Minutes from the city, affluent without pretension, low crime with a friendly vibe—it’s everything Kat never had, and that she’s determined to provide for her infant daughter. Snagging a nice bungalow in this exclusive enclave was worth all the sacrifice. But everything changes overnight when Kat finds a scrawled note outside their front door.That wasn’t very neighborly of you.As increasingly sinister and frighteningly personal notes arrive, each one stabs deeper into the heart of Kat’s insecurities, paranoia, and most troubling, her past. When the neighbors who seemed so perfect reveal their open secret, the menace moves beyond mean notes. Someone’s raising the stakes.As suspicious as she is of every smiling face and as terrified as she’s become of being found out, Kat is still unprepared for the sharp turn that lies just ahead of her on Bayberry Lane.

    Only fifteen years old, Amy disappeared walking home from school one day and was found in a coma three days later. Her attacker was never identified and her angelic face was plastered across every paper and nightly news segment.Fifteen years later, Amy lies in the hospital, surrounded by 90’s Britpop posters, forgotten by the world until reporter Alex Dale stumbles across her while researching a routine story on vegetative patients.Remembering Amy’s story like it was yesterday, she feels compelled to solve the long-cold case.The only problem is, Alex is just as lost as Amy—her alcoholism has cost her everything including her marriage and her professional reputation.In the hopes that finding Amy’s attacker will be her own salvation as well, Alex embarks on a dangerous investigation, suspecting someone close to Amy.Told in the present by an increasingly fragile Alex and in dream-like flashbacks by Amy as she floats in a fog of memories, dreams, and music from 1995, Try Not to Breathe unfolds layer by layer to a breathtaking conclusion.

    Driven off the force by her treacherous partner and lover, she’s flat broke and struggling with a gambling addiction. All Nicole has left is the dream of a warm bed at a homeless shelter and the haunting memories of three-year-old Kelsey Chase—whose murder case ended her career.As Nicole obsesses over the old facts, she realizes everything about that case felt off: a disinterested mom, a suicidal pedophile, and too many questions left unanswered. When the little girl’s grieving father begs Nicole for help, she’s drawn back into the investigation…and given one shot at redemption.But the deeper Nicole digs, the more evil she uncovers, including betrayals that hit painfully close to home. Will a shocking discovery be the key to finally getting justice for Kelsey and resurrecting her own life?

    A beautiful townhouse on the best street in the neighbourhood. Three bright children who are her pride and joy. Sometimes her past still hurts: losing her mother early, growing up in foster care. But her husband, Simon, is always there. A successful surgeon, he’s the envy of every woman they’ve ever met. Flowers, gifts, trips to France: nothing is too good for his family. Then Simon says another woman’s name. The way he lingers on it, Caroline , gives Marianne a shudder of suspicion, but she knows it’s nothing – she can’t entertain this flash of paranoia. In the old days, she’d have distracted herself by excelling at work, but Marianne left her glamorous career when she married. She’d speak to a friend, but she’s too busy with her children and besides, Simon doesn’t approve of the few she has left. It’s almost by accident that Marianne starts to learn more about Caroline. But once started, she can’t stop, because what she finds makes her wonder: is the question she should be asking not ‘should she be jealous’, but... ‘should she be scared?’ Fans of The Girl on the Train and I Let You Go, who are looking for a dark, gripping psychological thriller with a final twist to put their jaw on the floor, will love Our Little Lies.

    Then one ordinary morning, her husband, Marcus, picks up his briefcase, kisses her good-bye, and simply vanishes.That day, all her calls to him go straight to voice mail; the messages she leaves at his office go unreturned, too. Panicking after finally receiving a call from his cell phone in which all she can hear is a man's terrified cry, Isabel calls the police. But they aren't interested. Men leave, they tell her. They leave all the time. Desperate to find her husband, Isabel races to his office. But instead of finding him, she finds herself in the middle of an FBI raid. Hours later, she awakens in the hospital with a severe concussion and a homicide detective by her bedside waiting to question her about Marcus Raine-the real Marcus Raine.Now the only thing Isabel knows for sure is that her husband of five years is gone. Where is he and who is he are questions no one seems able to answer. But Isabel will not rest until she discovers the truth about the man she loves, even if it means risking everything--including her own life.New York Times bestselling master of suspense Lisa Unger takes us on a nightmarish journey from bustling, glamorous New York City to the twisted streets of Prague, seeking an answer to one bone-chilling question: What if the man you love, the one sleeping beside you, is a stranger?

    At first it is just a game, but then Ellie refuses to swap back. Forced into her new identity, Helen develops a host of behavioural problems, delinquency and chronic instability. With their lives diverging sharply, one twin headed for stardom and the other locked in a spiral of addiction and mental illness, how will the deception ever be uncovered? Exploring questions of identity, selfhood, and how other people's expectations affect human behaviour, this novel is as gripping as it is psychologically complex.

    Then his former bureau chief shows up at his house with a risky new assignment: travel undercover to Moscow and locate a Russian agent believed to be killing members of a clandestine US spy cell known as the seven sisters.Desperate for money, Jenkins agrees to the mission and heads to the Russian capital. But when he finds the mastermind agent behind the assassinations—the so-called eighth sister—she is not who or what he was led to believe. Then again, neither is anyone else in this deadly game of cat and mouse.Pursued by a dogged Russian intelligence officer, Jenkins executes a daring escape across the Black Sea, only to find himself abandoned by the agency he serves. With his family and freedom at risk, Jenkins is in the fight of his life—against his own country.

    Masako's own search for a way out of the straitjacket of a dead-end life leads her, too, to take drastic action.The complex yet riveting narrative seamlessly combines a convincing glimpse into the grimy world of Japan's yakuza with a brilliant portrayal of the psychology of a violent crime and the ensuing game of cat-and-mouse between seasoned detectives and a group of determined but inexperienced criminals. Kirino has mastered a Thelma and Louise kind of graveyard humor that illuminates her stunning evocation of the pressures and prejudices that drive women to extreme deeds and the friendship that bolsters them in the aftermath.

    Beneath the town’s cheerful façade, however, Bleak Creek teens live in constant fear of being sent to the Whitewood School, a local reformatory with a history of putting unruly youths back on the straight and narrow—a record so impeccable that almost everyone is willing to ignore the suspicious deaths that have occurred there over the past decade.At first, high school freshmen Rex McClendon and Leif Nelson believe what they’ve been told: that the students’ strange demises were all just tragic accidents, the unfortunate consequence of succumbing to vices like Marlboro Lights and Nirvana. But when the shoot for their low-budget horror masterpiece, PolterDog, goes horribly awry—and their best friend, Alicia Boykins, is sent to Whitewood as punishment—Rex and Leif are forced to question everything they know about their unassuming hometown and its cherished school for delinquents.Eager to rescue their friend, Rex and Leif pair up with recent NYU film school graduate Janine Blitstein to begin piecing together the unsettling truth of the school and its mysterious founder, Wayne Whitewood. What they find will leave them battling an evil beyond their wildest imaginations—one that will shake Bleak Creek to its core.

    The year is 1965, the setting a university town in Connecticut, and serial killers are still referred to as "multiple murderers." Profiling hasn't even begun, so Delmonico has to go it alone on a frantic learning curve that has the killer always two steps ahead of him." "The story begins when parts of the body of a young woman are found in a research center for neurology privately funded by one of the university's greatest benefactors." "It swiftly develops that the killer is very possibly a member of the research facility and that this is not his first murder. With great cunning and daring, he targets a "type" of young woman, following which the women are subjected to unspeakable torture and rape, and finally a horrible death." "The suspects are many and varied, and include a wealthy and ambitious young Indian eager to win a Nobel Prize; the professional head of the institute, who does something peculiar in his basement; an internationally renowned epilepsy clinician; a neurochemist with a taste for fine food, wine, and music; a Japanese with rarefied and strange tastes; and a business manager named Desdemona Dupre, a tough, well-educated woman, full of common sense, for whom Delmonico feels a growing, risky attraction." As the serial murders begin to mount - the killer is getting more and more bloodthirsty and bold - and the media and anguished parents begin to put pressure on the governor, Delmonico and the forceful, enigmatic Miss Dupre are drawn deeper and deeper into the secrets of the suspects and toward an old family scandal as shocking as it is bizarre. But is the scandal something quite separate, or does it lie at the roots of the present killings?

    There, amongst the dark fir trees, he planned to build a house, find a girl and live happily ever after. Yet, as he left the village, a shadow of menace hung over the land. For this was the place where accidents happened. Perhaps Michael should have heeded the locals’ warnings: ‘There’s no luck for them as meddles with Gipsy’s Acre.’ Michael Rogers is a man who is about to learn the true meaning of the old saying ‘In my end is my beginning.’The title Endless Night was taken from William Blake’s Auguries of Innocence and describes Christie’s favourite theme in the novel: a “twisted” character, who always chooses evil over good.Christie finished Endless Night in six weeks, as opposed to the three-four months that most of her other novels took. Despite being in her seventies while writing it, she told an interviewer that being Michael, the twenty-something narrator, “wasn’t difficult. After all, you hear people like him talking all the time.”The book is dedicated to Christie's relative "Nora Prichard from whom I first heard the legend of Gipsy's Acre." Gipsy's Acre was a field on the Welsh moors.

    Instinct proves reliable. A murderous sociopath, Edgler Foreman Vess, has entered the house, intent on killing everyone inside. A self-proclaimed "homicidal adventurer," Vess lives only to satisfy all appetites as they arise, to immerse himself in sensation, to live without fear, remorse or limits, to live with "intensity." Chyna is trapped in his deadly orbit. Chyna is a survivor, toughened by a lifelong struggle for safety and self-respect. Now she will be tested as never before. At first her sole aim is to get out alive--until, by chance, she learns the identity of Vess's next intended victim, a faraway innocent only she can save. Driven by a newly discovered thirst for meaning beyond mere self-preservation, Chyna musters every inner resource she has to save an endangered girl...as moment by moment, the terrifying threat of Edgler Foreman Vess intensifies.

    Nisha, the despondent café customer who keeps secrets of her own.Everyone has their own story, but what happens when these four lives are woven together?Pull up a chair in Kafe Kabir and watch them explore friendship and love, writing their own pages of life from the cosy café to the ends of the world.

    They said she killed her sister.But they lied.As a teenager, Toni Murphy had a life full of typical adolescent complications: a boyfriend she adored, a younger sister she couldn’t relate to, a strained relationship with her parents, and classmates who seemed hell-bent on making her life miserable. Things weren’t easy, but Toni could never have predicted how horrific they would become until her younger sister was brutally murdered one summer night.Toni and her boyfriend, Ryan, were convicted of the murder and sent to prison.Now thirty-four, Toni is out on parole and back in her hometown, struggling to adjust to a new life on the outside. Prison changed her, hardened her, and she’s doing everything in her power to avoid violating her parole and going back. This means having absolutely no contact with Ryan, avoiding fellow parolees looking to pick fights, and steering clear of trouble in all its forms. But nothing is making that easy—not Ryan, who is convinced he can figure out the truth; not her mother, who doubts Toni’s innocence; and certainly not the group of women who made Toni’s life hell in high school and may have darker secrets than anyone realizes. No matter how hard she tries, ignoring her old life to start a new one is impossible. Before Toni can truly move on, she must risk everything to find out what really happened that night.But the truth might be the most terrifying thing of all.

    She looks in the mirror and sees an unfamiliar, middle-aged face. And every morning, the man she has woken up with must explain that he is Ben, he is her husband, she is forty-seven years old, and a terrible accident two decades earlier decimated her ability to form new memories.Every day, Christine must begin again the reconstruction of her past. And the closer she gets to the truth, the more unbelievable it seems.