Now, for the first time, that fiction has been gathered together in one place, ready to be enjoyed one twisting, tangled tale at a time. Her work crosses genres and subverts expectations.Meet the mad scientists of “Laughter at the Academy” and “The Tolling of Pavlov’s Bells.” Glory in the potential of a Halloween that never ends. Follow two very different alphabets in “Frontier ABCs” and “From A to Z in the Book of Changes.” Get “Lost,” dress yourself “In Skeleton Leaves,” and remember how to fly. All this and more is waiting for you within the pages of this decade-spanning collection, including several pieces that have never before been reprinted. Stories about mermaids, robots, dolls, and Deep Ones are all here, ready for you to dive in. This is a box of strange surprises dredged up from the depths of the sea, each one polished and prepared for your enjoyment. So take a chance, and allow yourself to be surprised.Enjoy.

    In "Stone Animals," a house's haunting takes the unusual form of hordes of rabbits that camp out nightly on the front lawn. This proves just one of several benign but inexplicable phenomena that begin to pull apart the family newly moved into the house as surely as a more sinister supernatural influence might. The title story beautifully captures the unpredictable potential of teenage lives through its account of a group of adolescent schoolfriends whose experiences subtly parallel events in a surreal TV fantasy series. Zombies serve as the focus for a young man's anxieties about his future in "Some Zombie Contingency Plans" and offer suggestive counterpoint to the lives of two convenience store clerks who serve them in "The Hortlak." Not only does Link find fresh perspectives from which to explore familiar premises, she also forges ingenious connections between disparate images and narrative approaches to suggest a convincing alternate logic that shapes the worlds of her highly original fantasies.Contents:The Faery Handbag (2004)The Hortlak (2003)The Cannon (2003)Stone Animals (2004)Catskin (2003)Some Zombie Contingency Plans (2005)The Great Divorce (2005)Magic for Beginners (2005)Lull (2002)

       When Mrs. Sorensen’s husband dies, she rekindles a long-dormant love with an unsuitable mate in “Mrs. Sorensen and the Sasquatch.” In “Open the Door and the Light Pours Through,” a young man wrestles with grief and his sexuality in an exchange of letters with his faraway beloved. “Dreadful Young Ladies” demonstrates the strength and power—known and unknown—of the imagination.  In “Notes on the Untimely Death of Ronia Drake,” a witch is haunted by the deadly repercussions of a spell. “The Insect and the Astronomer” upends expectations about good and bad, knowledge and ignorance, love and longing. The World Fantasy Award–winning novella The Unlicensed Magician introduces the secret magical life of an invisible girl once left for dead—with thematic echoes of Barnhill’s Newbery Medal–winning novel, The Girl Who Drank the Moon.

    The collection offers a haunting montage that works its magic subtly on the reader's subconscious. As Karen Joy Fowler, Author of The Jane Austen Book Club says, ''This lovely collection will take you, like a magic carpet, to some strange and wonderful places.'' The eminent novelist and critic Ursula K. Le Guin writes: ''From the exotic, baroque complexities of 'At the Huts of Ajala' to the stark, folktale purity of 'The Beads of Ku,' these fourteen superbly written stories will weave around you a ring of dark, dark magic.'' Matt Ruff, author of Set This House In Order and Bad Monkeys calls Filter House ''A traveling story-bazaar, offering treasures and curios from diverse lands of wonder.'' Tobias Buckell, author of Crystal Rain and Ragamuffin, says ''Nisi Shawl uses the tools of future and fable, usually used to explore the other, the future, and the mysterious, to magically reveal what and who we all are here and today.'' Karen Joy Fowler declares, ''Sometimes enigmatic, often surprising, always marvelous. This lovely collection will take you, like a magic carpet, to some strange and wonderful places.'' And Eileen Gunn, author of Stable Strategies, concurs that these are ''Remarkably involving stories that pull you along a path of wonder, word by word, in worlds where everything is a bit different.''

    Martin and Gardner Dozois, with the full cooperation of Jack Vance, his family, and his agents, suggest a Jack Vance tribute anthology called Songs of the Dying Earth, to encourage the best of today's fantasy writers to return to the unique and evocative milieu of The Dying Earth, from which they and so many others have drawn so much inspiration, to create their own brand-new adventures in the world of Jack Vance s greatest novel.Half a century ago, Jack Vance created the world of the Dying Earth, and fantasy has never been the same. Now, for the first time ever, Jack has agreed to open this bizarre and darkly beautiful world to other fantasists, to play in as their very own. To say that other fantasy writers are excited by this prospect is a gross understatement; one has told us that he'd crawl through broken glass for the chance to write for the anthology, another that he'd gladly give up his right arm for the privilege that's the kind of regard in which Jack Vance and The Dying Earth are held by generations of his peers.

    Whether its tales of murderous pirates who stalk the waters in search of treasure and blood, creatures that haunt the depths below―ones we’ve only seen in our nightmares, or storms that can swallow you whole, the open water can be a dangerous and terrifying place.With new stories from New York Times-bestsellers and award-winning authors such as Seanan McGuire, Christopher Golden, Stephen Graham Jones, and more, Devil and the Deep guarantees you’ll think twice before going back into the water.

    Included are works by Leigh Brackett, C. L. Moore, Ursula K. Le Guin, and Judith Merril. Introduction and Bibliography by the Editor.Content"No Woman Born" by C. L. Moore (1944)"That Only a Mother" by Judith Merril (1948)"Contagion" by Katherine MacLean (1950)"The Woman from Altair" by Leigh Brackett (1951)"Short in the Chest" by Margaret St. Clair (1954)"The Anything Box" by Zenna Henderson (1956)"Death Between the Stars" by Marion Zimmer Bradley (1956)"The Ship Who Sang" by Anne McCaffrey (1961)"When I Was Miss Dow" by Sonya Dorman Hess (1966)"The Food Farm" by Kit Reed (1966)"The Heat Death of the Universe" by Pamela Zoline (1967)"The Power of Time" by Josephine Saxton (1971)"False Dawn" by Chelsea Quinn Yarbro (1972)"Nobody's Home" by Joanna Russ (1972)"The Funeral" by Kate Wilhelm (1972)"Of Mist, and Grass, and Sand" by Vonda N. McIntyre (1973)"The Women Men Don't See" by James Tiptree, Jr. (1973)"The Warlord of Saturn's Moons" by Eleanor Arnason (1974)"The Day Before the Revolution" by Ursula K. Le Guin (1974)"The Family Monkey" by Lisa Tuttle (1977)"View from a Height" by Joan D. Vinge (1978)

    Featuring stories by Merc Rustad, Jeanne Thornton, Brit Mandelo, and others, this anthology offers time-honored tropes of the genre--from genetic manipulation to zombies, portal fantasy to haunts--but told from a perspective that breaks the rigidity of gender and sexuality.

    The tales are organized chronologically to give readers a sense of how the genre's range, vitality, and literary quality have evolved over time. Each tale offers a unique vision, an altered reality, a universe all its own. Readers can sample H.G. Well's 1903 story The Land Ironclads (which predicted the stalemate of trench warfare and the invention of the tank), Jack Williamson's The Metal Man, a rarely anthologized gem written in 1928, Clifford D. Simak's 1940s classic, Desertion, set on "the howling maelstrom that was Jupiter", Frederik Pohl's 1955 The Tunnel Under the World (with its gripping first line, "On the morning of June 15th, Guy Burckhardt woke up screaming out of a dream"), right up to the current crop of writers, such as cyberpunk's Bruce Sterling and William Gibson, whose 1982 story Burning Chrome foreshadows the idea of virtual reality, and David Brin's Piecework, written in 1990. In addition, Shippey provides an informative introduction, examining the history of the genre, its major themes, and its literary techniques.

    Howard had a gritty, vibrant style–broadsword writing that cut its way to the heart, with heroes who are truly larger than life.”–David GemmellIn a meteoric career that spanned a mere twelve years, Robert E. Howard single-handedly invented the genre that came to be called sword and sorcery. From his fertile imagination sprang some of fiction’s most enduring heroes. Yet while Conan is indisputably Howard’s greatest creation, it was in his earlier sequence of tales featuring Kull, a fearless warrior with the brooding intellect of a philosopher, that Howard began to develop the distinctive themes, and the richly evocative blend of history and mythology, that would distinguish his later tales of the Hyborian Age.Much more than simply the prototype for Conan, Kull is a fascinating character in his own right: an exile from fabled Atlantis who wins the crown of Valusia, only to find it as much a burden as a prize.This groundbreaking collection, lavishly illustrated by award-winning artist Justin Sweet, gathers together all Howard’s stories featuring Kull, from Kull’s first published appearance, in “The Shadow Kingdom,” to “Kings of the Night,” Howard’s last tale featuring the cerebral swordsman. The stories are presented just as Howard wrote them, with all subsequent editorial emendations removed. Also included are previously unpublished stories, drafts, and fragments, plus extensive notes on the texts, an introduction by Howard authority Steve Tompkins, and an essay by noted editor Patrice Louinet. “Howard was a true storyteller–one of the first, and certainly among the best, you’ll find in heroic fantasy. If you’ve never read him before, you’re in for a real treat.”–Charles de Lint“For stark, living fear . . . what other writer is even in the running with Robert E. Howard?”–H. P. Lovecraft

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    The first volume of this extraordinary new annual anthology series of fantastic literature explodes on the scene with works that sidestep expectations in beautiful and unsettling ways, that surprise with their settings and startle with the manner in which they cross genre boundaries, that aren't afraid to experiment with storytelling techniques, and yet seamlessly blend form with meaningful function. The delectable offerings found within these pages come from some of today's most distinguished contemporary fantasists and brilliant rising newcomers.Whether it's a touch of literary erudition, playful whimsy, extravagant style, or mind-blowing philosophical speculation and insight, the reader will be led into unfamiliar territory, there to find shock and delight.Introducing CLOCKWORK PHOENIX.

    A dimension of splendor, terror and wonder—a shadow land that lies just between the limits of the imagination. Your host and guide is one of the world's best-known storytellers—a modern master of the fantastic... Rod Serling.Here, together for the first time, are nineteen of Serling's most memorable tales from the legendary series. So sit back and enjoy. There's a signpost up ahead. You've just crossed over into... The Twilight Zone.

    His traps and machinations are the stuff of legends. His faces are legion. No matter what face the devil wears, Sympathy for the Devil has them all. Edited by Tim Pratt, Sympathy for the Devil collects the best Satanic short stories by Neil Gaiman, Holly Black, Stephen King, Kage Baker, Charles Stross, Elizabeth Bear, Jay Lake, Kelly Link, China Mieville, Michael Chabon, and many others, revealing His Grand Infernal Majesty, in all his forms. Thirty-five stories, from classics to the cutting edge, exploring the many sides of Satan, Lucifer, the Lord of the Flies, the Father of Lies, the Prince of the Powers of the Air and Darkness, the First of the Fallen... and a Man of Wealth and Taste. Sit down and spend a little time with the Devil.

    We asked twenty-one of today’s most talented and inventive writers to go even further and pen an original tale inspired by one of dozens of obscure and fascinating championship words. The result is Logorrhea–a veritable dictionary of the weird, the fantastic, the haunting, and the indefinable that will have you spellbound from the very first page. There’s only one word for such an irresistible anthology: Logorrhea