And in the process of building myself back up, I learned that you are allowed to leave some pieces behind-you are allowed to become the person you design yourself to be.'A collection of notes and poetic reflections, journaling how April learned to let go of everything that was holding her back in order to grow into the person she deserved to become.Bloom for Yourself II is a book you can plant in your soul and return to each time you feel ready to let go and grow.April Green's second book in the 'Bloom for Yourself' series gives readers even more help and guidance in overcoming pain and heartache. Her words are shared by thousands of people all over the world, including Jenna Dewan and Shantel Vansanten.The 'Bloom for Yourself' books are written for anyone feeling lost, alone, depressed or unworthy. They are books to be read many times over as you come to experience April's extraordinary gift for helping you understand that you are never truly alone.

    About a man who has visions, hovering on the edge but hating it, restless and at war with the world but wanting the peace that passeth understanding. Everything he does is half-done, except his death. When he falls, his parched spirit crying "thirsty," his family falls apart. This is a poem about Toronto, the city that’s never happened before, about waiting for a bus, standing on a corner, watching a stranger: the bank to one corner, the driving school on another, the milk store and the church. This is also about the poet, her own restless sensibility woven in and out through moments of lyric beauty, dramatic power and storytelling grace. It is written in the margins, like a medieval manuscript with shades of light and darkness.

    There are 366 poems (one for each day of the year, and one for leap years), to delight, inspire and excite. Chosen for their magic and memorability, the poems in this anthology are an exultant mix of old and new from across the world, poems to learn by heart and take to heart.

    Not content merely to observe the world, Dunn's stance is always dual, complicit. And as he navigates through each paradox of his moral and aesthetic and erotic selves, this poet, described by Sydney Lea as one "who remains open to contradictions," travels to a place of exact and complicated vision.

    Each chapter holds the symbol of a petal containing a multitude of thoughts crowned with passion, love, light, hope and kindness.

    Starting in small clubs and eventually opening for Black Panther rallies, he ultimately became an icon playing J. J. Evans on Good Times. Walker was the first successful young black sitcom star, and his catchphrase--“Dyn-o-mite!”--remains an indicator of the era. He saw sudden and enormous fame in everything from comic books and a talking doll to pajamas, trading cards, a bestselling album, and TV Guide covers. In Dyn-o-mite!, Walker candidly talks about his rise and the considerable tensions on the set of Good Times that contradicted the show’s image of a close-knit, blue-collar family struggling to survive in the projects. Walker made “Dyn-o-mite!” a catchword for the Baby Boomer generation. Today, Dyn-o-mite! will inspire that same generation to rediscover what once made America great--the freedom of thought, the freedom of speech, and the belief in the individual.

    Phipps ruminates on the ways we are shaped as humans. Is it nature or nurture? Is it fate or a happen chance? What teaches us to love our generational inheritance, no matter how harmful? Phipps takes us to the most intimate parts of family matters in hopes of underantdatning conflict as a means of overcoming.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    . . A leading black poet [who] ranks [with] Giovanni, Baraka, Brooks, and Hughes" (Emery Lewis, The Record). Indeed, nappy edges is "extraordinary and wonderful [in its] lyric, tragic exploration into black women's loneliness . . . [Shange] writes with such exquisite care and beauty that anyone can relate to her" (Clive Barnes, The New York Times).

    This book brings together his finest poems of the last ten years. Walker coined the word "Affrilachia" to help make visible the experience of African-Americans living in rural areas like Appalachia. The book is a high-quality, smyth-sewn paperbook, printed on 70-lb vellum, with a tritone photograph on the cover. Kentucky author Gurney Norman writes: "The poems in Affrilachia are funny and sad, tragic and hopeful, angry and determined, and as filled with generosity and love as poetry by any American writer in a generation. This book is powerful and beautiful. It is honest and true."

    

    Divided into four chapters, the book deals with the struggles of pain and healing of wounds of all sorts, finding sweetness in all the bitterness along the way. Sugar, honey, ice & tea takes readers on a journey deep into the dark corners where struggle becomes strength and pushes through all the emptiness until it reaches the light.

    Veil contains poems from five of Armantrout's previous books as well as a generous selection of new poems. Her work relies tenaciously on the intelligibility of language, her careful syntax bordering on plain speech and meticulously scored lines always questioning how linguistic subjects are formed. Armantrout is interested in questions of origin, and the psychology of perception; she is interested in who is speaking and how we know what we know. Fans will welcome the chance to become reacquainted with her witty and lyric meditations on erotic and family issues, and new readers will be captivated by her poems' immediate availability and freshness.

    . .-from "Notes From"In her fourth remarkable collection, Elizabeth Alexander voices the outcries, dreams, and histories of an African American tradition that goes back to the slave rebellion on the Amistad and to the artists' canvases of nineteenth-century America. In persona poems, historical narratives, jazz riffs, sonnets, elegies, and a sequence of ars poetica, American Sublime is Alexander's most vivid and varied collection and affirms her place as one of America's most lively and gifted writers."Alexander is an unusual thing, a sensualist of history, a romanticist of race. She weaves biography, history, experience, pop culture and dream. Her poems make the public and private dance together." --Chicago Tribune

    "Baca's evocation of this landscape," as City Paper noted, "its aridity and fertility, is nothing short of brilliant." The individual poems of Black Mesa are embedded both in the family and in the community life of the barrio, detailing births and deaths, neighbors and seasons, injustices and victories. Loosely interconnected, the poems trace a visionary biography of place.