Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    Fake relationships. Enemies to lovers. Love triangles and best friends, mistaken identities and missed connections. This collection of genre-bending and original stories celebrates how love always finds a way, featuring powerful flora, a superhero and his nemesis, a fantastical sled race through snow-capped mountains, a golf tournament, the wrong ride-share, and even the end of the world. With stories written by Rebecca Barrow, Ashley Herring Blake, Gloria Chao, Mason Deaver, Sara Farizan, Claire Kann, Malinda Lo, Hannah Moskowitz, Natasha Ngan, Rebecca Podos, Lilliam Rivera, Laura Silverman, Amy Spalding, Rebecca Kim Wells, and Julian Winters this collection is sure to sweep you off your feet.

    Focusing on the magical folktales of West Africa, Babalola also reimagines Greek myths, ancient legends from the Middle East, and stories from long-erased places.With an eye towards decolonizing tropes inherent in our favorite tales of love, Babalola has created captivating stories that traverse across perspectives, continents, and genres.

    These dark, often disturbing tales expand the boundaries of the horror genre; the sexuality of the protagonists is a point of reference for the "horror" of otherness that defines and, at times, divides us.Cover painting: Detail from The Ambassador of Obloquy by James HuctwithContains the following stories:"The Nightguard" C. Mark Umland"Piercing Men" Douglas Clegg"The Siege" Michael Marano"Bear Shirt" Gemma Files"Little Holocausts" Brian Hodge"The Sound of Weeping" Thomas S. Roche"Hey Fairy" Edo Van Belkom"The Spark" William J. Mann"Spindleshanks (New Orleans, 1956)" Caitlin R. Kiernan"The Perpetual" David Quinn"Genius Loci" Becky N. Southwell"Goodbye" Michael Thomas Ford"Tabula Rasa" Robert Boyczuk"You Can't Always Get What You Want" T.L. Bryers"The Bird Feeders" David Nickle"No Silent Scream" Nancy Kilpatrick"Second Shadow" Joseph O'Brien

    She might not make it to morning.Quinn and her father moved to tiny, boring Kettle Springs to find a fresh start. But ever since the Baypen Corn Syrup Factory shut down, Kettle Springs has cracked in half. On one side are the adults, who are desperate to make Kettle Springs great again, and on the other are the kids, who want to have fun, make prank videos, and get out of Kettle Springs as quick as they can.Kettle Springs is caught in a battle between old and new, tradition and progress. It’s a fight that looks like it will destroy the town. Until Frendo, the Baypen mascot, a creepy clown in a pork-pie hat, goes homicidal and decides that the only way for Kettle Springs to grow back is to cull the rotten crop of kids who live there now.

    Elphaba the Wicked Witch. Willow. Sabrina. Gemma Doyle. The Mayfair Witches. Ursula the Sea Witch. Morgan le Fey. The three weird sisters from Macbeth.History tells us women accused of witchcraft were often outsiders: educated, independent, unmarried, unwilling to fall in line with traditional societal expectations.Bold. Powerful. Rebellious.A bruja’s traditional love spell has unexpected results. A witch’s healing hands begin to take life instead of giving it when she ignores her attraction to a fellow witch. In a terrifying future, women are captured by a cabal of men crying witchcraft and the one true witch among them must fight to free them all. In a desolate past, three orphaned sisters prophesize for a murderous king. Somewhere in the present, a teen girl just wants to kiss a boy without causing a hurricane.From good witches to bad witches, to witches who are a bit of both, this is an anthology of diverse witchy tales from a collection of diverse, feminist authors. The collective strength of women working together—magically or mundanely--has long frightened society, to the point that women’s rights are challenged, legislated against, and denied all over the world. Toil & Trouble delves deep into the truly diverse mythology of witchcraft from many cultures and feminist points of view, to create modern and unique tales of witchery that have yet to be explored.

    Follow Damen, Laurent and the supporting characters of Captive Prince on a series of adventures set in and around the events of the novels - and beyond, to learn what happens after the final page in the trilogy is turned.

    She has a first-kiss tree and a broken-arm tree. She has a car-accident tree. There is a tree at the hospital where Jackie’s mother passed away into the long good night. When one of them gets cut down, Jackie doesn’t know what to do but she doesn’t let that stop her. She picks up the biggest rock she can carry and puts it through the window of a car. Smash. She intends to leave before the police arrive, but they’re early. Ann is Jackie’s best friend, but she’s got problems of her own. Her mother is chained up in the basement. How do you bring that up in casual conversation? “Oh, sorry I’ve been so distant, Jackie. My mother has more teeth than she’s supposed to, and she won’t eat anything that’s already dead.” Ann and her sister Margaret don’t have much of a choice here. Their mother needs to be fed. It isn’t easy but this is family. It’s not supposed to be easy. It’ll be okay as long as Margaret and Ann still have each other. Add in a cantankerous old man, his powerfully stupid dog, a headless ghost, a lesbian crush and a few unsettling visits from Jackie’s own dead mother, and you’ll find that One Bloody Thing After Another is a different sort of horror novel from the ones you’re used to. It’s as sad and funny as it is frightening, and it is as much about the way families rely on each other as it is about blood being drooled on the carpet. Though, to be honest, there is a lot of blood being drooled on the carpet.

    Death and Dark Dreams. Monsters and Mayhem. Literary Vision and Wonder. Each volume of the +Horror Library+ series is packed with heart-pounding thrills and creepy contemplations as to what truly lurks among the shadows of the world(s) we live in.Containing 33 stories, read “The Best of Volumes 1–5” in this ongoing anthology series, and then continue with the other volumes.Shamble no longer through the banal humdrum of normalcy, but ENTER THE HORROR LIBRARY!Included within “The Best of Volumes 1–5”:• In “The Station,” a married couple discover an abandoned gas station where corpses tell the future. • In “Trapped Light Medium,” a tabloid photographer is able to foresee the future and be present at the perfect moment to capture on film horrifying events.• In “Footprints Fading in the Desert,” a woman stranded in the desert finds a barefoot savior who promises help.• . . . and more!

    Known as a recluse, she avoids all public appearances. There’s a reason: she’s living under an assumed identity, having outrun a tragic past. But when a hungry journalist starts chasing her story, she’s confronted with whom she once was: Iris Chapel.Connecticut, 1950: Iris Chapel is the second youngest of six sisters, all heiresses to a firearms fortune. They’ve grown up cloistered in a palatial Victorian house, mostly neglected by their distant father and troubled mother, who believes that their house is haunted by the victims of Chapel weapons. The girls long to escape, and for most of them, the only way out is marriage. But not long after the first Chapel sister walks down the aisle, she dies of mysterious causes, a tragedy that repeats with the second, leaving the rest to navigate the wreckage, to heart-wrenching consequences. Ultimately, Iris flees the devastation of her family, and so begins the story of Sylvia Wren. But can she outrun the family curse forever?

    MEET CUTE is an anthology of original short stories featuring tales of "how they first met" from some of today’s most popular YA authors. Readers will experience Nina LaCour's beautifully written piece about two Bay Area girls meeting via a cranky customer service Tweet, Sara Shepard's glossy tale about a magazine intern and a young rock star, Nicola Yoon's imaginative take on break-ups and make-ups, Katie Cotugno's story of two teens hiding out from the police at a house party, and Huntley Fitzpatrick's charming love story that begins over iced teas at a diner. There’s futuristic flirting from Kass Morgan and Katharine McGee, a riveting transgender heroine from Meredith Russo, a subway missed connection moment from Jocelyn Davies, and a girl determined to get out of her small town from Ibi Zoboi. Jennifer Armentrout writes a sweet story about finding love from a missing library book, Emery Lord has a heartwarming and funny tale of two girls stuck in an airport, Dhonielle Clayton takes a thoughtful, speculate approach to pre-destined love, and Julie Murphy dreams up a fun twist on reality dating show contestants. This incredibly talented group of authors brings us a collection of stories that are at turns romantic and witty, epic and everyday, heartbreaking and real.

    On April 27, 1997, four contestants make it to the final cell of the Quigley House, a full-contact haunted escape room in Lincoln, Nebraska, made famous for its monstrosities, booby-traps, and ghoulishly costumed actors. If the group can endure these horrors without shouting the safe word, “reprieve,” they’ll win a substantial cash prize—a startling feat accomplished only by one other group in the house’s long history. But before they can complete the challenge, a man breaks into the cell and kills one of the contestants.Those who were present on that fateful night lend their points of view: Kendra Brown, a teenager who’s been uprooted from her childhood home after the sudden loss of her father; Leonard Grandton, a desperate and impressionable hotel manager caught in a series of toxic entanglements; and Jaidee Charoensuk, a gay international student who came to the United States in a besotted search for his former English teacher. As each character’s journey unfurls and overlaps, deceit and misunderstandings fueled by obsession and prejudice are revealed, forcing all to reckon with the ways in which their beliefs and actions contributed to a horrifying catastrophe.An astonishingly soulful exploration of complicity and masquerade, Reprieve combines the psychological tension of classic horror with searing social criticism to present an unsettling portrait of this tangled American life.

    But the real reason she's there is to bear him and his barren wife a child, the consequences of which curse the tenement building that is their home for a hundred years. As we travel through the nine floors of the building and the next eight decades, the resident's lives entwine over the ages and in unpredictable ways. Along the way we encounter the city's most infamous Madam, a seance, a civil rights lawyer, a bone mermaid, a famous Beat poet, a notorious Edinburgh gang, a spy, the literati, artists, thinkers, strippers, the spirit world - until a cosmic agent finally exposes the true horror of the building's longest kept secret. No. 10 Luckenbooth Close hurtles the reader through personal and global history - eerily reflecting modern life today.

    And now what happened long ago is happening again . . . and it is happening to Oliver. He meets a strange boy who becomes his best friend, a boy with secrets of his own and a taste for dark magic.This dark magic puts them at the heart of a battle of good versus evil and a fight for the soul of the family—and perhaps for all of the world. But the Graves family has a secret weapon in this battle: their love for one another.

    There’s the time the FBI showed up at her door because of something she tweeted about Game of Thrones. The pop songs that have been the soundtrack to the worst moments of her life. And of course, the pivotal day when Orange Is the New Black hit the airwaves and broke down the door to Jill’s own sexuality. In these honest examinations of identity, desire, and self-worth, Jill explores perhaps the most monumental cultural shift of our lifetimes: the mainstreaming of lesbian culture. Dusting off her own personal traumas and artifacts of her not-so-distant youth she examines how pop culture acts as a fun house mirror reflecting and refracting our values—always teaching, distracting, disappointing, and revealing us. Girls Can Kiss Now is a fresh and intoxicating blend of personal stories, sharp observations, and laugh-out-loud humor. This timely collection of essays helps us make sense of our collective pop-culture past even as it points the way toward a joyous, uproarious, near—and very queer—future.