Compelled by curiosity, he approaches the door, and, standing before the entrance feels the unmistakable sensation of a small hand creeping into his own, 'as if a child had taken hold of it'.Intrigued by the encounter, he determines to learn more, and discovers that the owner's grandson had drowned tragically many years before. At first unperturbed by the odd experience, Snow begins to be plagued by haunting dreams, panic attacks, and more frequent visits from the small hand which become increasingly threatening and sinister ...

    Long ago, it was the Piven Institute for the Care and Correction of Troubled Females—an insane asylum nicknamed “Hysteria Hall.” However, many of the inmates were not insane, just defiant and strong willed. Kind of like Delia herself.But the house still wants to keep “troubled” girls locked away. So, in the most horrifying way, Delia gets trapped.And that’s when she learns that the house is also haunted.Ghost girls wander the halls in their old-fashioned nightgowns. A handsome ghost boy named Theo roams the grounds. Delia finds that all the spirits are unsettled and full of dark secrets. The house, as well, harbors shocking truths within its walls—truths that only Delia can uncover, and that may set her free.But she’ll need to act quickly, before the house’s power overtakes everything she loves.From master of suspense Katie Alender comes a riveting tale of twisted memories and betrayals, and the meaning of madness.

    Unholy forces are stirred from long slumber to monstrous new life. And two young misfits discover the chilling art of turning persecution into retribution. With these eerie ingredients, bestselling master John Saul once again works his unique brand of sinister magic to conjure an unforgettable tale of unspeakable terror.For most of her young life, fifteen-year-old Angel Sullivan has been on the outside looking in, enduring the taunts of cruel schoolmates and the angry abuse of a bitter father. Then Angel’s family moves to the quaint town of Roundtree, Massachusetts—where a charming home is available, a promising job awaits Angel’s unemployed father, and most of all, the chance to make a new start beckons to the shy, hopeful teenager. But when she is shunned by her new classmates, Angel falls deeper into despair. Until she meets Seth Baker, a fellow outcast—and a fateful kinship is forged. It’s Seth who tells Angel the unspoken truth about the legacy of murder that hangs over her family’s home—and the whispered rumors that something supernatural still dwells there. Uncertain whether the stories are true, and desperate to escape the torment of their daily lives, Angel and Seth devote themselves to contacting whatever restless soul haunts the dark recesses of Black Creek Crossing. But once they have begun, there is no turning back. Guided by an anguished and vengeful spirit, they uncover the shocking events and centuries-old horrors that lay buried beneath the placid veneer of Roundtree. And along with the ghastly revelations comes a terrifying power—one that feeds upon the rage of the victimized, turning the basest impulses and most dangerous desires into devastating weapons. Now, the closer Angel and Seth are pushed toward the edge by their tormentors, the deeper they descend into the maelstrom of dark forces they’ve unleashed . . . and the more unspeakable the hour of reckoning will be.

    Working to rebuild her law practice after her son commits suicide, Angela Toussaint journeys to the family home where the suicide took place, hoping for answers, and discovers an invisible, evil force that is driving locals to acts of violence.

    As with his other gigs, he sets rules for himself: no leaving the house for any reason, refrain from outside contact, and sleep during the day.When Thomas Ruth, Felix's oldest friend and fellow horror film obsessive, joins him on the project, the two dance around a recent and unspeakably painful rough-patch in their friendship, but eventually fall into their old rhythms of dark humor and movie trivia. That's when things start going wrong: screams from upstairs, figures in the thresholds, and more than what should be in any basement. Felix realizes the book he's writing, and his very state of mind, is tilting from nonfiction into all out horror, and the shocking climax answers a question that's been staring these men in the face all along: In Rotter House, who's haunting who?

    Notoriously haunted, it has remained empty until college-bound Jess Perry and three of her peers gather to take part in a month-long study on the paranormal. Jess, who talks to ghosts, quickly bonds with her fellow test subjects. One is a girl possessed. Another just wants to forget. The third is a guy who really knows how to turn up the August heat, not to mention Jess’s heart rate…when he’s not resurrecting the dead. The study soon turns into something far more sinister when they discover that Siler House and the dark forces within are determined to keep them forever. In order to escape, Jess and the others will have to open themselves up to the true horror of Siler House and channel the very evil that has welcomed them all.

    himself. After all, he never even knew he had a "second cousin, twice removed" in America, much less that the eccentric gentleman had recently committed suicide by jumping out of the third floor bedroom window—at the same age and in the same way as his father had before him . . .Together, A. and Niamh quickly come to feel as if they have inherited much more than just a rambling home and a cushy lifestyle. Axton House is haunted, they know it, but that's just the tip of the iceberg when it comes to the secrets they slowly but surely uncover. Why all the suicides? What became of the Axton House butler who fled shortly after his master died? What lurks in the garden maze and what does the basement vault keep? And what of the rumors in town about a mysterious gathering at Axton House on the night of the winter solstice?Told vividly through a series of journal entries, scrawled notes, recovered security footage, letters to Aunt Liza, audio recordings, complicated ciphers, and even advertisements, Edgar Cantero has written a dazzling and original supernatural adventure featuring classic horror elements with a Neil Gaiman-ish twist.

    Seven years ago, Professor Gabriel Kennedy’s investigation into paranormal activity at Summer Place ended in tragedy, and destroyed his career. Now, Kelly Delaphoy, the ambitious producer of a top-rated ghost-hunting television series, is determined to make Summer Place the centerpiece of an epic live broadcast on Halloween night. To ensure success, she needs help from the one man who has come face-to-face with the evil that dwells in Summer Place, a man still haunted by the ghosts of his own failure. Disgraced and alienated from the academic community, Kennedy wants nothing to do with the event. But Summer Place has other plans…. As Summer Place grows stronger, Kennedy along with the paranormal ghost hunting team, The Supernaturals, sets out to confront…and if possible, destroy…the evil presence dwelling there. But sometimes in a paranormal investigation, the ghosts hunt you...

    Life is made up of enjoyable work, long, lazy weekends, and the company of good neighbors. Then, to their shock, construction starts on the vacant lot next door, a wooded hillside they'd believed would always remain undeveloped. Soon, though, they come to realize that more is wrong than their diminished privacy. Surely the house can't be "haunted," yet something about it seems to destroy the goodness of every person who comes to live in it, until the entire heart of this friendly neighborhood threatens to be torn apart.

    But soon after they buy Rawlingswood, a foreclosed mansion rumored to be haunted, they realize they’re in for more of the same…or worse.After a renovation fraught with injuries and setbacks, the Spielmans move in to the century-old house, and their problems quickly escalate. The home’s beautiful facade begins to crumble around them when their teenage son uncovers disturbing details of Rawlingswood’s history—a history of murder, betrayal, and financial ruin. The Spielmans’ own shameful secrets and lies become harder to hide as someone or something inside the house watches their every move.As tensions build between the family members, the home’s dark history threatens to repeat itself. Margot and Myron must confront their own ghosts and Rawlingswood’s buried past before the house becomes their undoing.

    Its labyrinthine halls, built by her mad ancestors, are filled with echoes of the past: ghosts and memories knotted together as one. In the presence of phantoms, it's all Sam can do to disentangle past from present in her daily life. But when her pregnant sister Elizabeth moves in after a fight with her husband, something in the house shifts. Already navigating her tumultuous relationship with Elizabeth, Sam is even more unsettled by the appearance of a new ghost: a faceless boy who commits disturbing acts—threatening animals, terrorizing other children, and following Sam into the depths of the house wielding a knife. When it becomes clear the boy is connected to a locked, forgotten room, one which is never entered, Sam realizes this ghost is not like the others. This boy brings doom. As Elizabeth's due date approaches, Sam must unravel the mysteries of Wakefield before her sister brings new life into a house marked by death. But as the faceless boy grows stronger, Sam will learn that some doors should stay closed—and some secrets are safer locked away forever.

    With a dark and wild past, Hendricks doesn’t think the small town her parents moved her to has much to offer her in terms of excitement. She plans on laying low, but when she’s suddenly welcomed into the popular crowd at school, things don’t go as expected. Hendricks learns from her new friends that the fixer-upper her parents are so excited about is notorious in town. Local legend says it’s haunted. Hendricks doesn’t believe it. Until she’s forced to. Blood-curdling screams erupt from the basement, her little brother wakes up covered in scratches, and something, or someone pushes her dad down the stairs. With help from the mysterious boy next door, Hendricks makes it her mission to take down the ghosts . . . if they don’t take her first.

    Richard and Juliette Willoughby’s son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place.Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree.Starve Acre is a devastating new novel by the author of the prize-winning bestseller The Loney. It is a novel about the way in which grief splits the world in two and how, in searching for hope, we can so easily unearth horror.

    But my state of being has nothing to do with the curiosity toward my own species, if we can be called such. We do not go gentle, as your poet encourages, into that good night. A dead girl walks the streets.She hunts murderers. Child killers, much like the man who threw her body down a well three hundred years ago.And when a strange boy bearing stranger tattoos moves into the neighborhood so, she discovers, does something else. And soon both will be drawn into the world of eerie doll rituals and dark Shinto exorcisms that will take them from American suburbia to the remote valleys and shrines of Aomori, Japan.Because the boy has a terrifying secret - one that would just kill to get out. The Girl from the Well is A YA Horror novel pitched as "Dexter" meets "The Grudge", based on a well-loved Japanese ghost story.

    Dunvegan School for Girls has been closed for many years. Converted into a family home, the teachers and students are long gone. But they left something behind...Sophie arrives at the old schoolhouse to spend the summer with her cousins. Brooding Cameron with his scarred hand, strange Lilias with a fear of bones and Piper, who seems just a bit too good to be true. And then there's her other cousin. The girl with a room full of antique dolls. The girl that shouldn't be there. The girl that died.