However, the voice of Trollope was unmistakable in this much more somber work, and the true authorship was ultimately unveiled.The heroine, Linda Tressel, is pressured by her religious zealot aunt to marry an unpleasant man she finds repulsive. The story unfolds in some caricature and melodrama, yet remains an interesting study of Victorian social mores and relationships.

    

    But Robin has a cunning plan - his marrying of the crossword and sudoku into his devilish 'crossoku', which might just make their fortune.

    In fifty poems, each consisting solely of four connected quatrains, Ashbery apparently plays by the rules while simultaneously violating every single one. Over and over again, the familiar, almost sonnet-like sixteen-line form creates an outline of a poem within which, one would expect, poetry is meant to arrive--as a station waits for a train. And yet, as with many of the world's greatest poems, the act of creating poetry also relies on the reading and the reader--in other words, as this collection's signature poem "Paradoxes and Oxymorons" puts it, "the poem is / you." In "Shadow Train," Ashbery demonstrates how language influences our experience of reality, creating it and sustaining it while also remaining mysterious and ineffable: constantly arriving, but impossible to catch.

    So when she finds a home at Few Farm with Frank Brackenbury and his household, she welcomes the chance for a fresh start. Work on the farm is hard, but believing herself truly loved for the first time by the farmer's son, Michael, nothing can mar Maddie's newfound happiness. But 1947 brings a harsh winter, sweeping devastation over the farm and threatening the Brackenburys' livelihood. All seems lost, until Maddie has an idea that might save them all from poverty. But then she discovers she is pregnant...

    The wide variety of writing styles includes black humour, satire, and compassionate and realistic observation of the follies and foibles of humankind.This collection contains stories by Evelyn Waugh, Roald Dahl, Somerset Maugham, Saki, Frank Sargeson, Raymond Carver, H.E. Bates, and Susan Hill.

    Unlike Drummond, Carter believes there's more to starting a revolution than claiming the credit every time trouble breaks out on the rundown inner city London estates. Soon Drummond finds himself drawn into a local conflict between a crew of anarchists and a fascist fringe where events start to get murderously personal. As the tempo of bombings and assassinations speeds up all across London, from Whitehall to Brixton, it becomes increasingly difficult to distinguish the warring parties. Finally, as the plot races to its cataclysmic conclusion, anarchism and fascism are revealed as mirror images of each other. Stewart Home's ongoing satire of urban subcultures has never been so fierce, furious or entertaining.

    Alan Clark describes his election to the Commons in the 1974 general election; his years as a backbencher coincide with Edward Heath as PM, his downfall and the arrival of Margaret Thatcher. This volume ends with the inside story of the Falklands War. In his private life Alan and his wife Jane and their two young sons take over Saltwood Castle, previously the home of his father Kenneth (Civilisation) Clark. His enthusiasms for the estate, skiing, fast cars and girls are never far away.

    L. Kennedy's first collection of stories, are small people - the kind who inhabit the silence in libraries, who never appear on screen and who never make the headlines. Often alone and sometimes lonely, her characters ponder the mysteries of sex and death-and the ability of public transport to affect our lives.

    He's frightened of open spaces and would much rather curl up in his room and avoid the world outside. So going to a noisy, public place is a big deal-but with his sister Meggie by his side, it should be safe. And Mikey is determined to overcome his fear. But things go badly wrong when he encounters a gang and witnesses something terrible. To make matters worse, they know where he lives, and now they want to see him . . . This time, there's no hiding place for Mikey . . .

    

    

    None of us, I believe, has any property now, and I hear that many, negligently, have lost their lives; but I am sure that the few who survive are not yet so dim-eyed as to miss in the befogged respectability of their newspapers the intelligence of various native risings in the Eastern Archipelago. Sunshine gleams between the lines of those short paragraphs—sunshine and the glitter of the sea...

    A romance based on the gifts of the three wise men 'Gold, Frankinsense & Myrrh

    A land whose borders change as frequently as its history, and yet whose heart somehow remains reassuringly unchanged: by turns captivating, infuriating, bureaucratic, anarchic, comic and sinister. Slaka! A land that is instantly recognisable to any traveller who has ever grappled with an unyielding language, argued with officialdom, outdrunk their welcome, mislaid their luggage, missed their train or just misjudged a tip. Malcolm Bradbury's hilariously entertaining and witty novel, Rates of Exchange, introduces the small, eastern European country of Slaka. In less than two short weeks there, first-time visitor Dr. Petworth manages to give a rather controversial lecture, get embroiled in the thorny thickets of sexual and domestic intrigues, fall in love, and still find time to see the main tourist attractions. In his wickedly funny satire Why Come to Slaka? Malcolm Bradbury offers the would-be visitor, a la Dr Petworth, a wealth of information about the Slakan state, its pageantry and politics, its people and public figures, as well as some essential Slakan phrases—"American Express? That will do very nicely". Stories and narratives bubble up between the lines to keep you reading and chuckling.