She loves houses: viewing them, negotiating their price, dreaming up interior plans, hiring tradespeople to do the work and overseeing renovations. She loves houses so much that she’s moved thirty-two times.There are good reasons for her latest house move, but after viewing sixty homes, Jane and her husband succumb to the emotional fatigue of an overheated English housing market and buy a wreck in the town of Bristol that is overpriced, will require more money to renovate than they have and that neither of them particularly like.As Jane’s nightmare renovation begins, her mind returns to the Canadian homes where she grew up with parents who moved and renovated constantly around the Toronto area. Suddenly, the protective seal is blown off Jane’s memory of a strict and peripatetic childhood and its ancillary damage—lost friends, divorces, suicide attempts—and the past threatens to shake the foundations of her marriage. This latest renovation dredges a deeper current of memory, causing Jane to question whether in renovating a house she is in fact attempting to renovate her past.With humour and irreverence, Open House reveals that what we think we gain by constantly moving house actually obscures the precious and vital parts of our lives that we leave behind.This is a memoir that will appeal to anyone whose pulse quickens at the mere mention of real estate.

    During this time he has broken into a Space Station with a Swiss army knife, disposed of a live snake while piloting a plane, and been temporarily blinded while clinging to the exterior of an orbiting spacecraft. The secret to Col. Hadfield's success-and survival-is an unconventional philosophy he learned at NASA: prepare for the worst-and enjoy every moment of it. In An Astronaut's Guide to Life on Earth, Col. Hadfield takes readers deep into his years of training and space exploration to show how to make the impossible possible. Through eye-opening, entertaining stories filled with the adrenaline of launch, the mesmerizing wonder of spacewalks, and the measured, calm responses mandated by crises, he explains how conventional wisdom can get in the way of achievement-and happiness. His own extraordinary education in space has taught him some counterintuitive lessons: don't visualize success, do care what others think, and always sweat the small stuff. You might never be able to build a robot, pilot a spacecraft, make a music video or perform basic surgery in zero gravity like Col. Hadfield. But his vivid and refreshing insights will teach you how to think like an astronaut, and will change, completely, the way you view life on Earth-especially your own.

    Off the reserve and trying to find ways to live and love in the big city, Jonny becomes a cybersex worker who fetishizes himself in order to make a living. Self-ordained as an NDN glitter princess, Jonny has one week before he must return to the "rez," and his former life, to attend the funeral of his stepfather. The next seven days are like a fevered dream: stories of love, trauma, sex, kinship, ambition, and the heartbreaking recollection of his beloved kokum (grandmother). Jonny's world is a series of breakages, appendages, and linkages--and as he goes through the motions of preparing to return home, he learns how to put together the pieces of his life. Jonny Appleseed is a unique, shattering vision of Indigenous life, full of grit, glitter, and dreams.

    Her first book, Klee Wyck, won the prestigious Governor General’s Literary Award for non-fiction in 1941. The Book of Small is a collection of thirty-six word sketches in which Emily Carr relates anecdotes about her life as a young girl in the frontier town of Victoria. She notes: "There were a great many things that I only half understood, such as saloons and the Royal Family and the Chain Gang." The young Emily, who gave herself the nickname "Small," was an intense, observant and sensitive yet rebellious child, who often got into scrapes because of her frankness or innocence. The vividly told stories reveal an awareness of the comedy -- and pathos -- of people and situations. The also offer an intimate look into childhood in a pioneer society in Victorian Times. The Book of Small is a classic memoir of early childhood and a wonderful addition to The Emily Carr Library.In her empathetic and engaging introduction, award-winning children’s writer Sarah Ellis puts The Book of Small into the context of Emily Carr’s life and times, which, she points out, have similarities to those of Lucy Maud Montgomery and Beatrix Potter.

    Curious about what had prompted a young urban artist to suddenly embrace nature she decided to follow him for a year to find out.Observing two artists through seasonal shifts and migrations, Birds Art Life celebrates the particular madness of chasing after birds in a big city, and explores what happens when the principles of birdwatching are applied to other aspects of art and life. It looks at the ecology of urban spaces and the creative and liberating effects of keeping your eyes and ears wide open. Far from seeking the exotic, Kyo discovers joy in the birds she spots in city parks and harbours, along eaves and on wires. In a world that values big and fast, Kyo begins to look to the small, steady, slow accumulations of knowledge, and the lulls that give way to contemplation.Moving between the granular and the grand, peering into the inner landscape as much as the outer one, Birds Art Life asks how we are shaped and nurtured by our passions, and how we might come to love and protect not only the world’s natural places but also the challenging urban spaces where so many of us live.

    Carrie Davies, an 18-year-old domestic servant, quickly confessed. But who was the victim here? Charles “Bert” Massey, a scion of a famous family, or the frightened, perhaps mentally unstable Carrie, a penniless British immigrant? When the brilliant lawyer Hartley Dewart, QC, took on her case, his grudge against the powerful Masseys would fuel a dramatic trial that pitted the old order against the new, wealth and privilege against virtue and honest hard work. Set against a backdrop of the Great War in Europe and the changing faceof a nation, this sensational crime is brought to vivid life for the first time.As in her previous bestselling book, Gold Diggers—now in production as a Discovery Television miniseries—multi-award-winning historian and biographer Charlotte Gray has created a captivating narrative rich in detail and brimming with larger-than-life personalities, as she shines a light on a central moment in our past.

    In 2001, Wayson Choy suffered a combined asthma-heart attack. As he lay in his hospital bed, slipping in and out of consciousness, his days punctuated by the beeps of the machines that were keeping him alive, Choy heard the voices of his ancestors warning him that without a wife, he would one day die alone. And yet through his ordeal Choy was never alone; men and women, young and old, from all cultures and ethnicities, stayed by Choy’s side until he was well. When his heart failed him a second time, four years later, it was the strength of his bonds with these people, forged through countless acts of kindness, that pulled Choy back to his life. Not Yet is a passionate, sensitive, and beautiful exploration of the importance of family, which in Choy’s case is constituted not through blood but through love. It is also a quiet manifesto for embracing life, not blind to our mortality, but knowing how lucky we are for each day that comes.

    From the award-winning author of The Golden Mean.Saskia and Jenny are twins who are alike only in appearance. Saskia is a hard-working grad student whose interests are solely academic, while Jenny, an interior designer, is glamourous, thrill-seeking, capricious and narcissistic. Still, when Jenny is severely injured in an accident, Saskia puts her life on hold to be with her sister.Sara and Mattie are sisters with a difficult relationship. Mattie, the younger sister, is affectionate, curious and intellectually disabled. As soon as Sara is able, she leaves home, in pursuit of a life of the mind and the body: she loves nothing more than fine wines, sensual perfumes, and expensive clothing. But when their mother dies, Sara inherits the duty of caring for her sister. Arriving at the house one day, she finds out that Mattie has married Robert, her wealthy mother's handyman. Though Mattie seems happy, Sara cannot let this go, forcing the annulment of the marriage and the banishment of Robert. With him out of the picture, though, she has no choice but to become her sister's keeper, sacrificing her own happiness and Mattie's too. When Robert turns up again, another tragedy happens. The waves from these events eventually engulf Sara and Saskia, sisters in mourning, in a quest for revenge.Consent is a startling, moving, thought-provoking novel on the complexities of familial duty and on how love can become entangled with guilt, resentment and regret.

    This book also contains them all, except that each one appears by itself in its own chapter. A unique personality for each vowel soon emerges: A is courtly, E is elegiac, I is lyrical, O is jocular, U is obscene. A triumphant feat, seven years in the making, this uncanny work of avant-garde literature promises to be one of the most important books of the decade.

    Now, in The Girl Who Was Saturday Night, she returns to the grubby, enchanted city with a light and profound tale of the vice of fame and the ties of family.Nineteen years old, free of prospects, and inescapably famous, the twins Nicholas and Nouschka Tremblay are trying to outrun the notoriety of their father, a French-Canadian Serge Gainsbourg with a genius for the absurd and for winding up in prison. “Back in the day, he could come home from a show with a paper bag filled with women’s underwear. Outside of Québec nobody had even heard of him, naturally. Québec needed stars badly.”Since the twins were little, Étienne has made them part of his unashamed seduction of the province, parading them on talk shows and then dumping them with their decrepit grandfather while he disappeared into some festive squalor. Now Étienne is washed up and the twins are making their own almost-grown-up messes, with every misstep landing on the front pages of the tabloid Allo Police. Nouschka not only needs to leave her childhood behind; she also has to leave her brother, whose increasingly erratic decisions might take her down with him.

    As a successful writer with an established career, a comfortable home and a supportive group of friends, her life was full. But then, 30 years after he broke her heart the first time, he walked into a book signing and back into her life. Spurred on by the idyll of a first love made good, they reconnect through emails—the bits and bytes of their messages re-forming into a real electricity between them. He is smitten. She is enthralled.    But, strangely, love has left her with a nasty case of writer’s block. She gathers all the strength she can find in the text around her—using optimistic horoscopes, evasive fortune cookies and the inanely unhelpful suggestions of books on writer’s block—to fight against the understanding that a love can’t be sustained on language alone. Then, in a surprising and wickedly delicious resolution, she recognizes that truth and fiction can be one and the same in matters of the heart, and that in a “he said, she said” story, the writer always gets the last word.    At A Loss For Words is another brilliant expression of Diane Schoemperlen’s gift for building the minutiae of everyday life into a profound understanding of women, men, love and imagination.

    And, of course, one day it ended.” —Sharon Butala In the tradition of Joan Didion’s The Year of Magical Thinking, Diana Athill’s Somewhere Towards the End, and Atul Gawande’s Being Mortal comes a revelatory new book from one of our beloved writers. When Sharon Butala’s husband, Peter, died unexpectedly, she found herself with no place to call home. Torn by grief and loss, she fled the ranchlands of southwest Saskatchewan and moved to the city, leaving almost everything behind. A lifetime of possessions was reduced to a few boxes of books, clothes, and keepsakes. But a lifetime of experience went with her, and a limitless well of memory—of personal failures, of a marriage that everybody said would not last but did, of the unbreakable bonds of family. Reinventing herself in an urban landscape was painful, and facing her new life as a widow tested her very being. Yet out of this hard-won new existence comes an astonishingly frank, compassionate and moving memoir that offers not only solace and hope but inspiration to those who endure profound loss. Often called one of this country’s true visionaries, Sharon Butala shares her insights into the grieving process and reveals the small triumphs and funny moments that kept her going. Where I Live Now is profound in its understanding of the many homes women must build for themselves in a lifetime.

    The adventure begins during the author's formative years in medical school and takes the reader through two decades of thought-provoking rural and urban-based ER and family practice experiences. Humorously written in an engaging mash-up of formal prose and informal medical slang with a nod to pop culture and ancient mythology, Dude is a powerful book that is certain to please readers of all stripes.

    In addition, beginning at the age of five, Sellars was isolated for two years at Coqualeetza Indian Tuberculosis Hospital in Sardis, British Columbia, nearly six hours' drive from home. The trauma of these experiences has reverberated throughout her life.The first full-length memoir to be published out of St. Joseph's Mission at Williams Lake, BC, Sellars tells of three generations of women who attended the school, interweaving the personal histories of her grandmother and her mother with her own. She tells of hunger, forced labour, and physical beatings, often with a leather strap, and also of the demand for conformity in a culturally alien institution where children were confined and denigrated for failure to be White and Roman Catholic.Like Native children forced by law to attend schools across Canada and the United States, Sellars and other students of St. Joseph's Mission were allowed home only for two months in the summer and for two weeks at Christmas. The rest of the year they lived, worked, and studied at the school. St. Joseph's Mission is the site of the controversial and well-publicized sex-related offences of Bishop Hubert O'Connor, which took place during Sellars's student days, between 1962 and 1967, when O'Connor was the school principal. After the school's closure, those who had been forced to attend came from surrounding reserves and smashed windows, tore doors and cabinets from the wall, and broke anything that could be broken. Overnight their anger turned a site of shameful memory into a pile of rubble.In this frank and poignant memoir, Sellars breaks her silence about the institution's lasting effects, and eloquently articulates her own path to healing.

    MacLeod’s young protagonist enters all the bright open avenues of peer-group play and the dark blind alleys of individual and collective terror, as she discovers within herself both the capacity for and the conflict between impulses of good and evil. In thinking back on the history of her own tight-knit group of friends, she begins to see how in the excitement of belonging to a ritualized, secret collective, the self is created by the increasing dehumanization of the other—of both the bully and the victim. The Shape of a Girl goes far beyond a simple dramatization of the seemingly inexplicable code of silence and tacit complicity which surrounded the sensationalized Reena Virk murder in 1997 on which the play is based. It speaks eloquently and compassionately to a world increasingly dominated by all forms of collectivised and ritualized tribalist hatred, and offers the embrace of trust as the only way out of this circle of violence.Jewel is also based on a real-life catastrophe—the sinking of the Ocean Ranger, an oil rig off the coast of Newfoundland, on Valentine’s Day, 1982. Three years later, a widow, Marjorie Clifford, at home in her trailer in Fort St. John, British Columbia, begins to take the first step in understanding that the humanity of love, in all of its tentative frailty, uncertainty and promise, can free a life paralyzed and dominated by loss.