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    Through these writings, Paine proved the pen is mightier than the sword.

    A sullen and arrogant graduate student, he never thought Austen would have anything to offer him. Then he read Emma—and everything changed. In this unique and lyrical book, Deresiewicz weaves the misadventures of Austen’s characters with his own youthful follies, demonstrating the power of the great novelist’s teachings—and how, for Austen, growing up and making mistakes are one and the same. Honest, erudite, and deeply moving, A Jane Austen Education is the story of one man’s discovery of the world outside himself.

    They are all versions of a bigger question: how do you live? How do you do the good or honourable thing, while flourishing and feeling happy? This question obsessed Renaissance writers, none more than Michel Eyquem de Montaigne (1533-92), perhaps the first truly modern individual. A nobleman, public official, and wine-grower, he wrote free-roaming explorations of his thought and experience, unlike anything written before. He called them 'essays', meaning 'attempts' or 'tries'. Into them he put whatever was in his head: his tastes in wine and food, his childhood memories, the way his dog's ears twitched when dreaming, as well as the appalling events of the religious civil wars raging around him. The Essays was an instant bestseller, and more than four hundred years later, Montaigne's honesty and charm still draw people to him. Readers come to him in search of companionship, wisdom and entertainment--and in search of themselves. This book, a spirited and singular biography (and the first full life of Montaigne in English for nearly fifty years), relates the story of his life by way of the questions he posed and the answers he explored. It traces his bizarre upbringing (made to speak only Latin), youthful career and sexual adventures, travels, and friendships with the scholar and poet Etienne de La Boétie and with his adopted 'daughter', Marie de Gournay. And as we read, we also meet his readers--who for centuries have found in Montaigne an inexhaustible source of answers to the haunting question, 'how to live?'

    With bold imaginative speculation he investigates thirty-four literary conundrums, ranging from Daniel Defoe to Virginia Woolf. Covering issues well beyond the strict confines of Victorian fiction, Sutherland explores the questions readers often ask but critics rarely discuss: Why does Robinson Crusoe find only one footprint? How does Magwitch swim to shore with a great iron on his leg? Where does Fanny Hill keep her contraceptives? Whose side is Hawkeye on? And how does Clarissa Dalloway get home so quickly? As in its universally well received predecessor, the questions and answers in Can Jane Eyre Be Happy? are ingenious and convincing, and return the reader with new respect to the great novels they celebrate.

    This reader offers students and scholars a plethora of his speeches, interviews, correspondence, one-act plays, and other materials, as well as lengthy selections from all of Frost's books of verse. Though many have been drawn to his seemingly old-fashioned simplicity, this wide-ranging reader in fact reveals that Frost's work was often dark or ironic in tone—and always subtle and complex.

    Did anyone tell you that Anna Karenina is a beach read, that Dickens is hilarious, that the Iliad’s battle scenes rival Hollywood’s for gore, or that Joyce is at his best when he’s talking about booze, sex, or organ meats? Writer and professor Jack Murnighan says it’s time to give literature another look, but this time you’ll enjoy yourself. With a little help, you’ll see just how great the great books are: how they can make you laugh, moisten your eyes, turn you on, and leave you awestruck and deeply moved. Beowulf on the Beach is your field guide–erudite, witty, and fun-loving–for helping you read and relish fifty of the biggest (and most skipped) classics of all time. For each book, Murnighan reveals how to get the most out of your reading and provides a crib sheet that includes the Buzz, the Best Line, What’s Sexy, and What to Skip.

    And as books became more common, the question of where and how to store them became more pertinent. But how did we come from continuous sheets rolled on spools to the ubiquitous portable item you are holding in your hand? And how did books come to be restored and displayed vertically and spine out on shelves? Henry Petroski answers these and virtually every other question we might have about books as he contemplates the history of the book on bookshelf with his inimitable subtle analysis and intriguing detail."After reading this book, you will not look at a book or a bookshelf in the same way." —The Seattle Times

    Beautifully illustrated in full color, this book informs and entertains as it demonstrates how the power of the written word has shaped, changed, and even revolutionized the world.Prize-winning author Scott Christianson brings together an exceptional collection of groundbreaking works that have changed the tide of history. Included are scriptures that founded religions, manifestos that sparked revolutions, scientific treatises that challenged ingrained beliefs, and novels that kick-started new literary movements.This sweeping chronological survey highlights the most important books from around the globe, from the earliest illuminated manuscripts all the way to the digital age. Included are such well-known classics as the Odyssey, the Torah, Shakespeare's First Folio, Moby-Dick, and Darwin's On the Origins of Species, but an array of other works, some well-known and others less so, are featured as well, including those by Sun Tzu, Nicolaus Copernicus, Mary Wollstonecraft, Adam Smith, Henry David Thoreau, Karl Marx, Sigmund Freud, Marcel Proust, Franz Kafka, as well as more recent works by J. K. Rowling, Art Spiegelman, and Naomi Klein. This provocative collection is the perfect book for both literature lovers and history buffs.

    Worse still, he is engaged to a stranger who has mocked him in public. But his bride-to-be, Ophelia, has been guiding a lovely and witty, if dreadfully inexperienced, country girl named Sabrina through the latter's all-important first coming-out season. The enchanting Sabrina enthralls Duncan much more than his own intended does, and she shares his passionate feelings as well. But duty and circumstance - plus a scandal in Sabrina's family past - have made it impossible for her and the dashing highlander to be together . . . unless true love can somehow, miraculously, find a way.The Devil Who Tamed Her:Ophelia Reid is an incomparable beauty with a reputation for starting rumors and spreading them. Having purposely wrecked her engagement to Duncan MacTavish, a future marquis, which her social-climbing father arranged, Ophelia wants to return to London’s marriage mart and make her own choice of a wealthy husband. But on her journey home, something unexpected happens…The heir to a dukedom, Raphael Locke, Viscount Lynnfield is – in spite of his disinterest in marriage – the most sought-after young lord in England. He instantly disliked Ophelia when she caused a scandal to avoid marriage to his friend MacTavish, but having comforted her in a tearful moment, he begins to wonder if she’s not all bad. So when MacTavish claims that Ophelia will never be anything but a spiteful beauty, Rafe bets his best friend that he can turn her into a kind-hearted lady who will one day make a good match, just not with him.With her parents’ blessing, Rafe commandeers Ophelia’s coach and whisks her – chaperoned, of course – to his remote estate in the countryside. There, as he tries to show his furious, sharp-tongued “guest” the error of her ways, he discovers the surprising reasons for her bad behavior. Soon his daily lessons with Ophelia take effect and he finds himself irresistibly attracted to her. When Rafe champions the new and improved Ophelia’s re-entry to London society, marriage proposals pour in. Only then does Rafe start to wonder whether he hasn’t gone and fallen in love with Ophelia himself.A Rogue of My Own:How does an innocent lady find herself forced to wed a royal spy who seduced her – by mistake? For Lady Rebecca Marshall, a whirlwind of passion and excitement begins when, to her mother’s great delight, she becomes a maid of honor at the court of Queen Victoria. Rebecca’s mother sees this appointment as a golden opportunity for Rebecca to make a good match.At court, Rebecca innocently steps into the rivalry between the queen’s spymaster and the noblewoman in charge of the maids of honor who is using the maids to spy on powerful courtiers. Soon Rebecca is entangled in a web of deceit with the charming marquis Rupert St. John. The devastatingly handsome n’er-do-well is the cousin of Raphael Locke, with whom Rebecca was once infatuated. What she doesn’t know is that Rupert is a secret agent of the crown who leads a double life.When Rupert obtains proof that Rebecca is spying on him, he seduces her. He hardly suspects her guileless nature. Forced to the altar, Rupert believes that Rebecca has set a trap of the worst sort in order to marry into his powerful family. Although he vows never to be faithful to his beautiful wife, as Rupert comes to know Rebecca’s wit, adventurous spirit, and generous nature, his vow of revenge turns into a desire to share many passionate nights only with his wife for the rest of his life.Warm, witty, and filled with the “deliciously sexy” (Booklist) flirtation that makes each of her bestsellers an irresistible gem, A Rogue of My Own will have listeners falling in love with Johanna Lindsey all over again!

    Essays include discussion of the psychological implications in the novel as well as themes and character analysis.

    Regan Arts has teamed up with the literary charity 826National, which will receive a portion of the book’s proceeds to provide students ages 6–18 with opportunities to explore their creativity and improve their writing skills.Contributors include Al Roker, Carl Hiaasen, Dave Eggers, Emma Straub, Eric Idle, Fay Weldon, Fran Lebowitz, Gillian Flynn, Gregory Maguire, Jeff Kinney, Jim Shepard, Laura Lippmann, Lev Grossman, Liev Schreiber, Margaret Atwood, Mayim Bialik, Nelson DeMille, Rosanne Cash, Susan Orlean, Tim Gunn, and Tommy Hilfiger, among others.

    Coles. Two orphaned sisters, facing a future of want and loneliness, quarrel when the older sister, responsible for her dependent teenage sibling, repudiates her sister's affair with a political activist--older and unacceptable--she bonds with on the internet. Can adolescent love ever transcend innocently ignored incompatibility to evolve into a valued family relationship in rural southern America? Can a sister forced into a role of a surrogate parent convince her sister to denounce her attraction for a rouge male religiously, socially, and historically unsuited for marriage without a destructive severance of duty and caring?

    4 is an elucidation of the writer's craft by a master practitioner. In a series of playful but expertly wrought essays, John McPhee shares insights he's gathered over his career and refined during his long-running course at Princeton University, where he has launched some of the most esteemed writers of several generations. McPhee offers a definitive guide to the crucial decisions regarding structure, diction, and tone that shape nonfiction pieces, and presents extracts from some of his best-loved work, subjecting them to wry scrutiny. The result is a vivid depiction of the writing process, from reporting to drafting to revising and revising, and revising.More than a compendium of advice, Draft No. 4 is enriched by personal detail and charming reflections on the life of a writer. McPhee describes his enduring relationships with The New Yorker and Farrar, Straus and Giroux, and recalls his early years at Time magazine. Enlivened by his keen sense of writing as a way of being in the world, Draft No. 4 is the long-awaited master class given by America's most renowned writing instructor.

    Possessed of an unshakeable sense of entitlement and a boundless sense of self-worth, assured of the adoration of all, Matilda can break men's hearts for fun. Agnes-diffident, careworn and poor-can only gape in astonishment at the figure her pupil cuts in the world. Employed to lead and form her, she is instead buffeted about in Matilda's tumultuous wake. She loves her young student-it is impossible not to. But it is hard not to wonder if Matilda's good fortunes will ever end.