These were for the most part dogs discarded and left to fate - tied to the railings of Kensington Gardens, found with a broken leg in the wilds of Turkey, adopted from an animal rescue home, passed on by the vet - but there was also a whippet of noble pedigree and three generations of a family of crossbreeds in which the whippet strain was strong. They were not pets, but indulged friends and companions, with all of whom he shared his bed, and who richly rewarded him with loyalty and affection. This is not a sentimental or determinedly anthropomorphic book - the dogs remain steadfastly dogs. It is observant and records the canine society of dog and dog as much as the relationship of man and dog. It is, at the same time, a deeply touching account of the lives and very different characters of seventeen dogs over eighty years or so, ranging from Jack Russell to Alsatian through half-boxer, half-pointer and half-Karabas, to purest indecipherable mongrel.

    It's what we do for each other all the time, deliberately or unintentionally. It's a way of telling about ourselves in the hope of being recognized as what we'd like to be."--Richard Avedon, 1974The preeminent stars and artists of the performing arts from the second half of the 20th century offered their greatest gifts—and, sometimes, their inner lives—to Richard Avedon. More than 200 are portrayed in Performance, many in photographs that have been rarely or never seen before. Of course, the great stars light the way: Hepburn and Chaplin, Monroe and Garland, Brando and Sinatra. But here too are the actors and comedians, pop stars and divas, musicians and dancers, artists in all mediums with public lives that were essentially performances, who stand at the pinnacle of our cultural achievement. The celebrated author and critic John Lahr offers an elegant assessment of Avedon’s achievement. Four supremely talented artists from the performing arts—Mike Nichols, André Gregory, Mitsuko Uchida, and Twyla Tharp—contribute lively and moving memoirs about their collaborations with Avedon.

    Many of his fabulous escapes, indeed, now sound more like legend than history, yet they really happened. He permitted himself to be thrown, manacled, into the Hudson River; to be nailed into packing cases and lowered into the ocean; to be suspended by the ankles, strait-jacketed, hundreds of feet above the ground — and in every case escaped easily.This book is Houdini’s own account of these exploits, supplemented with rare photographs and posters, first-hand material from periodicals and pamphlets, and behind-the-scenes revelations of some of the master’s most prized secrets: how he picked locks, how he sawed a girl in half to become twins, how he walked through a brick wall, how a girl can vanish from a sheet of plate glass without trapdoors, hoists, mirrors, or other such apparatus.There are also instructions for performing 44 stage tricks, including the coin and glass, the Indian needle trick, and other standards. These are illustrated with diagram sequences that cover every step in performance. Finally, of special interest to many readers are Houdini’s accounts of great magicians of history and of Houdini’s own battles with spiritualists and fraudulent mediums.

    It is unusual, remarkable, for a major writer also to be an accomplished photographer. Eudora Welty is one of the very few whose great talent has been expressed in both photographs and fiction. This book, Eudora Welty: Photographs, brings together in one volume about 250 representative photographs from the few thousand that she took during the 1930s, '40s, and '50s. Although her camera's view finder compresses much, like the frame in which she conceives her fiction, it finds elements that convey her deep compassion and her artist's sensibilities. From the confines of her native Mississippi these photographs unfold the world of Eudora Welty's art, reaching, extending, and exploring. In the Deep South of Depression times, when she began writing, she discovered the place into which she had been born and which would always be her subject. From here, as these photographs show, she approached and risked the outside world. From rural Mississippi to New Orleans, Charleston, New York City, and Yaddo, and then to Ireland, England, and the Continent, Welty widened her vision and expanded her art. These photographs reveal that both in her fiction and in the pictures she took it has always been in place, in the special qualities of what is local, that she found her impulse.

    Here’s why: In the 1960s hunger was going global. Asia was wracked by famine, Latin America was hungry, and Africa was about to face the Sahel drought and massive starvation.Worse still, almost half the world’s 3 billion people were under the age of 30. Billions of babies were about to be born into a planet unable to feed them.Then a miracle occurred: the productivity of wheat doubled, tripled and in some places quadrupled. It happened in almost 100 countries all at once.Soon thereafter, the productivity of rice, corn and other cereals followed suit.Borlaug worked only with wheat but he set the trend toward making cereal crops efficient in using land, sunlight, growing time, and inputs, not to mention immune to major diseases.Nowadays his influence can be seen worldwide: Most crop plants have gotten shorter. No longer shoulder-high, wheat is now waist high or knee high. No longer 12 feet tall, corn is now head-high. That is the most visible part of the Borlaug legacy. And it’s why 7 billion people are eating on the same land that half a century ago could not feed half that number.This farm kid from Iowa achieved all this under difficult conditions in a hungry country: Mexico. He did it with dedication and with conventional plant breeding. He gave his seeds away freely to all who asked. He trained young people from almost every wheat-growing nation, including the U.S. and Canada, and sent them home with seeds of his most advanced research lines. That is why food production soared so quickly and global famine was averted. Borlaug’s students – widely known as Wheat Apostles – were pre-positioned and pre-programmed to make the most of his latest and most productive seeds.Norman Borlaug is an Indiana Jones of our time. He was bold and adventurous and faced down difficulty (sometimes danger) his whole life. He is a great role model for humanitarian achievement.Our Daily Bread tells the Borlaug story in lively style. It has been called The World's First Cereal Thriller. The author worked with Borlaug and recorded the behind-the-scenes dramas that have not been made public until now.

    But for sheer cantankerousness, fighting moxie, and will to win, very few have come close to Leo "the Lip" Durocher. Following a five decade career as a player and manager for baseball's most storied franchises, Durocher teamed up with veteran sportswriter Ed Linn to tell the story of his life in the game. The resulting book, Nice Guys Finish Last, is baseball at its best, brimming with personality and full of all the fights and feuds, triumphs and tricks that made Durocher such a success and an outsized celebrity.

    Offers an intimate look at the work of Hollywood director John Ford through the observant eyes of actor Harry Carey, Jr.

    About fathers and sons. It’s about memory and identity, and an insidious illness that can rob a person of both.It’s also a detective story, an investigation into the improbable journey of a baseball bat from one of the most iconic moments in baseball history to a 12-year-old boy’s bedroom.

    At twenty, she graduated, the women’s professional soccer league folded, and her career was over. In Finding the Game, Oxenham, along with her boyfriend and two friends, chases the part of the game that outlasts a career. They bribe their way into a Bolivian prison, bet shillings on a game with moonshine brewers in Kenya, play with women in hijab on a court in Tehran—and discover what the world looks like when you wander down side streets, holding on to a ball. An entertaining, heartfelt look at the soul of a sport, this book is proof that on the field and in life, some things need no translation.

    Baseball, almost from the first moment Robinson saw it, was more than a sport. It was history, a nearly infinite ocean of information that begged to be organized. He realized that understanding the game, which he fell in love with as an adult, would never be possible just through watching games and reading articles. He turned his obsession into a dizzyingly entertaining collection of graphics that turned into an Internet sensation. Out of Robinson's Web site, www.flipflopflyball.com, grew this book, full of all-new, never-before-seen graphics. Flip Flop Fly Ball dives into the game's history, its rivalries and absurdities, its cities and ballparks, and brings them to life through 120 full-color graphics. Statistics-the sport's lingua franca-have never been more fun. (By the way, the answers: about 26,000 miles, at least if the team in question is the 2008 Kansas City Royals; 3,178 miles; they were the artists atop the Billboard Hot 100 when Ryan first and last appeared in MLB games.) Craig Robinson is, among other things, an Englishman and a New York Yankees fan with a soft spot for the Colorado Rockies and a man-crush on Ichiro. Last season he played outfield for the Prenzlauer Berg Piranhas in the Berlin Mixed Softball League (.452/.548/.575). His previous books include Atlas, Schmatlas: A Superior Atlas of the World and Fun Fun Fun.

    It presents a comprehensive selection of Mapplethorpe's nudes, portraits, self-portraits, floral still lifes and other works, including his best known and most controversial images. Mapplethorpe's choices were both innovative and bold, and his work has continued to resonate since his early death in 1989. His cutting-edge use of homoerotic and other challenging themes has become embedded in our culture, with pervasive echoes not only in the work of other artists but in mainstream advertising as well.

    It begins, appropriately, with the winter doldrums and "sweating out" a new contract, then follows the author and his family to spring training in Florida and through the full season s schedule to October. "One of the best baseball books ever written. It is probably one of the best American diaries as well." New York Times Book Review. "The greatest baseball book ever written." Jimmy Cannon."

    But inspired by Mookie’s legendary hustle, they would soon become the toast of New York. And even when their off-field antics—made famous by a contingency of the team called “the Scum Bunch”—eclipsed their on-field successes, Mookie stayed above the fray.In 1986, the Mets were a juggernaut, winning 108 games during the regular season and edging the Houston Astros for the National League pennant following a grueling 16-inning Game Six classic. In the World Series against Boston, in an epic at-bat that led to the Buckner error, Mookie would ignite a fire under the Mets, helping to force a Game Seven. New York would win to become World Champions.In an era when role models in sports were hard to come by, some tarnished by their own hubris and greed, Mookie Wilson remained the exception: a man of humility and honor when it mattered the most.WITH A FOREWARD BY KEITH HERNANDEZ

     The perfect gift for graduates or for the holidays, this title encourages readers to express their own unique creativity and sense of humor.

    There they were to suffer brutal beatings and little care or love – they survived as best they could, looking out for each other, until the terrible morning when Terry couldn’t wake Dennis.In a time when the country was united by war and struggle, this landmark case shocked the nation and made headlines around the world. Terry, a small figure in the courtroom, captured the hearts of mothers and families everywhere, and the public outcry against the foster services led to the instigation of the first provisions to protect other vulnerable children from neglect and cruelty.This is the remarkable true story of a boy who couldn’t save his brother, but whose actions have gone to save many other children from the same fate.