To vanquish him and his horde of evil monsters, Lord Vishnu comes to Earth in his eighth avatar - Krishna, the defender of dharma. Since his birth, Krishna valiantly fights evil monsters, showing courage and valour. But as he grows up and becomes a councillor of the race of Yadavas, he observes that the real struggle in this age is not with magical monsters but with evil kings and warriors. Accompany this wise and courageous hero on his journey on Earth as he conquers evil to put mankind back on the path of righteousness.

    

    Possessed of an unshakeable sense of entitlement and a boundless sense of self-worth, assured of the adoration of all, Matilda can break men's hearts for fun. Agnes-diffident, careworn and poor-can only gape in astonishment at the figure her pupil cuts in the world. Employed to lead and form her, she is instead buffeted about in Matilda's tumultuous wake. She loves her young student-it is impossible not to. But it is hard not to wonder if Matilda's good fortunes will ever end.

    The Book of Craw -- comprised of poems and proverbs from Craw's own notebook -- is the companion volume to The Dirty Parts of the Bible: A Novel.

    This collection of Paul Celan's writings and aphorisms on poetry and art illuminates the sources of his language his exploration of the condition of being a stranger in the world, the necessity and limitation of discourse, and the understanding of the poet and his vocation.

    The author discusses, regret, anxiousness, racial issues, craving for love, and much more. Tavon gets deeply personal and introspective, in hopes of helping those who are in need of self-healing too. "Entrapped inside your Heart-shaped box For lonely years You’ve left me here To survive off hope and tears I know your return is unlikely Unlike me, You have a gift Of hurting others with a smile Luring your victims Into the traps of your eyes I enjoy this place Although it’s often cold It has pockets of warmth In your Heart-Shaped Box I’ll forever be stored Waiting for you Love me more Than August loves to storm."

    The struggle is real. Anyone who is a cat lover knows that the cat rules the roost, and that certainly doesn’t change at bedtime. You might be ready to sleep, but you can bet that kitty is ready for just about anything but some shut-eye. Release your frustrations with a good laugh as you read along with Rosa and her struggle to get her cat to Stop Meowing and Go the F*ck to Sleep! Stop Meowing and Go the F*ck to Sleep is a funny bedtime book for all the desperate cat parents out there. If you have experienced the nightmare of having a kitty who won’t let you have a good night’s sleep, this is the book for you. It’s the perfect gift for crazy cat lovers who appreciate hilarious insights into the feline nature.

    The King's Knight skilfully blends action with real historical events and personages... Medieval England is a time of both blood and humanity." Richard Foreman, author Band of Brothers. 1381. England seethes with discontent over unfair and arbitrary taxation. The country is on the cusp of an uprising - a peasant's revolt. All it will take is a spark. Gregory Maudesley, second son of a minor noble and disillusioned knight for hire, returns home after nearly a decade abroad. Maudesley intends to claim his deceased father's lands but the knight is plagued by misfortune. Gregory journeys to London to secure an audience with the boy king, Richard II. But the England he travels through is very different from that of his youth. The road is treacherous and the greatest dangers of all await him in the capital. London is ablaze. Even the Tower of London has fallen to Wat Tyler's forces. But Richard, enlisting the help of Gregory, will ride out to meet the rebellion head on. A king and kingdom must stand, or fall. Revolt is the first book is The King's Knight series of novellas, chronicling the life of Gregory Maudesley and the dramatic reign of Richard II. Recommended for fans of Bernard Cornwell, Robyn Young and Michael Jecks. Praise for J. A. Ironside “Entertaining, well-researched and compelling.” Michael Jecks on An Argument of Blood. “Ælfgifa…steals every scene and is a character who would fit in any George R. R. Martin novel.” Tony Riches author of The Tudor Trilogy (An Argument of Blood). “Intense drama, creative working of the sparse historical record, and a detailed look into what made William and Harold tick… A rousing, page turning tale awaits you…” Paul Bennett, author of Clash of Empires (on 'A Black Matter for the King'). J. A. Ironside grew up in rural Dorset in a house full of books. She was exposed to history at an early age and happily never recovered – the presence of so many Roman ruins in the area inspired a lifelong interest in historical warfare. She has taught and studied martial arts and weaponry for 25 years. Her published works include An Argument of Blood and A Black Matter for the King, both co-written with Matthew Willis.

    A retelling of The Canterbury Tales

    It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son.The man-called simply the "Walking Man" --paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net Mender, the Midwife, the Elderly Maths Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory? Is it possible, even for a fleeting moment, to call to the dead and free them from their death? Grossman's answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching death's hermetic separateness. For the reader, the solace is in their clamorous vitality, and in the gift of Grossman's storytelling - a realm where loss is not merely an absence, but a life force of its own.

    

    Yet the questions remain; how does one practise Hinduism today under the neon glare of modernity? And is there any contradiction in the practice of Hinduism and our roles in modern life?Like the lotus that grows in water whose leaves and petals remain dry, the yogi derives nourishment from the material world but remains undefiled and untouched by its seductions. In this way, one who wishes to lead a spiritual life can simultaneously perform the role of a responsible member of modern society; neither necessarily compromises the other. With care, practice and knowledge one can reap the benefits of both worlds - to be spiritual you do not have to run away from the world. This book examines the philosophy, spiritual teachings, metaphysics and cultural practices of Hinduism- known collectively as the Sanatana Dharma - and attempts to give one a grasp of its true essence.ForewordHinduism is a many-splendoured and multi-faceted edifice, containing and reflecting an endless array of possibilities for spiritual growth and integration. Based essentially upon the sublime teachings of the Upanishads, the secret of Hinduism’s continued vitality down through the long and tortuous corridors of time, despite repeated invasions and repression, lies in its capacity for creative reinterpretation. Indeed, the whole history of Hinduism can be viewed as a series of challenges and creative responses, a process which continues down to the present day. In the emerging global society it is my conviction that the universal principles of Hinduism are becoming increasingly relevant as we hurtle headlong into the third millennium A.D. astride the irreversible arrow of time.Theoretical formulations apart, Hinduism involves treading a spiritual path, and there are many. It is these individual pathways involving a creative interaction between the Guru and the disciple that provide the circulatory life-blood of Hinduism, making it a powerful vehicle for inner growth and spiritual realisation. In this context, the experience of individuals who have trodden the path is of great value. The present book Jewel in the Lotus revolves around the life experience and teachings of Mumtaz Ali, better known as ‘M’. Some may find it surprising that a person born a Muslim should have such a deep insight into and experience with the Hindu tradition, but the real spiritual path knows no boundary of race or religion, sex or creed, language or nationality. And the mystics of all the world’s great religions – the Rishis, the Siddhas, the Tirthankaras, the Bodhisattvas, the Sufis, the Gurus and the saints have all illuminated one or other facets of the immeasurable resplendence of the Divine.I have had occasion to know ‘M’ over the last few years, and we have spoken together on several occasions including a three-day workshop on the Kena Upanishad over which I presided. He combines an excellent grasp of theUpanishadic teachings with deep insight into the heart of the spiritual tradition, based on his own remarkable experiences. This book in which he has dealt with some of the deeper aspects of Hinduism will, I am sure, be of great interest to students of contemporary religion, as well as seekers of truth around the world.— Dr. Karan Singh

    According to its prologue, it was composed at the request of Richard II. It stands with the works of Chaucer, Langland, and the Pearl poet as one of the great works of late 14th-century English literature. The Index of Middle English Verse shows that in the era before the printing press it was one of the most-often copied manuscripts (59 copies) along with Canterbury Tales (72 copies) and Piers Plowman (63 copies).In genre it is usually considered a poem of consolation, a medieval form inspired by Boethius' Consolation of Philosophy and typified by works such as Pearl. Despite this, it is more usually studied alongside other tale collections with similar structures, such as the Decameron of Boccaccio, and particularly Chaucer's Canterbury Tales, with which the Confessio has several stories in common.[Wikipedia]

    The three poems represented in the book are the most distinguished works of the poet.

    For the first time in years, men and women had appeared onstage together. The future held no limits, the actors believed. In this fast-moving, fondly told and frequently very funny account, Qais Akbar Omar and Stephen Landrigan capture the triumphs and foibles of the actors as they extend their Afghan passion for poetry to Shakespeare's.Both authors were part of the production. Qais, a journalist, served as Assistant Director and interpreter for Paris actress, Corinne Jaber, who had come to Afghanistan on holiday and returned to direct the play. Stephen, himself a playwright, assembled a team of Afghan translators to fashion a script in Dari as poetic as Shakespeare's. This chronicle of optimism plays out against the heartbreak of knowing that things in Afghanistan have not turned out the way the actors expected.