Each story is less than 55 words long - ideal for the beach, bus , train, anywhere.

    In November of 2010, I read at the ‘Ear Eater’ reading series in Chicago. Ana was another reader. She was reading via Skype. There were a lot of people at the reading. After I read, I walked out of the room and stood in a hallway, staring at the floor. After a few difficult conversations with people in the hallway, I heard the host of the reading talking to someone on the computer. It was Ana. Ana started reading. I laughed a lot and enjoyed her reading. Seemed like other people weren’t enjoying it as much as me but I was enjoying it a lot. I stood in the hallway laughing and shaking my head ‘Yes’ and people looked at me. I kept thinking, ‘I want to go into the room and watch her face reading’ but then I would think, ‘No, don’t do that, just listen.’ Not sure why I kept telling myself not to go into the room where she was reading but I stood in the hallway and listened and enjoyed it a lot. Two years later, Ana emailed me Baby Babe. I opened the PDF just to skim a few poems but then I read the whole book. When I was done reading the book, I thought, ‘I’ll be glad to have this book so I can look at it whenever I want.’” — Sam Pink

    . . . Ammons makes you laugh and forces you to think hard about the way humans relate to natural phenomena and to themselves. From such simple, short expression emerge complex, often confounding ideas. New readers of poetry as well as those with an active interest in lyric verse will love this volume.”—Booklist

    With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape—Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain—persistently emerge and reappear with the dark energy of the inevitable, while at the same time are shot through with the bright aspect of things new-made.              From the outset (“Come here / Come here, little one”), Gluck’s voice has addressed us with deceptive simplicity, the poems in lines so clear we “do not see the intervening fathoms.”  From within the earth’sbitter disgrace, coldness and barrennessmy friend the moon rises: she is beautiful tonight, but when is she not beautiful?To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it, the one fated to die and the other to endure.

    Featuring brand new stories and some old favorites, many of these tell-all, gritty tales were originally published on the blog Make It MAD between 2010 and 2012, and have been rereleased in their originality for this special print and digital anthology.

    Policeman-turned-detective-turned-writer A Yi describes life as a provincial gumshoe in China. Physician Siddhartha Mukherjee visits a government hospital in New Delhi, where he meets Madha Sengupta, at the end of his life and on the frontiers of medicine. Robert Macfarlane explores the limestone world beneath the Peak District. And Haruki Murakami revisits his walk to Kobe in the aftermath of the 1995 earthquake.In this issue--which includes poems by Charles Simic and Ellen Bryant Voigt, a story by Miroslav Penkov, and non-fiction by David Searcy, Teju Cole, and Hector Abad--GRANTA presents a panoramic view of our shared landscape and investigates our motivations for exploring it. One’s destination is never a place,” Henry Miller wrote, but a new way of seeing things.”

    And now he has gathered from around the world the poems he loves – poems that have inspired and challenged him over the years, a number of which he has set to music. This wide-ranging and deeply moving anthology combines the ancient and the modern, the hallowed and the profane, the famous and the little known, to speak to two of literature’s great themes that have proven so powerful in his music: love and death – plus everything in between.Here are poems by Yehuda Amichai, W.H. Auden, Tusiata Avia, Hera Lindsay Bird, William Blake, Bertolt Brecht, Constantine Cavafy, Alison Croggon, Mahmoud Darwish, Emily Dickinson, John Donne, Ali Cobby Eckermann, James Fenton, Thomas Hardy, Kevin Hart, Gwen Harwood, Seamus Heaney, Philip Hodgins, Homer, Gerard Manley Hopkins, Langston Hughes, John Keats, Ono No Komachi, Maxine Kumin, Philip Larkin, Li-Young Lee, Norman MacCaig, Paula Meehan, Czeslaw Milosz, Les Murray, Pablo Neruda, Sharon Olds, Ovid, Sylvia Plath, Dorothy Porter, Rumi, Anne Sexton, William Shakespeare, Izumi Shikibu, Warsan Shire, Kenneth Slessor, Wislawa Szymborska, Máire Mhac an tSaoi, Ko Un, Walt Whitman, Judith Wright, W.B. Yeats and many more.

    But what's waiting, out on the platform, for the passengers? A woman returns to her childhood home, seeking revenge against the spirit that killed her entire family. But will she be given the chance? An angry husband confronts a faded old magician. Is he about to learn a startling secret about the nature of life and death? Ten Chimes to Midnight is a collection, featuring the brand new stories By the Time You Finish Reading This Short Story..., The Carriage, Probate, The Sleeping Ghost, Bill, The Ghost of Pentarth Asylum, The B*tch and the B*stard and As I Put My Card Back in the Deck..., as well as new versions of The Legend of Bug-Eyed Pete and the 2014 novella Hugo: The Lockton Downs Haunting.

    The book has no illustrations or index.

    CURATED AND INTRODUCED BY CERYS MATTHEWS.Tell Me the Truth About Life is an indispensable anthology which celebrates poetry’s power to tap into the truths that matter. Curated and introduced by Cerys Matthews, this collection draws on the wisdom of crowds: featuring poems nominated for their insight into truth by a range of ordinary and extraordinary people: from Britain’s first astronaut, Helen Sharman, to sporting heroes and world-famous musicians, teachers, artists and politicians.Their choices include contemporary work by Yrsa Daley-Ward, John Cooper Clarke and Kei Miller alongside classics by W H Auden, Emily Dickinson and Dylan Thomas. Here you will find poems to revive the spirit, ballads to mobilize and life-lines to hold you safe in the dark.Compiled for National Poetry Day’s twenty-fifth anniversary, Tell Me the Truth About Life is a book that reminds us we are never completely alone in our search to glimpse the truth.Containing nominations from a number of high-profile poetry lovers and poets, including Michael Morpurgo, Mark Gatiss, Dolly Alderton, and Helen Sharman, among others.

    And here, for the first time, is an anthology of poems from the show, chosen by Keillor for their wit, their frankness, their passion, their "utter clarity in the face of everything else a person has to deal with at 7 a.m." Good Poems includes verse about lovers, children, failure, everyday life, death, and transcendance. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds. It's a book of poems for anybody who loves poetry whether they know it or not.

    The result: "The most creative, generous, and democratic of any of the annual volumes" (Rick Moody).Among its numerous awards, the Pushcart Prize has been chosen for the Poets Writers / Barnes Noble "Writers for Writers" Award and the National Book Critics Circle Lifetime Achievement recognition.

    Among them: Suheir Hammad, Beau Sia, Steve Colman, Stacyann Chin, Mayda del Valle, Georgia Me, Poetri, and other well-established and up-and-coming Slam artists who have forever changed the face of poetry and offer a fresh, exuberant, insightful, and comedic look at who we are as Americans today.

    Hayes was then an undergrad at a small South Carolina college. He has since published four highly honored books of poetry, is a professor of poetry at the University of Pittsburgh, has appeared multiple times in the series, and is one of today’s most decorated poets. His brazen, restless poems capture the diversity of American culture with singular artistry, grappling with facile assumptions about identity and the complex repercussions of race history in this country. Always eagerly anticipated, the 2014 volume of The Best American Poetry begins with David Lehman’s “state-of-the-art” foreword followed by an inspired introduction from Terrance Hayes on his picks for the best American poems of the past year. Following the poems is the apparatus for which the series has won acclaim: notes from the poets about the writing of their poems.

    It is an accusation. So, in case you get no further, here is the bald fact. I killed your grandfather. War hides many secrets and some of them are better kept. But the secret of Hut Ten was never that kind: it could have been leaked and a life would have been saved. One man could have made that difference. He didn’t - and vengeance has taken forty years to catch up with him. This thrilling novella is set in the same world as Sunday Times Thriller of the Month, A Treachery of Spies. What the Critics say about Manda Scott: “This is a rich vein for fiction, and Scott does it more than justice, with this beautifully imagined, beautifully written, smart, sophisticated – but fiercely suspenseful – thriller.” – Lee Child THRILLER OF THE MONTH ‘Superb . . . a blend of historical imagination and storytelling verve reminiscent of Robert Harris.’ The Sunday Times “… the most exciting, involving thriller I’ve read in an age, and I can’t recommend it highly enough.” – Sunday Times Bestselling author Mick Herron “Scott gives us expertly wrought espionage fiction that blooms into a meditation on war, intimacy and memory” – Adam Brookes "…an extraordinary blend of the past and present.” – Terry Wogan "…seriously clever writing" – Crime Review "…staggeringly Imaginative." – Val McDermid "“A stunning feat of the imagination and an absolute must-read for lovers of historical fiction. Utterly convincing and compelling.” – Stephen Pressfield "A masterpiece in historical fiction." – New York Times ‘A Treachery of Spies is the equal of Charlotte Gray in its insights into the period and, I would say, beats it for sheer excitement… one of the most gripping spy stories I have ever read.’ Jake Kerridge, S Magazine 'Ingeniously plotted and wonderfully written.' Antonia Senior, The Times 'A fast-moving tightly-wrought thriller. The destination is in fact as unexpected as it’s satisfying - and very thought-provoking.' Robert Goddard 'A Treachery of Spies is a masterclass in thriller-writing. It is a heart-racing, heart-wrenching read, conceived with passion and executed with frightening skill. An awe-inspiring achievement.' Giles Kristian What Readers Say: ✭✭✭✭✭ "What a marvellous blend of history, espionage, mystery and politics. Beautifully written, too!" ✭✭✭✭✭ "The author's writing is absolutely masterful, reminding me of Hilary Mantel's." ✭✭✭✭✭ "Unputdownable, gripping, credible account of WW2 heroism and double-dealing." ✭✭✭✭✭ "A Top-Secret First-Rate Spy Thriller!" ✭✭✭✭✭ "Fascinating historical and political detail, brilliant characters...A powerful read.