Missoula, Montana, is a typical college town, with a highly regarded state university, bucolic surroundings, a lively social scene, and an excellent football team — the Grizzlies — with a rabid fan base. The Department of Justice investigated 350 sexual assaults reported to the Missoula police between January 2008 and May 2012. Few of these assaults were properly handled by either the university or local authorities. In this, Missoula is also typical. A DOJ report released in December of 2014 estimates 110,000 women between the ages of eighteen and twenty-four are raped each year. Krakauer’s devastating narrative of what happened in Missoula makes clear why rape is so prevalent on American campuses, and why rape victims are so reluctant to report assault. Acquaintance rape is a crime like no other. Unlike burglary or embezzlement or any other felony, the victim often comes under more suspicion than the alleged perpetrator. This is especially true if the victim is sexually active; if she had been drinking prior to the assault — and if the man she accuses plays on a popular sports team. The vanishingly small but highly publicized incidents of false accusations are often used to dismiss her claims in the press. If the case goes to trial, the woman’s entire personal life becomes fair game for defense attorneys. This brutal reality goes a long way towards explaining why acquaintance rape is the most underreported crime in America. In addition to physical trauma, its victims often suffer devastating psychological damage that leads to feelings of shame, emotional paralysis and stigmatization. PTSD rates for rape victims are estimated to be 50%, higher than soldiers returning from war. In Missoula, Krakauer chronicles the searing experiences of several women in Missoula — the nights when they were raped; their fear and self-doubt in the aftermath; the way they were treated by the police, prosecutors, defense attorneys; the public vilification and private anguish; their bravery in pushing forward and what it cost them. Some of them went to the police. Some declined to go to the police, or to press charges, but sought redress from the university, which has its own, non-criminal judicial process when a student is accused of rape. In two cases the police agreed to press charges and the district attorney agreed to prosecute. One case led to a conviction; one to an acquittal. Those women courageous enough to press charges or to speak publicly about their experiences were attacked in the media, on Grizzly football fan sites, and/or to their faces. The university expelled three of the accused rapists, but one was reinstated by state officials in a secret proceeding. One district attorney testified for an alleged rapist at his university hearing. She later left the prosecutor’s office and successfully defended the Grizzlies’ star quarterback in his rape trial. The horror of being raped, in each woman’s case, was magnified by the mechanics of the justice system and the reaction of the community. Krakauer’s dispassionate, carefully documented account of what these women endured cuts through the abstract ideological debate about campus rape. College-age women are not raped because they are promiscuous, or drunk, or send mixed signals, or feel guilty about casual sex, or seek attention. They are the victims of a terrible crime and deserving of compassion from society and fairness from a justice system that is clearly broken.

    Now Kahn does the same for players whose moment in the sun has not yet arrived. Good Enough to Dream is the story of his year as owner of the Class A, very minor league Utica Blue Sox. Most of the Blue Sox will never make it to the majors, but they all share the dream that links the small child in the sandlot with the bonus baby who has just smacked one out of the stadium. It’s a dream Kahn learned from his father and, in the course of a season, passes on to his daughter—hours of practice for a moment of poetry; a hard living but a touch of legend.Good Enough to Dream presents baseball unadorned, a game still sweet enough to lure grown men to leagues where first-class transportation is an old school bus and the infield is likely to be the consistency of thick soup. It is a funny and poignant story of one season and one special team that will make us hesitate before we ever call anything “bush league” again.

    Grove Press is proud to reissue his haunting noir novel The Speed Queen. The Speed Queen is the gripping story of a twisted love triangle's drug-fueled killing spree across the desert plains, told in the voice of Oklahoma death-row inmate Marjorie Standiford, who is recounting her experiences for a best-selling horror writer researching the murders. It's a chilling, unputdownable crime novel in the tradition of James M. Cain -- a voyage into the dark soul of the American West.

    It is night. She is driving back to her apartment through the campus of a Maine college. A yellow T-bird zooms past her and hits two female pedestrians. One life is ended. One life is suspended in coma. And Kissy's life is changed forever. After the accident, three men enter Kissy's life. One is James Houston, the drunken premed student responsible for the fatal collision. On is Mike Burke, the policeman who arrived at the scene moments later. And one is Junior Clootie, a college hockey star being groomed for the pros, with whom Kissy begins an intensely sexual affair while still shaken by the aftershock of the nightmare experience.

    Then THE INTRUDER shows up on his doorstep: a malevolent psychopath who's convinced that everything Jake has should be his. Now Jake has no choice but to take matters into his own hands. And go for broke before he -- and the world he loves -- goes down ...

    When Eric's sources tell him there is a spy inside the newsroom, he is tempted to cross a dangerous professional line and risk his career—possibly even his life—to find the truth.

    Shaped by Prohibition, the Depression, and war, Francis Albert Sinatra became the troubadour of urban loneliness. With his songs, he enabled millions of others to tell their own stories, providing an entire generation with a sense of tradition and pride belonging distinctly to them.

    Through the stories of victims, perpetrators, law enforcement, and reform movements from across the country, Snyder explores not only the dark corners of private violence, but also its far-reaching consequences for society, and what it will take to truly address it.

    Within days police, and even those closest to Marie, became suspicious of her story. The police swiftly pivoted and began investigating Marie. Confronted with inconsistencies in her story and the doubts of others, Marie broke down and said her story was a lie--a bid for attention. Police charged Marie with false reporting, and she was branded a liar.More than two years later, Colorado detective Stacy Galbraith was assigned to investigate a case of sexual assault. Describing the crime to her husband that night, Galbraith learned that the case bore an eerie resemblance to a rape that had taken place months earlier in a nearby town. She joined forces with the detective on that case, Edna Hendershot, and the two soon discovered they were dealing with a serial rapist: a man who photographed his victims, threatening to release the images online, and whose calculated steps to erase all physical evidence suggested he might be a soldier or a cop. Through meticulous police work the detectives would eventually connect the rapist to other attacks in Colorado--and beyond.Based on investigative files and extensive interviews with the principals, A False Report/i>is a serpentine tale of doubt, lies, and a hunt for justice, unveiling the disturbing truth of how sexual assault is investigated today - and the long history of skepticism toward rape victims.

    They also seem to know where she lives, where she teaches, where she was born, who her lover is—even where her father plays golf on the weekends. They tell her about a mysterious worldwide Organization devoted to white slavery and what happens to those slaves who try to run away. What happens to their families and those they love.That's what Sara is now. Their slave.They show her what happens if she tries to disobey.She sleeps in a coffin-like box in the basement.She's fed according to their whim. Abused according to their whim.They involve her in a brutal murder.That's just the beginning. Because Stephen and Katherine Teach have terrible plans for Sara.And her baby.Like his novels Joyride, Stranglehold, The Girl Next Door, and Cover, Right to Life is a descent into madness and human evil which is all the more harrowing because it's based on fact. Sara's ordeal really happened to somebody just like you and me and it's one that is vividly rendered. So consider yourself warned. This is disturbing, graphic writing.Not for the timid.Like life.

    Bernie Perk, the burning pharmacist. Henry Harper, the nine-year old orphan millionaire, terrified of being adopted. The woman whose life revolves around pierced lobes. An evil hypnotist. Swindlers. Con-men. And Dick Gibson himself. Anticipating talk radio and its crazed hosts, Stanley Elkin creates a brilliant comic world held together by American manias and maniacs in all their forms, and a character who perfectly understands what Americans want and gives it to them.

    Although his girlfriend is pregnant, he's got no major personal problems--until the day he rolls into a small town called Furnace, where a middle-aged woman pushes a baby carriage straight into his wheels and then vanishes. The dead baby's teenage mother and other passers-by swear the wind caused the carriage to roll, and the police take Josh for a troublemaker when he insists on writing a statement to the contrary. Shaken, Josh hits the road again, only to find that it's not so easy to get away from Furnace; something inhuman is hot on his heels. A pretty hitchhiker recognizes a mysterious scrap of writing in his truck as ancient runes spelling out--on human skin--a horrific curse. From then on, all roads lead back to Furnace as Josh races to unscramble a weird puzzle involving a wealthy town councilor, the Philosopher's Stone, and a demon who will destroy Josh in three days unless he returns the runes to their rightful place.

    are going through a difficult adjustment to life after the accidental death of Jason's father. at a time when the family's small business was failing. The loss of Jack Michaelson has left his wife and son nearly destitute. It has also placed their lives in jeopardy. This is a story of terror, and resourcefulness in the face of terror, from a master storyteller.

    In 1998, Barbara Ehrenreich decided to join them. She was inspired in part by the rhetoric surrounding welfare reform, which promised that any job equals a better life. But how can anyone survive, let alone prosper, on $6-$7 an hour? To find out, Ehrenreich moved from Florida to Maine to Minnesota, taking the cheapest lodgings available and accepting work as a waitress, hotel maid, house cleaner, nursing home aide, and Wal-Mart salesperson. She soon discovered that even the "lowliest" occupations require exhausting mental and physical efforts. And one job is not enough; you need at least two if you intend to live indoors.Nickel and Dimed reveals low-wage America in all its tenacity, anxiety, and surprising generosity--a land of Big Boxes, fast food, and a thousand desperate stratagems for survival. Instantly acclaimed for its insight, humor, and passion, this book is changing the way America perceives its working poor.

    Turning her acute observational powers on the media, popular culture, and political life, Faludi unearths a barely acknowledged but bedrock societal drama shot through with baffling contradictions. Why, she asks, did our culture respond to an assault against American global dominance with a frenzied summons to restore "traditional" manhood, marriage, and maternity? Why did we react as if the hijackers had targeted not a commercial and military edifice but the family home and nursery? Why did an attack fueled by hatred of Western emancipation lead us to a regressive fixation on Doris Day womanhood and John Wayne masculinity, with trembling "security moms," swaggering presidential gunslingers, and the "rescue" of a female soldier cast as a "helpless little girl"? The answer, Faludi finds, lies in a historical anomaly unique to the American experience: the nation that in recent memory has been least vulnerable to domestic attack was forged in traumatizing assaults by nonwhite "barbarians" on town and village. That humiliation lies concealed under a myth of cowboy bluster and feminine frailty, which is reanimated whenever threat and shame looms. Brilliant and important, The Terror Dream shows what 9/11 revealed about us--and offers the opportunity to look at ourselves anew.