Wilde wrote the letter between January and March 1897; he was not allowed to send it, but took it with him upon release. In it he repudiates Lord Alfred for what Wilde finally sees as his arrogance and vanity; he had not forgotten Douglas's remark, when he was ill, "When you are not on your pedestal you are not interesting." He also felt redemption and fulfillment in his ordeal, realizing that his hardship had filled the soul with the fruit of experience, however bitter it tasted at the time.

    This collection contains, too, many examples of that humorous and epigrammatic genius which captured the London theatre and, by suddenly casting light from an unexpected angle, widened the bounds of truth.

    Annotation copyright Tsai Fong Books, Inc. Distributed by Tsai Fong Books, Inc.

    Grant as Grant commenced the campaign that would break the Confederate siege at Chattanooga. After a brief stint in Washington, Porter rejoined Grant, who was now in command of all Union forces, and served with him as a staff aide until the end of the war. Porter was at Appomattox as a brevet brigadier general, and this work, written from notes taken in the field, is his eyewitness account of the great struggle between Lee and Grant that led to the defeat of the Confederacy.As a close-up observer of Grant in the field, Porter was also able to draw a finely detailed, fully realized portrait of this American military hero—his daily acts, his personal traits and habits, and the motives that inspired him in important crises—rendered in the language that Grant used at the time. Porter intended to bring readers into such intimate contact with the Union commander that they could know him as well as those who served by his side. He acquits himself admirably in this undertaking, giving us a moving human document and a remarkable perspective on a crucial chapter of American history.

    The story of a young minister who ultimately must face the reality of the sin he has committed.

    As the story goes, once upon a time there were three weavers, and to each was born a daughter. The "Watcher of Weavers" prophesied to each saying, "A royal prince shall seek to wed thy child" on the condition that she weave a mantle for the prince that will be fair to look upon with rich cloth of gold, and it must fit him as perfectly as the falcon's feathers fit the falcon. Each father is responsible to teach his daughter how to prepare for her prince. When should he begin? Each father's approach coupled with his daughter's cooperation will decide the fate of their future. This is a must read for every father and daughter of all ages!

    This took but little time. Two members of my family elected to go with me. Also a carbuncle. The dictionary says a carbuncle is a kind of jewel. Humor is out of place in a dictionary." — Following the EquatorSo begins this classic piece of travel writing, brimming with Twain's celebrated brand of ironic, tongue-in-cheek humor. Written just before the turn of the century, the book recounts a lecture tour in which he circumnavigated the globe via steamship, including stops at the Hawaiian Islands, Australia, Fiji Islands, New Zealand, India, South Africa and elsewhere.View the world through the eyes of the celebrated author as he describes a rich range of experiences — visiting a leper colony in Hawaii, shark fishing in Australia, tiger hunting, diamond mining in South Africa, and riding the rails in India, an activity Twain enjoyed immensely as suggested by this description of a steep descent in a hand-car:"The road fell sharply down in front of us and went corkscrewing in and out around the crags and precipices, down, down, forever down, suggesting nothing so exactly or so uncomfortably as a crooked toboggan slide with no end to it. . . . I had previously had but one sensation like the shock of that departure, and that was the gaspy shock that took my breath away the first time that I was discharged from the summit of a toboggan slide. But in both instances the sensation was pleasurable — intensely so; it was a sudden and immense exaltation, a mixed ecstasy of deadly fright and unimaginable joy. I believe that this combination makes the perfection of human delight."A wealth of similarly revealing observations enhances this account, along with perceptive descriptions and discussions of people, climate, flora and fauna, indigenous cultures, religion, customs, politics, food, and many other topics. Despite its jocular tone, this book has a serious thread running through it, recording Twain's observations of the mistreatments and miseries of mankind. Enhanced by over 190 illustrations, including 173 photographs, this paperback edition — the only one avai1able — will be welcomed by all admirers of Mark Twain or classic travel books.

    The result is an entrancing work through which a difficult-to-translate voice shines in all of its languor and musicality."

    Guiding them through sailors’ bars, whorehouses, and costume galleries, Monsieur de Bougrelon recounts hallucinatory stories of his past and delves into his “heroic friendship” with his aristocratic companion Monsieur de Mortimer. Monsieur de Bougrelon is a unique character: loquacious, proud, a leftover from an earlier age, wearing garish outfits and makeup that drips. To his speechless audience, he waxes nostalgic about his life as an exile in Holland, as well as what he calls “imaginary pleasures” – obsessions with incongruous people, animals, and objects. These obsessions are often sexual or border on the sexual, leading to shocking, surreal scenes. Monsieur de Bougrelon also enthuses over his beautiful friend Monsieur de Mortimer, making this novella one of the rare works of the nineteenth century to broach homosexuality in a meaningful way, years before Jean Cocteau and Jean Genet.Originally published in French in 1897, Monsieur de Bougrelon is now available in English translation for the first time. Its inventiveness and sheer Decadence find kindred spirits in the novels of Comte de Lautréamont, Joris-Karl Huysmans, and even Louis-Ferdinand Céline, while the novella’s indulgent language and unconventional vision of art and sex embody the best of fin-de-siècle literature. It is, in the novella’s own words, a true “boudoir of the dead.”

    Presented here in English for the first time, in a bravura translation by Brian Stableford, are two highly unusual novels from one of the fin-de-siEcle's most eccentric writers.The Demi-Sexes, originally published in 1897, was the first of Jane de La VaudEre's novels seriously to explore the territory of the conventionally unmentionable, which it does forthrightly, in its first chapter, when its heroine, Camille, asks a doctor, in secret, for "an operation."The Androgynes, first published in 1903, a tale of faithfulness and fickleness amidst the vicious rivalries of the literary and artistic worlds, presents a lush and decadent Paris, replete with cross-dressers, opium smoking, and a provocative miscellany of amour.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    "The Justification of the Good," one of Solovyov's last and most mature works, presents a profound argument for human morality based on the world's longing for and participation in God's goodness. In the first part of the book Solovyov explores humanity's inner virtues and their full reality in Christ, weaving his moral philosophy with threads drawn from Orthodox theology. In the second part Solovyov discusses the practical implications of Christian goodness for such areas as nationalism, war, economics, legal justice, and family. This edition of "The Justification of the Good" reproduces the English edition of 1918 and is the only new publication of this work since that date. The book includes explanatory footnotes by esteemed scholar Boris Jakim and a bibliography, compiled by Jakim, of Solovyov's major philosophical and religious works.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    This is the tale of a raconteur and scoundrel who hails from a very different social scene than the typical Victorian detective novel.

    They have all been adapted for the younger readers of America and are fabulous tales of pioneer life. The book is embellished with numerous original drawings in the text.

    And I am glad, moreover, that the poet has insisted on the importance -- "gente di molto valore" -- of the beings thus enclosed; because it is just with the superior quality of the things in what I mean by Limbo that we are peculiarly concerned. . . .

    Those contained within this volume are among his finest and most representative and include The Withered Arm, one of his best known and most gripping; Barbara of the House of Grebe, said by T. S. Eliot to portray 'a world of pure evil'; The Son's Veto, regarded by Hardy as his best story; and, of course, The Distracted Preacher, possibly the most flawless of all. Like the novels, the short stories reveal Hardy's preoccupation with affairs of the heart, with love requited and frustrated, fulfilled or doomed. They contain many of his most powerful portraits of women; they are streaked with the grotesque, the macabre and bizarre; and they are permeated by that atmosphere, narrative power, and vivid sense of place and its intimate relation to character which are the essentials of Hardy's genius.