But life appears tranquil in the isolated farming settlement of Wapiti in northern Saskatchewan, where the Mennonite community continues the agricultural lifestyle their ancestors have practised for centuries. Their Christian values of peace and love lead them to oppose war and military service, so they are hardly affected by the war – except for the fact that they are reaping the rewards of selling their increasingly valuable crops and livestock.Thom Wiens, a young farmer and earnest Christian, begins to ask questions. How can they claim to oppose the war when their livestock become meat to sustain soldiers? How can they enjoy this free country but rely on others to fight to preserve that freedom? Within the community, conflicts and broken relationships threaten the peace, as the Mennonite tradition of close community life manifests itself as racism toward their “half-breed” neighbours, and aspirations of holiness turn into condemnation of others. Perhaps the greatest hope for the future lies with children such as Hal Wiens, whose friendship with the Métis children and appreciation of the natural environment offer a positive vision of people living at peace with themselves and others.Wiebe’s groundbreaking first novel aroused great controversy among Mennonite communities when it was first published in 1962. Wiebe explains, “I guess it was a kind of bombshell because it was the first realistic novel ever written about Mennonites in western Canada. A lot of people had no clue how to read it. They got angry. I was talking from the inside and exposing things that shouldn't be exposed.” At the same time, other reviewers were unsure how to react to Wiebe’s explicitly religious themes, a view which Wiebe found absurd. “There are many, many people who feel that religious experience is the most vital thing that happens to them in their lives, and how many of these people actually ever get explored in modern novels?”The concept of peace is an important theme in Wiebe’s first three books. The attempt to live non-violently, one of the basic tenets of the Mennonite faith as taught by the sixteenth-century spiritual leader Menno Simons, is what has “caused the Mennonites the most difficulty in their relationship with everybody,” forcing them to move again and again. The theme of peace versus passivity is further explored in The Blue Mountains of China, where inner peace, a state of being, is contrasted with the earthly desire for a place of public order and tranquility where the church is “there for a few hours a Sunday and maybe a committee meeting during the week to keep our fire escape polished,” as Thom, the protagonist puts it.. Wiebe has said, “To be an Anabaptist is to be a radical follower of the person of Jesus Christ . . . and Jesus Christ had no use for the social and political structures of his day; he came to supplant them.”While Peace Shall Destroy Many takes place in a Mennonite community, its elements are universal, delineating the way young idealism rebels against staid tradition, as a son clashes with his father. In the face of violent confrontations between beliefs all over the world, the novel remains as compelling now as it was nearly forty years ago.

    A disgruntled follower of a self-esteem blog posts a rambling critical comment. On the hunt for the perfect coffee table, a pregnant woman and her husband stop to visit his terminally ill ex-wife. The office cat lady reluctantly joins her fellow employees' crusade to cheer up their dying co-worker. A man grieving his wife's miscarriages follows his deluded friend on a stealth photo-taking mission at the Auto Show. A shoplifter creates her own narrative with stolen anecdotes and a kidnapped baby. In this collection, society's misfits and losers are portrayed sympathetically, and sometimes even heroically. As desperately as these characters long to fit in, they also take pride in what sets them apart.

    These stories showcase Miranda Hill's astonishing range and virtuosity, introducing us to a protean variety of characters, each as well-realized as the next. Here is a writer who can seamlessly inhabit the consciousness of a sixteen-year-old navigating an embarrassing sex-ed class, a middle-aged minister experiencing a devastating crisis of faith in a 19th century rural village, a pilot's widow coping with her grief by growing an unusual "victory garden" during World War II, and well-heeled modern professional women juggling jobs, kids, and husbands, and trying to cope with the arrival of a beautiful bohemian neighbour, on a gentrified street in downtown Toronto.The qualities that unite these remarkable stories are a pervasive sense of mystery and magic, a wonderful wit and sophistication, and most surprisingly, the slight disorientation implied by the title: In Miranda Hill's beguiling universe, the "real world" is recognizable and slightly askew, as if you were experiencing one of those strange dreams where you think you are awake--or as if you've been "sleeping funny" and are on the cusp of waking into the everyday world you thought you knew.

    There were Canes in Canada before the United States erupted into civil war. Their roots are deep, their legacy is rich, but Langston Cane V knows little of his heritage. He is thirty-eight, divorced, and childless and has just been fired for sabotaging a government official's speech. The eldest son of a white mother and prominent black father, Langston feels more acutely than ever the burden of his illustrious family name and his racially mixed heritage. To be black in a white society is hard enough; to be half-black, half-white is to have no identity at all. Or so Langston believes. After a run-in with his father, Langston takes off for his feisty aunt's house in Baltimore, where he embarks on a remarkable quest for his family's past.It's said that those who forget history are condemned to repeat it, but to Langston, history offers not condemnation but reprieve. For when he stumbles across a treasure trove of family documents, he sets off on a journey through time that will lead him back to the famous antislavery raid on Harpers Ferry, Virginia, and the great-great-grandfather who fought beside John Brown. He rediscovers the long line of relatives who have battled for racial justice, decade after decade. He finds passion, dignity, and courage--and, at last, by unearthing and giving voice to those who came before him, he finds himself.Rich in historical detail and gracefully flowing from the slave trade of nineteenth-century Virginia to the present, Any Known Blood gives life to a story never before told, a story of five generations of a black Canadian family whose tragedies and victories merge with the American experience.

    Both athletes are nearing the end of their athletic careers, and are forced to confront the question: what happens to athletes when their bodies are too old and injured to compete? The blossoming relationship between Digger and Sadie is tested in the all-important months leading up to the Olympics, as intense training schedules, divided loyalties, and unpredicted obstacles take their draining toll. The Olympics, as both of them are painfully aware, will be the realization or the end of a life's dream. The Bone Cage captures the physicality, sensuality, and euphoric highs of amateur sport, and the darker, cruel side of sport programs that wear athletes down and spit them out at the end of their bloom. With realism and humour, author Angie Abdou captures athletes on the brink of that transition--the lead-up to that looming redefinition of self--and explores how people deal with the loss of their dream.

    . . . It renders a complex and complete human world, which by the end we have learned to love."— The Boston Book ReviewChinatown, Vancouver, in the late 1930s and '40s provides the backdrop for this poignant first novel, told through the vivid reminiscences of the three younger children of an immigrant Chinese family. The siblings grapple with their individual identities in a changing world, wresting autonomy from the strictures of history, family, and poverty. Sister Jook-Liang dreams of becoming Shirley Temple and escaping the rigid, old ways of China. Adopted Second Brother Jung-Sum, struggling with his sexuality and the trauma of his childhood in China, finds his way through boxing. Third Brother Sekky, who never feels comfortable with the multitude of Chinese dialects swirling around him, becomes obsessed with war games, and learns a devastating lesson about what war really means when his 17-year-old babysitter dates a Japanese man.Mingling with life in Canada and the horror of war are the magic, ghosts, and family secrets of Poh-Poh, or Grandmother, who is the heart and pillar of the family. Side by side, her three grandchildren survive hardships and heartbreaks with grit and humor. Like the jade peony of the title, Choy's storytelling is at once delicate, powerful, and lovely.The Jade Peony was selected by the Literary Review of Canada as one of the "100 Most Important Books in Canadian History" in 2005. It was also an American Library Association Notable Book of the Year in 1998, and was winner of the 1995 Trillium Award (shared with Margaret Atwood).

    Her guilt-plagued mother cannot accept her daughter's deafness. Grania's saving grace is her grandmother Mamo, who tries to teach Grania to read and speak again. Grania's older sister, Tress, is a beloved ally as well-obliging when Grania begs her to shout words into her ear canals and forging a rope to keep the sisters connected from their separate beds at night when Grania fears the terrible vulnerability that darkness brings. When it becomes clear that she can no longer thrive in the world of the hearing, her family sends her to live at the Ontario School for the Deaf in Belleville, where, protected from the often-unforgiving hearing world outside, she learns sign language and speech.After graduation Grania stays on to work at the school, and it is there that she meets Jim Lloyd, a hearing man. In wonderment the two begin to create a new emotional vocabulary that encompasses both sound and silence. But just two weeks after their wedding, Jim must leave home to serve as a stretcher bearer on the blood-soaked battlefields of Flanders.During this long war of attrition, Jim and Grania's letters back and forth-both real and imagined-attempt to sustain their young love in a world as brutal as it is beautiful. Frances Itani's depiction of a world where sound exists only in the margins is a singular feat in literary fiction, a place difficult to leave and even harder to forget. A magnificent tale of love and war, Deafening is finally an ode to language-how it can console, imprison, and liberate, and how it alone can bridge vast chasms of geography and experience.

    It is only through music that she finds the freedom to temporarily escape and dream of a better life for herself, nurturing this hard-won refuge throughout the vagaries of unexpected motherhood and an absent husband, and relying on her talent to build a future for her family.Orphaned Mahsa also grows up in the shadow of loss, sent to relatives in Pakistan after the death of her parents. Struggling to break free, she escapes to Montreal, leaving behind her first love, Kamal. But the threads of her past are not so easily severed, and she finds herself forced into an arranged marriage.For Mahsa, too, music becomes her solace and allows her to escape from her oppressive circumstances.When Katherine and Mahsa meet, they find in each other a kindred spirit as well as a musical equal, and their lives are changed irrevocably. Together, they inspire and support one another, fusing together their cultures, their joys, and their losses—just as they collaborate musically in the language of free-form, improvisational jazz.Under the Visible Life takes readers from the bustling harbour of Karachi to the palpable political tension on the streets of 1970s Montreal to the smoky jazz clubs of New York City. Deeply affecting, vividly rendered, and sweeping in scope, it is also an exploration of the hearts of two unforgettable women: a meditation on how hope can remain alive in the darkest of times when we have someone with whom to share our burdens.

    With shimmering prose and mesmerizing precision, David Chariandy takes us inside the lives of Michael and Francis. They are the sons of Trinidadian immigrants, their father has disappeared and their mother works double, sometimes triple shifts so her boys might fulfill the elusive promise of their adopted home. Coming of age in The Park, a cluster of town houses and leaning concrete towers in the disparaged outskirts of a sprawling city, Michael and Francis battle against the careless prejudices and low expectations that confront them as young men of black and brown ancestry -- teachers stream them into general classes; shopkeepers see them only as thieves; and strangers quicken their pace when the brothers are behind them. Always Michael and Francis escape into the cool air of the Rouge Valley, a scar of green wilderness that cuts through their neighbourhood, where they are free to imagine better lives for themselves. Propelled by the pulsing beats and styles of hip hop, Francis, the older of the two brothers, dreams of a future in music. Michael's dreams are of Aisha, the smartest girl in their high school whose own eyes are firmly set on a life elsewhere. But the bright hopes of all three are violently, irrevocably thwarted by a tragic shooting, and the police crackdown and suffocating suspicion that follow.With devastating emotional force David Chariandy, a unique and exciting voice in Canadian literature, crafts a heartbreaking and timely story about the profound love that exists between brothers and the senseless loss of lives cut short with the shot of a gun.

    Madeleine Thien’s characters in some way want to make amends, to understand the events that have shaped their lives. A young woman searches back in time for the pivotal moment when her family lost faith in itself. Two sisters keep a vigil outside their former house, hoping their long-absent mother will appear one last time. A wife helps her husband grieve for the woman he has loved since childhood. A daughter remembers the simple ritual she once shared with her father and the moment when her unconditional love for him was called into question. Compassionate and revealing, delicate and wise, these stories chart the uneven progress of love and lay bare the heartbreaking truths at the core of our closest bonds.

    Now, she's fallen in love with her baby boy but is locked in combat with her sister-in-law over his care. Wanting an independent life for herself and her son, Grace leaves Sault Ste. Marie to find work, and a place of her own, in southern Ontario. But she worries: when she returns for her baby, will her brother and sister-in-law give him up?1957: Teenaged Dean Turner breaks open a locked box and finds adoption papers with a birth certificate for Daniel Turner, son of Grace Turner and an unknown father. His parents deny that he is adopted, but four years later, Dean leaves home to find the mysterious Grace.1961: Laura falls in love with Dean Turner soon after he sits down at her table in the Queen Street Eaton's cafeteria, but he disappears as suddenly and as devastatingly as he appeared. When she encounters him in Sault Ste. Marie three years later, she is determined not to let him slip away again.1973: Eight-year-old Dawn Turner waits for her father one morning at the front door of her grandparents' house. Dawn and her little brother are finally starting a life with their father, Dean, and his new wife. But when the new beginning doesn't work out, she and Jimmy end up back with their grandparents. As Dawn grows up, she must work to understand her family's mysteries and disappearing acts before she loses track of herself completely. Jamie Zeppa paints a tender and perceptive portrait of the unconventional, though not entirely dysfunctional, Turner family. Rich with mystery, broken promises and in the end, some mending of hearts, Every Time We Say Goodbye explores what it means to leave, to be left, to be absent; what connects parents and children, brothers and sisters, husbands and wives - and what drives them apart.

    In her bestselling novels Lullabies for Little Criminals and The Girl Who Was Saturday Night, she transformed the shabbiest streets of Montreal with her beautiful, freewheeling metaphors. She described the smallest of things--a stray cat or a second-hand coat--with an intensity that made them otherworldly. In Daydreams of Angels, O'Neill's first collection of short stories, she gives free reign to her imaginative gifts. In "The Ugly Ducklings," generations of Nureyev clones live out their lives in a grand Soviet experiment. In "Dear Piglet," a teenaged cult follower writes a letter to explain the motivation behind her crime. And in another tale, a grandmother reveals where babies come from: the beach, where young mothers-to-be hunt for infants in the surf. Each of these beguiling stories twists the beloved narratives of childhood--fairy tales, storybooks, Bible stories--to uncover the deepest truths of family life.

    When Peter’s nipples begin speaking to him one day and inform him of their diabolical plan to expose his secret desires to the world, Peter finds himself cornered in a world that seems to have no tolerance for difference.Peter’s only solace is “The Bedtime Movies” — perfect-world fantasies that lull him to sleep every night. But when the lines between Peter’s fantasy world and his reality begin to blur, no one is safe from the depths of Peter’s imagination — especially Peter himself.

    We see her on a visit to Jamaica, startled by the sight of a severed pig’s head in her great aunt’s freezer; in junior high, the victim of a devastating prank by her closest friends; and as a teenager in and out of her grandmother’s house, trying to cope with the ongoing battles between her unyielding grandparents.A rich and unforgettable portrait of growing up between worlds, Frying Plantain shows how, in one charged moment, friendship and love can turn to enmity and hate, well-meaning protection can become control, and teasing play can turn to something much darker. In her brilliantly incisive debut, Zalika Reid-Benta artfully depicts the tensions between mothers and daughters, second-generation Canadians and first-generation cultural expectations, and Black identity and predominately white society.

    The Gage family had been travelling to a new life in Fort McMurray, but bruises on the mother, Lorraine, prove to be late-stage cancer rather than remnants of the accident. Recognizing their need as her responsibility, Clara tries to do the right thing and moves the children, husband and horrible grandmother into her own house--then has to cope with the consequences of practical goodness.As Lorraine walks the borders of death, Clara expands into life, finding purpose, energy and unexpected love amidst the hard, unaccustomed work of sharing her days. But the burden is not Clara's alone: Lorraine's children must cope with divided loyalties and Lorraine must live with her growing, unpayable debt to Clara--and the feeling that Clara has taken her place.What, exactly, does it mean to be good? When is sacrifice merely selfishness? What do we owe in this life and what do we deserve? Marina Endicott looks at life and death through the compassionate lens of a born novelist: being good, being at fault, and finding some balance on the precipice.