Men and Cartoons contains eleven fantastical, amusing, and moving stories written in a dizzying array of styles that shows the remarkable range and power of Lethem's vision. Sometimes firmly grounded in reality, and other times spinning off into utterly original imaginary worlds, this book brings together marvelous characters with incisive social commentary and thought provoking allegories. 
      A visionary and creative collection that only Jonathan Lethem could have produced, the Vintage edition features two stories not published in the hardcover edition, "The Shape We're In" and "Interview with the Crab."

    Combining interrelated novels, stories, and novellas, Dixon's multilayered and frequently hilarious family epic—the story of Howard Tetch, his ancestors, his parents, his children, and the generations that follow—"reassures us that whatever is precious can never be completely lost" (The Baltimore Sun).

    With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians. Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place.

    Across thirteen stories, this collection explores the thin border between magic and grief.

    Stories increasingly change point of view, switch location, and sometimes pack as much material as a short novel might,” writes guest editor Elizabeth Strout. “It’s the variety of voices that most indicates the increasing confluence of cultures involved in making us who we are.” The Best American Short Stories 2013 presents an impressive diversity of writers who dexterously lead us into their corners of the world.In “Miss Lora,” Junot Díaz masterfully puts us in the mind of a teenage boy who throws aside his better sense and pursues an intimate affair with a high school teacher. Sheila Kohler tackles innocence and abuse as a child wanders away from her mother, in thrall to a stranger she believes is the “Magic Man.” Kirstin Valdez Quade’s “Nemecia” depicts the after-effects of a secret, violent family trauma. Joan Wickersham’s “The Tunnel” is a tragic love story about a mother’s declining health and her daughter’s helplessness as she struggles to balance her responsibility to her mother and her own desires. New author Callan Wink’s “Breatharians” unsettles the reader as a farm boy shoulders a grim chore in the wake of his parents’ estrangement.“Elizabeth Strout was a wonderful reader, an author who knows well that the sound of one’s writing is just as important as and indivisible from the content,” writes series editor Heidi Pitlor. “Here are twenty compellingly told, powerfully felt stories about urgent matters with profound consequences.”

    It is Wolfe's first novel, and is considered a highly autobiographical American Bildungsroman. The character of Eugene Gant is generally believed to be a depiction of Wolfe himself. The novel covers the span of time from Gant's birth to the age of 19. The setting is the fictional town and state of Altamont, Catawba, a fictionalization of his home town, Asheville, North Carolina. Playwright Ketti Frings wrote a theatrical adaptation of Wolfe's work in a 1957 play of the same title.

    In the years since, he’s written a third collection, The Night in Question, as well as a pair of genre-defining memoirs (This Boy’s Life and In Pharaoh’s Army), the novella The Barracks Thief, and, most recently, a novel, Old School.Now he returns with fresh revelations—about biding one’s time, or experiencing first love, or burying one’s mother—that come to a variety of characters in circumstances at once everyday and extraordinary: a retired Marine enrolled in college while her son trains for Iraq, a lawyer taking a difficult deposition, an American in Rome indulging the Gypsy who’s picked his pocket. In these stories, as with his earlier, much-anthologized work, he once again proves himself, according to the Los Angeles Times, “a writer of the highest order: part storyteller, part philosopher, someone deeply engaged in asking hard questions that take a lifetime to resolve.”

    High-school class reunions, in “The Walk with Elizanne” and “The Road Home,” restore their hero to youth’s commonwealth where, as the narrator of the title story confides, “the self I value is stored, however infrequently I check on its condition.” Exotic locales encountered in the journeys of adulthood include Morocco, Florida, Spain, Italy, and India. The territory of childhood, with its fundamental, formative mysteries, is explored in “The Guardians,” “The Laughter of the Gods,” and “Kinderszenen.” Love’s fumblings among the bourgeoisie yield the tart comedy of “Free,” “Delicate Wives,” “The Apparition,” and “Outage.”In sum, American experience from the Depression to the aftermath of 9/11 finds reflection in these glittering pieces of observation, remembrance, and imagination.

    Joline B. Newhouse, who writes a "fortnightly" newspaper column called "Between the Lines." Georgia Rose, the girl whose life is more like a soap opera than the TV serial she's addicted to. Martha Rasnick, the young housewife in "Dear Phil Donahue" who writes all her troubles to the TV personality. Florrie, the cake lady in "Cakewalk" who causes her prissy sister no end of embarrassment by "wearing running shoes, at her age, and wooly white athletic socks that fall in crinkles down around her ankles." "From the Paperback edition."

    In the title story, a professor introduces her middle-aged son to a favorite student, unaware of the student’s true affections. In “A Man Like Him,” a lifelong bachelor finds kinship with a man wrongly accused of an indiscretion. In “The Proprietress,” a reporter from Shanghai travels to a small town to write an article about the local prison, only to discover a far more intriguing story involving a shopkeeper who offers refuge to the wives and children of inmates. In “House Fire,” a young man who suspects his father of sleeping with the young man’s wife seeks the help of a detective agency run by a group of feisty old women. Written in lyrical prose and with stunning honesty, Gold Boy, Emerald Girl reveals worlds strange and familiar, and cultures both traditional and modern, to create a mesmerizing and vibrant landscape of life.

    An absurdist short story collection about the woes of 21st-century living--from an author whose writing is "moving and necessary, not to mention frequently hilarious" (Miranda July)College students, recent graduates, and their parents work at Denny's, volunteer at a public library in suburban Florida, attend satanic ska/punk concerts, eat Chinese food with the homeless of New York City, and go to the same Japanese restaurant in Manhattan three times in two sleepless days, all while yearning constantly for love, a better kind of love, or something better than love, things which--much like the Loch Ness Monster--they know probably do not exist, but are rumored to exist and therefore "good enough."

    A student plagiarizes a paper and holds fast to her alibi until she finds herself complicit in the resurrection of one professor's shadowy past. A dinner party becomes the occasion for the dissolution of more than one marriage. A woman is hired to find a wife for the one true soulmate she's ever found. In all, Rebecca Lee traverses the terrain of infidelity, obligation, sacrifice, jealousy, and yet finally, optimism. Showing people at their most vulnerable, Lee creates characters so wonderfully flawed, so driven by their desire, so compelled to make sense of their human condition, that it's impossible not to feel for them when their fragile belief in romantic love, domestic bliss, or academic seclusion fails to provide them with the sort of force field they'd expected.

    In narrative modes ranging from the traditional to the fabulist, these stories are interconnected explorations of God, illicit sex, raising children—and running. Jamie Quatro’s stories confront us with dark theological complexities, fractured marriages, and mercurial temptations: a wife comes home with her husband to find her lover’s corpse in their bed; a teenager attends a Bible Camp where he seduces a young cancer survivor with hopes of curing his own rare condition; marathon runners on a Civil War battlefield must carry phallic statues and are punished if they choose to unload their burdens; a girl’s embarrassment over attending a pool party with her quadriplegic mother turns to fierce devotion under the pitying gaze of other guests; and a husband asks his wife to show him how she would make love to another man.I Want to Show You More unleashes Quatro’s exhilarating talent for exposing the quiet terrors of modern life with stunning and subversive energy."A brilliant new voice in American fiction has arrived. Bright, sharp, startling, utterly distinctive, passionate, and secretive, Quatro’s stories are missives from deep within the landscape of American womanhood. . . . She has earned a place alongside Amy Hempel, Lydia Davis, and Alice Munro.”—David Means, author of Assorted Fire Events and The Spot"Fasten your seat belt: Jamie Quatro is a writer of great talent who knows how to take a dark turn without ever tapping the brakes and then bring you back into daylight with breathtaking precision. These amazing stories explore the human boundaries between the physical world and the spiritual—lust, betrayal, and loss in perfect balance with love, redemption, and grace.”—Jill McCorkle

    As the children of refugees carve out radical new paths for themselves in California, they shoulder the inherited weight of the Khmer Rouge genocide and grapple with the complexities of race, sexuality, friendship, and family.A high school badminton coach and failing grocery store owner tries to relive his glory days by beating a rising star teenage player. Two drunken brothers attend a wedding afterparty and hatch a plan to expose their shady uncle’s snubbing of the bride and groom. A queer love affair sparks between an older tech entrepreneur trying to launch a “safe space” app and a disillusioned young teacher obsessed with Moby-Dick. And in the sweeping final story, a nine-year-old child learns that his mother survived a racist school shooter.With nuanced emotional precision, gritty humor, and compassionate insight into the intimacy of queer and immigrant communities, the stories in Afterparties deliver an explosive introduction to the work of Anthony Veasna So.

    Each subsequent collection—Through the Safety Net, A Relative Stranger, and Believers—was further confirmation of his mastery: his gift for capturing the immediate moment, for revealing the unexpected in the ordinary, for showing how the smallest shock can pierce the heart of an intimacy. Gryphon brings together the best of Baxter’s previous collections with seven new stories, giving us the most complete portrait of his achievement.  Baxter once described himself as “a Midwestern writer in a postmodern age”: at home in a terrain best known for its blandness, one that does not give up its secrets easily, whose residents don’t always talk about what’s on their mind, and where something out of the quotidian—some stress, the appearance of a stranger, or a knock on the window—may be all that’s needed to force what lies underneath to the surface and to disclose a surprising impulse, frustration, or desire. Whether friends or strangers, the characters in Baxter’s stories share a desire—sometimes muted and sometimes fierce—to break through the fragile glass of convention. In the title story, a substitute teacher walks into a new classroom, draws an outsized tree on the blackboard on a whim, and rewards her students by reading their fortunes using a Tarot deck. In each of the stories we see the delicate tension between what we want to believe and what we need to believe.  By turns compassionate, gently humorous, and haunting, Gryphon proves William Maxwell’s assertion that “nobody can touch Charles Baxter in the field that he has carved out for himself.”