Samuel has his future set for him, but when he encounters the angelic Grace, he suddenly realizes he wants out of his commitments so he can pursue her. Can the two of them make it work, or has someone else already laid claim to the future they desire?

    My 4th book, "Let's Spend the NIght Together," was over long (imagine that!) and this scintillating chapter had to be excised. But here it is in all it's naughty, bawdy glory: the untold tales of groupies and their one night romps with rock gods.

    Proud and certain, he strides forth from Ashoka, intent on glory and the protection of his home. Karma, though, proves a fickle fiend, and Rukh stumbles straight into the heart of disaster. Discoveries are made. Buried truths and blatant lies are exposed, and secrets hidden away for centuries can no longer be ignored.These secrets shatter Rukh’s future, tear asunder his Caste-driven society, and eventually leave him banished from Ashoka. Forced to journey into the unknown, the vast and deadly Wildness, his only companion is the agent of his downfall, a beautiful woman whose very existence should be anathema. There, in those hidden depths beyond civilization's toehold, he seeks salvation, not just for himself, but for all of Humanity.For looming over the world like a storm waiting to break is Suwraith, the Sorrow Bringer, the demon who ended the mythical First World over two millennia ago. Her work is not yet done, though, for She seeks Humanity’s utter extinction. And She has a plan: Ashoka is to be shattered.This is The Castes and the OutCastes, the complete award-winning epic fantasy trilogy in one volume with over 1600 pages of magic, murder, romance, and world-shattering events.

    This book contains previously unpublished work that has never been exhibited.

    Jerry’s Stahl’s perverse, yet often touching tales, many of which first appeared in publications ranging from Playboy to the Pushcart Prize to Best Erotic Fiction, plumb the depths of eccentric romance, sex-starved adolescence, mid-life crisis, and family dysfunction. From a teenager’s tryst with a recently widowed middle-aged woman on an airplane, to a dissatisfied dentist’s attempt to find freedom on the road with a much younger woman, all the way to an intensely erotic love affair between an ex-junkie and an ex-circus midget with a sexual obsession with vegetables, this collection never fails to arouse and surprise. With a disarmingly immediate prose style, Stahl finds great eroticism, humor, and humanity in the wildest of encounters.

    More than half the world's population now lives in cities, and for travelers they hold an endless fascination.

    But photography has surely changed during these many decades. The rigs and gear of old have given way-first slowly, then all at once-to sleek miracle machines that process pixels and have made the darkroom obsolete. The casual photog puts eye to lens, sets everything on auto and captures a photograph that is . . . perfectly fine. One of LIFE's master shooters-in fact, the final in the long line of distinguished LIFE staff photographers-was Joe McNally, and he has always believed that with a little preparation and care, with a dash of enthusiasm and daring added to the equation, anyone can make a better photo-anyone can turn a "keeper" into a treasure. This was true in days of yore, and it's true in the digital age. Your marvelous new camera, fresh from its box, can indeed perform splendid feats. Joe explains in this book how to take best advantage of what it was designed to do, and also when it is wise to outthink your camera or push your camera-to go for the gold, to create that indelible family memory that you will have blown up as large as the technology will allow, and that will hang on the wall forevermore. As the storied LIFE photographer and photo editor John Loengard points out in his eloquent foreword to this volume, there are cameras and there are cameras, and they've always been able to do tricks. And then there is photography. Other guides may give you the one, two, three of producing a reasonably well exposed shot, but Joe McNally and the editors of LIFE can give you that, and then can show you how to make a picture. In a detailed, friendly, conversational, anecdotal, sometimes rollicking way, that's what they do in these pages. Prepare to click.

    Features works prior to the Tree Show, including Blood, Sweat, Tears, and The Creatrix. A survey of 55 of Ryden s most impressive works from past shows to the present. A gem of a book, presented in a beautiful hardcover, clothbound format. Text in Japanese.

    Addictively hilarious, the results show a world persuasively transformed. Please Don't Fuck the Pigeons, indeed. What happens if one triggers the Automatic Sprinkler Fuck Off Valve? And is it any wonder The Fuck Depot is so popular? All photographs are unretouchedthe result of countless hours on the hunt for the almost perfect sign, in need of just the slightest improvement. This is not social commentary. There is no message. It's not meant to offend, exploit, or embarrass anyone. All real stickers. All real signs. All in fun.

    His life, his family, his nation and the world stand on the brink of the abyss.Join Bodie and Brock Thoene in the unfolding serialization of their new, contemporary political-thriller ICON, downloadable SOON to a computer near you!

    Joining together with a wizard, a druid, a necromancer, and a crusader, Morbed has arrived at a remote island to track down an elusive vagabond andreclaim valuable items pilfered from the city of Westmarch.But there is something loose on the island, something that has killed and is very close to killing again. In order to leave the island alive, Morbed will be forced to confront not only the terrifying creature that stalks the forests, but the darkest corners of his own spirit as well.

    However, the Crown Prosecution Service refused to charge him, citing a lack of evidence.High-profile searches were conducted, yet Suzy’s body was never found; the trail that might lead investigators to her, long since lost.Haunted by another missing person case, investigator and former Scotland Yard detective, David Videcette, has spent five years painstakingly reinvestigating Suzy’s cold case disappearance.Through a series of incredible new witness interviews and fresh groundbreaking analysis, he uncovers piece by piece what happened to Suzy and why the case was never solved.People don't just disappear...

    *Please note: Amazon incorrectly estimates the book at "12 pages" whereas it is around 70 pages - this is being corrected in the system. You will get 52 images plus a few pages of text**Rumi's message is so universal and inclusive that he has earned the title of "the most popular poet in America". This is a tribute of immense gratitude and love to Rumi on his 805th birthday, September 30th 2012.In his poems, Rumi speaks of nothing but love and finding the answers of life within yourself. He captivated the essence of humanity in his words. The selection of quotations in this book aspires to show you a glimpse of this message of love, peace, and inward search for true bliss. Farnoosh Brock was born and raised in Iran and in this book, she brings you the fusion of her beautiful photography and the wisdom of the beloved Persian poet, Rumi. This is a celebration of her Persian origins combined with the sense of duty that we must preserve and share the gifts of our ancestors. You can enjoy this book on your Kindle Fire or on any other device that runs the FREE Kindle reading apps, such as on your computer or iPad.

    The book features 2,000 images and documents, many previously unpublished. Note: PBS-TV's American Masters will broadcast a 2 hour Warhol documentary by Ric Burns to air in May 2006.

    Its goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a well-known student of the featured photographer. In this book, Larry Fink--well-known for his layered pictures in social settings--explores composing photographs and improvising within a scene to create images with both feeling and meaning. Through words and photographs, he reveals insight into his own practice and discusses a wide range of creative issues, from connecting with the subject in front of the lens to shaping a vision that is authentic. Photographer Lisa Kereszi, a student of Larry Fink, provides the introduction.Larry Fink (born 1941) has been a professor at Yale University School of Art; Cooper Union School of Art and Architecture; Parsons the New School for Design; and Tyler School of Art, Temple University. Currently, he is a tenured professor of photography at Bard College. His work has been widely exhibited in the United States, including solo exhibitions at Light Gallery, New York; Massachusetts Institute of Technology, Cambridge; Museum of Modern Art, New York; and San Francisco Museum of Modern Art.Lisa Kereszi is a photographer and educator. She is now the director of undergraduate studies at the Yale University School of Art, where she has taught since 2004. She has published five books, including "Fun and Games" and "Joe's Junk Yard." Her work is in the collections of the Whitney Museum of American Art, New York, and the Brooklyn Museum, and has appeared in the "New Yorker," "Harper's" and the "New York Times Magazine."