A young boy and his yak bravely overcome all odds to get to Lhasa, giving a wise and simple message that will inspire children of any age to dream and reach for a shining goal that may seem "very far."

    This acclaimed best-seller, first published in 1978, transports readers into a world of pure magic and mystery.

    Her biggest worry is that Sasquatch may actually exist out in the forest. But when the federal government signs a bill into law that says Regina's tribe no longer exists, Regina becomes "Indian no more" overnight--even though she was given a number by the Bureau of Indian Affairs that counted her as Indian, even though she lives with her tribe and practices tribal customs, and even though her ancestors were Indian for countless generations.With no good jobs available in Oregon, Regina's father signs the family up for the Indian Relocation program and moves them to Los Angeles. Regina finds a whole new world in her neighborhood on 58th Place. She's never met kids of other races, and they've never met a real Indian. For the first time in her life, Regina comes face to face with the viciousness of racism, personally and toward her new friends.Meanwhile, her father believes that if he works hard, their family will be treated just like white Americans. But it's not that easy. It's 1957 during the Civil Rights Era. The family struggles without their tribal community and land. At least Regina has her grandmother, Chich, and her stories. At least they are all together.In this moving middle-grade novel drawing upon Umpqua author Charlene Willing McManis's own tribal history, Regina must find out: Who is Regina Petit? Is she Indian? Is she American? And will she and her family ever be okay?

    It's a deadly contest of man-vs-machine written with such power that this African-American folk hero becomes as awesome as a force of nature, yet as familiar as an older brother. Pinkney's stunning art shows John Henry's energy bursting from nature. Full color.

    "Giving Thanks" is a special children's version of the Thanksgiving Address, a message of gratitude that originated with the Native people of upstate New York and Canada and that is still spoken at ceremonial gatherings held by the Iroquois, or Six Nations.

    Faced with unceasing pressure, her father finally agrees to let her make the five-day journey to attend school, but he warns Margaret of the terrors of residential schools.At school Margaret soon encounters the Raven, a black-cloaked nun with a hooked nose and bony fingers that resemble claws. She immediately dislikes the strong-willed young Margaret. Intending to humiliate her, the heartless Raven gives gray stockings to all the girls -- all except Margaret, who gets red ones. In an instant Margaret is the laughingstock of the entire school.In the face of such cruelty, Margaret refuses to be intimidated and bravely gets rid of the stockings. Although a sympathetic nun stands up for Margaret, in the end it is this brave young girl who gives the Raven a lesson in the power of human dignity.Complemented by archival photos from Margaret Pokiak-Fenton's collection and striking artwork from Liz Amini-Holmes, this inspiring first-person account of a plucky girl's determination to confront her tormentor will linger with young readers.

    She races after them and comes upon an igloo. Being a curious girl, she goes inside only to find no one home. That's because the polar bear family who lives there is out walking while their breakfast cools off. Aloo-ki eats some soup, tries on their boots, and finally crawls into the smallest bed for a nap. Meanwhile, Papa, Mama, and Baby Bear see her dogs adrift, swim out to rescue them and return home to find Aloo-ki fast asleep in Baby Bear's bed.Jan traveled to the far North to meet the Inuit people and see the amazing land where they live. Dramatic illustrations capture the shimmering ice, snow and deep blue seas of the Arctic, and when Jan adds a raven-haired Inuit girl and her appealing huskies, an endearing family of polar bears, and playful Arctic animals in the borders, the result is one of her most beautiful picture books.The decorative Inuit patterns and clothing Jan uses throughout are sure to attract adult fans and collectors while children will want to listen to and look at this exciting version of a well-loved story over and over again.

    But when his world suddenly interlocks with an eccentric, bookish girl and a bitter old man who runs a toy booth in the station, Hugo's undercover life, and his most precious secret, are put in jeopardy. A cryptic drawing, a treasured notebook, a stolen key, a mechanical man, and a hidden message from Hugo's dead father form the backbone of this intricate, tender, and spellbinding mystery.

    . .When a black snake threatens to destroy the Earth And poison her people's water, one young water protectorTakes a stand to defend Earth's most sacred resource.

    But when she meets an elderly woman artist who lives next door, named Agnes––her world starts to change.Katherena and Agnes share the same passions for arts and crafts, birds, and nature. But as the seasons change, can Katherna navigate the failing health of her new friend?Award-winning author and artist Julie Flett’s textured images of birds, flowers, art, and landscapes bring vibrancy and warmth to this powerful story, which highlights the fulfillment of intergenerational relationships, shared passions, and spending time outdoors with the ones we love.Includes a glossary and pronunciation guide to Cree words that appear in the text.

    Fry bread is food.It is warm and delicious, piled high on a plate.Fry bread is time.It brings families together for meals and new memories.Fry bread is nation.It is shared by many, from coast to coast and beyond.Fry bread is us.It is a celebration of old and new, traditional and modern, similarity and difference.

    He kept them in a box beside his throne. But Ananse, the Spider man, wanted them -- and caught three sly creatures to get them. This story of how we got our own stories to tell is adapted from an African folktale.

    From all across the continent come tales of creation and love, of heroes and war, of animals, tricksters, and the end of the world. Alfonso Ortiz, an eminent anthropologist, and Richard Erdoes, an artist and master storyteller, Indian voices in the best folkloric sources of the nineteenth century to make this the most comprehensive and authentic volume of American Indian myths available anywhere.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    He finds the way to his old home, but the house is dark, with three rusty padlocks on the door. A black cat with eyes of fire appears and leads him through Prague's silent streets and monuments in seach of the three golden keys that will open the door of his boyhood home and restore the city to life. In this reissue of one of his most personal works, Peter Sís recaptures the wonder of his own lost childhood in Prague and celebrates the city's wonderful cultural heritage, reborn after forty-five years of Communist rule. He wrote it for his young daughter, Madeleine, who is growing up in the New World, so that when she is old enough to understand it she will have a record of the strange and wonderful heritage that is her birthright. An utterly magical book on every level.

    All her life, Edie has known that her mom was adopted by a white couple. So, no matter how curious she might be about her Native American heritage, Edie is sure her family doesn’t have any answers.Until the day when she and her friends discover a box hidden in the attic—a box full of letters signed “Love, Edith,” and photos of a woman who looks just like her.Suddenly, Edie has a flurry of new questions about this woman who shares her name. Could she belong to the Native family that Edie never knew about? But if her mom and dad have kept this secret from her all her life, how can she trust them to tell her the truth now?