Coming face to face with an important illuminated manuscript in the original is like meeting a very famous person. We may all pretend that a well-known celebrity is no different from anyone else, and yet there is an undeniable thrill in actually meeting and talking to a person of world stature.The idea for the book, which is entirely new, is to invite the reader into intimate conversations with twelve of the most famous manuscripts in existence and to explore with the author what they tell us about nearly a thousand years of medieval history - and sometimes about the modern world too. Christopher de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, collectors and the international community of manuscript scholars, showing us how he and his fellows piece together evidence to reach unexpected conclusions. He traces the elaborate journeys which these exceptionally precious artefacts have made through time and space, shows us how they have been copied, who has owned them or lusted after them (and how we can tell), how they have been embroiled in politics and scholarly disputes, how they have been regarded as objects of supreme beauty and luxury and as symbols of national identity. The book touches on religion, art, literature, music, science and the history of taste.Part travel book, part detective story, part conversation with the reader, Meetings with Remarkable Manuscripts conveys the fascination and excitement of encountering some of the greatest works of art in our culture which, in the originals, are to most people completely inaccessible. At the end, we have a slightly different perspective on history and how we come by knowledge. It is a most unusual book.

    S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery.Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation." Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaitre knowledge of the spiritual character which the tale was created to embody.Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance."

    Thelin would conjure vivid images of lush flower gardens, fish the size of small children, and of children running barefoot through her family’s coffee plantation, gorging on fruit from the robust and plentiful mango trees. She urged Shannon to visit her family in Dungu, to get a taste of real Congo, peaceful Congo; a place so different than the conflict-ravaged places Shannon knew from her activism work.But then the nightly phone calls from Congo began: static-filled, hasty reports from Francisca’s mother, “Mama Koko,” of gunmen—Joseph Kony’s Lord’s Resistance Army— who had infested Dungu and began launching attacks. Night after night for a year, Mama Koko delivered the devastating news of Fransisca’s cousins, nieces, nephews, friends, and neighbors, who had been killed, abducted, burned alive on Christmas Day. In an unlikely journey, Shannon and Thelin decided to travel from Portland, Oregon to Dungu, to witness first-hand the devastation unfolding at Joseph Kony’s hands. Masquerading as Francisca’s American sister-in-law, Shannon tucked herself into Mama Koko’s raw cement living room and listened to the stories of Mama Koko and her husband, Papa Alexander—as well as those from dozens of other friends and neighbors (“Mama Koko’s War Tribunal”)—who lined up outside the house and waited for hours, eager to offer their testimony. In Mama Koko and the Hundred Gunmen, Shannon weaves together the family’s tragic stories of LRA encounters with tales from the family’s history: we hear of Mama Koko’s early life as a gap-toothed beauty plotting to escape her inevitable fate of wife and motherhood; Papa Alexander’s empire of wives he married because they cooked and cleaned and made good coffee; and Francisca’s childhood at the family “castle” and coffee plantation. These lively stories transport Shannon from the chaos of the violence around her and bring to life Fransisca’s kitchen-table stories of the peaceful Congo.Yet, as the LRA camp out on the edge of town grew, tensions inside the house reach a fever pitch and Shannon and Thelin’s friendship was fiercely tested. Shannon was forced to confront her limitations as an activist and reconcile her vision of what it means to affect meaningful change in the lives of others.Mama Koko and the Hundred Gunmen is at once an illuminating piece of storytelling and an exploration of what it means to truly make a difference. It is an exquisite testimony to the beauty of human connection and the strength of the human spirit in times of unimaginable tragedy.

    This remarkable book is his odyssey, first written in 1542 as an official report to the king of Spain under the title La Relacion.

    During the years when Brazil, India, China and the other “emerging markets” have transformed their economies, Africa's resource states remained tethered to the bottom of the industrial supply chain. While Africa accounts for about 30 per cent of the world's reserves of hydrocarbons and minerals and 14 per cent of the world's population, its share of global manufacturing stood in 2011 exactly where it stood in 2000: at 1 percent.In his first book, The Looting Machine, Tom Burgis exposes the truth about the African development miracle: for the resource states, it's a mirage. The oil, copper, diamonds, gold and coltan deposits attract a global network of traders, bankers, corporate extractors and investors who combine with venal political cabals to loot the states' value. And the vagaries of resource-dependent economies could pitch Africa's new middle class back into destitution just as quickly as they climbed out of it. The ground beneath their feet is as precarious as a Congolese mine shaft; their prosperity could spill away like crude from a busted pipeline.This catastrophic social disintegration is not merely a continuation of Africa's past as a colonial victim. The looting now is accelerating as never before. As global demand for Africa's resources rises, a handful of Africans are becoming legitimately rich but the vast majority, like the continent as a whole, is being fleeced. Outsiders tend to think of Africa as a great drain of philanthropy. But look more closely at the resource industry and the relationship between Africa and the rest of the world looks rather different. In 2010, fuel and mineral exports from Africa were worth 333 billion, more than seven times the value of the aid that went in the opposite direction. But who received the money? For every Frenchwoman who dies in childbirth, 100 die in Niger alone, the former French colony whose uranium fuels France's nuclear reactors. In petro-states like Angola three-quarters of government revenue comes from oil. The government is not funded by the people, and as result it is not beholden to them. A score of African countries whose economies depend on resources are rentier states; their people are largely serfs. The resource curse is not merely some unfortunate economic phenomenon, the product of an intangible force. What is happening in Africa's resource states is systematic looting. Like its victims, its beneficiaries have names.

    Examining navigation and shipbuilding; cultural analogies between Native Americans and Africans; the transportation of plants, animals, and textiles between the continents; and the diaries, journals, and oral accounts of the explorers themselves, Ivan Van Sertima builds a pyramid of evidence to support his claim of an African presence in the New World centuries before Columbus. Combining impressive scholarship with a novelist’s gift for storytelling, Van Sertima re-creates some of the most powerful scenes of human history: the launching of the great ships of Mali in 1310 (two hundred master boats and two hundred supply boats), the sea expedition of the Mandingo king in 1311, and many others. In They Came Before Columbus, we see clearly the unmistakable face and handprint of black Africans in pre-Columbian America, and their overwhelming impact on the civilizations they encountered.

    While the West declined following the collapse of the Roman Empire, a new Arab civilization arose to the east, reaching an early peak in Baghdad under the caliph Harun al-Rashid. Harun is the legendary caliph of The Thousand and One Nights, but his actual court was nearly as magnificent as the fictional one. In The Caliph’s Splendor, Benson Bobrick eloquently tells the little-known and remarkable story of Harun’s rise to power and his rivalries with the neighboring Byzantines and the new Frankish kingdom under the leadership of Charlemagne. When Harun came to power, Islam stretched from the Atlantic to India. The Islamic empire was the mightiest on earth and the largest ever seen. Although Islam spread largely through war, its cultural achievements were immense. Harun’s court at Baghdad outshone the independent Islamic emirate in Spain and all the courts of Europe, for that matter. In Baghdad, great works from Greece and Rome were preserved and studied, and new learning enhanced civilization. Over the following centuries Arab and Persian civilizations made a lasting impact on the West in astronomy, geometry, algebra (an Arabic word), medicine, and chemistry, among other fields of science. The alchemy (another Arabic word) of the Middle Ages originated with the Arabs. From engineering to jewelry to fashion to weaponry, Arab influences would shape life in the West, as they did in the fields of law, music, and literature. But for centuries Arabs and Byzantines contended fiercely on land and sea. Bobrick tells how Harun defeated attempts by the Byzantines to advance into Asia at his expense. He contemplated an alliance with the much weaker Charlemagne in order to contain the Byzantines, and in time Arabs and Byzantines reached an accommodation that permitted both to prosper. Harun’s caliphate would weaken from within as his two sons quarreled and formed factions; eventually Arabs would give way to Turks in the Islamic empire. Empires rise, weaken, and fall, but during its golden age, the caliphate of Baghdad made a permanent contribution to civilization, as Benson Bobrick so splendidly reminds us.

    It is the extraordinary tale of an exceptional woman, Katherine Swynford, who became first the mistress and later the wife of John of Gaunt, Duke of Lancaster.Katherine Swynford’s charismatic lover was one of the most powerful princes of the 14th century, the effective ruler of England behind the throne of his father Edward III in his declining years, and during the minority of his nephew, Richard II. Katherine herself was enigmatic and intriguing, renowned for her beauty, and regarded by some as dangerous. Her existence was played out against the backdrop of court life at the height of the age of chivalry and she knew most of the great figures of the time — including her brother-in-law, Geoffrey Chaucer. She lived through much of the Hundred Years War, the Black Death, and the Peasants’ Revolt. She knew loss, adversity, and heartbreak, and she survived them all triumphantly. Although Katherine’s story provides unique insights into the life of a medieval woman, she was far from typical in that age. She was an important person in her own right, a woman who had remarkable opportunities, made her own choices, flouted convention, and took control of her own destiny — even of her own public image. Weir brilliantly retrieves Katherine Swynford from the footnotes of history and gives her life and breath again. Perhaps the most dynastically important woman within the English monarchy, she was the mother of the Beauforts and through them the ancestress of the Yorkist kings, the Tudors, the Stuarts, and every other sovereign since — a legacy that has shaped the history of Britain.

    In this riveting account, he tells of his journey from a prison cell to Mecca, describing his transition from hoodlum to Muslim minister. Here, the man who called himself "the angriest Black man in America" relates how his conversion to true Islam helped him confront his rage and recognize the brotherhood of all mankind. An established classic of modern America, "The Autobiography of Malcolm X" was hailed by the New York Times as "Extraordinary. A brilliant, painful, important book." Still extraordinary, still important, this electrifying story has transformed Malcom X's life into his legacy. The strength of his words, the power of his ideas continue to resonate more than a generation after they first appeared.

    Justinian, the great law-giver, appears as a hateful tyrant, wedded to an ex-prostitute, Theodora; and Belisarius, the brilliant general whose secretary Procopius had been, is seen as the pliable dupe of his wife Antonina, a woman as corrupt and scheming as Theodora herself.

    But Portugal's navigators cracked the code of the Atlantic winds, launched the expedition of Vasco da Gama to India and beat the Spanish to the spice kingdoms of the East - then set about creating the first long-range maritime empire. In an astonishing blitz of thirty years, a handful of visionary and utterly ruthless empire builders, with few resources but breathtaking ambition, attempted to seize the Indian Ocean, destroy Islam and take control of world trade.Told with Roger Crowley's customary skill and verve, this is narrative history at its most vivid - an epic tale of navigation, trade and technology, money and religious zealotry, political diplomacy and espionage, sea battles and shipwrecks, endurance, courage and terrifying brutality. Drawing on extensive first-hand accounts, it brings to life the exploits of an extraordinary band of conquerors - men such as Afonso de Albuquerque, the first European since Alexander the Great to found an Asian empire - who set in motion five hundred years of European colonisation and unleashed the forces of globalisation.

    To his surprise, when he found the house he was greeted by Dalia Ashkenazi Landau, a nineteen-year-old Israeli college student, whose family fled Europe for Israel following the Holocaust. On the stoop of their shared home, Dalia and Bashir began a rare friendship, forged in the aftermath of war and tested over the next thirty-five years in ways that neither could imagine on that summer day in 1967. Based on extensive research, and springing from his enormously resonant documentary that aired on NPR’s Fresh Air in 1998, Sandy Tolan brings the Israeli-Palestinian conflict down to its most human level, suggesting that even amid the bleakest political realities there exist stories of hope and reconciliation.

    It encompasses an account of the Arab Revolt against the Turks during the First World War alongside general Middle Eastern and military history, politics, adventure and drama. It is also a memoir of the soldier known as 'Lawrence of Arabia'.Lawrence is a fascinating and controversial figure and his talent as a vivid and imaginative writer shines through on every page of this, his masterpiece. Seven Pillars of Wisdom provides a unique portrait of this extraordinary man and an insight into the birth of the Arab nation.

    Dispatches from the Edge, Cooper's memoir of "war, disasters and survival," is a brief but powerful chronicle of Cooper's ascent to stardom and his struggle with his own tragedies and demons. Cooper was 10 years old when his father, Wyatt Cooper, died during heart bypass surgery. He was 20 when his beloved older brother, Carter, committed suicide by jumping off his mother's penthouse balcony (his mother, by the way, being Gloria Vanderbilt). The losses profoundly affected Cooper, who fled home after college to work as a freelance journalist for Channel One, the classroom news service. Covering tragedies in far-flung places like Burma, Vietnam, and Somalia, Cooper quickly learned that "as a journalist, no matter ... how respectful you are, part of your brain remains focused on how to capture the horror you see, how to package it, present it to others." Cooper's description of these horrors, from war-ravaged Baghdad to famine-wracked Niger, is poignant but surprisingly unsentimental. In Niger, Cooper writes, he is chagrined, then resigned, when he catches himself looking for the "worst cases" to commit to film. "They die, I live. It's the way of the world," he writes. In the final section of Dispatches, Cooper describes covering Hurricane Katrina, the story that made him famous. The transcript of his showdown with Louisiana Sen. Mary Landrieu (in which Cooper tells Landrieu people in New Orleans are "ashamed of what is happening in this country right now") is worth the price of admission on its own. Cooper's memoir leaves some questions unanswered--there's frustratingly little about his personal life, for example--but remains a vivid, modest self-portrait by a man who is proving himself to be an admirable, courageous leader in a medium that could use more like him. --Erica C. Barnett

    It replaced reverence with skepticism and Strachey's wit, iconoclasm, and narrative skill liberated the biographical enterprise. His portraits of Cardinal Manning, Florence Nightingale, Thomas Arnold, and General Gordon changed perceptions of the Victorians for a generation. Lytton Strachey's biographical essays on four "eminent Victorians" dropped an explosive charge on Victorian England when the book was published in 1918. This edition is unique in being fully annotated and in drawing on the full range of Strachey's manuscript materials and literary remains.