Times have worsened as the remaining fuel and valuable resources – fresh food and water – are long gone. Chances of recovery have all but disappeared; chances of survival seem grim. In a plan so backward, so unlikely to have any success, the militia of the Milwaukee area take a young nun, five teens, and a set of five “special packages” into the barren farmland of south-central Wisconsin. There, with little more than themselves for support, they are to live, to grow, and perhaps even prosper. Or maybe the militia has just removed a problem they chose not to deal with. With the help of new – yet strange – friends, their journey begins. But trouble finds them, even against their greatest hopes and fervent prayers. Worse, the militia has purchased help from a drunken recluse who may prove to be their greatest trouble of all. The second book of our greatest war, our battle for survival, begins: WWIV – Kids at War.

    Introduction by Geof Hewitt. Alfred Starr Hamilton (1914-2005) was an American poet from Montclair, New Jersey. Though Hamilton wrote thousands of poems during his lifetime, only a small percentage of them ever found their way into print. His poems appeared in small poetry journals during the '60s, '70s and '80s; two chapbooks, The Big Parade and Sphinx; and one full-length collection, The Poems of Alfred Starr Hamilton, published by The Jargon Society in 1970. In this new volume, Ben Estes and Alan Felsenthal present a collection of Hamilton's poems from these publications, along with many of Hamilton's poems that were previously considered lost and poems from posthumously found notebooks."Hamilton is the author of spare, wry, slightly surreal poems that have, so far as I can see, no real equivalent in American English."—Ron Silliman"Alfred Starr Hamilton 'wrote to the governor of poetry / And simply signed [his] own name.' Consider this collection—assembled by two very dedicated allographers—an essential expansion on said letter. People who've encountered Hamilton's work previously will be glad for the chance to see familiar poems alongside many marvelous new ones. And how I envy first-time readers of this most generous and genuine American writer."—Graham Foust"It is a hidden world, a hushabye place that Alfred Starr Hamilton occupies, a secluded place where he is free to summon daffodils and stars, chimes and angels, thread and old-fashioned spoons. There is Hungarian damage, blue revolutionary stars, a sedge hammer (which is not a typo). He is obsessively drawn to fine metals—bronze, silver and gold. He would be golden, but can never grasp the elusive sad: 'One cloud, one day / Came as a shadow in my life / And then left, and came back again; and stayed' like "Anything Remembered" which is the title of that poem. He is too removed to see things any other way but his own. It is a silver peepshow in the wonderbush, and there is always a moon to scrape from the bottom of his view."—C. D. Wright"We are living in the Badlands. Dorothy's ruby-slippers would get you across the Deadly Desert. So will these poems."—Jonathan Williams

    Chickamauga is also a virtuoso exploration of the power of concision in lyric poetry--a testament to the flexible music of the long line Wright has made his own. As a reviewer in Library Journal noted: "Wright is one of those rare and gifted poets who can turn thought into music. Following his self-prescribed regimen of purgatio, illuminato, and contemplatio, Wright spins one lovely lyric after another on such elemental subjects as sky, trees, birds, months, and seasons. But the real subject is the thinking process itself and the mysterious alchemy of language: 'The world is a language we never quite understand.'"

    Will Rising had dragged himself from humble beginnings to his own small tailoring business in Gloucester - and on the way he'd fallen violently in love with Florence, refined, delicate, and wanting something better for her children. March was the eldest girl, the least loved, the plain, unattractive one who, as the family grew, became more and more the household drudge. But March, a strange, intelligent, unhappy child, had inherited some of her mother's dreams. March Rising was determined to break out of the round of poverty and hard work, to find wealth, and love, and happiness.

    

    Dugan’s new poems continue his career-long concerns with renewed vigor: the poet’s insistence that art is a grounded practice threatened by pretension, the wry wit, the jibes at the academic and sententious, and the arresting observations on the quotidian battles of life. All the while he peppers his poems with humorous images of the grim and daunting topics of existential emptiness.

     Steven Christopher struggles to make sense of his life after his wife abandons him and their three children to join a polygamous cult. He meets Mary Fleming at his new ward and is deeply attracted by her beauty and intelligence, but his bitter experience with marriage makes him feel unworthy and afraid to give his heart to another woman. Mary, recovering from her own failed relationship, sees something in Steven that even he doesn't realize exists, but how can he trust her? Then the first great catastrophe strikes. Steven and Mary soon find themselves in the midst of apocalyptic prophecies regarding latter-day events—both terrible and marvelous—that unfold shortly before the Second Coming of the Lord. As natural disasters, plagues, anarchy, and the collapse of the American government lead to the degradation of civilization throughout the world, a great worldwide secret combination expands its evil influence. The people of God are the only power that can stand against this evil, people like Steven and Mary—if they will accept the challenge. Join Steven and Mary as they begin a tumultuous journey for survival in a dangerous world. Gathering Storm is a compelling novel that will have you turning pages and looking into your own heart to see how you might deal with the trials ahead. Fast-paced and well-researched, Gathering Storm is not only fascinating but technically sound. As you read this exciting LDS novel, you will recognize yourself and those in your ward, and you will be amazed at how ordinary people grow to meet extraordinary challenges. Adventure, romance, tragedy, and triumph—Gathering Storm has them all! —Rachel Ann Nunes, author of Ariana and Before I Say Goodbye

    New arcanists. The rise of the Second Ascension.Volke Savan has proven himself time and time again, but now the others of the Frith Guild want their opportunity. Illia wants to recover a lost runestone, Master Zelfree hopes to learn the magics of the Mother of Shapeshifters, and Adelgis surprises himself with the new depths of his dreamweaving abilities.But while the Frith Guild prepares for the coming war, the Second Ascension has grand plans for the world. When two more god-creatures are born, dastardly arcanists try their hands at braving the godly lairs. With the Dread Pirate Calisto as a ferry, men like Theasin Venrover will have to outsmart puzzles and traps that put the world serpent’s to shame.Witness stories from the viewpoints of friend and foe alike, all while the world races to find and bond with the remaining god-creatures.

    While some of these narratives are loosely based in fact, they are written with a large dollop of literary license. The characters are not "politically correct" in today's parlance and speak in the vernacular of their time and culture. Some of them you will like ...others you may not. No disrespect or offense is intended in the telling. These are their stories.The lead story "Fat of The Land" was a past runner-up in the national Raymond Carver short story awards.

    The story covers Maggie Clarke's upbringing in the tenements close to the docks, the River Mersey and the Leeds and Liverpool Canal: an area notorious for having the worst slums in Britain, yet the closest community as well.At the tender age of 11, Maggie Clarke finds herself the matriarch of the family when her Irish mother runs off with another man. Leaving school at 14 to work at a local factory putting sticks into lollies, she is determined to make a better life for herself and her family - before starting her own family with her childhood sweetheart, who she marries at 19 after 'falling in the family way'. She has one night of married life with her husband before he is sent to India with the Navy and is devastated when she never hears from him again, presuming him a casualty of the war that is raging at home and abroad. Another tragedy strikes when Maggie's brother Tommy is also claimed by the war, leaving her father inconsolable, but Maggie knows life has to go on and falls in love with Joseph, an Irish settler who she has 8 children with. But her happiness is short-lived as her first husband suddenly appears out of the blue demanding a divorce, and her new husband drinks away what little money they have, returning in fits of rage that leave Maggie and her children hungry and afraid. Many times she is only able to feed her brood by the kindness of neighbours putting a 'pan of scouse' on the range for her, or feeding her kids jam butties to help out. Maggie's story sweeps across the changing face of Liverpool, from its squalid dock streets, the tenement blocks and cobbled roads to the decline of the docklands, new council housing, the rise of the Mersey beat, the Beatles and the energy and passion of a city that is home to a cast of colourful characters with the resilience to withstand the heartbreak and hardships that only the poorest can know.

    The poems are prefaced by a thoughful introduction by the poet Joseph Brodsky, a friend of Akhmatova in her later years.

    Is there a plot here? Well, yes and no. Aksyonov (The Steel Bird, The Island of Crimea) offers a narrator/hero named Tolya von Steinbock – a quasi-autobiographical figure who is variously metamorphosed into a scientist, a jazz musician, a sculptor, a writer, a doctor. Through this flexible alter ego, then, Aksyonov can bring in everything – starting with memories of his own childhood in the Siberian prison-camp town of Magadan.

    . . in its own eccentric way, [The Owl and the Nightingale] is every bit as enticing as Gawain . . . it is arguably the greatest early Middle English poem we have. ProspectA graceful, elegant translation. GuardianFollowing his acclaimed translations of Sir Gawain and the Green Knight and Pearl, Simon Armitage shines light on another jewel of Middle English verse. In his highly engaging version, Armitage communicates the energy and humour of the tale with all the cut and thrust of the original. An unnamed narrator overhears a fierce verbal contest between the two eponymous birds, which moves entertainingly from the eloquent and philosophical to the ribald and ridiculous. The disputed issues still resonate - concerning identity, cultural habits, class distinctions and the right to be heard. Excerpts were featured in the BBC Radio 4 podcast, The Poet Laureate Has Gone to His Shed. Including the lively illustrations of Clive Hicks-Jenkins, this is a book for the whole household to read and enjoy.

    Emotionally scarred by having never known her mother, Katie escapes to London and immerses herself in a seedy world of drugs, drink, and sex, chasing happiness in the bars and clubs, and snorting cocaine in private members' bars with her rich clients. Finding herself in a cycle of prostitution and unable to break free, she turns to drug smuggling and becomes embroiled in a bigamous marriage in an attempt to secure some emotional stability. From this dark emotional pit, Katie starts her painful journey back to "wellness" and attempts to rid herself of her addictions for good. This is a graphic tale of what life as a prostitute is really like and what can happen when people search for happiness outside of themselves.

    This new book takes place in Lockdown Three. This time Key can make Government-sanctioned expeditions out onto the streets of London (remember?). And it is there that the inaction takes place. Phone calls to his mother, promenades with his loyal friend, bubble-negotiations, sitting his fat arse down on benches, drinking mocha. Another three months of mind-freezing inertia. This time on the move. Conversations interspersed with poetry.