I've acted for Belasco and I've laid 'em out in the rows at the Palace. I've doubled as an alligator; I've worked for the Shuberts; and I've been joined to Billy Rose in the holy bonds. I've painted the house boards and I've sold tickets and I've been fired by George M. Cohan. I've played in London before the king and in Oil City before miners with lanterns in their caps. Fanny Brice was indeed show business personified, and in this luminous volume, Herbert G. Goldman, acclaimed biographer of Al Jolson, illuminates the life of the woman who inspired the spectacularly successful Broadway show and movie Funny Girl, the vehicle that catapulted Barbra Streisand to super stardom. In a work that is both glorious biography and captivating theatre history, Goldman illuminates both Fanny's remarkable career on stage and radio--ranging from her first triumph as Sadie Salome to her long run as radio's Baby Snooks--and her less-than-triumphant personal life. He reveals a woman who was a curious mix of elegance and earthiness, of high and low class, a lady who lived like a duchess but cursed like a sailor. She was probably the greatest comedienne the American stage has ever known as well as our first truly great torch singer, the star of some of the most memorable Ziegfeld Follies in the 1910s and 1920s, and Goldman covers her theatrical career and theatre world in vivid detail. But her personal life, as Goldman shows, was less successful. The great love of her life, the gangster Nick Arnstein, was dashing, handsome, sophisticated, but at bottom, a loser who failed at everything from running a shirt hospital to manufacturing fire extinguishers, and who spent a good part of their marriage either hiding out, awaiting trial, or in prison. Her first marriage was over almost as soon as it was consummated, and her third and last marriage, to Billy Rose, the Bantam Barnum, ended acrimoniously when Rose left her for swimmer Eleanor Holm. As she herself remarked, I never liked the men I loved, and I never loved the men I liked. Through it all, she remained unaffected, intelligent, independent, and, above all, honest. Goldman's biography of Al Jolson has been hailed by critics, fellow biographers, and entertainers alike. Steve Allen called it an amazing job of research and added Goldman's book brings Jolson back to life indeed. The Philadelphia Inquirer said it was the most comprehensive biography to date, and Ronald J. Fields wrote that Goldman has captured not only the wonderful feel of Al Jolson but the heartbeat of his time. Now, with Fanny Brice, Goldman provides an equally accomplished portrait of the greatest woman entertainer of that illustrious era, a volume that will delight every lover of the stage.

    Now she wants revenge.Spring 1880: Claire Whitcomb and her family are building a good life near the boomtown of Leadville, Colorado, when tragedy strikes: a group of renegades attack, killing everyone but Claire and burning their home. Not knowing who to turn to, Claire teams up with Mart Duggan, the town’s tough-as-nails marshal, to track down the outlaws responsible. Duggan and his friend, Thomas, a local Ute, skirt the law to get results, but that’s fine by Claire. She’s gunning for the men who destroyed her life—and won’t settle for anything less than retribution.

    Determined to save a young boy from his abusive father, Skye's plans come to a halt when a deadly rabies plague sweeps the globe. Infected, death, and destruction--nothing is the same.In a world where money will no longer help her, Skye races one step ahead of the enemy only to find herself stranded in the middle of nowhere. Struggling through this post-apocalyptic world alone may be more than Skye is prepared for.In a world of chaos, who do you trust?Dylan Cole is content to hunt and hide away in his mountaintop cabin while the world destroys itself, but when he finds Skye frantic on the side of the road, his plans change. The woman needs his help, whether she realizes it or not. And Dylan isn’t going to let a boy grow up the way he did--not if he can help it.When the world changes, can you?Skye and Dylan work together in a crumbling world. Skye holds the troubled group together while Dylan applies his survival skills to keep them alive. But will it last? Or will each go their separate ways? Is a dark future of violence, gangs, and infection all there is, or can there be more?Buy Book 1 of this thrilling post-apocalyptic survivor book series now.Formerly #1 on Wattpad in both Sci-fi and Pandemic, the Sanctuary’s Aggression Series delivers character-driven action and adventure with surprising twists and turns and is set in an alternate history.

    With record-collector zeal, Cook analyzes everything from Sidney Bechet's 78s to Norah Jones' recent chart-topper.

    This brilliant new collection is the recipient of the National Book Critics Circle Award and the Eric Mathieu King Award from the Academy of American Poets. Ordinary Words captures a unique vision of “Americana” marked by Stone’s characteristic wit, poignancy, and lyricism. The poet addresses the environment, poverty, and aging with fearless candor and surprising humor. Sister poet to Nobel Prize-winner Wislawa Syzmborska, Ruth Stone offers a view of her country and its citizens that is tender and wacky, filled with hard political truths as well as love, beauty, cruelty, and sorrow. Ruth Stone is a poet of the people, and poet’s poet. Her following is devoted and ever-growing. Ordinary Words shows that poetry is about everyday life, our life. Poems are set in Rutland, Vermont; Indianapolis; Chattanooga; Houston; Boise; and Troy, New York (where celluloid collars were made). Stone’s subjects are trailer parks, state parks, prefab houses, school crossing guards, bears, snakes, hummingbirds, bottled water, Aunt Maud, Uncle Cal, lost love, dry humping at the Greyhound bus terminal, and McDonald’s as a refuge from loneliness. Her heroes are dead husbands, wild grandmothers, struggling daughters: ordinary Americans leading simple and extraordinary lives.

    Contents:The Railways Up on Cannis (1959)The Subways of Tazoo (1964)The Pen and the Dark (1966)Getaway from Getawehi (1969)The Black Hole of Negrav (1975)

    Readers will discover a new perspective on Miles's working methods, as well as in in-depth, chronological understanding and analysis of the music produced from 1967 to 1991 - a period that's been both neglected and misunderstood.

    This book provides a critical overview of the career of a man whose voice is described as sounding 'like Ethel Merman and Louis Armstrong meeting in hell'.

    Following the major developmental phases from infancy to old age, the author lucidly explores the vital aspects of experience which promote mental and emotional growth and those which impede it. In bringing together a wide range of clinical, non-clinical and literary examples, it offers a detailed and accessible introduction to contemporary psychoanalytic thought and provides a personal and vivid approach to the elusive question of how the personality develops.

    A substantial written component by Fischer details his upbringing on the outskirts of Zurich, Switzerland, and the hardships and triumphs he faced bringing the visions of his groundbreaking bands Hellhammer and eventually Celtic Frost to reality. In addition, the book includes an introduction by Nocturno Culto of Norwegian black metal act Darkthrone, and a foreword by noted metal author Joel McIver.Without question Only Death Is Real goes farther than any other source in exploring the origins of underground heavy metal. The wealth of visual information is astounding, both in terms of documenting early 1980s headbangers and exposing the still-relevant imagery of the first Hellhammer and Celtic Frost photo sessions. On top of that, the written chapters combine Tom Fischer’s often shocking stories with lengthy quotes from Martin Eric Ain and the other main Hellhammer members, explaining in intimately human terms how extreme metal was born.

    It’s nothing to do with what you said, Dad, I’d made up my mind to do this ages ago. Mum, maybe it will help to think of your twins together again.Jan, I’m leaving you my blue cashmere sweater and all my books, even though they mostly belonged to you in the first place.Louise, you can have my diamanté brooch and all my make up and any clothes you want. I’d like Carly to have my toy dog.Goodbye.Love from Tina.Tina is fifteen and having a miserable time at home since her twin brother died. She falls in love for the first time. Simon is from a private school and not part of Tina’s world. They don’t have much in common, but Tina convinces herself she’s in love. When Simon ends it with her, Tina’s world falls apart.First published in 1989, Falling Apart is an honest and thought-provoking story written by one of the world’s most popular writers. Jacqueline Wilson captures the voices of teenagers perfectly in this engrossing novel about couples and families, and what can happen when it all goes wrong.

    Oral history of the Upright Citizens Brigade.

    She loves to watch Angel's boyfriend's band and is used to getting the attention of any man she wants. She has no plans to settle down - ever - but has regular hot one night stands. Life is good. Former Dominant, Lucas Hunter, has made millions in the construction sector. The handsome, anti-social, alpha male has been celibate for several years, preferring instead to hit the gym and maintain his awesome physique. When he meets Issy, sparks fly. What happens when two strong minded individuals find that they can't get each other out of their minds? Neither wants to get involved in a relationship but neither can walk away. Dare they embark on a passionate journey into the unknown? Things come to a head when Issy and the mysterious Lucas Hunter give in to their desires for one wild night. But one is unwilling to walk away and isn't going to give up easily which leads to an inviting proposal. Issy is intrigued by the prospect of a D/s relationship although Lucas is a reluctant Dom. Meanwhile, the rock band, Denial, find themselves with an unexpected temporary agent who recognizes their potential and who shows them that success is practically theirs for the taking. But are things as they seem? A malevolent stranger intervenes and turns Issy's world upside down. But he's no stranger to Lucas. Events unfold relating to Lucas' tormented past that could impact massively on his present. His need to hunt down and seek revenge could lead to Lucas losing all that he's worked for and all that he wants. Has he inadvertently brought about his own destruction? And what about the band? Can the relationship between Lucas and Issy survive the pressure or is the deep, blood-spilled revenge from the past too strong? That decision may just be taken out of their hands ... Caution: this book contains scenes of a sensual and sexual nature, including mild BDSM.

    It tells you about every aspect of writing, from having an idea to getting the idea out into the world (and getting paid for it too). It covers everything from journalism to screen-writing, from speeches to sketches, from sitcoms to novels. With thirty years' experience as an award-winning script-writer, journalist, author and broadcaster David Quantick is ideally suited, as a writer, to write this definitive writer's guide to writing... everything.

    Misrepresented in the media as a black parallel to the Hell's Angels, portrayed as everything from a vicious street gang to quasi- Islamic revolutionaries, The Five Percenters are a movement that began as a breakaway sect from the Nation of Islam (NOI) in 1960s Harlem and went on to impact the formation of hip-hop. References to Five Percent language and ideas are found in the lyrics of wide-ranging artists, such as Nas, Rakim, the Wu-Tang Clan, and even Jay-Z. The Five Percenters are denounced by white America as racists, and orthodox Islam as heretics, for teaching that the black man is Allah. Michael Muhammad Knight ("the Hunter S. Thompson of Islamic literature" -The Guardian) has engaged this culture as both white and Muslim; and over the course of his relationship with The Five Percenters, his personal position changed from that of an outsider to an accepted participant with his own initiatory name (Azreal Wisdom). This has given him an intimate perch from which to understand and examine the controversial doctrines of this influential movement. In "Why I Am a Five Percenter," Knight strips away years of sensationalism to offer a serious encounter with Five Percenter thought. Encoded within Five Percent culture is a profound critique of organized religion, from which the movement derives its name: Only Five Percent can act as "poor righteous teachers" against the evil Ten Percent, the power structure which uses religion to deceive the Eighty- Five Percent, the "deaf, dumb, and blind" masses. Questioning his own relationship to the Five Percent, Knight directly confronts the community's most difficult teachings. In "Why I Am a Five Percenter," Knight not only illuminates a thought system that must appear bizarre to outsiders, but he also brilliantly dissects the very issues of"insiders" and "outsiders," territory and ownership, as they relate to religion and privilege, and to our conditioned ideas about race.