The authors represented range from Hawthorne, Maupassant, and Poe, through Henry James, Conrad, Aldous Huxley, and James Joyce, to Hemingway, Katherine Anne Porter, Faulkner, E.B. White, Saroyan, and O'Connor. The variety in style and subject is enormous, but all these stories have one point in common—the enduring quality of the writing, which places them among the masterpieces of the world's fiction.Garden party / Katherine Mansfield --Three-day blow / Ernest Hemingway --Standard of living / Dorothy Parker --Saint / V.S. Pritchett --Other side of the hedge / E.M. Forster --Brooksmith / Henry James --Jockey / Carson McCullers --Courting of Dinah Shadd / Rudyard Kipling --Shot / Alexander Poushkin, translated by T. Keane --Graven Image / John O'Hara --Putois / Anatole France, translated by Frederic Chapman --Only the dead know Brooklyn / Thomas Wolfe --A.V. Laider / Max Beerbohm --Lottery / Shirley Jackson --Masque of the Red Death / Edgar Allan Poe --Looking back / Guy de Maupassant, translated by H.N.P. Sloman --Man higher up / O. Henry --Summer of the beautiful white horse / William Saroyan --Other two / Edith Wharton --Theft / Katherine Anne Porter --Good man is hard to find / Flannery O'Connor --Man of the house / Frank O'Connor --Man who shot snapping turtles / Edmund Wilson --Gioconda smile / Aldous Huxley --Curfew tolls / Stephen Vincent Benet --Father wakes up the village / Clarence Day --Ivy Day in the committee room / James Joyce --Chrysanthemums / John Steinbeck --Door / E.B. White --Upheaval / Anton Chekhov --How beautiful with shoes / Wilbur Daniel Steele --Haunted house / Virginia Woolf --Catbird seat / James Thurber --Schartz-Metterklume method / H.H. Munro --Death of a Bachelor / Arthur Schnitzler --Apostate / George Milburn --Phoenix / Sylvia Townsend Warner --That evening sun / William Faulkner --Law / Robert M. Coates --Tale / Joseph Conrad --Girl from Red Lion, PA / H.L. Mencken --Main currents of American thought / Irwin Shaw --Ghosts / Lord Dunsany --Minister's black veil / Nathaniel Hawthorne --String of beads / W. Somerset Maugham --Golden honeymoon / Ring Lardner --Man who could work miracles / H.G. Wells --Foreigner / Francis Steegmuller --Thrawn Janet / Robert Louis Stevenson --Chaser / John Collier

    From the surreal to the mundane, these stories exhibit his ability to transform the full range of human experience in ways that are instructive, surprising, and relentlessly entertaining. Here are animated crows, a criminal monkey, and an iceman, as well as the dreams that shape us and the things we might wish for. Whether during a chance reunion in Italy, a romantic exile in Greece, a holiday in Hawaii, or in the grip of everyday life, Murakami’s characters confront grievous loss, or sexuality, or the glow of a firefly, or the impossible distances between those who ought to be closest of all.

    A student plagiarizes a paper and holds fast to her alibi until she finds herself complicit in the resurrection of one professor's shadowy past. A dinner party becomes the occasion for the dissolution of more than one marriage. A woman is hired to find a wife for the one true soulmate she's ever found. In all, Rebecca Lee traverses the terrain of infidelity, obligation, sacrifice, jealousy, and yet finally, optimism. Showing people at their most vulnerable, Lee creates characters so wonderfully flawed, so driven by their desire, so compelled to make sense of their human condition, that it's impossible not to feel for them when their fragile belief in romantic love, domestic bliss, or academic seclusion fails to provide them with the sort of force field they'd expected.

    Sera, a prostitute, and Ben, an alcoholic, stumble together and discover in each other a respite from their unforgiving lives. A testimony to the raw talent of its young author, Leaving Las Vegas is a compelling story of unconditional love between two disenfranchised and lost souls—an overlooked American classic.

    Henry Prize stories collection has offered an exciting selection of the best stories published in hundreds of literary magazines every year. Such classic works of American literature as Ernest Hemingway’s The Killers (1927); William Faulkner’s Barn Burning (1939); Carson McCuller’s A Tree. A Rock. A Cloud (1943); Shirley Jackson’s The Lottery (1949); J.D. Salinger’s For Esme with Love and Squalor (1963); John Cheever’s The Country Husband (1956) ; and Flannery O’Conner’s Everything that Rises Must Converge (1963) all were O. Henry Prize stories. An accomplished new series editor--novelist and short story writer Laura Furman--has read more than a thousand stories to identify the 20 winners, each one a pleasure to read today, each one a potential classic. The O. Henry Prize Stories 2003 also contains brief essays from each of the three distinguished judges on their favorite story, and comments from the prize-winning writers on what inspired their stories. There is nothing like the ever rich, surprising, and original O. Henry collection for enjoying the contemporary short story.The Thing in the Forest A. S. Byatt The Shell Collector Anthony Doerr Burn Your Maps Robyn Jay Leff Lush Bradford Morrow God’s Goodness Marjorie Kemper Bleed Blue in Indonesia Adam Desnoyers The Story Edith Pearlman Swept Away T. Coraghessan Boyle Meanwhile Ann Harleman Three Days. A Month. More. Douglas Light The High Road Joan Silber Election Eve Evan S. Connell Irish Girl Tim Johnston What Went Wrong Tim O’Brien The American Embassy Chimamanda Ngozi Adichie Kissing William Kittredge Sacred Statues William Trevor Two Words Molly Giles Fathers Alice Munro Train Dreams Denis Johnson

    The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet - unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss.

    Arranged chronologically, the forty-nine stories, when taken together with the memoir of his father that serves as a preface, not only establish Williams as a major American fiction writer of the twentieth century, but also, in Gore Vidal’s view, constitute the real autobiography of Williams’ "art and inner life."

    From "The First Several Hundred Years Following My Death," an absurd, profound vision of a hellish heaven, to "Winter Elders," in which missionaries calmly and relentlessly pursue a man who has left the fold, these nine stories illuminate the articles of faith that make us human. The concluding triptych tackles the legends and legacy of Mormonism head-on, culminating in "Diviner," a seriocomic portrait of the young Joseph Smith, back when he was not yet the founder of a religion but a man hired to find buried treasure. Godforsaken Idaho is an indelible collection by the writer you need to read next. Named an 'Outstanding 2013 Short Story Collection' by The Story Prize, winner of the PEN/Robert W. Bingham Prize for Debut Fiction, winner of the Pushcart Prize, shortlisted for the William Saroyan International Prize for Writing.

    Then an enigmatic young nanny named Missy introduces him to a world he never knew existed.

    Spanning four decades and three prize-winning collections, these twenty-one vintage selected stories and thirteen scintillating new ones take us around the world, from Jerusalem to Central America, from tsarist Russia to London during the Blitz, from central Europe to Manhattan, and from the Maine coast to Godolphin, Massachusetts, a fictional suburb of Boston. These charged locales, and the lives of the endlessly varied characters within them, are evoked with a tenderness and incisiveness found in only our most observant seers.No matter the situation in which her characters find themselves--an unforeseen love affair between adolescent cousins, a lifetime of memories unearthed by an elderly couple's decision to shoplift, the deathbed secret of a young girl's forbidden forest tryst with the tsar, the danger that befalls a wealthy couple's child in a European inn of misfits--Edith Pearlman conveys their experience with wit and aplomb, with relentless but clear-eyed optimism, and with a supple prose that reminds us, sentence by sentence, page by page, of the gifts our greatest verbal innovators can bestow.Binocular Vision reveals a true American original, a master of the story, showing us, with her classic sensibility and lasting artistry, the cruelties, the longings, and the rituals that connect human beings across space and time.

    C. Boyle is one of the most inventive and wickedly funny short story writers at work today. Over the course of twenty-five years, Boyle has built up a body of short fiction that is remarkable in its range, richness, and exuberance. His stories have won accolades for their irony and black humor, for their verbal pyrotechnics, for their fascination with everything bizarre and queasy, and for the razor-sharp way in which they dissect America's obsession with image and materialism. Gathered together here are all of the stories that have appeared in his four previous collections, as well as seven that have never before appeared in book form. Together they comprise a book of small treasures, a definitive gift for Boyle fans and for every reader ready to discover the "ferocious, delicious imagination" (Los Angeles Times Book Review) of a "vibrant sensibility fully engaged with American society" (The New York Times).

    This collection ranges over the verse, stories, essays, and journalism of one of the twentieth century's most quotable authors.

    Beattie, winner of four O. Henry prizes, has been called "one of our era's most vital masters of the short form" (The Washington Post Book World). She is a masterful observer of domestic relations and the idiosyncratic logic that governs human lives. In Follies, her most resonant collection, she looks at baby boomers in their maturity, sorting out their own lives and struggling with parents who are eccentric, unpredictable, and increasingly dependent. In "Fléchette Follies," a man rear-ends a woman at a stoplight, and the ripple effect of that encounter is vast and catastrophic. In "Apology for a Journey Not Taken," a woman's road trip is perpetually postponed by the UPS deliveryman who wants to watch TV in her house, by the girl next door who has lost her dog, and by the death of her friend in a freak accident. Impatient in his old age, the protagonist of "That Last Odd Day in L.A." can hardly manage a pleasant word to his own daughter, but he finds a chance for redemption on the last day of a vacation he spends with his niece and nephew. Ann Beattie is at the top of her form in this superb collection, writing with the vividness, compassion, and sometimes morbid wit that have made her one of the most influential writers of her generation.

    Then, on a day like any other, Kino emerges from the sea with a pearl as large as a sea gull’s egg, as “perfect as the moon.” With the pearl comes hope, the promise of comfort and of security…A story of classic simplicity, based on a Mexican folk tale, The Pearl explores the secrets of man’s nature, greed, the darkest depths of evil, and the luminous possibilities of love.

    This collection of nearly fifty pieces brings together the contents of two published volumes, A Haunted House and Mrs. Dalloway’s Party; a number of uncollected stories; and several previously unpublished pieces. Edited and with an Introduction by Susan Dick.