pursuing that career in the first place. Deciding to take a short distance girls’ trip for spring break gives her the reprieve she needs, but it also gives her something else… an undeniable attraction to an older man that she can’t ignore.Colson and Sky start on a fast-paced trek and feel that despite the warnings of the people closest to them, they want to pursue something meaningful. Will they continue to throw caution to the wind or will one of them decide to take heed to those warnings and dismantle what they’ve built?

    This selection offers a timely retrospective of the contemporary poetry of Simon Armitage, and is a perfect introduction to his work.

    They've also been Margaret Drew's best friends since they were children. Margaret has always been the plain Jane of the threesome, living vicariously through the exploits of her friends. But when Tiffany and Chantal head to Europe on an extended vacation, leaving Margaret to tend their apartments, Margaret decides to see how the other half lives. Co-opting their apartments, their boyfriends (current and past), their fabulous lifestyles and Tiffany's very savvy pooch, Virginia, Margaret finally feels like she has found the life she has always wanted and deserved. But her double living begins to catch up with her and Margaret might soon be homeless, manless, and friendless all in one swoop.

    There's Tow-Kaye, getting married at age seventeen to the love of his life, who's pregnant. James writes in his diary about his twin brother's terrible secret, while Tyler explains what it's like to be a player with the ladies. And Eric takes us on a tour of North Philly on the Fourth of July, when the heat could make a guy go crazy. Sharon G. Flake's talent for telling it like it is will leave readers thinking differently, feeling deeply, and definitely wanting more.

    Just the day before, Shelly and her family had arrived in the northern Philippine village of Mungayang, where she and her husband Renato, both accomplished anthropologists, planned to conduct fieldwork. On October 11, Shelly died after losing her footing and falling some sixty feet from a cliff into a swollen river. Renato Rosaldo explored the relationship between bereavement and rage in his canonical essay, "Grief and a Headhunter's Rage," which first appeared in 1984 and is reprinted here. In the poems at the heart of this book, he returns to the trauma of Shelly's death through the medium of free verse, maintaining a tight focus on the events of October 11, 1981. He explores not only his own experience of Shelly's death but also the imagined perspectives of many others whose lives intersected with that tragic event and its immediate aftermath, from Shelly herself to the cliff from which she fell, from the two young boys who lost their mother to the strangers who carried and cared for them, from a tricycle taxi driver, to a soldier, to priests and nuns. Photographs taken years earlier, when Renato and Shelly were conducting research across the river valley from Mungayang, add a stark beauty. In a new essay, "Notes on Poetry and Ethnography," Rosaldo explains how and why he came to write the harrowing yet beautiful poems in The Day of Shelly's Death. More than anything else though, the essay is a manifesto in support of what he calls antropoesía, verse with an ethnographic sensibility. The essay clarifies how this book of rare humanity and insight challenges the limits of ethnography as it is usually practiced.

    With determination and self-discipline he seizes opportunities of education and upward mobility, but struggles to keep his cultural identity alive through memories of his childhood. This sophisticated postcolonial text links language and character to reveal the social divisions, educational obstacles, and self-exploration of a struggling foreigner in the mid-20th century.

    But when his son is taken away from him, he's left with nothing but the Memphis bar he manages. Then he hires Fay, a young white waitress, who has a volatile brother named Carl in tow. Nickel finds himself consumed with the idea of Taft -- Fay and Carl's dead father -- and begins to reconstruct the life of a man he never met. But his sympathies for these lost souls soon take him down a twisting path into the lives of strangers...

    . .In her second collection of poetry, Dorothea Lasky cries out beyond prophecy and confession, through to an even more powerful empathy. On the verge of becoming pure substance and sensation, Black Life is emotion recollected not in tranquility, but in radically affirming intensity.I leave and I am a black life . . .And I want toBe what you made me to beDorothea Lasky is the author of three collections of poetry. Educated at the University of Massachusetts, Washington University, and Harvard University, she currently teaches at Columbia University.

    A young writer uncertain of what he wants to say, the man moves through tableaus of life in one of the most dynamic cities in the world: he hears the muezzin's call to prayer in the early morning light, and listens to John Coltrane during the late afternoon heat. He witnesses teenagers diligently perpetrating e-mail frauds from internet cafes, longs after a woman reading Michael Ondaatje on a public bus, and visits the impoverished National Museum. Along the way, he reconnects with old school friends and his family, who force him to ask himself profound questions of personal and national history. Over long, wandering days, the narrator compares present-day Lagos to the Lagos of his memory, and in doing so reveals changes that have taken place in himself.

    It is as fresh and outrageous today as when it was first published in 1974.Born of a Jewish father and black mother, Oreo grows up in Philadelphia with her grandparents while her mother tours with a theatrical group. Soon after puberty Oreo heads for New York to search for her father, but in the big city she discovers that there are dozens of Sam Schwartzes. Oreo's mission turns into a wickedly humorous picaresque quest, reminiscent of the ancient Greek myth of Theseus. This is an ambitious and playful narrative that challenges not only the accepted notions of race, ethnicity, and identity, but also those of the novelistic form itself.

    Rogue returns with her newest collection of poetry, Breakup Poems. In six sections – five devoted to the stages of grief and a final one for her dedicated group of online fans – the author examines the various emotions women go through as they mourn the loss of lovers, ranging from almost-relationships to marriage.

    These have been separated into chapters based on the books in which they were originally published, and are as follows:Drum-TapsLeaves of GrassThe Patriotic Poems of Walt WhitmanThe Complete Prose WorksThe Wound DresserThe Letters of Anne Gilchrist and Walt Whitman.This beautifully designed ebook has an interactive table of contents for ease of navigation, carefully formatted texts and chapter illustrations.