Introduction by Robert Silverberg. Afterwords by Norman Spinrad, Vonda N McIntyre, Robert Sheckley, Philip Jose Farmer, Thomas M Disch, and Edward Bryant.

    But right down the road was the other town -- and that was even worse! A classic science fiction story from R.A. Lafferty. "Does it matter if he's respected? Not a bit. Does it matter if he's read? Damn right it does: no-one else did the things that Lafferty did in prose-and-occasionally-poetry, although Flann O'Brian came close." -- Neil Gaiman

    Campbell Jr.By His Bootstraps / by Robert A. Heinlein (writing as Anson MacDonald); interior artwork by Hubert RogersIn Times to Come / essay by The EditorThe Analytical Laboratory: August 1941 / essay by The EditorNot Final! (Jovians #1) / by Isaac Asimov; interior artwork by KollikerThe Sea King's Armored Division (Part 2 of 2) / essay by L. Sprague de CampManic Perverse / by Winston K. Marks; interior artwork by Frank KramerTwo Percent Inspiration / by Theodore Sturgeon; interior artwork by Hubert RogersCommon Sense / by Robert A. Heinlein; interior artwork by Paul OrbanBrass Tacks / essay by The EditorLetters / P. Schuyler Miller; Paul A. Carter; and E. Everett Evans

    Chapters: Harrison Bergeron, Epicac, 2br02b, Welcome to the Monkey House, Miss Temptation, Report on the Barnhouse Effect, All the King's Horses, Who Am I This Time?, Deer in the Works. Source: Wikipedia. Free updates online. Not illustrated. Excerpt: "Harrison Bergeron" is a satirical, dystopian science fiction short story written by Kurt Vonnegut and first published in October 1961. Originally published in The Magazine of Fantasy and Science Fiction, the story was re-published in the author's collection, Welcome to the Monkey House in 1968. In the story, social equality has been achieved by handicapping the more intelligent, athletic or beautiful members of society. For example, strength is handicapped by the requirement to carry weight, beauty by the requirement to wear a mask and so on. This is due to the 211th, 212th, and 213th amendments to the United States Constitution. This process is central to the society, designed so that no one will feel inferior to anyone else. Handicapping is overseen by the United States Handicapper General, Diana Moon-Glampers. Harrison Bergeron, the protagonist of the story, has exceptional intelligence, strength, and beauty, and thus has to bear enormous handicaps. These include headphones that play distracting noises, three hundred pounds of weight strapped to his body, eyeglasses designed to give him headaches, a rubber ball on his nose, black caps on his teeth, and shaven eyebrows. Despite these societal handicaps, he is able to invade a TV station, declare himself Emperor, strip himself of his handicaps, then dance with a ballerina whose handicaps he has also discarded. Both are shot dead by the brutal and relentless Handicapper General. The story is framed by an additional perspective from Bergeron's parents, who are w...More: http: //booksllc.net/?id=18941

    FoxMars Is Heaven! / Ray Bradbury; artwork by Herman VestalPreview of Peril / A. Bertram Chandler; artwork by Alden McWilliamsAgainst the Stone Beasts / James Blish; artwork by DonelBrooklyn Project / William Tenn; artwork by Herman VestalSynthetic Hero / Erik Fennel; artwork by Herman VestalValkyrie from the Void / Basil WellsCartoon: "Here we are the masters!" ; Cartoon: "Er---any trees on the moon?" / artwork by E. P.

    Born in Charlottetown, Prince Edward Island, he grew up in the rural community of Hazel Grove. Wells attended high school in Ottawa, Ontario and university in Halifax, Nova Scotia. As an undergraduate, he spent summers working in Iqaluit, Nunavut as an airline cargo handler. After a brief stint at graduate school in Montreal, Quebec, he returned to Iqaluit in 2001 and later that year transferred to the remote settlement of Resolute, on Cornwallis Island, where he worked until 2003, when he moved to Halifax with his wife, Rachel Lebowitz. At this point he started contributing book reviews and essays on Canadian poetry to periodicals including Books in Canada, Quill & Quire and Maisonneuve. In the spring of 2004, his first chapbook of poems, Fool's Errand, appeared. In the fall of that year, Toronto's Insomniac Press published his full-length collection of Arctic poems, Unsettled, under Paul Vermeersch's 4 AM Books imprint. In 2004, Wells started working for Via Rail Canada as a service attendant. In 2006 he became the Reviews Editor for Canadian Notes & Queries. In 2007, after moving to Vancouver, he published Sealift, a CD recording of 24 poems from Unsettled; "Achromatope," a letterpress broadside; and After the Blizzard, a limited edition chapbook. In the spring of 2008, Jailbreaks, his anthology of Canadian sonnets, was published. Anything But Hank!, the children's book he co-wrote with Lebowitz, with illustrations by Eric Orchard, was published in the fall. In 2009, after moving back to Halifax, Wells published Track & Trace, his second trade collection of poems, with illustrations by renowned graphic artist Seth. Track & Trace was shortlisted for the 2010 Atlantic Poetry Prize. In 2010, he published The Essential Kenneth Leslie, the first collection of Leslie's poems to be published since 1972.

    It was subsequently included in The Son of the Wolf, a story collection published in 1900.The White Silence is set in the unforgiving winter landscape of Yukon Territory, Canada. The story chronicles the travels of three people across the Northland Trail on the Yukon, as they try to reach civilization before spring. The story deals with the fragile relationship between man and nature, and also between man and animal. Its title is a phrase that London used frequently in his descriptions of the frozen northern landscapes in his stories.

    

    It can be read in ten minutes. Please don't purchase this expecting a novel for your dollar.This story was written in a small cafe on the corner of Bleeker and Grove in New York City on Tuesday, May 27th. The idea came to me yesterday while walking across the Brooklyn Bridge. I saw the locks on several of the small cables on the bridge. I remembered my time in both London and Paris, taking pictures of all the love locks on bridges there. And I thought about all the couples those locks represent. I wondered how many are still together.Maybe this story isn't worth your dollar. If I could price a work on Amazon for less, I would. It is what it is. I hope this will be the first of many short pieces that I write and publish in a single day while recording what I'm thinking and where I am when I write them. For those who take the plunge, I hope you get your money's worth. Thank you for all of your support.-Hugh

    Science-Fiction and WarA. E. Van Vogt. Recruiting StationLester del Rey. The Wings of NightRoby Wentz. Day After TomorrowMartin Pearson. The EmbassyIn Times to Come The Analytical Laboratory Anson MacDonald. Goldfish BowlSuppressed ViolenceIsaac Asimov. RunaroundMalcolm Jameson. DispersionBrass Tacks Eric Frank Russell. Describe a Circle

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    This short story was originally published in Joe Hill's collection 20TH CENTURY GHOSTS.

    Some inhabitants of a peaceful kingdom cannot tolerate the act of cruelty that underlies its happiness.The story "Omelas" was first published in New Dimensions 3, a hard-cover science fiction anthology edited by Robert Silverberg, in October 1973, and the following year it won Le Guin the prestigious Hugo Award for best short story.It was subsequently printed in her short story collection The Wind's Twelve Quarters in 1975.

    In their exile on the ground they have to adapt to vastly different circumstances, fight monsters resembling dinosaurs, and finally happen upon the godly giants, whose existence they had questioned.

    John W. Campbell Jr.)The Weapon Makers, Part 1 of 3 (Weapon Shops of Isher #) / A.E. van Vogt; interior artwork by Frank Kramer In Times to Come / essay by unknownFlight into Darkness / Webb Marlowe (i.e. J. Francis McComas); interior artwork by Frank KramerMimsy Were the Borogoves / Lewis Padgett (i.e. Henry Kuttner and C.L. Moore); interior artwork by KollikerThe Man in the Moon / Henry A. Norton; interior artwork by KollikerGod's Footstool / essay by Malcolm JamesonThe Analytical Laboratory: December 1942 / essay by The Editor (i.e. John W. Campbell Jr.)Blue Ice (Probability Zero series) / Henry KuttnerProbability Zero! / essay by L. Sprague de Camp and Fox B. Holden and Colin Keith and Henry KuttnerEfficiency (Probability Zero series) / Colin Keith (i.e. Malcolm Jameson)Noise is Beautiful! (Probability Zero series) / Fox B. HoldenThe Anecdote of the Movable Ears (Probability Zero series) / L. Sprague de CampBrass Tacks / essay by The Editor (i.e. John W. Campbell Jr.)Opposites—React!, Part 2 of 2 (Seetee serial) / Willi Stewart (i.e. Jack Williamson); interior artwork by Kolliker