Anouilh's way, and Miss Hellman's, is to try to tell the story from two viewpoints. One of them is how we look at the tale now as a piece of history, with our knowledge of how the girl's blundering captors unwittingly created a martyr who became forever a symbol of courage and faith. The other viewpoint has been to try to imagine what it must have been like to be Joan herself. Both approaches to this legend of the Martyr of Rouen have been splendidly realized by the technique of divorcing the drama from the confinements of time, sequence and space. Until the last moment a thrilling and uplifting one of Joan's greatest earthly triumph, the coronation of the worthless Dauphin for whom she fought there is no scenery in the usual sense, merely a few levels of steps and platforms, and lights. With this freedom, the story of Joan of Arc can move backward or forward without an interruption, without a jar. It begins with Joan's trial, and her tale of the voices which prompted her one day to set forth and save France from the English. And as she tells her listeners the cold Inquisitor from Spain, the politically cynical Earl of Warwick, the deeply religious but ineffectual Cauchon and all the others of what she heard and what she did, her story comes alive."

    A mixed group of twenty-six men, some of the Marshals came from aristocratic backgrounds, some had originally pursued tradesmen careers as drapers and bakers, and others rose from total poverty to hold the highest positions in the empire below the emperor himself. Delderfield's exciting chronicle of these men and their battles tells of their origins, their elevation under the rule of Napoleon, the kingships achieved by some and the betrayals of others, and the Marshals' changing relationship with their leader as the fortunes of the empire rose and fell.

    When Shira’s father is arrested by the local baron intent on enforcing the Catholic Church’s strictures against heresy, Shira fights for his release and encounters two men who will influence her life profoundly—an inspiring Catholic priest and Meir ben Baruch, a brilliant scholar. In Meir, Shira finds her soulmate.Married to Meir in Paris, Shira blossoms as a wife and mother, savoring the intellectual and social challenges that come with being the wife of a prominent scholar. After witnessing the burning of every copy of the Talmud in Paris, Shira and her family seek refuge in Germany. Yet even there they experience bloody pogroms and intensifying anti-Semitism. With no safe place for Jews in Europe, they set out for Israel only to see Meir captured and imprisoned by Rudolph I of Hapsburg. As Shira weathers heartbreak and works to find a middle ground between two warring religions, she shows her children and grandchildren how to embrace the joys of life, both secular and religious.A multi-generational novel that vividly brings to life a period rarely covered in historical fiction.

    Ananthamurthy is a timely reading of, and creative response to, the rise of Hindutva nationalism in India. Juxtaposing Rashtriya Swayamsevak Sangh founder V.D. Savarkar's idea of Hindutva with M.K. Gandhi's concept of Hind Swaraj, the book examines two directions that were open to India at the time of Independence. Born out of a meditation of the idea of the nation state and nationalism, and what the new power structures and centres mean for the very idea of India, the essay uses shifting tones and styles to make a deep, elegant and heartfelt point about the human cost of radicalization.

    It paints an intricate picture of daily life in the courts and streets of fifteenth-century France and gives a fascinating glimpse into the practical considerations of running a household, dressing appropriately and maintaining a reputation in all circumstances. Christine de Pizan’s book provides a valuable counterbalance to male accounts of life in the middle ages and demonstrates, often with dry humour, how a woman’s position in society could be made less precarious by following the correct etiquette.

    Though he is one of the less remembered figures of the Vichy government, Darquier (the aristocratic "de Pellepoix" was appropriated) was one of its most hideously effective officials. Already a notorious Nazi-supported rabble-rouser when he was appointed commissioner, he set about to eliminate the Jews with particularly brutal efficiency. Darquier was in charge of the Vel' d'Hiv' round-up in Paris in which nearly 13,000 Jews were dispatched to death camps. Most of the French who died in Auschwitz were sent there during his tenure. Almost all of the 11,400 French children sent to Auschwitz--the majority of whom did not survive--were deported in his time. In all, he delivered 75,000 French to the Nazis and, at the same time, accelerated the confiscation of Jewish property, which he then used for his own financial gain. Never brought to justice, he lived out his life comfortably in Spain, denying his involvement in the Holocaust until his last days. Where did Louis Darquier come from? How did this man--a chronic fantasist and hypocrite, gambler and cheat--come to control the fates of thousands? What made him what he was? These are the questions at the center of this extraordinary book. In answering them, Carmen Callil gives us a superlatively detailed and revealing tapestry of individuals and ideologies, of small lives and great events, the forces of government and of personalities--in France and across the European continent--that made Vichy possible, and turned Darquier into its "dark essence." A tour de force of memory, accountability, and acknowledgment, "Bad Faith" is a brilliant meld of grand inquisitive sweep and delicate psychological insight, a story of how past choices and actions echo down to the present day, and an invaluable addition to the literature and history of the Holocaust.

    Adorable, absurd, and irresistible reading for the sophisticated cat. Illustrated.

    But the journey that led him there was neither inevitable nor smooth.  This authoritative biography focuses on the evolution of Napoleon as a leader and debunks many of the myths that are often repeated about him—sensational myths often propagated by Napoleon himself. Here, Philip Dwyer sheds new light on Napoleon’s inner life—especially his darker side and his passions—to reveal a ruthless, manipulative, driven man whose character has been disguised by the public image he carefully fashioned to suit the purposes of his ambition. Dwyer focuses acutely on Napoleon’s formative years, from his Corsican origins to his French education, from his melancholy youth to his flirtation with radicals of the French Revolution, from his first military campaigns in Italy and Egypt to the political-military coup that brought him to power in 1799. One of the first truly modern politicians, Napoleon was a master of “spin,” using the media to project an idealized image of himself. Dwyer’s biography of the young Napoleon provides a fascinating new perspective on one of the great figures of modern history.

    This engrossing biography of the Czech novelist and short-story writer emphasizes the cultural and historical contexts of his fiction and focuses for the first time on his complex relationship with his father.Nicholas Murray paints a picture of Kafka’s German-speaking Jewish family and the Prague mercantile bourgeoisie to which they belonged. He describes Kafka’s demanding professional career, his ill health, and the constantly receding prospects of a marriage he craved. He analyzes Kafka’s poor relationship with his father, Hermann, which found its most eloquent expression in Kafka’s story “The Judgement,” about a father who condemns his son to death by drowning. And he asserts that the unsettling flavor of Kafka’s books—stories suffused with guilt and frustration—derives from his sense of living in a mysteriously antagonistic world, of being a criminal without having knowingly committed a crime.Compelling and empathetic, this book sheds new light on a man of unique genius and on his enigmatic works.

    Artists painted, sculpted, and photographed her; poets praised her strange beauty. Among them were Gabriele D’Annunzio, Man Ray, Jean Cocteau, Cecil Beaton, and American writers Tennessee Williams, Jack Kerouac, and Ezra Pound. Couturiers Fortuny, Poiret, and Erté dressed her. Some became lovers, others awestruck admirers, but all were influenced by this extraordinary muse. The extravagance ended in 1930 when Casati was more than twenty-five million dollars in debt. Fleeing to London, she spent her final flamboyant years there until her death in 1957. Now nearly a half-century later, Casati’s fashion legacy continues to inspire such designers as John Galliano, Karl Lagerfeld, and Tom Ford. Fully authorized and accurate, this is the fantastic story of the Marchesa Luisa Casati.Scot D. Ryersson is an award-winning freelance writer, illustrator, and graphic designer. He lives in New Jersey.Michael Orlando Yaccarino is a freelance writer specializing in international genre film, fashion, music, and unconventional historical figures. He lives in New Jersey.

    Originating in the wild imagination of French poet and playwright Alfred Jarry and his schoolmates, resisting clear definition, purposefully useless, and almost impossible to understand, 'pataphysics nevertheless lies around the roots of Absurdism, Dada, futurism, surrealism, situationism, and other key cultural developments of the twentieth century. In this account of the evolution and influence of 'pataphysics, Andrew Hugill offers an informed exposition of a rich and difficult territory, staying aloft on a tightrope stretched between the twin dangers of oversimplifying a serious subject and taking a joke too seriously. Drawing on more than twenty-five years' research, Hugill maps the 'pataphysical presence (partly conscious and acknowledged but largely unconscious and unacknowledged) in literature, theater, music, the visual arts, and the culture at large, and even detects 'pataphysical influence in the social sciences and the sciences. He offers many substantial excerpts (in English translation) from primary sources, intercalated with a thorough explication of key themes and events of 'pataphysical history. In a Jarryesque touch, he provides these in reverse chronological order, beginning with a survey of 'pataphysics in the digital age and working backward to Jarry and beyond. He looks specifically at the work of Jean Baudrillard, Georges Perec, Italo Calvino, J. G. Ballard, Asger Jorn, Gilles Deleuze, Roger Shattuck, Jacques Pr?vert, Antonin Artaud, Ren? Clair, the Marx Brothers, Joan Mir?, Max Ernst, Marcel Duchamp, James Joyce, Flann O'Brien, Raymond Roussel, Jean-Pierre Brisset, and many others.

    The story of three young women as they enter the WRNS during World War 2 and of the men,British and American with whom they find love

    During its century as a virtual prison, more than 8,000 people were exiled to Kalaupapa, until the introduction of sulfone drugs in the 1940s. Today fewer than 30 patients remain. This is Henry's story, an unforgettable memoir of the boy who grew to build a full and joyous life at Kalaupapa, and still calls it home today. No Footprints in the Sand is one of only a few memoirs ever shared with the public by a Kalaupapa patient. Its intimacy and candor make it, in the words of Pulitzer Prize-winning poet W.S. Merwin, a rare and precious human document. Nalaielua's story is an inspiring one; despite exile, physical challenges and the severing of family ties, he has faced life as an artist, musician and historian with courage, honesty, hope and humor.

    Rimbaud, the boy with whom Verlaine had had his infamous affair, Mallarmé, and Verlaine himself need little introduction; figures such as Tristan Corbière and Jules Laforge, a major influence on the poetry of T.S. Eliot, were lesser known at the time, but are now recognized as major figures. Marceline Desbordes-Valmore is still unknown outside the francophone world, though Goya painted her portrait and Stefan Zweig wrote a study of her. Villiers de L'Isle-Adam is an ultimate Symbolist, after whose drama Edmund Wilson titled his Axel's Castle. The translator lives in New York City.

    Now with a new preface and illustrations, this "scrapbook" of their work—along with Andrea Weiss' lively commentary—highlights the political, social, and artistic lives of the renowned lesbian and bisexual Modernists, including Colette, Djuna Barnes, Gertrude Stein, Alice B. Toklas, Sylvia Beach, and many more.Painstakingly researched and profusely illustrated, it is an enlightening account of women who between wars found their selves and their voices in Paris. A wealth of photographs, paintings, drawings, and literary fragments combine with Weiss' revealing text to give an unparalleled insight into this extraordinary network of women for who Paris was neither mistress nor muse, but a different kind of woman.