Will the difference in their social status manage to keep them apart? The Duke of My Heart Iris has it all. But when her father dies, she has to get married. Her plan is born. She and Daisy switch places but one night can change everything. Annabelle Enchants the Rejected Earl Annabelle's life changes when she's to marry the cruel Lord Watson. But she's fallen for Floyd, the caring, enigmatic stable boy. Or so she thinks of it... Inspirational romances that will warm your heart! If you love clean and wholesome, Regency romances with a strong woman heroine, and a decisive male character, then this collection is for you! *These are clean, stand-alone romances. Each book in the series is approximately 90.000 words (around 450 pages). No cheating, no cliffhangers, and a sweet happily ever after. Get this book for free with Kindle Unlimited!

    Posner's "Law and Literature" has handily lived up to the "Washington Post's" prediction that the book would "remain essential reading for many years to come." This new edition, extensively revised and enlarged, continues to emphasize the essential differences between law and literature, which are rooted in the different social functions of legal and literary texts. But it also explores areas of mutual illumination and expands its range to include new topics such as popular fiction about law, literary education for lawyers, the legal narrative movement, and judicial biography.Literary works from classics by Sophocles, Shakespeare, Dostoevsky, Melville, Kafka, and Camus to contemporary fiction by William Gaddis, Tom Wolfe, and John Grisham come under Posner's scrutiny, as do recent attempts to apply the techniques of literary analysis to statutes, judicial opinions, and the Constitution. In a section entirely new in this edition, Posner discusses the increasing efforts of legal scholars to enrich their scholarship by borrowing the methods and insights of literature--even by insisting that legal education is incomplete without the ethical insights afforded by an immersion in literature.Thoroughly rewritten and updated, free of legal and literary jargon, and informed by Posner's extensive erudition and legal experience, this book remains the most clear, acute, and comprehensive account of the intersection of law and literature--"a wonderfully original and instructive study of what literature has to teach us about the law, the methods of legal argument, and the interpretation of statutes and the Constitution" ("Wall Street Journal").

    Madilynn almost wishes she hadn't when it reveals she is a descendant of a fairy tale, and her parents tell her it's time for her to attend Lost Time Academy.
 Being thrown into a world that is literally full of fairy tales, the last thing she expects is to see the four guys she grew up with.
Four guys who have grown from boys to now geeky, dark, passionate men who rule the Academy…and they never forgot Madilynn. 
Time makes all tales come true, including the dark ones.
 Reverse harem & 17+ Contains exclusive bonus story and- Tales & Time Tales & Dreams Tales & Darkness Past Tales (Exclusive Bonus Story)

    Designed especially for those studying the topic for the first time, Beginning Postcolonialism introduces the major areas of concern in a clear, accessible, and organized fashion. It provides an overview of the emergence of postcolonialism as a discipline and closely examines many of its important critical writings.

    Where does my sense of self come from? Does it arise spontaneously or is it created by the media or society?This concern with the self, with our subjectivity, is now our main point of reference in Western societies. How has it come to be so important, and what are the different ways in which we can approach an understanding of the self? Nick Mansfield explores how our notions of subjectivity have developed over the past century. Analyzing the work of key modern and postmodern theorists such as Freud, Foucault, Nietzsche, Lacan, Kristeva, Deleuze and Guattari, and Haraway, he shows how subjectivity is central to debates in contemporary culture, including gender, sexuality, ethnicity, postmodernism, and technology.

    But beneath its glitzy surface, postmodernism had a dirty secret: it was the fig leaf for a rapacious new kind of capitalism. It was the forcing ground of “post truth,” by means of which western values were turned upside down. But where do these ideas come from and how have they impacted on the world?In this brilliant history of a dangerous idea, Stuart Jeffries tells a narrative that starts in the early 1970s and still dominates our lives today. He tells this history through a riotous gallery that includes, among others: David Bowie, the iPod, Madonna, Jeff Koons’s the Nixon Shock, Judith Butler, Las Vegas, Margaret Thatcher, Grand Master Flash, I Love Dick, the RAND Corporation, the Sex Pistols, Princess Diana, Grand Theft Auto, Jean Baudrillard, Netflix, and 9/11.We are today scarcely capable of conceiving politics as a communal activity because we have become habituated to being consumers rather than citizens. Politicians treat us as consumers to whom they must deliver. Can we do anything other than suffer from buyer’s remorse?

    Greg Carlisle, author of the landmark Wallace study Elegant Complexity, provides an introduction that sets the scene and speculates on the future of Wallace studies. Editor David Hering provides a provocative look at the triangular symbols in Infinite Jest. Adam Kelly explores the intriguing question of why Wallace is considered to be at the forefront of a new sincerity in American fiction. Thomas Tracey discusses trauma in Oblivion. Gregory Phipps examines Infinite Jest's John "No Relation" Wayne and the concept of the ideal athlete. Daniel Turnbull compares Wallace's Kenyon College commencement address to the ethics of Iris Murdoch. These 17 essays stem from the first ever academic conference devoted the work of David Foster Wallace. Held in Liverpool, England, in 2009, the conference sparked a worldwide discussion of the place of Wallace's work in academia and popular culture. Essential for all Wallace scholars, fans of Wallace's fiction and nonfiction will also find the collection full of insights that span Wallace's career. Yes, there are footnotes.

    . . Powers of Horror is an excellent introduction to an aspect of contemporary French literature which has been allowed to become somewhat neglected in the current emphasis on paraphilosophical modes of discourse. The sections on Céline, for example, are indispensable reading for those interested in this writer and place him within a context that is both illuminating and of general interest." -Paul de Man

    This story takes you behind the closed and guarded gates of a military station, giving you a fat-piece of the grand and mysterious life of the Indian Army Wifes.“An Army wife is probably the only woman in the world whoknows and readily accepts that she is the mistress, because, let’sface it, the Army is the wife and the wife gets all the damnattention!” Pia is a regular, civilian girl with no connection to Army whatsoever. Then she marries Arjun, an Indian Army Officer. For Pia, regular life is a thing of the past. She is now an Army wife. From ‘just Pia’ to an Aunty, a memsaab and – her favorite words in the whole wide world – Mrs Pia Arjun Mehra. At twenty six, Pia finds herself having to suddenly be more ‘lady-like’; focus on themed ladies’ meets, high teas and welfare functions; and deal with long (unexpected) separations from her husband, extraordinary challenges, a little heartache, and, well, growing up. In the mysterious and grand world of Army wives, Pia learns that walking in high heels is okay as long as you don’t trip on combat boots. She learns that ‘civil’ is also a noun, that JCO and GOC are (very!) different, that snacks are ‘shown’ and WTF is better explained as Whiskey Tango Foxtrot. Yes, it really is a new world! Let this quirky, hilarious story of the first year of Pia’s Army-wife life show you that the spice to a soldier’s life is most definitely his better, very strong, bloody extremely elegant, never-cussing, witty, warm and passionate half, his Army wife.

    Then the desperados came. They raped her and killed her husband, leaving her for dead. But she hunted them down and, along the way, found an inner strength and relentless determination that no man can match. Ellie thought the killing was over...that she'd put her guns away for good to run a ranch that she'd inherited from a legendary Texas Ranger. She was wrong. TEXAS VIGILANTE A prison wagon is on its way to Huntsville when one of the prisoners, ruthless killer Angel Ware, engineers a bold escape. Now free, and blaming his sister Sue for his arrest, Angel and a gang of three other escaped murderers track her and her family down to Ellie's ranch. Angel and his gang mount a bloody attack and take Sue's young child with them. There's a posse on its way, but Ellie Taine isn't going to wait. She saddles her horse and loads her guns, prepared to enforce the only justice she can rely on...her own. "As clean and sharp as a fine Bowie knife. Crider's prose slices through conventions and expectations," -Booklist

    All the questions his life and oeuvre raise about the role of the writer in society, the impact of books on sexual politics, the impact of sexual politics on books, the threat of censorship to free speech and written expression are, unfortunately, as fresh today as they ever were." Part biography, part memoir, part critical study, part exploration of sexual politics in our time, The Devil at Large is an event: a book that promises to rescue Miller from the facile charges of misogyny, anti-Semitism, and titillation that have been lobbed at him over the years, and brilliantly captures the exuberance, audacity, and energy that defined his life and art. More than that, it is a reunion between a young writer and her mentor. In 1974, while Fear of Flying was still a relatively obscure first novel, Erica Jong received an enthusiastic fan letter from Henry Miller, then an old man of eighty-three. Miller credited himself with "discovering" Jong, and his faithful correspondence guided her through a year of enormous change. The two writers - chastised and celebrated for their lusty prose, accused of conflating autobiography with fiction in their respective generations - found they were kindred spirits, and began a friendship that would last until Miller's death in 1980. "Make it all up!" was Miller's appeal to Jong to become his biographer. But in reexamining Miller, Jong has not had to fictionalize. She has imparted a deeper understanding of a life whose dramatic particulars have long since been mythologized, dramatized, and cannibalized by those in search of a lusty life story. Jong puts the works, the letters, the loves through a prism that clarifies the creative impulse, making this slim book a quintessential chronicle of a writer's life and a mirror of our

    In the first volume of Norman Sherry’s celebrated biography, Greene’s early life is explored through letters, diaries, and hundreds of interviews, including a breakdown in his early teens, his years at Oxford, and, most particularly, his long and tortuous courtship of his future wife. Sherry uncovers the origins of Greene’s literary preoccupations, as well as reasons for his conversion to Roman Catholicism. Greene’s development as a novelist, from the early success of The Man Within to his masterpiece, The Power and the Glory, is also explored in full, as Sherry literally follows Greene’s footsteps to West Africa and Mexico, penetrating the strange and emotional territory that Greene made into his own.

    As featured on the cover of Tikkun magazine How do we articulate a religious vision that embraces evolution and human authorship of Scripture?  Drawing on the Jewish mystical traditions of Kabbalah and Hasidism, path-breaking Jewish scholar Arthur Green argues that a neomystical perspective can help us to reframe these realities, so they may yet be viewed as dwelling places of the sacred.  In doing so, he rethinks such concepts as God, the origins and meaning of existence, human nature, and revelation to construct a new Judaism for the twenty-first century.

    Looking at both mass media and high art forms, she challenges the seeming transparency and apparent apolitical innocence of our visual images and verbal stories, asserting that these construct rather than reflect or express our experience of the world.

    This title talks about the problem of how the author proposed to enact his destruction of the metaphysical tradition and the role that his reading of Kant would play therein.