Still, this first-hand account does shed much light on what it was really like to come under the charge of many different Indian tribes.Although Brayton’s treatment was not entirely negative or positive, his frank and blunt story does much to dispel the romantic stories that have been perpetuated about young settlers’ children who became Indian chattel. It does much to tell true history and dispel any deliberate or accidental revisions. In many cases the Indians treated Brayton well, but there can be no doubt that they stole from him and his family a life that would end up confused and stuck between two worlds. Although Brayton did finally unite with many of his natural family, he never stopped identifying with Native Americans, and he was forced to leave an Indian wife and child behind. In fact, when the War of Rebellion or Civil War broke out, Brayton enlisted and served in an American Indian brigade. Chet DembeckPublisher of One

    She and her young brother find shelter in a Massachusetts Shaker community called The City of Hope. It is the Era of Manifestations, when young girls in Shaker enclaves all across the Northeast are experiencing extraordinary mystical visions, earning them the honorific of "Visionist" and bringing renown to their settlements. The City of Hope has not yet been blessed with a Visionist, but that changes when Polly arrives and is unexpectedly exalted. As she struggles to keep her dark secrets concealed in the face of increasing scrutiny, Polly finds herself in a life-changing friendship with a young Shaker sister named Charity, a girl who will stake everything--including her faith--on Polly's honesty and purity.

    He loves her more, while she shoves him aside and devotes her attention to their son.

    Haunted by illness and obsessed with death, he moves to Mumbai from his village Udali, breaking away from his feudal roots. He encounters young men frustrated by the system but refuses to become one of them. Suddenly, he takes a fancy to education and pursues masters in Arts, without his family knowing about it.Bidhar is the story of a pessimist who struggles to move on in life.

    Jeremy Shepherd has reached post-ambition, giving up the trappings of his London life (flash job, flash cars, even flashier girlfriends) and moved back to his home town and his parents' house. By day, he is a low-level civil servant, chained to his desk and content to idle away the hours filing and answering emails. There isn't a lot to do in a small town, but the English are very resourceful and Jeremy quickly finds a hobby that delivers lots of fresh air and exercise. By night, he prowls local car parks to indulge in altogether more challenging pursuits - anonymous sex with strangers. This is no ordinary hobby - each encounter is tinged with a definite air of danger, as police stake out each site and the cloak of anonymity brings its own risks. As the scene's night-time liaisons increasingly threaten the sensibilities of the local Daily Mail readers, things take a turn for the worse. Locals take a dislike to the illicit rendezvous and as the police step up surveillance, private pursuits risk becoming very public.

    His most recent novel, Death, Sleep & The Traveler is about a middle-aged Dutchman, his dissolving marriage, his involvement in two sexual triangles, his obsession with the murder he is accused of having committed on a pleasure cruise.

    Paul Muldoon, the distinguished poet and international literary eminence, has selected -- from a pool of several thousand published candidates -- the top seventy-five poems of the year. With insightful comments from the poets illuminating their work, and series editor David Lehman's perspicacious foreword, The Best American Poetry 2005 is indispensable for every poetry enthusiast.

    

    This time, though, instead of cruising the American road together, Otto Ringling and Volya Rinpoche are part of the famous meditation master's offbeat weight loss clinic, held over the course of ten Saturdays in a New York City yoga studio. "These characters have been alive in my imagination for a decade now," Merullo says, "and I just had the sense that Rinpoche, out of his deep compassion, would try to do something about America's obesity epidemic. I've also been fascinated for a long time by the way addiction works—whether it's addiction to food, drugs, alcohol, sex, work, or anything else—the way it occupies the mind and moves us to do things we know we would be better off not doing. I've always wondered what advice Rinpoche would give on the subject."Known—across twenty books, scores of essays, and twenty-five years of publishing—for being willing to try his hand at an unusually wide variety of themes, subjects, and genres, here Merullo works for the first time in the novella form, putting together a deft, moving, and tightly compressed tale that includes his trademark mix of spiritual inquiry and ordinary human emotions. "This story is about the challenge of losing weight, yes," the author says, "but there's a twist to it at the end, and that opens into a wider territory. I tried to approach it with a full appreciation for the difficulty of breaking old habits, and I gave up a beloved food myself for ten weeks, just to keep things honest."While it does not promise to help readers with their troublesome eating habits or other addictions, Rinpoche's Remarkable Ten-Week Weight Loss Clinic does look at those painful issues from a fresh angle, one full of sympathy and wisdom. It will certainly please lovers of the Buddha Trilogy, and perhaps bring new fans to the hundreds of thousands who've already enjoyed the travels and conversations of Otto and his enlightened teacher.

     As usual, Maupin’s tone is both bittersweet and achingly funny in this tale of a post-catastrophic San Francisco and a young man’s resilient love for his mother. Cover Design by Darryl Vance

    It's a case that nobody wants to touch, deeply rooted in old evil—and old evil is Charlie Parker's specialty. He's about to enter a living nightmare, a dreamscape of sorrow haunted by the murderous specter of a hooded woman, by a black car waiting for a passenger that never comes, and by the sinister complicity of both friends and enemies in Larousse's brutal death. Soon, all will face a final reckoning in an unearthly realm where the paths of the living and the dead converge. A place known only as the White Road. THE BLACK ANGELWhen a young woman disappears from the streets of New York City, ties of friendship and blood inevitably draw ingenious, tortured detective Charlie Parker into the search. Soon he discovers links to a church of bones in Eastern Europe, a 1944 slaughter at a French monastery, and to the myth of an object known as the Black Angel—considered by evil men to be beyond priceless. But the Black Angel is not a legend. It is real. It lives. It dreams. And the mystery of its existence may contain the secret of Parker's own origins. THE UNQUIETDaniel Clay, a once-respected psychiatrist, has gone missing. His daughter insists that he killed himself after allegations surfaced surrounding the harm done to patients in his care. Now, a killer obsessed with finding the truth about his own daughter’s disappearance is seeking revenge—and private investigator Charlie Parker finds himself trapped between those who want the truth about Clay’s disappearance to be revealed, and those who will go to any length—no matter the cost—to keep a deep, dark secret about a local town hidden.

    The "White Mule" of the title refers to Flossie, the angry, assertive, uncompromising baby, who can kick like White Mule whiskey.

    He's young. He's bright. He's ambitious. Mitch could have the pick of the big firms in New York and Chicago, but he's chosen the Memphis tax firm of Bendini, Lambert & Locke. They're selective. They pay outrageous salaries. They have a turnover rate of zero. And Mitch is about to find out why.Several events fuel Mitch's growing suspicions: two of the partners die in a suspicious diving accident off Grand Cayman; the senior partners seem unduly proud of the fact that no one has ever resigned; and security measures at the office are, even for a company with billionaire clients, more than a little extreme. Then Mitch makes an explosive discovery: The firm is owned and operated by the most powerful organized crime family in Chicago. Even as Mitch discovers the truth, he finds himself caught between the FBI, who wants an informant inside the firm, and the firm itself, which will make him a very rich man—or a very dead one.The ChamberAdam Hill is in his first year at a top Chicago law firm. He volunteers for the toughest assignment any lawyer could ask for. His prospective client doesn't want Adam or his law firm. He is an unrepentent and outspoken racist with a violent past. He is on Death Row for the murder of two Jewish children in a horrific bombing in 1967.Why would he take on Adam, a complete novice, to defend him? And why would Adam want his case so desperately? The answer lies in the past, in a twenty-year-old secret buried in the madness of another time...

    In The Road Show we meet Zachary Edge, a Confederate soldier, on his way home at the war's close. He stumbles upon a traveling troupe, a chance encounter that is the start of an unforgettable odyssey. Edge hits the road with bawdy showgirls, roguish tricksters, and a host of colorful characters. He soon finds himself in the arms of Autumn Auburn, the lithesome artiste known for her breathtaking sensuality.

    Dooley was dean of a close knit group, & everything else took second place as the men came into headquarters, & set out again to find him. An unknown lake--beyond unknown mountains--a time schedule--& faith--such alone they had to go on, hampered by Army red tape, lack of radio contact, navigation rules upset by the frozen north. The story shifts from Dooley's experiences, with the five men who counted on him, to the men who sought him. Starkly told--another segment of understanding of total war.--Kirkus