Lack of public interest in finding his murderer, or the killer of several other transient Native American men, has left Julie with a bone-deep cynicism she counters with tequila, cigarettes, and dangerous men. The one bright spot in her mundane life is the time she spends working part-time as a PI with her childhood friend, Kevin Wells. When the body of a sixteen-year old white girl is discovered in nearby Rapid Creek, Julie believes this victim will receive the attention others were denied. Then she learns Kevin has been hired, mysteriously, to find out where the murdered girl spent her last few days. Julie finds herself drawn into the case against her better judgment, and discovers not only the ugly reality of the young girl’s tragic life and brutal death, but ties to her and Kevin’s past that she is increasingly reluctant to revisit. On the surface the situation is eerily familiar. But the parallels end when Julie realizes some family secrets are best kept buried deep. Especially those serious enough to kill for.

    But on the morning Will leaves for a business trip to Orlando, Iris's happy world comes to an abrupt halt. Another plane headed for Seattle has crashed into a field, killing everyone on board, and according to the airline, Will was one of the passengers on this plane. Grief-stricken and confused, Iris is convinced it all must be a huge misunderstanding. But as time passes and there is still no sign of Will, she reluctantly accepts that he is gone. Still, Iris needs answers. Why did Will lie about where he was going? What is in Seattle? And what else has he lied about? As Iris sets off on a desperate quest to find out what her husband was keeping from her, the answers she receives will shock her to her very core.

    . .One by one, the victims are carefully captured, toyed with, then subjected to a slow and agonizing death. Piece by piece, his exquisite plan takes shape. The police can't yet see the beauty in his work--but soon, very soon, they will. . . Than Being Left Alone. . . In the lonely woods around Grizzly Point, Montana, four bodies have been discovered. Detectives Selena Alvarez and Regan Pescoli have been hoping for a career-making case, but this is a nightmare. Even with the FBI involved, Selena and Regan have nothing to go on but a killer's cryptic notes, and the unsettling knowledge that there is much worse to come. . . To Die. . . When Jillian Rivers opens her eyes, she's trapped in a mangled car. Then a stranger, claiming to be a trail guide named Zane McGregor, pries her free. Though she's grateful, something about him sets Jillian on edge. And if she knew what lay out there in the woods of Montana, she'd be truly terrified. Because someone is waiting... watching... poised to strike and make Jillian the next victim...

    . . Is the rising number of abused women who've gone missing a statistical anomaly? Or is a serial killer targeting this vulnerable group of women? When the Milwaukee Police Department refuses to investigate because no bodies have been discovered, Lisa Rayburn, the clinical psychologist who discovers the anomaly, is drawn into an investigation to discover the cause after one of her own clients goes missing. She finds herself forming an unlikely alliance with a former policewoman turned security consultant, TJ Peacock, and the husbands of two of the missing women who may themselves be murderers. When TJ is attacked, and a woman looking remarkably like Lisa is found murdered, they know . . . someone is willing to kill to protect his secret. Can they reveal the killer before he gets to them?

    His ex-fiancee is deader than a door nail and everyone thinks he dun did it. His house is haunted. His mother is running an illegal gambling ring. His dog likes to bite people too much. And he's got to find out who really did it before the sheriff throws him in jail...again.

    . . someone you don't know. Would you still push the button?"Button, Button," Richard Matheson's chilling tale of greed and temptation, is now the basis of The Box, the new film from the director of Donnie Darko. In addition, this outstanding collection also contains many other unforgettable stories by Matheson, the award-winning author of I Am Legend and What Dreams May Come."The inventive plots and spare but convincing portraits of ordinary men and women caught up in forces beyond their control demonstrate why Stephen King has called Matheson his most significant influence."--Publishers Weekly

    Exhausted, lost, and at the end of her rope, she was eager for a hot shower and a bed for the night. Her room was musty but clean and the plumbing worked. Norman Bates, the manager, seemed nice, if a little odd.

    Soon, their paths will cross and lead to one twisted fate.Danny Hansen is a Bosnian immigrant who came to America with hopes of escaping haunted memories of a tragic war that took his other's life. Now he's a priest incensed by the powerful among us who manipulate the law for their own gain, uncaring of thes hattered lives they leave behind. It is his duty to show them the error of their ways, even if he must put them in the grave.Renee Gilmore is the frail and helpless victim of one such powerful man. Having escaped his clutches, she now lives only to satisfy justice by destroying him, regardless of whom she must become in that pursuit.But when Danny and Renee's paths become inexorably entangled things go very, very badly and neither of them may make it out of this hunt alive.

    More abductions and killings soon follow. Justin Riddley, recently transferred to the island’s small college, faces growing evidence that one of his new friends and fellow students may be the murderer. John Marshall, redemption-seeking captain of the local police force, leads the frantic murder investigation and struggles to figure out whether the killings are tied to the island's dark and violent past. Tormented by tragic wartime memories, and more convinced with each day that it is humanity’s fate to destroy itself, Marshall races against both the murderer and the specter of his own mental breakdown. As blood continues to spill, Riddley and Marshall wonder whether there may be a dark, universal force that drives evil deeds great and small, and whether the nature of one’s childhood might sometimes, in the end, be all that separates the saint from the psychopath.

    . . but when the storm hits, no one is getting awayIt's winter in the Catskills and Mitchell's Inn, nestled deep in the woods, is the perfect setting for a relaxing--maybe even romantic--weekend away. It boasts spacious old rooms with huge woodburning fireplaces, a well-stocked wine cellar, and opportunities for cross-country skiing, snowshoeing, or just curling up with a good murder mystery.So when the weather takes a turn for the worse, and a blizzard cuts off the electricity--and all contact with the outside world--the guests settle in and try to make the best of it.Soon, though, one of the guests turns up dead--it looks like an accident. But when a second guest dies, they start to panic.Within the snowed-in paradise, something--or someone--is picking off the guests one by one. And there's nothing they can do but hunker down and hope they can survive the storm--and one another.

    Lying in her bed, young Sylvie Mason overhears her parents on the phone across the hall. This is not the first late-night call they have received, since her mother and father have an uncommon occupation, helping "haunted souls" find peace. And yet, something in Sylvie senses that this call is different than the rest, especially when they are lured to the old church on the outskirts of town. Once there, her parents disappear, one after the other, behind the church's red door, leaving Sylvie alone in the car. Not long after, she drifts off to sleep only to wake to the sound of gunfire.Nearly a year later, we meet Sylvie again struggling with the loss of her parents, and living in the care of her older sister, who may be to blame for what happened the previous winter.As the story moves back and forth in time, through the years leading up to the crime and the months following, the ever inquisitive and tender-hearted Sylvie pursues the mystery, moving closer to the knowledge of what occurred that night, as she comes to terms with her family's past and uncovers secrets that have haunted them for years.

    Like Chicken Little and the sky falling, she chases clues across the world to unravel an international conspiracy. The inheritance goes to charity, so money is not the motive. Her Sarajevo ward Kemal gets expelled, a prosthetic arm, then often naps afternoons under care of kindly new housekeeper. Unseen agents follow her, bug hotel rooms, while an evil mastermind voice overhears taped conversations and supervises regular secret auctions, inviting armed wealthy customers. Witnesses and informants die before, and after meetings. Friends become foes, nobody can be trusted.

    In a churchyard, villagers gather on the night when the ghosts of those who will die in the coming year are thought to be seen. Here, where the estuary leads out to the sea, superstitions still hold sway.Standing alone is the taxidermist's daughter. At 17, Constantia Gifford lives with her father in a decaying house: it is all that is left of Gifford's once world-famous museum of taxidermy. The stuffed animals that used to grace every parlour are out of fashion, leaving Gifford a disgraced and bitter man.The bell begins to toll and all eyes are fixed on the church. No one sees the gloved hand pick up a flint. As the last notes fade into the dark, a woman lies dead.While the village braces itself against rising waters and the highest tide of the season, Connie struggles to discover who is responsible, but finds herself under suspicion. Is Constantia who she seems - is she the victim of circumstances or are more sinister forces at work? And what is the secret that lies at the heart of Gifford House, hidden among the bell jars of her father's workshop?Told over one summer, The Taxidermist's Daughter is the haunting new novel from the bestselling author of Labyrinth, Sepulchre, Citadel and The Winter Ghosts.

    Following the first rule of their manifesto—"To understand the nature of a thing, it must be taken apart"—these daring misfits spend the summer after graduation in a remote cabin in the Vermont woods committing acts of meaningful vandalism and plotting elaborate, often dangerous, pranks. But everything changes when one particularly twisted experiment ends in Suz's death and the others decide to cover it up.Nearly a decade later, Henry and Tess are living just an hour's drive from the old cabin. Each is desperate to move on from the summer of the Dismantlers, but their guilt isn't ready to let them go. When a victim of their past pranks commits suicide—apparently triggered by a mysterious Dismantler-style postcard—it sets off a chain of eerie events that threatens to engulf Henry, Tess, and their inquisitive nine-year-old daughter, Emma.Is there someone who wants to reveal their secrets? Is it possible that Suz did not really die—or has she somehow found a way back to seek revenge?Full of white-knuckle tension with deeply human characters caught in circumstances beyond their control, Jennifer McMahon's gripping story and spine-tingling plot prove that she is a master at weaving the fear of the supernatural with the stark realities of life.

    I know where she buys her groceries, where she works. I don't know the color of her eyes or what they look like when she's scared. But I will.One night, Mia Dennett enters a bar to meet her on-again, off-again boyfriend. But when he doesn't show, she unwisely leaves with an enigmatic stranger. At first Colin Thatcher seems like a safe one-night stand. But following Colin home will turn out to be the worst mistake of Mia's life. When Colin decides to hide Mia in a secluded cabin in rural Minnesota instead of delivering her to his employers, Mia's mother, Eve, and detective Gabe Hoffman will stop at nothing to find them. But no one could have predicted the emotional entanglements that eventually cause this family's world to shatter.