They offer a complex, boldly colored self-portrait; their muscular lines argue fiercely with the fact of limit; they pulse with the drama of perception and the quest to forge meaning.

    Wonder at Medusa's potent venom, Circe's fierce sorcery and Athena rising up over Olympus, as Nikita Gill majestically explores the untold stories of the life bringers, warriors, creators, survivors and destroyers that shook the world - the great Greek Goddesses.Vividly re-imagined and beautifully illustrated, step into an ancient world transformed by modern feminist magic.'I watch Girl become Goddessand the metamorphosis is moremagnificent than anythingI have ever known.'

    McPherson's preface thoughtfully discusses the import of Melville's book as a Civil War document. The introduction sketches Melville's pre-war concern with slavery in Moby Dick (1851) and Benito Cereno (1856). The seventy-two deeply moving, austerely beautiful lyrical poems about the Civil War include works on the hanging of John Brown, the assassination of Abraham Lincoln, and the battles at Donelson, Shiloh, and Gettysburg.Harvard University critic Helen Vendler's essay argues that Melville's innovative manner of transforming this epic matter of history into a new kind of lyric poem makes for arresting and wholly original poetry. For Boston University poet Rosanna Warren, the irregularity of Melville's verse forces readers to participate in the process of arriving at a dark knowledge of war. According to Richard Cox, the organization of Melville's poems conveys that the passions of the war will not cease and yet they seem to continue Abraham Lincoln's task of binding the nation's wounds. Paul Dowling reveals how the poet reshaped the war, distorting history to moderate wartime passions and to imitate Shakespeare's philosophical (but unpopular) dramas.Students and scholars of American literature and history, as well as Civil War enthusiasts, will welcome this outstanding new publication of a long-neglected volume of political poetry by one of America's classic novelists.

    It takes its legitimate place with the great works of the century of like kind, Ezra Pound's "Cantos," Louis Zukofsky's "A," Charles Olson's "Maximus," and Robert Duncan's "Passages." Its own specific character is, however, brilliantly singular."Robert Creeley"A late harvest of seeds sown by Blake, L. Frank Baum, the Bible, and Zukofsky, all in a new architecture, a wholly new voice, and even a new chemistry of words and images. It is for those who can see visions, and for those who know how to look well and be taught that they can see them."Guy Davenport

    Of The Dream Songs, A. Alvarez wrote in The Observer, "A major achievement. He has written an elegy on his brilliant generation and, in the process, he has also written an elegy on himself."The Dream Songs are eighteen-line poems in three stanzas. Each individual poem is lyric and organized around an emotion provoked by an everyday event. The tone of the poems is less surreal than associational or intoxicated. The principal character of the song cycle is Henry, who is both the narrator of the poems and referred to by the narrator in the poems.

    Barnes with a forward by Louis Untermeyer HC/DJ New York: Charles Scribner's Sons, 1945

    Includes "There's a certain slant of light," "Because I could not stop for death," "It was not death for I stood up."

    Wallace's best poems, contained within this collection, have been described as the work of someone sympathetic, magnanimous, brightly and deeply intelligent.

    A beautifully illustrated portrait of beat icons Kerouac, Snyder, and Whalen and the years in the Cascades high country that shaped their lives and work

    During Weldon Kees’s life, his poems appeared in all the most prestigious magazines of the day—Poetry (Chicago), the New Yorker, Kenyon Review, Partisan Review, and the Nation.

    Included are Stanyan Street, Kearney Street, The Yellow Unicorn, and a selection of lyrics from songs and poems written as early as 1954.

    Both are in every obvious respect what is generally termed masculine. There is no suggestion of the effeminate – nothing that could evoke the characterization of gay. Their backgrounds and personalities are thoroughly American, and they live and work in a completely normal man's social and professional world. Other men respect and admire their courage and ability and even their physical prowess. Women are very much attracted to both of them.Tim, the older the two, has already recognized and resolved the problem of his sexual deviation. Phillip has not. A product of rural American mores and attitudes, he has a fierce contempt for "queers" and at the same time a deep and secret dread that the germ of homosexuality maybe buried somewhere within himself. One or two incidences in his life have shaken him profoundly and have made him determined ruthlessly to crush any tendencies in himself as well as to avoid any close relations with other men. He is engaged to be married as soon as he is discharged from the Navy, and he intends to rear a big family, to take over the operations of his family's bank and other interests, and to become a responsible and civic-minded leader in his community.As the story opens, he has almost reached the refuge and security he has carefully planned. But then he meets Danelaw. From that moment the struggle begins – a tense and shattering emotional upheaval composed of aversion, self-contempt, admiration and – finally – love. There are other well-drawn characters in this drama – Phillip's exceptional family; his fiancée and her mother; Tim's fascinating wife; Lt. Bruner, the blackmailer; Stuff, the hard-boiled sailor who worshipped Philip. QUATREFOIL is a deeply moral novel. Two men of integrity and intellect are confronted with the knowledge that they are deviants from the normal pattern of our society – that most people in that society would abhor and persecute them if they openly avowed their difference. Both men avidly desire to live within the social conventions and to attain the ends that motivate all men – a home, a family, respecting in their community, an opportunity to do honest and satisfying work, to realize their ambitions.This is their problem and QUATREFOIL is their story. It will evoke some disturbing thoughts.

    This lively, visual biography highlights Kerouac's impact on the 1950s and 1960s and tracks his relentless devotion to his work, revealing the spirituality that was at its core. 150 color and b&w photos.

    Lorde published nine volumes of poetry which, in her words, detail "a linguistic and emotional tour through the conflicts, fears, and hopes of the world I have inhabited." Included here are Lorde's early, previously unavailable works: The First Cities, The New York Head Shop and Museum, Cables to Rage, and From a Land Where Other People Live.