In these contemporary romances from Lisa Wingate, four women find love, hope, and unexpected adventures on the shores of Moses Lake, Texas.Includes four novels in one volume:1 Larkspur Cove2 Blue Moon Bay3 Firefly Island4 Wildwood Creek

     Lionel Shriver is…‘A brilliant writer’ Sunday Times‘Brilliant, funny and incisive’ Woman and Home‘Breezy, mordantly comic’ Daily Mail‘Eloquent’ ObserverIn ‘Domestic Terrorism’ Shriver examines the decline of the empty nest, in a hilarious and barbed story about an all-too-recognisable modern family.

    And in a world so persistently infuriating there's sometimes nothing for it but to throw up your hands and ride full-throttle over the speed-bumps. But as Jeremy raced through there was plenty to ponder along the way, including: · Why nothing good has ever been achieved in a meeting · The side effects of muesli · How to navigate London when every single road is being dug up at once · Why we are forced to share the planet with people who read online reviews of dishwashers · And what, exactly, is the point of a driverless car? It's testing stuff, but happily Jeremy's not quite reached the end of his tether yet. Fuelled by hi-octane enthusiasm and irrepressible curiosity, he's put his foot down again. Seatbelts on . . ._________ Praise for Jeremy Clarkson: Brilliant . . . Laugh-out-loud' Daily Telegraph 'outrageously funny . . . Will have you in stitches' Time Out 'Very funny . . . I cracked up laughing on the tube' Evening Standard

    

    

    In between mail-outs and making cups of coffee she meets the formidable producer Thelma Holt. Within a fortnight Thelma has stolen her, cancelled her audition for RADA, sent her to evening classes to learn to type, organised a miniscule salary and renamed her. From that moment she becomes Sweetpea. Her days are spent in an eccentric office where Alan Rickman or Vanessa Redgrave might pop in at any moment. Evenings are filled with the adrenaline of an opening-night performance or the chatter of a smart restaurant where casting for the next production is discussed. Existing somewhere between glamour and penury, Sweetpea finds herself surrounded by dynamic personalities and struggling to trust her own creative instincts. Over the years her apprenticeship takes in unusual demands, misbehaving actors, divinely inspired directors and a hot-air balloon ride with British theatre's finest. GET ME THE URGENT BISCUITS is a keenly observed memoir about the vanishing world of London's West End in the 1980s and 1990s, in which a young woman is swept into the orbit of a theatrical impresario. Shrewd, poignant and irresistibly funny, above all it is a coming-of-age story about the search for independence and an ode to the beguiling nature of theatre.

    

    A prophetic play from pre-Revolutionary Russia.

    But the life of one Brentford schoolboy is turned upside down when he is sent on a mission by a Venusian he finds in his Daddy's allotment shed, and with Barry the Time Sprout lodged in his head to act as his guardian angel, the sky really is the limit.For the boy has to pose as the famous detective Lazlo Woodbine, and his travels will take him to an alternative future, where a vast pleasure palace space liner orbits the Earth, and where one Count Ilya Rostof is planning a celebration of Queen Victoria's ninetieth year on the throne. He will travel to the fabled Garden on Venus, and even to Heaven to meet with God - a rather nice man named Terrance. But even as these events are taking place, what of the nefarious schemes of Lord Willoughby Chase, of Professor Mandelbrot and the silly boys and their plans to fly a spacecraft into the Sun, and what of the etherial Poppett and the fabled vegetable lamb of Tartary? Never mind Lady Raygun and a group of fanatical space pirates ...A work of surreal brilliance from the mind of Robert Rankin, combining ecumenical ponderings with breathless space opera, and jaw dropping imagination.

    Drilled by prompters who use terrifyingly funny logical and alogical language-sequences, Kaspar learns to speak "normally" and eventually becomes creative "doing his own thing" with words; for this he is destroyed.In Offending the Audience and Self-Accusation, one-character "speak-ins," Handke further explores the relationship between public performance and personal identity, forcing us to reconsider our sense of who we are and what we know.

    Here Scott and Zelda Fitzgerald, often seen as symbols of the doomed youth of the jazz age, become two halves of s single creative psyche, each part alternately feeding and then devouring the other.Set in Highland Hospital near Asheville, North Carolina, where Zelda spent her last confinement, this “ghost play” begins several years after Scott’s death of a heart attack in California. But the past is “still always present” in Zelda, and Williams’s constant shifting of chronology and mixing of remembrance with ghostly re-enactment suggest that our real intimacy is with the shadow characters of our own minds. As Williams said the Author’s Note to the Broadway production: “Our reason for taking extraordinary license with time and place is that in an asylum and on its grounds liberties of this kind are quite prevalent: and also these liberties allow us to explore in more depth what we believe is truth of character."Williams poses the inevitable, unanswerable questions: Did Scott prevent Zelda from achieving an independent creativity? Did Zelda’s demands force Scott to squander his talents and turn to alcohol? Whose betrayal — emotional, creative, sexual — destroyed the other? But he poses these questions in a new way: in the act of creation, Zelda and Scott are now aware of their eventual destruction, and the creative fire that consumed the two artists combines symbolically with the fire that ended Zelda’s life.

    With a psychopath from his own time rising in the vile ranks of the Cable Street Unmentionables complicating things, Vimes has to ensure that history takes its course so that he will have the right future to go back to, and to keep his younger self alive."One of the funniest English authors alive" (Independent)

    My name is Lucy Little, and I’m an author.Actually, my mom thinks I’m a homeless bum with no health insurance, and my dad truly believes I’m as famous as Brad Pitt. He frequently asks me to sign napkins that he passes out like currency at the local police station where he likes to steal doughnuts. He’s a former cop. That probably makes his theft acceptable.There’s only one problem with this whole “author career” of mine, and it’s that I’m not actually making all that much money from it. I like to say I have a burgeoning career; I am making a living, but it’s a pretty dismal living. But that’s all about to change. I’ve got a new game plan, a pen that’s mightier than a sword—but not literally because I’m terrified of violence—and a bunch of words to put down on paper.Unfortunately, my plan gets thrown out the window the day I stumble upon a real live dead body. The next thing I know, I’m wrapped up neck deep in a murder investigation with the superhot cop who is also my ex-boyfriend. It’s all fun and games until the killer starts coming for me, and then I start wondering how I can write the end when I might be next?

    With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion—and the lack thereof. Broadway premiere, under the direction of the playwright, in fall 2012 starring Patti LuPone and Debra Winger.David Mamet is a playwright, director, author, essayist, screenwriter, and film director. His plays include Glengarry Glen Ross, Speed-the-Plow, American Buffalo, A Life in the Theatre, Oleanna, The Cryptogram, and Race.

    He works intermittently as a barker for a merry go round and many servant girls fall victim to his charms. Among these girls is Julie, whom he eventually marries. Learning that he is about to become a father Liliom participates in a robbery to enhance his fortunes. But he is caught and stabs himself rather than submit to arrest. He is tried in the Magistrate's court on high, but they see through him there. They know what repentance is in his heart though he is much too cocky to admit it. He is sentenced to a term of years in the purifying fires with the promise that after that sentence has been served he can go back to earth with a chance to do one good deed there. A tender and moving story told with a master's touch.