Now updated with new material that brings the killer's picture into clearer focus.In the fall of 1888, all of London was held in the grip of unspeakable terror.  An elusive madman calling himself Jack the Ripper was brutally butchering women in the slums of London’s East End.  Police seemed powerless to stop the killer, who delighted in taunting them and whose crimes were clearly escalating in violence from victim to victim.  And then the Ripper’s violent spree seemingly ended as abruptly as it had begun.  He had struck out of nowhere and then vanished from the scene.  Decades passed, then fifty years, then a hundred, and the Ripper’s bloody sexual crimes became anemic and impotent fodder for puzzles, mystery weekends, crime conventions, and so-called “Ripper Walks” that end with pints of ale in the pubs of Whitechapel.  But to number-one New York Times bestselling novelist Patricia Cornwell, the Ripper murders are not cute little mysteries to be transformed into parlor games or movies but rather a series of terrible crimes that no one should get away with, even after death.  Now Cornwell applies her trademark skills for meticulous research and scientific expertise to dig deeper into the Ripper case than any detective before her—and reveal the true identity of this fabled Victorian killer.In Portrait of a Killer: Jack the Ripper, Case Closed, Cornwell combines the rigorous discipline of twenty-first century police investigation with forensic techniques undreamed of during the late Victorian era to solve one of the most infamous and difficult serial murder cases in history.  Drawing on unparalleled access to original Ripper evidence, documents, and records, as well as archival, academic, and law-enforcement resources, FBI profilers, and top forensic scientists, Cornwell reveals that Jack the Ripper was none other than a respected painter of his day, an artist now collected by some of the world’s finest museums: Walter Richard Sickert.It has been said of Cornwell that no one depicts the human capability for evil better than she.   Adding layer after layer of circumstantial evidence to the physical evidence discovered by modern forensic science and expert minds, Cornwell shows that Sickert, who died peacefully in his bed in 1942, at the age of 81, was not only one of Great Britain’s greatest painters but also a serial killer, a damaged diabolical man driven by megalomania and hate.  She exposes Sickert as the author of the infamous Ripper letters that were written to the Metropolitan Police and the press.  Her detailed analysis of his paintings shows that his art continually depicted his horrific mutilation of his victims, and her examination of this man’s birth defects, the consequent genital surgical interventions, and their effects on his upbringing present a casebook example of how a psychopathic killer is created.New information and startling revelations detailed in Portrait of a Killer include:- How a year-long battery of more than 100 DNA tests—on samples drawn by Cornwell’s forensics team in September 2001 from original Ripper letters and Sickert documents—yielded the first shadows of the 75- to 114 year-old genetic evid...

    Soon after Martha's body was discovered, attention focused on members of the Skakel family, who lived across the street from the Moxleys. Ethel Skakel and Robert Kennedy had married in Greenwich, and the two families were close. Thomas Skakel, Ethel's nephew, was the last known person to see Martha alive. The murder weapon, a ladies' golf club, came from the Skakel household. When the Greenwich police tried to pursue its investigation, however, the community closed in upon itself. Lawyers were summoned, walls went up, information was suppressed, and no one was charged. And yet, continuing to haunt Greenwich, the case refused to go away--until, twenty-three years later, following the publication of this book, a grand jury was convened, and two years after that a man--Thomas's brother Michael--was finally indicted for the crime.This revised edition now brings the Martha Moxley murder case to a close. Updated to include the indictment, trial, and conviction of the murderer, Greentown offers the suspenseful and chilling account of a terrible crime. More than that, while relating a tale of seductive power, it uses the murder to tell the heartrending story of a family and a community responding to the unthinkable.

    Highlighting along the way the deeply entrenched social tensions that provoked the murder, Under the Bridge is more than a true-crime book -- it is an unforgettable wake-up call.

    It was the last her family and friends saw of her for over eighteen years. On 26 August 2009, Dugard, her daughters, and Phillip Craig Garrido appeared in the office of her kidnapper's parole officer in California. Their unusual behaviour sparked an investigation that led to the positive identification of Jaycee Lee Dugard, living in a tent behind Garrido's home. During her time in captivity, at the age of fourteen and seventeen, she gave birth to two daughters, both fathered by Garrido. Dugard's memoir is written by the 30-year-old herself and covers the period from the time of her abduction in 1991 up until the present. In her stark, utterly honest and unflinching narrative, Jaycee opens up about what she experienced, including how she feels now, a year after being found. Garrido and his wife Nancy have since pleaded guilty to their crimes.

    . .One by one, the victims are carefully captured, toyed with, then subjected to a slow and agonizing death. Piece by piece, his exquisite plan takes shape. The police can't yet see the beauty in his work--but soon, very soon, they will. . . Than Being Left Alone. . . In the lonely woods around Grizzly Point, Montana, four bodies have been discovered. Detectives Selena Alvarez and Regan Pescoli have been hoping for a career-making case, but this is a nightmare. Even with the FBI involved, Selena and Regan have nothing to go on but a killer's cryptic notes, and the unsettling knowledge that there is much worse to come. . . To Die. . . When Jillian Rivers opens her eyes, she's trapped in a mangled car. Then a stranger, claiming to be a trail guide named Zane McGregor, pries her free. Though she's grateful, something about him sets Jillian on edge. And if she knew what lay out there in the woods of Montana, she'd be truly terrified. Because someone is waiting... watching... poised to strike and make Jillian the next victim...

    She hadn’t seen Elizabeth in years, but the remote farmhouse offers refuge from a bad relationship, and a chance to start again.But going through Elizabeth’s belongings unearths memories Caro would rather stay buried. In particular, the story her stepmother would tell her, about two little girls and the terrible thing they do.As heavy snow traps Caro in the village, where her neighbours stare and whisper, Caro is forced to question why Elizabeth hated her so much, and what she was hiding. But does she really want to uncover the truth?A haunting and twisty story about the lies we tell those closest to us, perfect for fans of Ruth Ware and Cass Green.

    A housewife out for a walk with her baby notices a cloud of black flies buzzing ominously in Leimert Park. An "unsightly object" is identified as the mutilated body of Elizabeth Short, an aspiring starlet from Massachusetts who had been lured west by the siren call of Hollywood. Her killer would never be found, but Short’s death would bring her the fame she had always sought. Her murder investigation transformed into a real-life film noir, featuring corrupt cops, femmes fatales, gun-slinging gangsters, and hungry reporters, replete with an irresistible, legendary moniker adapted from a recent film—The Black Dahlia.For over half a century this crime has maintained an almost mythic place in American lore as one of our most inscrutable cold cases. With the recently unredacted FBI file, newly released sections of the LAPD file, and exclusive interviews with the suspect’s family, relentless legal sleuth Piu Eatwell has gained unprecedented access to evidence and persuasively identified the culprit. Black Dahlia, Red Rose layers these findings into a gritty, cinematic retelling of the haunting tale.As Eatwell chronicles, among the first to arrive at the grisly crime scene was Aggie Underwood, the "tough-as-nails" city editor for the Los Angeles Evening Herald Express; meanwhile, the chain-smoking city editor for the Los Angeles Examiner, Jimmy Richardson, sent out his own reporters. Eatwell reveals how, through a cutthroat race to break news and sell papers, the public image of Elizabeth Short was distorted from a violated beauty to a "man crazy delinquent." As rumors of various boyfriends circulated, the true story of the complex young woman ricocheting between jobs, lovers, and homes was lost. Instead, kitschy headlines tapped into a wider social anxiety about the city’s "girl problem," and Short’s black chiffon and smoldering gaze become a warning for "loose" women coming of age in postwar America.Applying her own background as a lawyer to the surprising new evidence, Eatwell ultimately exposes many startling clues to the case that have never surfaced in public. From the discovery of Elizabeth’s notebook, inscribed with the name of the city’s most notorious and corrupt businessman, to a valid suspect plucked from the hundreds of "confessing Sams" by a brilliant, well-meaning doctor, Eatwell compellingly captures every "big break" in the police investigation to reveal a truly viable resolution to the case. In rich, atmospheric prose, Eatwell separates fact from fantasy to expose the truth behind the sinewy networks of a noir-tinged Hollywood. Black Dahlia, Red Rose at long last accords the Elizabeth Short case its due resolution, providing a reliable and enduring account of one of the most notorious unsolved murders in American history.

    Then he disappeared, eluding capture by multiple police forces and some of the best detectives in the area.Three decades later, Michelle McNamara, a true crime journalist who created the popular website TrueCrimeDiary.com, was determined to find the violent psychopath she called "the Golden State Killer." Michelle pored over police reports, interviewed victims, and embedded herself in the online communities that were as obsessed with the case as she was.At the time of the crimes, the Golden State Killer was between the ages of eighteen and thirty, Caucasian, and athletic—capable of vaulting tall fences. He always wore a mask. After choosing a victim—he favored suburban couples—he often entered their home when no one was there, studying family pictures, mastering the layout. He attacked while they slept, using a flashlight to awaken and blind them. Though they could not recognize him, his victims recalled his voice: a guttural whisper through clenched teeth, abrupt and threatening.I’ll Be Gone in the Dark—the masterpiece McNamara was writing at the time of her sudden death—offers an atmospheric snapshot of a moment in American history and a chilling account of a criminal mastermind and the wreckage he left behind. It is also a portrait of a woman’s obsession and her unflagging pursuit of the truth. Framed by an introduction by Gillian Flynn and an afterword by her husband, Patton Oswalt, the book was completed by Michelle’s lead researcher and a close colleague. Utterly original and compelling, it is destined to become a true crime classic—and may at last unmask the Golden State Killer.

    This is the frighteningly true story of two young cops and two young robbers whose separate destinies fatally cross one March night in a bizarre execution in a deserted Los Angeles field.

    The word “pig” was written in blood on the headboard in the master bedroom. As MacDonald was being loaded into the ambulance, he accused a band of drug-crazed hippies of the crime.So began one of the most notorious and mysterious murder cases of the twentieth century. Jeffrey MacDonald was finally convicted in 1979 and remains in prison today. Since then a number of bestselling books—including Joe McGinniss’s Fatal Vision and Janet Malcolm’s The Journalist and the Murderer—and a blockbuster television miniseries have told their versions of the MacDonald case and what it all means.Errol Morris has been investigating the MacDonald case for over twenty years. A Wilderness of Error is the culmination of his efforts. It is a shocking book, because it shows us that almost everything we have been told about the case is deeply unreliable, and crucial elements of the case against MacDonald simply are not true. It is a masterful reinvention of the true-crime thriller, a book that pierces the haze of myth surrounding these murders with the sort of brilliant light that can only be produced by years of dogged and careful investigation and hard, lucid thinking. By this book’s end, we know several things: that there are two very different narratives we can create about what happened at 544 Castle Drive, and that the one that led to the conviction and imprisonment for life of this man for butchering his wife and two young daughters is almost certainly wrong.  Along the way Morris poses bracing questions about the nature of proof, criminal justice, and the media, showing us how MacDonald has been condemned, not only to prison, but to the stories that have been created around him. In this profoundly original meditation on truth and justice, Errol Morris reopens one of America’s most famous cases and forces us to confront the unimaginable. Morris has spent his career unsettling our complacent assumptions that we know what we’re looking at, that the stories we tell ourselves are true. This book is his finest and most important achievement to date.

    I partied in every capital in Europe and basked on all the world's most famous beaches'. Frank W Abagnale, alias Frank Williams, Robert Conrad, Frank Adams and Ringo Monjo, was one of the most daring con men, forgers, imposters and escape artists in history. In his brief but notorious career, Abagnale donned a pilot's uniform and co-piloted a Pan Am jet, masqueraded as a member of hospital management, practised law without a licence, passed himself off as a college sociology professor, and cashed over $2.5 million in forged checks all before he was twenty-one. Known by the police of twenty-six foreign countries and all fifty states as 'The Skywayman', Abagnale lived a sumptuous life on the run - until the law caught up with him. Now recognised as the nation's leading authority on financial foul play, Abagnale is a charming rogue whose hilarious, stranger-than-fiction international escapades and ingenious escapes - including one from an aeroplane - make CATCH ME IF YOU CAN an irresistable tale of deceit.

    They snatched one of the world's most famous paintings, Edvard Munch's The Scream, and fled with their $72 million trophy. The thieves made sure the world was watching: the Winter Olympics, in Lillehammer, began that same morning. Baffled and humiliated, the Norwegian police called on the world's greatest art detective, a half-English, half-American undercover cop named Charley Hill. In this rollicking narrative, Edward Dolnick takes us inside the art underworld. The trail leads high and low, and the cast ranges from titled aristocrats to thick-necked thugs. Lord Bath, resplendent in ponytail and velvet jacket, presides over a 9,000-acre estate. David Duddin, a 300-pound fence who once tried to sell a stolen Rembrandt, spins exuberant tales of his misdeeds. We meet Munch, too, a haunted misfit who spends his evenings drinking in the Black Piglet Café and his nights feverishly trying to capture in paint the visions in his head. The most compelling character of all is Charley Hill, an ex-soldier, a would-be priest, and a complicated mix of brilliance, foolhardiness, and charm. The hunt for The Scream will either cap his career and rescue one of the world's best-known paintings or end in a fiasco that will dog him forever.

    So off she sets on a darkly comic foray into the world of death fraud, where for $30,000 a consultant can make you disappear--but your suspicious insurance company might hire a private detective to dig up your coffin...only to find it filled with rocks.Greenwood tracks down a British man who staged a kayaking accident and then returned to live in his own house while all his neighbors thought he was dead. She takes a call from Michael Jackson (no, he's not dead--or so her new acquaintances would have her believe), stalks message boards for people contemplating pseudocide, and gathers intel on black market morgues in the Philippines, where she may or may not obtain some fraudulent goodies of her own. Along the way, she learns that love is a much less common motive than money, and that making your death look like a drowning virtually guarantees that you'll be caught. (Disappearing while hiking, however, is a way great to go.)Playing Dead is a charmingly bizarre investigation in the vein of Jon Ronson and Mary Roach into our all-too-human desire to escape from the lives we lead, and the men and women desperate enough to give up their lives--and their families--to start again.

    The children of Italian immigrants were kidnapped, and dozens of innocent victims were gunned down. Bombs tore apart tenement buildings. Judges, senators, Rockefellers, and society matrons were threatened with gruesome deaths. The perpetrators seemed both omnipresent and invisible. Their only calling card: the symbol of a black hand. The crimes whipped up the slavering tabloid press and heated ethnic tensions to the boiling point. Standing between the American public and the Black Hand’s lawlessness was Joseph Petrosino. Dubbed the “Italian Sherlock Holmes,” he was a famously dogged and ingenious detective, and a master of disguise. As the crimes grew ever more bizarre and the Black Hand’s activities spread far beyond New York’s borders, Petrosino and the all-Italian police squad he assembled raced to capture members of the secret criminal society before the country’s anti-immigrant tremors exploded into catastrophe. Petrosino’s quest to root out the source of the Black Hand’s power would take him all the way to Sicily—but at a terrible cost.  Unfolding a story rich with resonance in our own era, The Black Hand is fast-paced narrative history at its very best.

    Nathan Leopold and Richard Loeb were intellectual--too smart, they believed, for the police to catch them. When they were apprehended, state's attorney Robert Crowe was certain that no defense could save the ruthless killers from the gallows. But the families of the confessed murderers hired Clarence Darrow, entrusting the lives of their sons to the most famous lawyer in America in what would be one of the most sensational criminal trials in the history of American justice.Set against the backdrop of the 1920s--a time of prosperity, self-indulgence, and hedonistic excess in a lawless city on the brink of anarchy—For the Thrill of It draws the reader into a world of speakeasies and flappers, of gangsters and gin parties, with a spellbinding narrative of Jazz Age murder and mystery.