From the author of My Song For Him Who Never Sang to Me and We Hardly See Each Other Any More, another intimate, illustrated collection of verse to share with those we love.

    In his sixth book of poems, James Galvin writes from a deep, philosophical engagement with the landscape and faces a "vertigo of solitude" with his marriage dissolved, his only daughter grown and gone, and the log house he built by hand abandoned. "What did I love that made me believe it would last?" he asks.Something has to be true enough to beTaken for granted.In the hospital I sawAn old manCaressing the face of an old woman.This same man, young, caressed her faceIn just that way.That’s the stillnessAt the center of change—A sadness worth dying for, I swear—There is no other.—from "Dying into What I’ve Done""James Galvin has a voice and a world, perhaps the two most difficult things to achieve in poetry."—The Nation"In James Galvin we have a superior poet."—American Book Review"Galvin’s poems have the virtues of precise observation and original language, yes, but what he also brings to the table is a rigor of mind and firmness of phrasing which make the slightest of his poems an architectural pleasure."—Harvard ReviewJames Galvin has published five collections of poetry, most recently Resurrection Update: Collected Poems 1975–1997, which was a finalist for the Los Angeles Times Book Award and the Lenore Marshall/The Nation Prize. He is also the author of the critically acclaimed prose book, The Meadow and a novel, Fencing the Sky. He lives in Laramie, Wyoming, where he works as a rancher part of each year, and in Iowa City, where he is a member of the permanent faculty of the University of Iowa Writers’ Workshop.

    Mad Woman, Anchors & Vacancies, Redamancy, and most of Throes are sectioned here to take you on a journey. From madness to love and the heartache in between, it's all here.

    S. Eliot, and Jrgen Moltmann's new book is a powerful testament to personal hope in chaotic, even catastrophic times.As Moltmann's award-winning volume The Coming of God laid out the systematic framework of eschatology (the doctrine of the ''last things''), so here he explores the personal meaning of that fundamental affirmation for Christians. Debunking the classic images of Christian apocalyptic scenarios, the final struggle between God and Satan, Christ and the AntichristArmageddonMoltmann instead shows that Christian expectation of the future has nothing to do with these but everything to do with new beginnings and a horizon of hope. Three parts explore three particular beginnings: birth (childhood and youth), rebirth (failures and defeats), and resurrection (death, judgment, afterlife).This brief volume promises to be one of Moltmann's most personal and compelling books.

    Patient meditations on loss and the land where the people we love live and are also buried.

    Where the world stresses the importance of success, Bird invites readers to embrace nine specific failures in the areas of our personal lives, our relationships, and the church. Why? Because what human wisdom deems indispensable is so often an impediment to our spiritual growth, and what it deems insignificant is so often essential to it.With compelling examples from the Bible and today, Bird paints an enticing picture of the counterintuitive, countercultural life that God wants for us. He helps readers delight in all of the ways that Jesus turned the world upside-down, allowing us to experience true freedom, not from our weaknesses but in the midst of them.

    Raised by a Jewish mother and abandoned by his professional poker-playing father, Antonucci found Jesus at age twenty after studying the New Testament. When he finally went to church, he was disappointed to discover a "boring, stale religion." Through provocative storytelling and raw honesty, Antonucci unearths the life Jesus lived and wants us to experience, challenging us to move past spiritual boredom into a faith that's exciting, beautiful, and powerful. Recommended for all Christians thirsty for a fresh perspective on Christianity.

    Divided into four chapters—waking up, growing pains, crushing realities, and disappointing beginnings—this collection covers everything from self-discovery and heartbreak to chronic illness and fresh starts.

    It is a depiction of sides that people don't readily show, sides of vulnerability, insecurity and tiny amounts of hope. One could say it is the result of shedding light into a world of secrecy, escapism, an alternate reality belonging to an alternate version of an individual. When No One Is Watching is the truth in its purest form.

    I needed a Viking. I needed someone who wasn't afraid of my strengths or of my needs. I chose wrong in the past...Beloved contemporary poet Alfa is back with a brand-new collection of more than 180 heartfelt poems on the theme of woman warriors and the masculine heroes they long for. In gorgeous, compelling, and intimate prose, I Needed a Viking takes us on an emotional journey of a woman searching for strength in the midst of a storm.

    The inaugural winner of the annual American Poetry Review/Honickman First Book Award.

    They throw us off rooftops and say we slipped. They shoot my father and say he was crazy. They put a bullet in my head and say they found me that way."Blending images of street life, drugs, and AIDS against hope and determination, Willie Perdomo is a cutting-edge bard who speaks to the soul of his generation.

    In this ambitious collection, Traci Brimhall corresponds with the urges of life and death within herself as she lives through a series of impossibilities: the sentencing of her friend’s murderers, the birth of her child, the death of her mother, divorce, a trip sailing through the Arctic. In lullaby, lyric essay, and always with brutal sincerity, Brimhall examines how beauty and terror live right alongside each other—much like how Nod is both a fictional dreamscape and the place where Cain is exiled for murdering Abel. By plucking at the tensions between life and death, love and hate, truth and obscurity, Brimhall finds what it is that ties opposing themes together; how love and loss are married in grief. Like Eve thrust from Eden, Brimhall is tasked with finding meaning in a world defined by its cruelty. Unrelenting, incisive, and tender, these poems expose beauty in the grotesque and argue that the effort to be good always outweighs the desire to succumb to what is easy.