Ancient pieces of technology that seem to have minds of their own, the relics interface with human psychology, granting the power to bend space and time—and often inducing psychosis. When the colonists of Andromeda first discovered the relics, long before Anka was born, humanity was plunged into chaos. Now Anka is carrying a relic in her pack, tasked with securing the object before it can do any harm. She and her companions set out across the desert by foot, marching towards the distant city— even as the relic begins to whisper in her mind...

    To a small English village, it is a vast organic presence, as ancient as time itself and seething with hidden life and forbidden legends...To its victims, it is a nameless horror beyond description, a razor-toothed evil, rising up from the murky depths to feast on human prey...To archaeologist David Macauley and his family, it is the ultimate scientific mystery -- and the ultimate experiment in terror...

    People go shopping. To the movies. Everything is just as it should be. But not for long.By Sunday, civilization is in ruins. Adults have become murderously insane. One by one they become infected with a crazed, uncontrollable urge to slaughter the young—even their own children. Especially their own children.Will this be the way the world ends, in waves of madness and carnage? What will be left of our world as we know it? And who, if anyone, will survive?Terror follows terror in this apocalyptic nightmare vision by one of the most powerful talents in modern horror fiction. Prepare yourself for mankind’s final days of fear.

    L. Moore '75 essay by Lester del Rey Shambleau [Northwest Smith] '33 novelette by C. L. Moore Black Thirst [Northwest Smith] '34 novelette by C. L. Moore The Bright Illusion '34 story by C. L. Moore Black God's Kiss [Jirel of Joiry] '34 novelette by C. L. Moore Tryst in Time '36 novelette by C. L. Moore Greater Than Gods '39 novelette by C. L. Moore Fruit of Knowledge '40 novelette by C. L. Moore No Woman Born '44 novelette by C. L. Moore Daemon '46 story by C. L. Moore Vintage Season '46 novella by Henry Kuttner & C. L. Moore Afterword--Footnote to Shambleau & Others '75 essay by C. L. Moore

     He remembered his own excitement as a child, innocent and sweet, and just wanted to give his daughters a present to remember. They certainly won't forget this dollhouse. It's cursed, and he doesn't know how to stop it, and all he wanted to do was be a good father.

    Dick and Thomas Harris, Etchinson's award-winning fiction is justly known for its creepy ambiance.

    We dare you to read them alone, late at night. The moon is full. The clock strikes twelve. Don't be afraid. But what's that sound? Footsteps in the hall? It's just the dog. That creaking door? Merely the wind blowing. And is that a face at the window? Or is it just your imagination? Read these stories at your own risk. . .but be prepared to be scared out of your wits.

    But they aren't selling like they used to. In fact, they aren't selling at all and the only alternative to winding the company up is to tap the government for a research grant. And so Wompler Research Laboratories and Project 32 come into being. The plan is to produce self replicating mechanisms; identical cells equipped to repair intracellular breakdowns, convert power from their environment and create new cells. But suddenly the nondescript grey metal boxes start crawling about the laboratory, feeding voraciously on any metal... and multiplying at an alarming rate.

    Beautiful, hypnotic, ancient, it was the sacred -- and deadly -- talisman of the fabled Leopard Men of Africa.Unsuspected, it would crawl its way into his mind, bringing horrifying destruction into his home. And unresisted, it would demand an unbelievable sacrifice. And then -- perhaps -- it would move on...

    His stories are masterpieces of psychological suspense and mystery, and they have inspired classic movies like Hitchcock's Rear Window and Truffaut's The Bride wore Black. This collection brings together twelve of his finest, most powerful and disturbing tales.Contains the stories:- Graves for the Living- The Red Tide- The Corpse Next Door- You'll Never See Me Again- Dusk to Dawn- Murder at the Automat- Death in the Air- Mamie 'n' Me- The Screaming Laugh- One and a Half Murders- Dead on Her Feet- One Night in Barcelona- The Penny-a-Worder- The Number's Up- Too Nice a Day to Die- Life is Weird Sometimes(N.B: The last four stories are not included in the Crime Masterworks edition.)

    He hunts in packs, like a wolf. Incredibly, he is the only animal other than man who kills for revenge. He has one mate, and if she is harmed by man, he will hunt down that person with a relentless, terrible vengeance--across seas, across time, across all obstacles.

    The original novella can be found hereLAWYER BY DAY...BAD BOY BIKER BY NIGHTFlint knows a smart woman like Kendra would never fall for a man like him.Nothing more than a common outlaw hiding behind a designer suit.A seriously bad guy.As VP of the Steel Infidels, he isn't above doing whatever it takes to protect the MC.Veterinarian Dr. Kendra Shaw has never ignored an animal in need.When a call comes in about an injured eagle she doesn't think twice about going alone to a secluded cabin to meet the caller. What she finds there sets her on a shocking path she never could've imagined.***Liberated is full-length, standalone romance novel featuring a kick a** heroine and a tough biker who looks mighty fine in a designer suit. There are no cliffhangers or cheating and an HEA is guaranteed!***

    While its citizens have fallen on hard times, they’ve managed to survive decades of harsh, northern winters. But when drifter Sarah Pembrooke rolls into town looking for work, the frigid cold will be the least of their worries.

    Although he is best known today for his scripts for television and film, including several classic episodes of The Twilight Zone, Beaumont is being rediscovered as a master of weird tales, and this, his first published collection, contains some of his best. Ranging in tone from the chilling Gothic horror of "Miss Gentilbelle," where an insane mother dresses her son up as a girl and slaughters his pets, to deliciously dark humor in tales like "Open House" and "The Infernal Bouillabaisse," where murderers' plans go disastrously awry, these seventeen stories demonstrate Beaumont's remarkable talent and versatility. This new edition of The Hunger and Other Stories, the first in more than fifty years, includes a new introduction by Dr. Bernice M. Murphy, who argues for reevaluation of Beaumont alongside the other greats of the genre, including Shirley Jackson, Ray Bradbury, and Richard Matheson.Contents:Miss Gentilbelle • (1957) The Vanishing American • (1955)A Point of Honor • (1955) Fair Lady • (1957) Free Dirt • (1955) Open House • (1957)The Train • (1957) The Dark Music • (1956) The Customers • (1957)Last Night in the Rain • (1956)The Crooked Man • (1955) Nursery Rhyme • (1957) The Murderers • (1955) The Hunger • (1955) Tears of the Madonna • (1957) The Infernal Bouillabaisse • (1957)Black Country • (1954)

    Originating in the wild imagination of French poet and playwright Alfred Jarry and his schoolmates, resisting clear definition, purposefully useless, and almost impossible to understand, 'pataphysics nevertheless lies around the roots of Absurdism, Dada, futurism, surrealism, situationism, and other key cultural developments of the twentieth century. In this account of the evolution and influence of 'pataphysics, Andrew Hugill offers an informed exposition of a rich and difficult territory, staying aloft on a tightrope stretched between the twin dangers of oversimplifying a serious subject and taking a joke too seriously. Drawing on more than twenty-five years' research, Hugill maps the 'pataphysical presence (partly conscious and acknowledged but largely unconscious and unacknowledged) in literature, theater, music, the visual arts, and the culture at large, and even detects 'pataphysical influence in the social sciences and the sciences. He offers many substantial excerpts (in English translation) from primary sources, intercalated with a thorough explication of key themes and events of 'pataphysical history. In a Jarryesque touch, he provides these in reverse chronological order, beginning with a survey of 'pataphysics in the digital age and working backward to Jarry and beyond. He looks specifically at the work of Jean Baudrillard, Georges Perec, Italo Calvino, J. G. Ballard, Asger Jorn, Gilles Deleuze, Roger Shattuck, Jacques Pr?vert, Antonin Artaud, Ren? Clair, the Marx Brothers, Joan Mir?, Max Ernst, Marcel Duchamp, James Joyce, Flann O'Brien, Raymond Roussel, Jean-Pierre Brisset, and many others.