As Paul's two students progress, you progress alongside them. A native speaking Spanish expert helps Paul to deliver the course and to perfect your pronunciation.

    (assistant director) knowingly mumbles "Gone With the Wind in the morning, Dukes of Hazzard after lunch"? An oral tradition gathered and passed down for more than a hundred years, the language of moviemaking, like other secret lexicons, is the only accepted way of communicating on a set—and is all but unknown to the outside world. Technical, odd, colorful, mysterious, the working language of movies sheds light not only on the hugely complex process of making a film, but on the invisible hierarchies of a set, the unspoken etiquette between cast and crew, and the evolution of a process that's endlessly fascinating.Movie Speak is a book about language, but through language also a book about what it’s really like to be a director or a producer or an actor or a crew member. An Oscarwinning producer (The Sting), actor (who worked with Spielberg, Coppola, and Sydney Pollock), and director (Five Corners, Flyboys, My Bodyguard, and more), Tony Bill has been on sets for more than 30 years and brings a writer's love of language to this collection of hundreds of film terms. A futz. A cowboy. A Brodkin and a double Brodkin (a.k.a. screamer). Streaks ’n tips, a Lewinsky, Green Acres, rhubarb, a peanut, a Gary Coleman, snot tape, twin buttes, manmaker (and why you can yell for one if needed for a grip, but must whisper if it's for Tom Cruise)—these are the tricks of the trade.

    Includes new political terminology, new Russian institutions, new countries and republics and new city names. Contains 26,000 entries in the English-Russian section and 40,000 words in the Russian-English section. Irregularities in Russian declensions and conjugations appear at the beginning of each entry.

    A major reference grammar from the world's leading grammar publisher. It offers clear explanations of spoken and written English based on real everyday usage. The clear two-part structure makes the book particularly user-friendly. The accompanying CD-ROM makes the Cambridge Grammar of English even more accessible with: The whole book in handy, searchable format. Audio recordings of all the examples from the book. Links to the Cambridge Advanced Learner's Dictionary online for instant definitions of new vocabulary.

    Throughout history, the timely use of the apt word has held enormous sway, in literature, speeches, and texts. How is it that some words hold such power? One thing we know: great words often engage the senses. Thesaurus of the Senses expands your possibilities to see, hear, touch, taste, and smell to describe the world around you. It collects some of the best English sensory words in one place to enliven your writing and help you build persuasive description. It's an indispensable tool for writers, poets, bloggers, editors, storytellers, students, teachers, communicators, and word lovers alike — anyone wanting to add more spark to his or her writing.

    Her new husband, Mr Murdstone, does not like David at all. He is cruel to him and then sends him away to school. Here David makes friends, but he is unhappy. When David is ten, his mother dies and Mr Murdstone sends him to work in London. David hates his job so he decides to run away to his father's aunt. He starts his journey with no money for the coach or for food. But his life of adventure, love and friendship has begun.

    In independent school tests, students with Vocabulary Cartoons learned 72% more words than students with traditional rote memory study materials and had 90% retention. Contains 290 SAT words with 29 review quizzes consisting of matching and fill-in-the-blank problems.

    And learning these idioms and phrases will not only help you speak English better, it'll help you understand Americans better!Idioms are presented in 25 lively dialogues which tell the entertaining story of an American family, complete with illustrations. The book comes with an audio CD of all of the dialogues. Contains dozens of helpful exercises & six crossword puzzles to reinforce the material, with convenient answer key for self-study. About the AuthorAmy Gillett has taught ESL (English as a Second Language) in both the United States and Europe. She holds a BA degree in literature fromStanford University, an MA from Stanford in Russian & East European Studies, and an MBA from Cornell. She speaks several foreign languages.Her writing has appeared in many national magazines and newspapers, including MAD Magazine, Family Circle, and the San Francisco Chronicle.

    He can teach anybody."-- Gay Talese, bestselling author of "Honor Thy Father""Scott Speck is a great communicator of classical music.... Concert audiences and readers alike can't help getting caught up in the joy of his subject."-- David Styers, American Symphony Orchestra LeagueOpera is weird. Everybody wears makeup and sings all the time. Even when they're singing your language, which is rare, you still can't understand the words. Women play men, men play women, and 45-year-olds play teenagers. All the main characters seem to get killed off. And when somebody dies, he takes ten minutes to sing about it. Yet, for all its weirdness, an operatic experience is an experience in breathtaking beauty. When you hear a soprano float a soft high C, or a tenor singing a love song, or a full-throated chorus in the climax of a scene's dramatic finale, you can't help getting goosebumps.Want to experience all that beauty for yourself, but don't know where to begin? "Opera For Dummies" is an excellent place to start. Written by an acclaimed conductor and a musical director, this friendly guide tells you what you need to know to: Understand opera from the Baroque and Roman periods through todayInterpret characters, orchestra, chorus, and other playersUnderstand what's happening, both on stage and offChoose the best seatsIdentify famous operasBuild a great collection of opera recordingsLocate opera sites and chat groups onlineWhether you're interested in attending a live opera, want to build a collection of recordings, or just want to be able to talk about opera intelligently, "Opera For Dummies" is for you. Among other things, you'll explore: The words, the music, and the people who sing itThe history of opera and the lives of the great composersGoing to the opera -- including tips for getting tickets, preparing for the opera, dressing for the opera, and moreMusical and theatrical conventions used in operaIn-depth synopses of the world's most beloved operasOn the bonus CD you'll find: More than 60 minutes of music compiled especially for the bookA multimedia piece for PC or MACWonder what it is about opera that can make a grown person cry like a baby? Find out in "Opera For Dummies.

    Covering such turning points as the little-known Celtic and Welsh influences on English, the impact of the Viking raids and the Norman Conquest, and the Germanic invasions that started it all during the fifth century ad, John McWhorter narrates this colorful evolution with vigor. Drawing on revolutionary genetic and linguistic research as well as a cache of remarkable trivia about the origins of English words and syntax patterns, Our Magnificent Bastard Tongue ultimately demonstrates the arbitrary, maddening nature of English--and its ironic simplicity due to its role as a streamlined lingua franca during the early formation of Britain. This is the book that language aficionados worldwide have been waiting for (and no, it's not a sin to end a sentence with a preposition).

    In this new edition, new studies have been incorporated and the evaluation sections in each chapter have been expanded, ensuring that the book remains as fresh, engaging and useful as the day it was first published.

    Some of these words appeal because of their aptness, some for their obscurity, some for their euphony, and some for their quirkiness.

    As well as leafing through the well-known titles that have helped shape the world in which we live, Oliver Tearle also dusts off some of the more neglected items to be found hidden among the bookshelves of the past.You’ll learn about the forgotten Victorian novelist who outsold Dickens, the woman who became the first published poet in America and the eccentric traveller who introduced the table-fork to England. Through exploring a variety of books – novels, plays, travel books, science books, cookbooks, joke books and sports almanacs – The Secret Library highlights some of the most fascinating aspects of our history. It also reveals the surprising connections between various works and historical figures. What links Homer’s Iliad to Aesop’s Fables? Or Wisden Cricketers’ Almanack to the creator of Sherlock Holmes?The Secret Library brings these little-known stories to light, exploring the intersections between books of all kinds and the history of the Western world over 3,000 years.

    A newly revised and updated French dictionary offers more than 130,000 contemporary references and 215,000 translations, along with thousands of idiomatic phrases for the French business traveler, tourist, or student.

    But linguist Daniel Everett argues that, like other tools, language was invented by humans and can be reinvented or lost. He shows how the evolution of different language forms—that is, different grammar—reflects how language is influenced by human societies and experiences, and how it expresses their great variety.  For example, the Amazonian Pirahã put words together in ways that violate our long-held under-standing of how language works, and Pirahã grammar expresses complex ideas very differently than English grammar does. Drawing on the Wari’ language of Brazil, Everett explains that speakers of all languages, in constructing their stories, omit things that all members of the culture understand. In addition, Everett discusses how some cultures can get by without words for numbers or counting, without verbs for “to say” or “to give,” illustrating how the very nature of what’s important in a language is culturally determined. Combining anthropology, primatology, computer science, philosophy, linguistics, psychology, and his own pioneering—and adventurous—research with the Amazonian Pirahã, and using insights from many different languages and cultures, Everett gives us an unprecedented elucidation of this society-defined nature of language. In doing so, he also gives us a new understanding of how we think and who we are.