It's theme is the reader. Everyday we must live through moments of waiting--to get from one place to the next, from one appointment to another, for something to happen. This ingeniously useful compendium offers reading material to fill those gray moments with beauty, wonder, insight, and emotion. Organized by the time that the reader has available at that moment, the anthology provides a poem for that elevator ride to the lawyer's office; a short story for the thirty-minute commute; a novella for the three-hour plane ride. As ever, The Paris Review provides work from only the best writers of the last three generations.Among those to appear:- Mary Robison- Denis Johnson- Michael Chabon- Marilyn Hacker- Robert Pinsky- and many more.

    War Dances brims with Alexie’s poetic and revolutionary prose, and reminds us once again why he ranks as one of our country’s finest writers.With bright insight into the minds of artists, entrepreneurs, fathers, husbands, and sons, Alexie populates his stories with average men on the brink of exceptional change: In the title story, a son recalls his father’s “natural Indian death” from alcohol and diabetes, just as he learns that he himself may have a brain tumor; “The Ballad of Paul Nonetheless,” dissects a vintage clothing store owner’s failing marriage and courtship of a Puma-clad stranger in airports across the country; and “Breaking and Entering” recounts a film editor’s fateful confrontation with an thieving adolescent.Brazen and wise War Dances takes us to the heart of what it means to be human. The new beginnings, successes, mistakes, and regrets that make up our daily lives are laid bare in this wide-ranging new work that is quintessential.

    The House On Gable Street is a fast-paced supernatural story about 30,000 words long, almost a novella. Stephen Leather is one of the UK's most successful thriller writers, an ebook and Sunday Times bestseller and author of the critically acclaimed Dan “Spider’ Shepherd series and the Jack Nightingale supernatural detective novels.

    Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism.Even as Arundhati Roy began to ask what lay between these two calls for Freedom—a chasm or a bridge?—the streets fell silent. Not only in India, but all over the world. The coronavirus brought with it another, more terrible understanding of Azadi, making a nonsense of international borders, incarcerating whole populations, and bringing the modern world to a halt like nothing else ever could.In this series of electrifying essays, Arundhati Roy challenges us to reflect on the meaning of freedom in a world of growing authoritarianism.The essays include meditations on language, public as well as private, and on the role of fiction and alternative imaginations in these disturbing times.The pandemic, she says, is a portal between one world and another. For all the illness and devastation it has left in its wake, it is an invitation to the human race, an opportunity, to imagine another world.

    Clemmie stayed behind to begin a new life in the Mali desert, but now Emily fears for her cousin's safety. Returning to Africa with her new husband and two friends, she is determined to find out why Clemmie seems so desperately to need her help. Divinity is travelling to Mali to satisfy her curiosity about the land her father came from, and to source new materials for her design company. She doesn't expect the chaos and adventure she finds - nor the danger that seems to grow as her little group begin to make its way across the desert towards Clemmie...

    I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life cannot matter.The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric, the essay, and the visual in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America. With wit and intelligence, Rankine strives toward an unprecedented clarity-of thought, imagination, and sentence-making-while arguing that recognition of others is the only salvation for ourselves, our art, and our government.Don't Let Me Be Lonely is an important new confrontation with our culture, with a voice at its heart bewildered by its inadequacy in the face of race riots, terrorist attacks, medicated depression, and the antagonism of the television that won't leave us alone.

    You’ll see. Draw me just one more time.”No one knows if his mother will come out of her coma, so fourteen-year-old Jordie memorializes her in the only way he knows how: by drawing her. His older brother doesn’t approve of these sketches, but Jordie’s determined to capture the person she used to be. Unfortunately, Jordie must draw her from memory because his mom didn’t keep pictures, and her body in the hospital no longer looks like her. But the images of her are quickly fading, and if he doesn’t get a drawing right soon, the mother he remembers may slip away forever. No matter how close Jordie gets to completing a drawing, his mom’s most vital feature always evades him.Will Jordie capture his mother’s eyes? Or are they and his mother gone forever?Content Warning:SuicideDeathAnimal Death​Reader discretion advised

    Shares a collection of seemingly random events that took on meaningful significance in people's lives, each demonstrating the power of love and friendship.

    

    Le Guin, and with an introduction by Karen Joy Fowler, a collection of thoughts—always adroit, often acerbic—on aging, belief, the state of literature, and the state of the nation.Ursula K. Le Guin has taken readers to imaginary worlds for decades. Now she’s in the last great frontier of life, old age, and exploring new literary territory: the blog, a forum where her voice—sharp, witty, as compassionate as it is critical—shines. No Time to Spare collects the best of Ursula’s blog, presenting perfectly crystallized dispatches on what matters to her now, her concerns with this world, and her wonder at it.   On the absurdity of denying your age, she says, If I’m ninety and believe I’m forty-five, I’m headed for a very bad time trying to get out of the bathtub. On cultural perceptions of fantasy: The direction of escape is toward freedom. So what is ‘escapism’ an accusation of? On her new cat: He still won’t sit on a lap…I don’t know if he ever will. He just doesn’t accept the lap hypothesis. On breakfast: Eating an egg from the shell takes not only practice, but resolution, even courage, possibly willingness to commit crime. And on all that is unknown, all that we discover as we muddle through life: How rich we are in knowledge, and in all that lies around us yet to learn. Billionaires, all of us.

    When Nor’easter Igor unearths gold coins on Bounty Beach in Treasure Harbor, treasure seekers from near and far converge on the town in hopes of finding the treasure of a lifetime. Set in the Outer Banks of North Carolina in the seaside town of Treasure Harbor, this eight book series features heroes and heroines who are dealing with the fact that their beloved town has gone treasure crazy. Lara Callahan is a journalist living in Philadelphia and working for the Philadelphia Times newspaper. When her job sends her back to her hometown of Treasure Harbor, North Carolina in pursuit of a story about centuries old pirate’s treasure, Lara has mixed feelings. Years ago Lara left Treasure Harbor in order to seek a new life away from talk of buried treasure and the hunt for the elusive pirate’s booty. Her childhood was fractured by her parents’ obsession with finding the lost treasure; Lara still feels jaded about the dysfunction she and her sister, Avery, endured as a result. Now that she’s back in Treasure Harbor, Lara finds herself confronted by the ghosts of the past. Ryan Burton, her childhood best friend and the object of her teen crush, is now a gorgeous, kind man who is determined to find the treasure buried by his ancestor, Drake Burton. Although Lara quickly finds herself falling for Ryan, she isn’t sure that she can bear to watch someone she cares about become so consumed with the treasure. Ryan Burton can’t believe his eyes when Lara Callahan walks into Pirate Pizza looking all grown up and gorgeous. Years ago they were best friends before the enmity of their families and the centuries old Burton-Callahan feud tore them apart. Now an executive at the Burton import-export family business, Ryan is struggling to make his family proud of his achievements. Now that gold coins have washed up on Bounty Beach, the town is in a frenzy over the elusive treasure. Wanting to spend time with Lara, Ryan suggests they pool their resources since she’s writing a series of articles about the treasure and he’s officially become a treasure seeker. When romantic sparks fly between them, Ryan finds himself imagining a future with the spunky journalist. But when tensions rise over the treasure in the small seaside town, Ryan begins to realize that he and Lara are at odds over his pursuit of the treasure. Will Lara and Ryan find their way to a happy ending?

    . . for all the wrong reasons.Chuck:My whole life has been building to this moment. I've studied. I've trained. I've paid my dues. And as of this morning, I'm Engine 17's newest recruit.I've been on the clock for two hours…and I'm ready to throw in the towel. What could bring a fully trained firefighter and EMT to the breaking point? Was it a five-alarm blaze? Or a thirty-car pileup on the interstate?Nope.It's a silver maple tree, a black-and-white cat with eerie yellow eyes, and a platinum blonde with more curves than a rolled-up firehose. Alli O'Malley. Don't let her angel face fool you. I wouldn't be surprised if she has tiny devil horns hidden beneath her hair.*An earlier version of this story was published in the Spring into Love charity collection.Fall in love with the men of Engine 17 one novella at a time! Each standalone rom-com features a different fireman and his quest to find the one woman who will set his soul on fire.

    Funny, poignant and smart, full of unforgettable characters, these stories explore the violence of family, the constraints of small-town life and the elusive promise of escape.In "Ice Cream Man," an adolescent girl struggles to come to terms with her mother's death and her father's seeming indifference while conducting a secret affair with an older man from the local arena. Gerald, the young boy in "Big Dog Rage," goes to extreme and reckless measures to thwart the expectations of his parents, teachers, and the local priest, leaving his childhood friend to look longingly on. And in the title story, Bethany sees her gentle fiancé anew as she enters the raucous world of his hard-drinking family. Receiving a sharp shot to the mouth from her future sister-in-law Bethany finds her place in this clan secured.With her incisive, resonant prose, Lynn Coady elicits laughter, sadness, and compassion. Play the Monster Blind is a keenly observed, imaginative collection from one of the most distinctive talents to arrive on Canada's literary scene in years.

    At first I tried to deny my condition (trying to treat a tumor with hot baths and ice packs). Eventually, I decided I would learn as much about my illness as possible while trying to keep my emotions on hold.What followed was an experience that finally forced me to deal with issues about my body that I had tried to ignore for decades. Along the way I dealt with a physician who gave me ridiculous advice and acquaintances who asked unbelievable questions. But I was also fortunate to be surrounded by people who supported me and doctors who helped me through the process.

    This collection includes: "The Glass Essay," a powerful poem about the end of a love affair, told in the context of Carson's reading of the Brontë sisters; "Book of Isaiah," a poem evoking the deeply primitive feel of ancient Judaism; and "The Fall of Rome," about her trip to "find" Rome and her struggle to overcome feelings of a terrible alienation there.