Untimely deaths are all too common in rural Blackwater, Kansas, where crime and overdoses are on the rise, and the small-town police force is consumed with the recent discovery of a child's skull in the woods. Sadie is on her own, delving into the dark corners of a life her brother kept hidden and unearthing more questions than answers.Eighteen-year-old Henley Pettit knows more than she'd like to about the seedy side of Blackwater, and she's desperate to escape before she's irreparably entangled in her family's crimes. She dreams of disappearing and leaving her old life behind, but shedding the past is never easy, and getting out of town will be far more dangerous than she ever imagined.As more bones are found in the woods, time is running out for Sadie to uncover the truth and for Henley to make her escape. Both women are torn between family loyalties and the weight of the secrets they carry, knowing full well that while some secrets are hard to live with, others will get you killed.Like Laura McHugh's previous award-winning thrillers, The Weight of Blood and Arrowood, The Wolf Wants In is an atmospheric, beautifully told novel that barrels toward a twisting, chilling end and keeps us turning the page to find out how these small-town secrets will unravel--and who will survive.

    It’s perfectly normal, and they all grow out of it in the end. But when her seven-year-old son, Cody, tells her about New Granny, the new friend he’s met in the park, Georgina is instantly suspicious. Something—call it maternal instinct—tells her he isn’t making it up.But maybe Georgina is losing her mind. It wouldn’t be the first time, after all. And with her own mother’s recent death leaving her bereft and trying to cope with life as a busy working mom, it’s no wonder she’s feeling paranoid that Cody has invented a “New Granny” to replace his beloved grandmother.Her husband, Bren, becomes the voice of reason, assuring Georgina that it’s just a game, the product of their son’s overactive imagination. But what if Cody’s imaginary friend is not so imaginary after all?

    In a series of online posts, Parker H., a young psychiatrist, chronicles the harrowing account of his time working at a dreary mental hospital in New England. Through this internet message board, Parker hopes to communicate with the world his effort to cure one bewildering patient. We learn, as Parker did on his first day at the hospital, of the facility’s most difficult, profoundly dangerous case—a forty-year-old man who was originally admitted to the hospital at age six. This patient has no known diagnosis. His symptoms seem to evolve over time. Every person who has attempted to treat him has been driven to madness or suicide. Desperate and fearful, the hospital’s directors keep him strictly confined and allow minimal contact with staff for their own safety, convinced that releasing him would unleash catastrophe on the outside world. Parker, brilliant and overconfident, takes it upon himself to discover what ails this mystery patient and finally cure him. But from his first encounter with the mystery patient, things spiral out of control, and, facing a possibility beyond his wildest imaginings, Parker is forced to question everything he thought he knew. Fans of Sarah Pinborough’s Behind Her Eyes and Paul Tremblay’s The Cabin at the End of the World will be riveted by Jasper DeWitt’s astonishing debut.

    Kat was named the prime suspect and, on a string of circumstantial evidence, charged and tried. While the jury found her innocent, not everyone else agreed, and her only choice was to go into hiding. But she carried a dark secret with her, one that made her worry she might actually have had something to do with Sara’s death . . .Now, years later, Kat is still haunted by her sister’s unsolved murder and continues to receive chilling anonymous letters, but she has tried to move on with her life. Until, on the tenth anniversary of Sara’s death, she receives a letter that makes the past impossible to ignore: "What about justice for Sara?" What about justice for Sara? And for herself? Kat realizes that going back to Liberty, Louisiana, might be the only way to move forward and find some peace. And there’s a killer out there who was never caught.But the town she’s come back to is hardly different from the one she left. The secrets and suspicions still run deep. Kat has an ally in Detective Luke Tanner, son of the former Liberty police chief, but he may be her only one. With plenty of enemies, no one to trust and a killer determined to keep a dark secret buried, Kat must decide if justice is worth fighting—and dying—for.

    After serving three years in a psychiatric prison, he’s determined to stay away from temptation. But he can't resist Annabelle--beautiful, confident, incandescent Annabelle--who alone can see past the monster to the man inside. The man he's desperately trying to be.Then Annabelle disappears.Sean is sure she’s been kidnapped—he witnessed her being taken first hand—but the police are convinced that Sean himself is at the centre of this crime. And he must admit, his illness has caused him to “lose time” before. What if there’s more to what happened then he’s able to remember?Though haunted by the fear that it might be better for Annabelle if he never finds her, Sean can’t bring himself to let go of her without a fight. To save her, he’ll have to do more than confront his own demons… He'll have to let them loose.

    LEAST OF ALL HIMSELF.Most of the world knows Jerry Grey by his crime-writing pseudonym, Henry Cutter - a name that's been keeping readers at the edge of their seats for more than a decade. But now that he's been diagnosed with early-onset Alzheimer's at the age of forty-nine, Jerry's career is coming to an abrupt end.His twelve books tell stories of brutal murders, of a world out of balance, of victims finding the darkest forms of justice. As his dementia continues to break down the wall between his real life and the lives of his characters, Jerry confesses his most terrible secret: the stories are real. He committed the crimes himself. His friends, family, and caretakers insist that it's all in his head, just a side effect of the devastating disease - but is it?One of the most talented and trailblazing suspense writers at work today, Edgar-nominated author Paul Cleave takes us down a dark and clever path to determine the fine line between simple fact and dangerous fiction.

    Now she’s clean and sober but in need of a desperate favor—she asks Jason and his wife to take care of her teenage daughter for forty-eight hours while she handles some business in town.But Hayden never returns.And her disappearance brings up more unresolved problems from Jason’s past, including the abrupt departure of his best friend on their high school graduation night twenty-seven years earlier. When a body is discovered in the woods, the mysteries of his sister’s life—and possible death—deepen. And one by one these events will shatter every expectation Jason has ever had about families, about the awful truths that bind them and the secrets that should be taken to the grave.

    She’s one big case away from securing her place among London’s legal elite. But when she meets her new client, Martin Joy, the natural caution that has protected Francine and fueled her rise melts away. Powerless to fight the irresistible magnetism between them, client and counsel tumble into a blistering affair that breaks every rule.Though Martin insists his marriage is over, Francine doesn’t believe him. Certain details he’s told her don’t quite add up. Consumed with a passion she cannot control and increasingly obsessed with Martin’s relationship with his wife, Donna, Francine follows the woman one night . . . and discovers her having dinner with her supposedly soon-to-be-ex-husband.The next morning, Francine awakens in her neighbor’s apartment with blood on her clothes and no recollection of what transpired after she spied Donna and Martin together. Then Francine receives more devastating news: Martin’s wife has vanished. That dinner was the last place anyone has seen Donna Joy alive.Suddenly, Francine finds herself caught in a dangerous labyrinth of deception, lies, and secrets, in which one false move could lead to her undoing. What happened that night and why can’t Francine remember? Where is Donna and who is responsible for her disappearance? The further Francine goes to find answers, the tighter the net seems to draw—around her lover, herself, and the life she’s meticulously built.

    But she also has a secret: she is the product of an abduction. Her mother was kidnapped as a teenager by her father and kept in a remote cabin in the marshlands of Michigan’s Upper Peninsula. Helena, born two years after the abduction, loved her home in nature, and despite her father’s sometimes brutal behavior, she loved him, too…until she learned precisely how savage he could be.More than twenty years later, she has buried her past so soundly that even her husband doesn’t know the truth. But now her father has killed two guards, escaped from prison, and disappeared into the marsh. The police begin a manhunt, but Helena knows they don’t stand a chance. Knows that only one person has the skills to find the survivalist the world calls the Marsh King–because only one person was ever trained by him: his daughter.

    Now suspended in an eerie, unsettling twilight zone during the four days of the liner's illustrious maiden voyage, a number of the passengers - including millionaires Madeleine Astor and Benjamin Guggenheim, the maid Annie Hebbley and Mark Fletcher - are convinced that something sinister is going on . . . And then, as the world knows, disaster strikes.Years later and the world is at war. And a survivor of that fateful night, Annie, is working as a nurse on the sixth voyage of the Titanic's sister ship, the Britannic, now refitted as a hospital ship. Plagued by the demons of her doomed first and near fatal journey across the Atlantic, Annie comes across an unconscious soldier she recognises while doing her rounds. It is the young man Mark. And she is convinced that he did not - could not - have survived the sinking of the Titanic . . .

    Two violent predators walk through the door. Nothing will ever be the same.When the two strangers turn up at Rowena Cooper's isolated Colorado farmhouse, she knows instantly that it's the end of everything. For the two haunted and driven men, on the other hand, it's just another stop on a long and bloody journey. And they still have many miles to go, and victims to sacrifice, before their work is done.For San Francisco homicide detective Valerie Hart, their trail of victims-women abducted, tortured and left with a seemingly random series of objects inside them-has brought her from obsession to the edge of physical and psychological destruction. And she's losing hope of making a breakthrough before that happens.But the murders at the Cooper farmhouse didn't quite go according to plan. There was a survivor, Rowena's ten-year-old daughter Nell, who now holds the key to the killings. Injured, half-frozen, terrified, Nell has only one place to go. And that place could be even more dangerous than what she's running from.In this extraordinary, pulse-pounding debut, Saul Black takes us deep into the mind of a psychopath, and into the troubled heart of the woman determined to stop him.

    To outsiders, the Crenshaw Six appear to be led by a man named Garcia . . . but what no one has figured out is that the gang's real leader (and secret weapon) is Garcia's girlfriend, a brilliant young woman named Lola. Lola has mastered playing the role of submissive girlfriend, and in the man's world she inhabits she is consistently underestimated. But in truth she is much, much smarter--and in many ways tougher and more ruthless--than any of the men around her, and as the gang is increasingly sucked into a world of high-stakes betrayal and brutal violence, her skills and leadership become their only hope of survival. "Lola "marks the debut of a hugely exciting new thriller writer, and of a singular, magnificent character unlike anyone else in fiction."

    . .   The truth is easy to miss, even when it’s right in front of us. As a forensic reconstructionist, Rory Moore sheds light on cold-case homicides by piecing together crime scene details others fail to see. Cleaning out her late father’s law office a week after his burial, she receives a call that plunges her into a decades-old case come to life once more. In the summer of 1979, five Chicago women went missing. The predator, nicknamed The Thief, left no bodies and no clues behind—until police received a package from a mysterious woman named Angela Mitchell, whose unorthodox investigation skills appear to have led to his identity. But before police could question her, Angela disappeared. Forty years later, The Thief is about to be paroled for Angela’s murder—the only crime the DA could pin on him. As a former client of her father’s, Rory becomes reluctantly involved with the killer—though he continues to insist he didn’t murder Angela. Now he wants Rory to do what her father once promised: prove that Angela is, in fact, still alive. As Rory begins reconstructing Angela’s last days, another killer emerges from the shadows, replicating those long-ago murders. With every startling discovery she makes, Rory becomes more deeply entangled in the enigma of Angela Mitchell—and in The Thief’s tormented mind. Drawing connections between past and present is the only way to stop the nightmare, but even Rory can’t be prepared for the full, terrifying truth that is emerging . . .

    Three teenage friends waited for the movie to start. A boy flirted with the girl selling sunglasses. Mothers and children shopped together, and the manager at the video-game store tended to customers. Then the shooters arrived.The chaos and carnage lasted only eight minutes before the killers were taken down. But for those who lived through it, the effects would last forever. In the years that followed, one would dedicate himself to a law enforcement career. Another would close herself off, trying to bury the memory of huddling in a ladies' room, hopelessly clutching her cell phone--until she finally found a way to pour her emotions into her art.But one person wasn't satisfied with the shockingly high death toll at the DownEast Mall. And as the survivors slowly heal, find shelter, and rebuild, they will discover that another conspirator is lying in wait--and this time, there might be nowhere safe to hide.

    Prepare to never look at your phone the same way again . . .Kate Collins has been ghosted.She was supposed to be moving in with her new boyfriend Scott, but all she finds after relocating to Brighton is an empty apartment. Scott has vanished. His possessions have all disappeared.Except for his mobile phone.Kate knows she shouldn't hack into Scott's phone. She shouldn't look at his Tinder, his calls, his social media. But she can't quite help herself.That's when the trouble starts. Strange, whispering phone calls from numbers she doesn't recognise. Scratch marks on the walls that she can't explain. And the growing feeling that she's being watched.Kate refuses to leave the apartment - she's not going anywhere until she's discovered what happened to Scott. But the deeper she dives into Scott's digital history the more Kate realises just how little she really knows about the man she loves.