Thirty years later, the music made in Laurel Canyon continues to pour from radios, iPods, and concert stages around the world. During the canyon's golden era, the musicians who lived and worked there scored dozens of landmark hits, from "California Dreamin'" to "Suite: Judy Blue Eyes" to "It's Too Late," selling tens of millions of records and resetting the thermostat of pop culture.In Laurel Canyon, veteran journalist Michael Walker tells the inside story of this unprecedented gathering of some of the baby boom's leading musical lights—including Joni Mitchell; Jim Morrison; Crosby, Stills, and Nash; John Mayall; the Mamas and the Papas; Carole King; the Eagles; and Frank Zappa, to name just a few—who turned Los Angeles into the music capital of the world and forever changed the way popular music is recorded, marketed, and consumed.

    With never-before-seen photos and immersive vivid detail, Frantz describes life on tour, down to the meals eaten and the clothes worn--and reveals the mechanics of a long and complicated working relationship with a mercurial frontman.At the heart of Remain in Love is Frantz's love for Weymouth: their once-in-a-lifetime connection as lovers, musicians, and bandmates, and how their creativity surged with the creation of their own band Tom Tom Club, bringing a fresh Afro-Caribbean beat to hits like "Genius of Love."Studded with memorable places and names from the era--Grace Jones, Andy Warhol, Stephen Sprouse, Lou Reed, Brian Eno, and Debbie Harry among them--Remain in Love is a frank and open memoir of an emblematic life in music and in love.

    Dea Bala never expected the outpouring of responses that would follow. She was working as a lobbyist when the idea was born: she'd chat up respondents on the phone or at a coffee shop and let them tell her about their lives. Dea Bala soon had to quit her day job to make time for all of the Craigslist sessions. She took notes during each conversation and journaled about the emotional experience to expertly inhabit the voice of each subject. What emerges is a collection of narratives, all in first person, of anonymous people revealing their deepest, darkest secrets; or at least the most poignant moments of their lives. Infidelity, addiction, loss, corruption, the search for unconditional love—reading these carefully, empathetically crafted monologues reveals how suffering is something we all have in common. Each tragedy or triumph is unique, but the intensity of feeling is not.

    This updated edition of David Walley's cutting-edge classic includes a new foreword, a substantial chapter carrying the Zappa saga through his death from cancer, an afterword, bibliography, discography, videography, and guide to Zappa on the Internet. From 1960's Freak Out! to the posthumous Civilization Phaze III, No Commercial Potential offers converts and connoisseurs the most practical and penetrating book ever written on the musical phenomenon known as Frank Zappa.

    Gimme Something Better brings this outrageous and influential punk scene to life, from the notorious final performance of the Sex Pistols, to Jello Biafra's bid for mayor, the rise of Maximum RocknRoll magazine, and the East Bay pop-punk sound that sold millions around the globe. Throngs of punks, including members of the Dead Kennedys, Avengers, Flipper, MDC, Green Day, Rancid, NOFX, and AFI, tell their own stories in this definitive account, from the innovative art-damage of San Francisco's Fab Mab in North Beach, to the still vibrant all-ages DIY ethos of Berkeley?s Gilman Street. Compiled by longtime Bay Area journalists Jack Boulware and Silke Tudor, Gimme Something Better chronicles more than two decades of punk music, progressive politics, social consciousness, and divine decadence, told by the people who made it happen.

    Called "by far the best study of Presley I have ever read. . . Impressively researched written—and felt" by New York Times bestselling author Philip Norman (author of John Lennon and Shout!) and “the most entertaining Elvis book ever” by New York Times bestselling author Jimmy McDonough (Shakey: Neil Young's Biography), Baby, Let’s Play House is the first-ever Elvis book to focus solely on his complex relationships with women, including celebrities such as Ann-Margret, Linda Thompson, Mary Ann Mobley, Cher, Raquel Welch, Barbara Eden, and Cybill Shepherd. Featuring dozens of exclusive interviews and scores of never-before-seen photos, Baby, Let’s Play House is a must-have collector’s item for fans of The King everywhere.

    Peter Pettinger, himself a concert pianist, describes Evans’s life (the personal tragedies and commercial successes), his musicmaking (technique, compositional methods, and approach to group playing), and his legacy. The book also includes a full discography and dozens of photographs.

    Formed in Burlington, Vermont, this determined foursome of high-IQ misfits developed their uniquely telepathic chemistry playing that college town's club scene. Vermont's best-kept secret rose to national prominence in the nineties, when they became the most obvious heirs to the Grateful Dead's legacy as onstage improvisers and touring Pied Pipers. With a raft of self-imposed challenges, Phish mapped out much new territory, as well. Wildly eclectic, endlessly resourceful, and ever unpredictable, Phish were at the forefront of the jam-band movement, an organic alternative to the mainstream status quo that caught the ears and imagination of millions. Drawing upon nearly 15 years of exclusive interviews with the members of Phish and those in their employ, veteran music journalist Parke Puterbaugh delivers an insightful and authoritative biography of this beloved band and their quixotic career. Phish: The Biography thoroughly traces the quartet's history from their formative years to their spectacular success as a prolific touring phenomenon. Puterbaugh examines the colorful chemistry - the unique mix of personalities, backgrounds and talents - that inspired the members of Phish to push their four-way experiment to the limit. He documents their rigorous work ethic, boundless creativity, and all of the resulting innovations, including a series of one-band festivals that served as the blueprint for Bonnaroo and a slew of latter-day rock festivals. Moreover, he details how Phish distilled classical discipline, jazz improvisation, and rock instrumentation and attitude into an intoxicating brew that kept hordes of fans coming back show after show, encouraging them to digest and debate every note and nuance. The book also candidly addresses the bumps in the road that followed Phish's ascent to popularity, as rock's hardest-working band also became one of its hardest-partying entities. Mounting excesses and internal dissent led to a two-year hiatus, a dramatic breakup, and a well-documented drug bust and courageous recovery from addiction for guitarist Trey Anastasio. The tale concludes with Phish's triumphant reunion in 2009, marking one of the greatest comebacks in music history. An intimate and fascinating portrait, Phish: The Biography is the definitive story of these Vermont jamband legends.

    He later worked with the Beatles as they recorded their singles “She Loves You” and “I Want to Hold Your Hand,” the songs that would propel them to international superstardom. In 1964 he would witness the transformation of this young and playful group from Liverpool into professional, polished musicians as they put to tape classic songs such as “Eight Days A Week” and “I Feel Fine.” Then, in 1966, at age nineteen, Geoff Emerick became the Beatles’ chief engineer, the man responsible for their distinctive sound as they recorded the classic album Revolver, in which they pioneered innovative recording techniques that changed the course of rock history. Emerick would also engineer the monumental Sgt. Pepper and Abbey Road albums, considered by many the greatest rock recordings of all time. In Here, There and Everywhere he reveals the creative process of the band in the studio, and describes how he achieved the sounds on their most famous songs. Emerick also brings to light the personal dynamics of the band, from the relentless (and increasingly mean-spirited) competition between Lennon and McCartney to the infighting and frustration that eventually brought a bitter end to the greatest rock band the world has ever known.

    Grateful Dead: The Illustrated Trip features seminal posters, memorabilia, and ephemera; personal essays that give revealing insights into life in the band and on the road; and all the facts — biographies of the band members, all the albums and key songs, and every tour date ever played.Grateful Dead: The Illustrated Trip is the definitive illustrated biography for die-hard Deadheads and new fans alike.

    Indispensable for understanding the culture of the '60s and the music that was at its heart." - starred review, Kirkus ReviewsIn 1966, at the ripe age of 22, Richard Goldstein approached The Village Voice with a novel idea. "I want to be a rock critic," he said. "What's that?" the editor replied.It was a logical question, since rock criticism didn't yet exist. In the weekly column he would produce for theVoice, Goldstein became the first person to write regularly in a major publication about the music that changed our lives. He believed deeply in the power of rock, and, long before it was acceptable, he championed the idea that this music was a serious art form. From his unique position in journalism, he saw the full arc of events that shaped culture and politics in the 1960s--and participated in them, too. He toured with Janis Joplin, spent a day at the Grateful Dead house in San Francisco, and dropped acid with Brian Wilson and the Beach Boys. He was present for Martin Luther King's "I Have a Dream" speech, the student uprising at Columbia, and the riots at the 1968 Democratic Convention. He was challenged to a boxing match by Norman Mailer, and took Susan Sontag to her first disco. Goldstein developed close relationships with several rock legends--Janis Joplin and Jim Morrison, to name two--and their early deaths came as a wrenching shock, fueling his disillusionment as he watched the music he loved rapidly evolve from a communal rite to a vast industry--and the sense of hope for radical social upheaval fade away.Another Little Piece of My Heart is the intimate memoir of the writer as a young man with profound ambition. It is also a sweeping personal account of a decade that no one else could provide--a deeply moving, unparalleled document of rock and revolution in America.

    Bill was also one of the most influential broadcasters of all time, an inspiration to legions of his fellow broadcasters who looked up to him. No less an authority than John Madden tells Ken Korach in this 80,000-word testament to Bill’s uniqueness that when he turned from coaching to broadcasting, no one was more of an influence on him than Bill. But this was true of Bill the man as well, not merely Bill the broadcaster. “We all wanted to live vicariously through Bill. The things that he did, we wished we could do,” Madden tells Ken Korach. Korach, longtime voice of the A’s and Bill’s partner for ten seasons until King’s death in 2005, is the perfect one to bring Bill to life on the page. A half-century ago, Ken Korach was a kid in Los Angeles, spinning the night dial to tune in Warriors basketball games from faraway San Francisco for one reason: He just had to hear Bill. Now, in Holy Toledo – Lessons from Bill King, Renaissance Man of the Mic, he tells the remarkable story of King the legendary baseball, basketball and football broadcaster. Bill was a student of Russian literature, a passionate sailor, a fan of eating anything and everything from gourmet to onions and peanut butter, a remarkable painter. Korach draws on a lifetime of listening to and learning from King – as well as extensive research, including more than fifty interviews with King’s family members, colleagues, friends and associates – to create this rich portrait, eagerly awaited by thousands of fans who have flocked to the Holy Toledo Facebook page and heard about the book through Ken’s media appearances.Holy Toledo features a moving foreword by Hall of Fame broadcaster Jon Miller, previously of ESPN, and a brilliant cover by Mark Ulriksen, internationally recognized for his New Yorker magazine covers, that captures King’s flair and personality.Billy Beane“The best part about Bill wasn’t just that he was so good at his job but that he was so interesting outside of his job. His mustache epitomized that. He looked eccentric and he was eccentric, in a good way.”Bob Welch“If I had a hitter I had trouble with, I’d ask Bill how I should pitch him. He always had a good answer.”Greg Papa“Bill King was the greatest radio broadcaster in the history of the United States.”Tom Meschery“Talking with Bill was like talking with an encyclopedia.… If you wanted to talk sports, literature – when Bill talked you listened, because he always had something interesting to talk about.”Al Attles“He didn’t sugarcoat it. Bill was a departure from the way it was. If a player from the Warriors made a mistake, Bill told it like it was.”Ed Rush“I’d put the radio out the window and keep turning it to certain angles and it would go in and go out. I’d listen to the Warriors and the Raiders. To do all three sports like he did, he was phenomenal. He was out of this world.”Tom Flores“Bill made some of the great plays in the history of the Raiders even greater with his description. Those moments were kept alive in his voice.”Jason Giambi“He was such an incredible man. I had so much fun with him and he would always ask how my family was doing and I have the fondest memories of him. We would talk about life and all the things he had seen. He made me well rounded.”Rick Barry“He had the ability to see a game, a basketball game, and express what was happening in eloquent terms, at times instantaneously. When he was saying something, it was happening.”

    It is filled with new interviews with music legends such as Brian Wilson, Mike Love, Alan Jardine, Bruce Johnston, David Marks, Blondie Chaplin, Randy Bachman, Roger McGuinn, John Sebastian, Lyle Lovett, Alice Cooper, and Al Kooper, and commentary from a younger generation such as Matthew Sweet, Carnie Wilson, Daniel Lanois, Cameron Crowe, and Zooey Deschanel. Even hardcore fans will be delighted by the breadth of this musical-history volume. Plans for celebrating the golden anniversary of "America's band" include the long-awaited release of 1967's Smile--the most famous aborted album in rock history--and concerts reuniting the group's five main surviving members. The band's music is as influential as it was 50 years ago, and this retelling of how the iconic rock group found itself in the annals of pop culture couldn't come at a better time.

    There is so much that I have never said, so many incidents I have never spoken of and so many feelings I have never expressed: great love on one hand; pain, torment, and humiliation on the other. Only I know what really happened between us, why we stayed together, why we parted, and the price I have paid for being John’s wife. —From the Introduction

    His brilliant musicianship inspired his fans in London to scrawl graffiti in the underground train proclaiming, "Clapton is God." Nearly forty years later, this multi-million selling, Grammy award-winning virtuoso guitarist is still winning adulation from a whole new generation of fans.Crossroads, the definitive portrait of the man and his music, reveals with compassion and insight both the depths of Clapton's pain and the roots of his musical power. Michael Schumacher traces his career from the early years of the Yardbirds and John Mayall to the legendary supergroups Cream and Derek and the Dominoes to the solo career that has lasted a quarter of a century. Crossroads also explores the tumultuous life -- his heroin addiction, the excruciating relationship with Patti Boyd (George Harrison's wife and the woman who inspired the classic "Layla"), the year of 1990 when he lost four close friends, and the devastating death of his four-year-old son Connor the following year. Both revealing and sympathetic, this is the ultimate look at the enduring legend who transformed personal suffering into lasting artistic triumph.-- Revised and updated to include details on Clapton's new marriage and his recent recordings and tour-- Complete with a comprehensive discography and tour history