A role model for generations of writers and performers, Doc was renowned for his mastery of virtually every popular style, from the gutbucket rhythm and blues of “Lonely Avenue” to the symphonic soul of “Save the Last Dance for Me” to the pure pop of “Viva Las Vegas.” His songs-“This Magic Moment,” “A Teenager in Love,” “Hushabye,” “Little Sister,” “Turn Me Loose,” and many others-have been recorded by everyone from Ray Charles, Elvis Presley, and B. B. King to Bob Dylan, Led Zeppelin, and Bruce Springsteen, with sales exceeding $100 million. Doc was ready-made for literature. His collaborator Mort Shuman once described him as an “entire rollicking soul neighborhood rolled into one man.” Garrulous, profane, hilarious, and Rabelaisian, Doc was never inhibited about offering his opinions and his friendship. His confidants, collaborators, and discoveries included Duke Ellington, John Lennon, Dr. John, Jimmy Scott, Bette Midler, and Lou Reed. In the words of renowned producer Jerry Wexler, “If the music industry had a heart, it would be Doc Pomus.” Despite, or more likely because of, his successes, few acquaintances knew that this writer of jukebox hits led one of the most dramatic and unlikely lives of his time. Spanning extravagant wealth and desperate poverty, suburban domesticity and the depths of New York’s underworld, worldwide fame and near-total obscurity, enduring love and persistent loneliness, Doc’s story remains one of the great untold American lives. Its chapters comprise a back-room history of rock ’n’ roll, touching on more than a half-century of American popular music-from the blues Doc performed with Lester Young to his collaborations with the luminaries of New York’s punk scene, shot through with vivid portraits of virtually every major player. Lonely Avenue is the first biography of this American original, so elegantly rendered that it reads like a novel, and fortified by full, exclusive access to Doc Pomus’s family, friends, voluminous journals, and archives.

    Even if we stopped all carbon dioxide emissions today, the seas would rise one meter by 2050 and three meters by 2100. This--not drought, species extinction, or excessive heat waves--will be the most catastrophic effect of global warming. And it won't simply redraw our coastlines--agriculture, electrical and fiber optic systems, and shipping will be changed forever. As icebound regions melt, new sources of oil, gas, minerals, and arable land will be revealed, as will fierce geopolitical battles over who owns the rights to them.In The Flooded Earth, species extinction expert Peter Ward describes in intricate detail what our world will look like in 2050, 2100, 2300, and beyond--a blueprint for a foreseeable future. Ward also explains what politicians and policymakers around the world should be doing now to head off the worst consequences of an inevitable transformation.

    Nothing like it has been made before and—to its millions of fans—nothing as good will ever be made again. It is a show that prompts endless debate, and the debates continue here. Is Omar Little the coolest criminal since Robin Hood? Which series has the best theme tune? Will Bubbles survive Baltimore? Avon or Stringer? How does McNulty have so much success with women? With the show now over, these and hundreds of other questions are discussed in this brilliant collection of features and comments from the Guardian's Wire Re-up blog. Together with interviews with the show's creators and stars, running totals per episode (murders, Bunk drunk, Herc screw-ups, and much more), and a quiz created by the stars themselves, this book will guarantee fans that one last fix they've been craving.

    His broad-ranging discussion offers insight on everything from the mountain landscape to the origins of consciousness and the Cosmos, from geology to Chinese landscape painting, from parenting to pictographic oracle-bone script, to a family chutney recipe. It’s a spiritual ecology that is profoundly ancient and at the same time resoundingly contemporary. Your view of the landscape—and of your place in it—may never be the same.

    The French text was prepared by Jacques-Alain Miller in consultation with Jacques Lacan, from the transcriptions of the seminar.

    

    As a psychologist in a hospital for the terminally ill in Paris, Marie de Hennezel has spent seven years tending to people who are relinquishing their hold on life. She tells the stories of her patients and their families. de Hennezel teaches us how to turn death--our loved ones' or our own--from something lonely and agonizing into a sacred passage. She discusses the importance of an honest reckoning, the value of ritual, the necessity of touch. In imparting these lessons, Intimate Death becomes a guide to living more fully, more intensely, than we had thought possible."Unique...Of all the books I have read about the endings of our lives, this elegiac testimony has taught me the most."--Sherwin B. Nuland, M.D., author of How We Die"The quiet, obvious truths [de Hennezel] discovers in her work--these things have a kind of cumulative power."--Washington Post Book World

    What if life were like a video game? How can we incorporate creative work and the desire to build something into our routine? What truly matters?

    Anselmi covers the bands and musicians that have impacted those styles most―Black Sabbath, Candlemass, Melvins, Eyehategod, Godflesh, Neurosis, Saint Vitus, and many others―while diving into the cultural doom that has spawned such music, from the bombing of Birmingham and hurricane devastation of New Orleans to glaring economic inequality, industrial alienation, climate change, and widespread addiction. Along the way, Anselmi interweaves the musical experiences that have led him to proudly identify as one of the doomed.

    It includes the ground-breaking, Trauma Releasing Exercises (TRE). These exercises elicit mild psychogenic tremors that release deep chronic tension in the body and assist the individual in the trauma healing process.

    But how did the funeral home come to hold such a position? What is its history? And is it guilty of the charges sometimes leveled against it? In Rest in Peace, Gary Laderman traces the origins of American funeral rituals, from the evolution of embalming techniques during and after the Civil War and the shift from home funerals to funeral homes at the turn of the century, to the increasing subordination of priests, ministers, and other religious figures to the funeral director throughout the twentieth century. In doing so he shows that far from manipulating vulnerable mourners, as Jessica Mitford claimed in her best-selling The American Way of Death (1963), funeral directors are highly respected figures whose services reflect the community's deepest needs and wishes. Indeed, Laderman shows that funeral directors generally give the people what they want when it is time to bury our dead. He reveals, for example, that the open casket, often criticized as barbaric, provides a deeply meaningful moment for friends and family who must say goodbye to their loved one. But he also shows how the dead often come back to life in the popular imagination to disturb the peace of the living. Drawing upon interviews with funeral directors, major historical events like the funerals of John F. Kennedy and Rudolf Valentino, films, television, newspaper reports, proposals for funeral reform, and other primary sources, Rest in Peace cuts through the rhetoric to show us the reality--and the real cultural value--of the American funeral.

    It’s highly infectious, incredibly lethal, and turns the recently deceased into fast moving zombies with a taste for human flesh. Rookie officer Lacy Sparks is thrust into the action when she is assigned to a federal strike force tasked with preventing the outbreak from becoming a full blown pandemic. It’s a race against the clock as she and her team struggles to survive against the growing forces of the undead.

    From Heidi Cullen, one of America’s foremost experts on weather and climate change and a senior research scientist with Climate Central, comes The Weather of the Future, a fascinating and provocative book that predicts what different parts of the world will look like in the year 2050 if current levels of carbon emissions are maintained.

    As a matter of fact, it seems that is all she has been in the twenty-plus years she and her husband, Edward, have been married. But the kids are grown and out of the house, and she's ready to live a few dreams of her own. Edward, however, would like to keep things just the way they are, and Denise realizes that if she doesn't do something drastic, then all she will ever be is a mother and wife. When Denise drops the bomb at Thanksgiving dinner that she is leaving Edward and selling the house, everyone is stunned, and her announcement opens the door to Morrison Family Dysfunction 101. Edward moves in with his crazy Aunt Etta, their daughter Christine moves back home when she suspects her husband is cheating on her, and their son Anthony is simply dazed and confused. In the midst of it all, Edward hatches a plan to get his wife back. Not only does he plan to be back at home and in their bed, but he also knows that, come Christmas, he and Denise will be...Rockin' Around That Christmas Tree.

    Written as a series of letters to her absent mother, "Aunt Jen" traces the changing attitudes of a child entering adulthood as she begins to realize and accept the truth behind her mother's departure. A painfully one-sided correspondence through which Sunshine hopes to understand her own past, "Aunt Jen" reveals the complex inheritance we pass on to our children.