When Ned's mother Jenny suffers a breakdown and retreats from her husband's carelessness into a dream world, Ned becomes part of his father's seedy nocturnal world, touring the town's bars and pool halls, struggling to win Sam's affections while avoiding his sins.

    In his earlier novels, he has written about conspiracy theory, the Cold War and global terrorism. Now, in Point Omega, he looks into the mind and heart of a "defense intellectual", one of the men involved in the management of the country's war machine. Richard Elster was a scholar—an outsider—when he was called to a meeting with government war planners, asked to apply "ideas and principles to such matters as troop deployment and counterinsurgency". We see Elster at the end of his service. He has retreated to the desert, "somewhere south of nowhere", in search of space and geologic time. There he is joined by a filmmaker, Jim Finley, intent on documenting his experience. Finley wants to persuade Elster to make a one-take film, Elster its single character—"Just a man and a wall."Weeks later, Elster's daughter Jessica visits—an "otherworldly" woman from New York, who dramatically alters the dynamic of the story. The three of them talk, train their binoculars on the landscape, and build an odd, tender intimacy, something like a family. Then a devastating event throws everything into question. In this compact and powerful novel, it is finally a lingering human mystery that haunts the landscape of desert and mind.

      The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny. Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

    Fortunately, poison is the very superfood of the satirist. Patty Friedmann, the reigning queen of black comedy, hits one out of the park with her family straight out of Tolstoy--unhappy in its own way, a uniquely twisted Southern way. Meet the Baileys. Born and bred in a working class New Orleans neighborhood, Zib and Wilson think the thick cloud of cigarette smoke enveloping their mother is what probably killed their father. Certainly the toxicity of Jerusha’s dark, cynical attitudes has driven her children far from the nest. Wilson has escaped to Chicago, married a woman who hates him, converted to Judaism, and become a decorated professor of Organic Evolution. Zib, almost forty, has made it only as far as the Florida Panhandle, where she's an assistant manager at the local Winn-Dixie, doomed to fending off a sleazy boss given to late night phone calls. Only one person, as isolated as she is, shows Jerusha any affection: Dustin Puglia, chubby, wise, and fearless, a ten-year-old living next door with a poisonous mother of his own. Although Wilson and Zib have forged independent lives away from their mother—as well as each other—their father's death brings them back together for a darkly droll, yet heart-wrenching round of domestic insanity. Does it remind you of AUGUST: OSAGE COUNTY? Or THE ROYAL TENENBAUMS? Patty Friedmann got there first! And she’s just as funny and observant as the authors of those splendid screenplays. Who Will Like It: Fans of off-beat dark comedies like AUGUST: OSAGE COUNTY, THE ROYAL TENENBAUMS, family dramas with a lot more humor than THE CORRECTIONS, the incomparable CONFEDERACY OF DUNCES, and another mistress of the twisted, Flannery O’Connor. Not to mention Patty Friedmann's other books: TOO JEWISH #1 TOO JEWISH: THE NEXT GENERATION (formerly The Exact Image of Mother) PICK-UP LINE (formerly Side Effects) ELEANOR RUSHING A LITTLE BIT RUINED ODDS “Secondhand Smoke does not seek life in fancy words and clever euphemisms. It tingles because it’s raw and true … The way [Friedmann] carves a sentence gives you the sense that she’s always known how to do it.” –Critique Magazine

    It has been translated into sixteen languages, made into a prize-winning motion picture, and staged as a play at high schools all over the United States; its very title has become part of the American idiom.Never before has a novel so compellingly laid bare the inner workings of a metropolitan high school. Up the Down Staircase is the funny and touching story of a committed, idealistic teacher whose clash with school bureaucracy is a timeless lesson for students, teachers, parents--anyone concerned about public education. Bel Kaufman lets her characters speak for themselves through memos, letters, directives from the principal, comments by students, notes between teachers, and papers from desk drawers and wastebaskets, evoking a vivid picture of teachers fighting the good fight against all that stands in the way of good teaching.

    An unforgettable story of coming of age in America, it is also an essential milestone in the movement of American fiction, from a novelist who has become one of the most important and enduring voices of this generation.

    To this town there comes one day one of the reckless sociopaths who wander the West to kill and rape and pillage. By the time he is through and has ridden off, Hard Times is a smoking ruin. The de facto mayor, Blue, takes in two survivors of the carnage–a boy, Jimmy, and a prostitute, Molly, who has suffered unspeakably–and makes them his provisional family. Blue begins to rebuild Hard Times, welcoming new settlers, while Molly waits with vengeance in her heart for the return of the outlaw. Here is E. L. Doctorow’s debut novel, a searing allegory of frontier life that sets the stage for his subsequent classics.

    Scott Fitzgerald’s ongoing lush fantasies about the extremes of wealth with his much more somber understanding of what underpins it.  Loosely inspired by a summer he spent as a teenager working on a ranch in Montana, The Diamond as Big as the Ritz is Fitzgerald’s hallucinatory paean to the American West and all its promises.It’s the story of John T. Unger, a young Southerner who goes to Montana for summer vacation with a wealthy college classmate. But the classmate’s family proves to be much more than simply wealthy: They own a mountain made entirely of one solid diamond. And they’ve gone to dreadful lengths to conceal their secret … meaning John could be in danger.But the family also has a daughter, lovely Kismine, and with her help, John may yet escape the fate her family has meted out to all their other guests so far …

    But he has yet to meet the test of human conflict. In a tale of violent action and superbly sustained suspense, the harsh realities of tribal warfare force him to kill his first foe, then face torture at the stake. Still yet another kind of initiation awaits him when he discovers not only the ruthlessness of "civilized" men, but also the special danger of a woman's will. His reckless spirit transformed into mature courage and moral certainty, the Deerslayer emerges to face life with nobility as pure and proud as the wilderness whose fierce beauty and freedom have claimed his heart.

    Grandson of George Crosby (the protagonist of Tinkers), Charlie inhabits the same dynamic landscape of New England, its seasons mirroring his turbulent emotional odyssey. Along the way, Charlie's encounters are brought to life by his wit, his insights into history, and his yearning to understand the big questions.

    But no one knows about the early life of the Son of God, the missing years—except Biff, the Messiah's best bud, who has been resurrected to tell the story in the divinely hilarious yet heartfelt work "reminiscent of Vonnegut and Douglas Adams" (Philadelphia Inquirer).Verily, the story Biff has to tell is a miraculous one, filled with remarkable journeys, magic, healings, kung fu, corpse reanimations, demons, and hot babes. Even the considerable wiles and devotion of the Savior's pal may not be enough to divert Joshua from his tragic destiny. But there's no one who loves Josh more—except maybe "Maggie," Mary of Magdala—and Biff isn't about to let his extraordinary pal suffer and ascend without a fight.

    1,091 and dwindling) is eating Gilbert Grape, a twenty-four-year-old grocery clerk who dreams only of leaving. His enormous mother, once the town sweetheart, has been eating nonstop ever since her husband's suicide, and the floor beneath her TV chair is threatening to cave in. Gilbert's long-suffering older sister, Amy, still mourns the death of Elvis, and his knockout younger sister has become hooked on makeup, boys, and Jesus--in that order, but the biggest event on the horizon for all the Grapes is the eighteenth birthday of Gilbert's younger brother, Arnie, who is a living miracle just for having survived so long. As the Grapes gather in Endora, a mysterious beauty glides through town on a bicycle and rides circles around Gilbert, until he begins to see a new vision of his family and himself.

    Almost immediately, while checking into her hotel, she is robbed, her passport and all identification stolen. The crime is investigated by the police, but the woman feels there is a strange complicity between the hotel staff and the authorities—she knows she’ll never see her possessions again.Stripped of her identity, she feels both burdened by the crime and liberated by her sudden freedom to be anyone at all. Then, a chance encounter with a film crew provides an intriguing opportunity: A producer sizes her up and asks, would she be willing to be the body-double for a movie star filming in the city? And so begins a strange journey in which she’ll become a stand-in—both on-set and off—for a reclusive celebrity who can no longer circulate freely in society while gradually moving further away from the person she was when she arrived in Morocco.Infused with vibrant, lush detail and enveloped in an intoxicating atmosphere—while barely pausing to catch its breath—The Diver's Clothes Lie Empty is a riveting, entrancing novel that explores freedom, power and the mutability of identity.

    Yankee Doodle called his feathered cap "Macaroni."