Discover the mindsets of the best, install the rituals of the icons, run the habits of the heroes and massive improvements will be yours for the taking. In The Little Black Book of stunning success, Robin Sharma - one of the true masters of leadership + elite performance on the planet - shares the potent insights that have helped so many people just like you do legendary work, live remarkable lives and lift everyone around them in the process. If you're truly ready to live your dreams, this book is your fuel. Dream. Dare. Lead. Learn. Craft. Create. Produce. Perfect. Iterate. Optimize. Inspire. Impact. Win. Repeat. Push. Rest. Love. Live.

    

     Americans are angry and divided along party lines. They’re tired of the endless wars, high gas prices, and high unemployment. They’re tired of the graft in DC and on Wall Street. They’re tired of being spied on and herded like cattle into the prison industrial complex. Like in years before, they’re certain that, this time, their guy will change everything. The Republican and Democratic saviors make their promises, and the true believers swoon, but domestic terrorists aren’t buying what these politicians are selling. Truck driver George Chapman is in the right place at the right time to foil an assassination attempt on one of the most influential men in politics. Some might say the reluctant hero was in the wrong place at the wrong time. Some might say it was a false flag. Nonetheless, his fifteen minutes of fame grows because of his extraordinary gift. Will he use his gift and newfound fame to unite the country or to tear it apart? A revolution is coming. Which side are you on? Adult language, content, and sexual violence.

    Coetzee’s essays from 1986 to 1999 was followed by Inner Workings, which contained those from 2000 to 2005. Late Essays gathers together Coetzee’s literary essays since 2006.The subjects covered range from Daniel Defoe in the early eighteenth century to Coetzee’s contemporary Philip Roth. Coetzee has had a long-standing interest in German literature and here he engages with the work of Goethe, Hölderlin, Kleist and Walser. There are four fascinating essays on fellow Nobel laureate Samuel Beckett and he looks at the work of three Australian writers: Patrick White, Les Murray and Gerald Murnane. There are essays too on Tolstoy’s great novella The Death of Ivan Ilyich, on Flaubert’s masterpiece Madame Bovary, and on the Argentine modernist Antonio Di Benedetto.J.M. Coetzee, a great novelist himself, is a wise and insightful guide to these works of international literature that span three centuries.

    In these "confessions," the author, now in his late seventies, looks back on his long career as a theorist and his more recent work as a novelist, and explores their fruitful conjunction.He begins by exploring the boundary between fiction and nonfiction--playfully, seriously, brilliantly roaming across this frontier. Good nonfiction, he believes, is crafted like a whodunnit, and a skilled novelist builds precisely detailed worlds through observation and research. Taking us on a tour of his own creative method, Eco recalls how he designed his fictional realms. He began with specific images, made choices of period, location, and voice, composed stories that would appeal to both sophisticated and popular readers. The blending of the real and the fictive extends to the inhabitants of such invented worlds. Why are we moved to tears by a character's plight? In what sense do Anna Karenina, Gregor Samsa, and Leopold Bloom "exist"?At once a medievalist, philosopher, and scholar of modern literature, Eco astonishes above all when he considers the pleasures of enumeration. He shows that the humble list, the potentially endless series, enables us to glimpse the infinite and approach the ineffable. This "young novelist" is a master who has wise things to impart about the art of fiction and the power of words.

    As the unnamed narrator of Dead Souls discovers at a cultural festival in central London, the offender is Solomon Wiese, a poet accused of plagiarism. Later that same evening, at a bar near Waterloo Bridge, our narrator encounters the poet in person, and listens to the story of Wiese's rise and fall, a story that takes the entire night—and the remainder of the novel—to tell.Wiese reveals his unconventional views on poetry, childhood encounters with "nothingness," a conspiracy involving the manipulation of documents in the public domain, an identity crisis, a retreat to the country, a meeting with an ex-serviceman with an unexpected offer, the death of an old poet, a love affair with a woman carrying a signpost, an entanglement with a secretive poetry cult, and plans for a triumphant return to the capital, through the theft of poems, illegal war profits, and faked social media accounts--plans in which our narrator discovers he is obscurely implicated.Dead Souls is a metaphysical mystery brilliantly encased in a picaresque romp, a novel that asks a vital question for anyone who makes or engages with art: Is everyone a plagiarist?

    So why would a team of killers want to murder him and frame it as a suicide? Finn survives the encounter to discover the killers have left behind a “suicide note” detailing a dark incident from Finn’s past no one could possibly know about.Finn escapes to Musqasset Island, his former home, to seek refuge with an old friend, but soon realizes he has trapped himself on the small island with the very people who want him dead—and with old debts that need to be paid. His only hope for survival, and redemption, is to figure out who’s trying to kill him and why they’ve waited eighteen years to act—no easy task in a raging nor’easter, where communications are shaky and relationships (and Finn’s mental state) are even shakier.

    Time is not on the side of the gruff World War II veteran racing to fulfill a promise he made amid the horrors of the D-Day invasion in Normandy. As he plans a pilgrimage from Michigan to the site of both his best and worst day, Worthy now must rely on those he trusts the least-his family. With no one else to help him meet the physical demands of the trip, Worthy grudgingly includes his grandchildren, David and Shannon, who are each battling their own insecurities. His controlling son, Ted, and his manipulative daughter-in-law, Angela, follow Worthy and his grandkids to France, and they have one goal: to drag the aging war vet back to Michigan where they hope to take command of his finances and place him in a nursing home. As Worthy searches for a family from his past, only time will tell if he can patch the crumbling relationships with his family before it is too late. In this historical tale, a World War II veteran takes a journey of honor and courage as he sets off to complete the most important mission of his long life.

    This predicament seems inevitable, but in fact it's quite new. In medieval Europe, God's calling was a grounding force. In ancient Greece, a whole pantheon of shining gods stood ready to draw an appropriate action out of you. Like an athlete in “the zone,” you were called to a harmonious attunement with the world, so absorbed in it that you couldn’t make a “wrong” choice. If our culture no longer takes for granted a belief in God, can we nevertheless get in touch with the Homeric moods of wonder and gratitude, and be guided by the meanings they reveal?All Things Shining says we can. Hubert Dreyfus and Sean Dorrance Kelly illuminate some of the greatest works of the West to reveal how we have lost our passionate engagement with and responsiveness to the world. Their journey takes us from the wonder and openness of Homer’s polytheism to the monotheism of Dante; from the autonomy of Kant to the multiple worlds of Melville; and, finally, to the spiritual difficulties evoked by modern authors such as David Foster Wallace and Elizabeth Gilbert.Dreyfus, a philosopher at the University of California, Berkeley, for forty years, is an original thinker who finds in the classic texts of our culture a new relevance for people’s everyday lives. His lively, thought-provoking lectures have earned him a podcast audience that often reaches the iTunesU Top 40. Kelly, chair of the philosophy department at Harvard University, is an eloquent new voice whose sensitivity to the sadness of the culture— and to what remains of the wonder and gratitude that could chase it away—captures a generation adrift.Re-envisioning modern spiritual life through their examination of literature, philosophy, and religious testimony, Dreyfus and Kelly unearth ancient sources of meaning, and teach us how to rediscover the sacred, shining things that surround us every day. This book will change the way we understand our culture, our history, our sacred practices, and ourselves. It offers a new—and very old—way to celebrate and be grateful for our existence in the modern world.

    It also turns out that:• He’s my stepbrother• We hate each other on sight• I have to move in with him, his twin brother, and their best friendWhen my career goes up in flames, I have no choice but to call my estranged father. He gets me a job on the set of a movie, but there’s a catch. The stepbrothers I never wanted to meet work there, too.Leading man Aiden Hunt is known as much for his good looks as the high-octane movies he makes. His twin, stunt double Tanner, has the same handsome features, but he’s as kind and warm as Aiden is aloof and cocky. Their best friend, Ford, is the fight coordinator, and his incredible combat skills attract me almost as much as his limber, muscular body.The three men share a house while filming on location, and due to a shortage of hotel rooms, I'm forced to stay with them. It’s hard not to resent the twins who took my father away from me as a child. At least Ford makes me laugh and takes me under his wing, teaching me stunts and fighting techniques. Eventually, Tanner slips past my guard, too.As for Aiden… he might be a jerk, but I discover that he knows pain, just like I do. We fight, we bicker, but maybe we’re more alike than I want to admit.Nothing’s ever easy, though. My father carries a lot of weight on the set, and he’s opposed to me learning stunt work. He’ll be doubly horrified if he finds out about the bedroom stunts I've been perfecting with Ford and his stepsons.Before filming ends, I need to know if I have a future with these three complicated men, or if we'll miss our chance at a Hollywood-style happy ending.

    But when the runaway bride parks her truck in front of a small town bar the last thing she's expecting is Leo Bonham.Butch, sexy, and older, Leo is everything that Sammie has never wanted. Not least because she's female. And Leo isn't too pleased about meeting Sammie either. She's off relationships for good, and anyway, that huge RV is deterring customers.Sammie's too straight, too young, and too beautiful for Leo's taste. And Leo's too broken, too stubborn, and too old for Sammie's games. And yet the bubbling excitement between them can't be denied.It should have been just a stop on the road, just another customer, but somehow their lives got tangled together. Right up until one cuts the other free. An escape story turned into a romance, which turned into a tragedy. And the only way to get a happy ending is to leave the past behind...One For The Road is a new stand-alone lesbian romance from Sienna Waters, author of the Oakview and Monday's Child lesfic series.

    The answers to the big questions: Are the laws of physics fine-tuned for life? Are we alone in the universe? Why is gravity so weak? How can I predict the winner of every horse race?

    S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery.Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation." Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaitre knowledge of the spiritual character which the tale was created to embody.Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance."

    The Gold Rush has ended; the Civil War threatens to tear apart the country. Far from the front lines, the city at the western edge roars. A global seaport, home to immigrants from five continents, San Francisco has become a complex urban society virtually overnight. The bards of the moment are the Bohemians: a young Mark Twain, fleeing the draft and seeking adventure; literary golden boy Bret Harte; struggling gay poet Charles Warren Stoddard; and beautiful, haunted Ina Coolbrith, poet and protectorate of the group. Ben Tarnoff’s elegant, atmospheric history reveals how these four pioneering western writers would together create a new American literature, unfettered by the heavy European influence that dominated the East.Twain arrives by stagecoach in San Francisco in 1863 and is fast drunk on champagne, oysters, and the city’s intoxicating energy. He finds that the war has only made California richer: the economy booms, newspapers and magazines thrive, and the dream of transcontinental train travel promises to soon become a reality. Twain and the Bohemians find inspiration in their surroundings: the dark ironies of frontier humor, the extravagant tales told around the campfires, and the youthful irreverence of the new world being formed in the west. The star of the moment is Bret Harte, a rising figure on the national scene and mentor to both Stoddard and Coolbrith. Young and ambitious, Twain and Harte form the Bohemian core. But as Harte’s star ascends—drawing attention from eastern taste makers such as the Atlantic Monthly—Twain flounders, questioning whether he should be a writer at all. The Bohemian moment would continue in Boston, New York, and London, and would achieve immortality in the writings of Mark Twain. San Francisco gave him his education as a writer and helped inspire the astonishing innovations that radically reimagined American literature. At once an intimate portrait of an eclectic, unforgettable group of writers and a history of a cultural revolution in America, The Bohemians reveals how a brief moment on the western frontier changed our country forever.

    Cain's hard-nosed observation that "writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational," to Joan Didion's account of how she composes a book--"I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm"--The Paris Review has elicited some of the most revelatory and revealing thoughts from the literary masters of our age. For more than half a century, the magazine has spoken with most of our leading novelists, poets, and playwrights, and the interviews themselves have come to be recognized as classic works of literature, an essential and definitive record of the writing life. They have won the coveted George Polk Award and have been a contender for the Pulitzer Prize. Now, Paris Review editor Philip Gourevitch introduces an entirely original selection of sixteen of the most celebrated interviews. Often startling, always engaging, these encounters contain an immense scope of intelligence, personality, experience, and wit from the likes of Elizabeth Bishop, Ernest Hemingway, Truman Capote, Rebecca West, and Billy Wilder. This is an indispensable book for all writers and readers.