P. Lovecraft, The Sea Dreams It Is the Sky examines life in a South American dictatorship. Centered on the journal of a poet-in-exile and his failed attempts at translating a maddening text, it is told by a young woman trying to come to grips with a country that nearly devoured itself.In My Heart Struck Sorrow, a librarian discovers a recording from the Deep South—which may be the musical stylings of the Devil himself.Breathtaking and haunting, A Lush and Seething Hell is a terrifying and exhilarating journey into the darkness, an odyssey into the deepest reaches of ourselves that compels us to confront secrets best left hidden.

    "Dancing Men" depicts one of the creepiest rites of passage in recent memory, when a boy visits his deranged grandfather in the New Mexico desert. In "Mr. Dark's Carnival," a college professor confronts his own dark places in the form of a mysterious haunted house steeped in the folklore of grisly badlands justice. "Struwwelpeter" introduces us to a brilliant, treacherous adolescent whose violent tendencies and reckless mischief reach a sinister pinnacle as Halloween descends on a rundown, Pacific Northwest fishing village. Tormented by his guilty conscience, a young man plumbs the depths of atonement as he and his favorite cousin commune with the almighty Hawaiian surf in "Shipwreck Beach." With The Two Sams author Glen Hirshberg uses his remarkable gift for capturing mood and atmosphere to suggest the possibility that the most troubling ghosts of all are not the ones that hover above us and walk through walls, but those that linger in our memories and haunt our souls.

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.

    . . When Elsie married handsome young heir Rupert Bainbridge, she believed she was destined for a life of luxury. But with her husband dead just weeks after their marriage, her new servants resentful, and the local villagers actively hostile, Elsie has only her husband's awkward cousin for company. Or so she thinks. Inside her new home lies a locked door, beyond which is a painted wooden figure —a silent companion —-that bears a striking resemblance to Elsie herself. The residents of The Bridge are terrified of the figure, but Elsie tries to shrug this off as simple superstition--that is, until she notices the figure's eyes following her.A Victorian ghost story that evokes a most unsettling kind of fear, this is a tale that creeps its way through the consciousness in ways you least expect--much like the silent companions themselves.

    But business is lean and times are tight, so he’s thrilled when the aged and esteemed Augusta Withrow appears in his office, bearing an offer he really ought to refuse. She has a massive family estate to unload - lock, stock, and barrel. For a check and a handshake, it’s all his.It’s a big check. It’s a firm handshake. And it’s enough of a gold mine that he assigns his daughter Dahlia to personally oversee the project.Dahlia preps a couple of trucks, takes a small crew, and they caravan down to Chattanooga, Tennessee, where the ancient Withrow house is waiting - and so is a barn, a carriage house, and a small, overgrown cemetery that Augusta Withrow left out of the paperwork.Augusta Withrow left out a lot of things.The property is in unusually great shape for a condemned building. It’s empty, but it isn't abandoned. Something in the Withrow mansion is angry and lost. This is its last chance to raise hell before the house is gone forever, and there's still plenty of room in the strange little family plot.New from Cherie Priest, a modern master of supernatural fiction, The Family Plot is a haunted house story for the ages - atmospheric, scary, and strange, with a modern gothic sensibility that every bit as fresh as it is frightening.

    His selection was vast, and all models were stamped MADE IN HEAVEN.Under the watchful glare of a giant eyeball in the sky, Ralph walks door to door selling dildos. He doesn't know why he sells dildos, but he does know that with each house, and each strange customer, he moves closer to solving the mystery of the eternal dildo curse.A nightmare comedy about destiny, faith, and sex toys, The Traveling Dildo Salesman is another classic from Kevin L. Donihe, the Wonderland Award-winning author of House of Houses and Night of the Assholes.This edition also features Donihe's most lurid and infamous short stories: Milky Agitation, Two-Way Santa, The Helen Mower, Living Room Zombies, and Revenge of the Living Masturbation Rag.

    Long ago, it was the Piven Institute for the Care and Correction of Troubled Females—an insane asylum nicknamed “Hysteria Hall.” However, many of the inmates were not insane, just defiant and strong willed. Kind of like Delia herself.But the house still wants to keep “troubled” girls locked away. So, in the most horrifying way, Delia gets trapped.And that’s when she learns that the house is also haunted.Ghost girls wander the halls in their old-fashioned nightgowns. A handsome ghost boy named Theo roams the grounds. Delia finds that all the spirits are unsettled and full of dark secrets. The house, as well, harbors shocking truths within its walls—truths that only Delia can uncover, and that may set her free.But she’ll need to act quickly, before the house’s power overtakes everything she loves.From master of suspense Katie Alender comes a riveting tale of twisted memories and betrayals, and the meaning of madness.

    It came from behind the five peaks. The beam drove up through a column of blue haze whose edges were marked as sharply as the rain that streams from the edges of a thunder cloud. It was like the flash of a searchlight through an azure mist. It cast no shadows.As it struck upward the summits were outlined hard and black and I saw that the whole mountain was shaped like a hand. As the light silhouetted it, the gigantic fingers stretched, the hand seemed to thrust itself forward. It was exactly as though it moved to push something back. The shining beam held steady for a moment; then broke into myriads of little luminous globes that swung to and fro and dropped gently. They seemed to be searching.

    They argue, they laugh, and they tell their stories. Some tell their own stories, some tell stories they have heard elsewhere. Some of them are true, some are not. But each tale draws you closer.One by one, the storytellers depart, until suddenly it's just you and the narrator, alone in the dark...

    There are seven in all, with subjects ranging from social revolt to insanity, disease and unrequited love. They are considered some of the finest works of German literary Expressionism and have been compared to the stories of Edgar Allan Poe and the prose pieces of Baudelaire.

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    Wimbourne Books presents the first in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 1 in the series spans the years 1852 to 1899 and includes stories from a wide range of female authors; English, Irish, Scottish, Welsh and American. Includes tales by Mary Elizabeth Braddon, Charlotte Riddell, Isabella Banks and Gertrude Atherton. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the stormy night arrives, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.

    Melding the fantastic with historical fiction, these stories describe moments of unexplained violence both historical and imaginary, often blending the two through Schwob’s collaging of primary source documents into fiction. Brimming with murder, suicide, royal leprosy and medieval witchcraft, Schwob’s stories portray clergymen furtively attending medieval sabbaths, Protestant galley slaves laboring under the persecution of Louis XIV and dice-tumbling sons of Florentine noblemen wandering Europe at the height of the 1374 plague. These writings are of such hallucinatory detail and linguistic specificity that the reader is left wondering whether they aren’t newly unearthed historical documents. To read Schwob is to encounter human history in its most scintillating form as it comes into contact with this unparalleled imagination.

    She eloped at the age of nineteen, took up writing against her husband's wishes, and after his death became a protegee of Ambrose Bierce, whose influence can be seen here in those stories, The Dead and the Countess, Death and the Woman and The Striding Place, which have an overtly supernatural element. The Striding Place was rejected by one editor as 'far too gruesome', but was in Atherton's view 'the best short story I ever wrote'. Elsewhere, The Greatest Good of the Greatest Number, The Tragedy of a Snob, and A Monarch of a Small Survey the psychological takes precedence over the supernatural. And in The Bell in the Fog (reminiscent of The Turn of the Screw, and dedicated to Henry James) the supernatural and psychological combine to brilliant effect: an angelic child bears a striking resemblance to an old portrait. Is she a reincarnation of her ancestor? And will she turn out as unangelic in adulthood as that distant ancestor turned out before her?

    P. Lovecraft's Cthulhu Mythos. AROUND THE CORNER - A man whose parents raised him in a cult suspects the new tenants in his apartment complex belong to a similar cult, and are summoning up powers that will change the world...and not for the betterment of humankind. AFTER THE FALL - Around the world, after a great storm the sky becomes filled with the fossilized remains of vast monsters locked in an ancient conflict, leaving humans to interpret this vision and to consider their own humble existence. SCRIMSHAW - In this alternate history story set in 1851, men in seafaring ships do not harvest whale blubber, but seek strange treasures in the bodies of immense alien creatures. From Jeffrey Thomas -- the author of Punktown.