A page-turning time travel adventure for ages 8-11. UK bestseller now enjoyed by thousands of young readers. When Stella and her younger brother, Tom, move to their new London home, they become mystified by the disappearances of Harry, their elderly neighbour's dog. Where does he go? And why does he keep reappearing wet-through? Their quest to solve the riddle over the summer holidays soon leads to a boat buried under a grassy mound - and a tunnel that takes them to a secret lake. Who is the boy rowing towards them? Why is he so terrified? And whose are those children's voices carried on the wind from beyond the woods? Stella and Tom soon discover that they have travelled back in time to their home and the children living there almost 100 years earlier. Here they make both friends and enemies, and uncover startling connections with the past and present...

    Meet the Snoligoster, who feeds on the shadows of its victims. The Hodag, like a spiny-backed bull-horned rhinoceros. The Hoop Snake, which can chase prey at speeds of up to 60 miles per hour and then, with one sting of its tail, cause it to turn purple, swell up, and die.Illustrated throughout, including eight drawings printed with glow-in-the-dark ink, Fearsome Creatures of the Lumberwoods is for every young reader who loves a good scare. The book was originally published in 1910 by William Thomas Cox and is now inspiringly retold by Hal Johnson, author of Immortal Lycanthropes. The creatures are all scales and claws, razor-sharp teeth and stealth, camouflage and single-minded nastiness. Straight out of the era of Paul Bunyan, they speak to an earlier time in American history, when the woods were indeed dark and deep and filled with mystery. The tone is smart and quirky. The illustrations have a sinewy, retro field-guide look. Read them around a campfire, if you dare.Cover design by Colleen A.F. Venable

    Old Tale of Magic and Woe.Come see Kate Ashwin (Widdershins & Darken), Kory Bing (Skin Deep), Marcy Cagle (Kiwi Blitz), KC Green (Gunshow), Kel McDonald (Sorcery 101), Joe Pimenta (A Friendly Game), Katie and Steve Shanahan (Silly Kingdom & Flight), and Lin Visel (Effort Comics) as they share with you fairytales you think you know.

    When J.J.'s mother says time's what she really wants for her birthday, J.J. decides to find her some. He's set himself up for an impossible task . . . until a neighbor reveals a secret. There's a place where time stands still--at least, it's supposed to. J.J. can make the journey there, but he'll have to vanish from his own life to do so. Can J.J. find the leak between the two worlds? Will a shocking rumor about his family's past come back to haunt him? And what does it all have to do with the village's new policeman . . . ?

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Together, they are able to bring art to life and enter paintings at will. Their extraordinary abilities are highly sought after, particularly by a secret group who want to access the terrors called Hollow Earth. All the demons, devils, and evil creatures ever imagined are trapped for eternity in the world of Hollow Earth—trapped unless special powers release them.The twins flee from London to a remote island off the west coast of Scotland in hopes of escaping their pursuers and gaining the protection of their grandfather, who has powers of his own. But the villains will stop at nothing to find Hollow Earth and harness the powers within. With so much at stake, nowhere is safe—and survival might be a fantasy.

    A young boy searches for his father, but before he can claim his heritage he must first prove his worthiness by passing through the four ceremonial chambers: the kiva of lions, the kiva of snakes, the kiva of bees, and the kiva of lightning. Striking in its simplicity and grace, Arrow to the Sun vividly evokes the Native American reverence for the source of all life--the Solar Fire.Winner of the Caldecott

    Step into a world of star-crossed lovers, magical winds, mischievous giants, and trolls, through some of the most exquisite illustrations in publishing history. In this gorgeous reprint, TASCHEN revives the most ambitious publication project of beloved Danish artist Kay Nielsen, one of the most famous children’s book illustrators of all time.First published in 1914, East of the Sun and West of the Moon is a celebrated collection of fifteen fairy tales, gathered by legendary Norwegian folklorists Peter Christen Asbjørnsen and Jørgen Engebretsen Moe on their journeys across Norway in the mid-nineteenth century. Nielsen’s illustration edition of Asbjørnsen and Moe’s tales is considered a jewel of early 20th-century children's literature, highly sought-after by art and book collectors worldwide. An original signed copy of the book sold at auction in 2008 commanded the highest price ever paid for an illustrated children’s book.This finely crafted reprint restores the stunning detail and artistry of Nielsen’s images to their original splendor. Featuring 46 illustrations, including many enlarged details from Nielsen’s rare original watercolors, the book is printed in five colors with a lovingly designed slipcase. Three accompanying essays, illustrated with dozens of rare and previously unseen artworks by Nielsen, explore the history of Norwegian folktales, Nielsen’s life and work, and how this masterpiece came to be.

    He takes refuge with his Merrie Men in the vast Sherwood Forest, emerging time and again to outwit his enemies with daring and panache. This book presents the story of social justice and cunning.

    Her grandfather, on the other hand, intends to see her starched and pressed into a fine society lady. When she's sent to Miss Eliza Crumb-Biddlecomb's Finishing School for Young Ladies, Jocelyn's hopes of following in her father's fearsome footsteps are lost in a heap of dance lessons, white gloves, and way too much pink.So when Jocelyn receives a letter from her father challenging her to avenge his untimely demise at the jaws of the Neverland crocodile, she doesn't hesitate-here at last is the adventure she has been waiting for. But Jocelyn finds that being a pirate is a bit more difficult than she'd bargained for. As if attempting to defeat the Neverland's most fearsome beast isn't enough to deal with, she's tasked with captaining a crew of woefully untrained pirates, outwitting cannibals wild for English cuisine, and rescuing her best friend from a certain pack of lost children, not to mention that pesky Peter Pan who keeps barging in uninvited.The crocodile's clock is always ticking in Heidi Schulz's debut novel, a story told by an irascible narrator who is both dazzlingly witty and sharp as a sword. Will Jocelyn find the courage to beat the incessant monster before time runs out?

    This thrilling contemporary fantasy from J. A. White, the acclaimed author of the Thickety series, brings to life the magic and craft of storytelling.Alex’s original hair-raising tales are the only thing keeping the witch Natacha happy, but soon he’ll run out of pages to read from and be trapped forever. He’s loved scary stories his whole life, and he knows most don’t have a happily ever after. Now that Alex is trapped in a true terrifying tale, he’s desperate for a different ending—and a way out of this twisted place.This modern spin on the Scheherazade story is perfect for fans of Coraline and A Tale Dark and Grimm. With interwoven tips on writing with suspense, adding in plot twists, hooks, interior logic, and dealing with writer’s block, this is the ideal book for budding writers and all readers of delightfully just-dark-enough tales.

    These are stories that passed down through the ages virtually unaltered in their telling. To those who told and listened to them, they expressed something fundamental about Irish culture and the Irish way of life. The stories in this volume feature a wide variety of fantastic beings, including ghosts, witches, fairies, and changelings, but several feature creatures that are virtually exclusive to Ireland: the banshee, the merrow, the pooka, and the leprechaun. Read these tales of frightening supernatural horrors, brave folk heroes, and everyday people clever enough to outwith the devil, and you'll agree that they could only take place on Irish soil.

    As a troll, he's stuck at the bottom of the middle school hierarchy, way below the prince and knights (populars), ogres and giants (jocks), and even the lowly minstrels (band geeks). Plus, trolls aren't exactly known for their brain power or cool demeanor. But it gets worse. When the king disappears and Zarf's archenemy, the prince, ascends the throne, he makes Zarf's life even more miserable. And so it is that Zarf and his two sidekicks (a neurotic, mutton-obsessed pig and the not-funny son of the court jester) set out to find the missing king as well as their way to middle school heroism. (Okay, the heroism part might be wishful thinking.) The first book in this brilliant new illustrated series from comics creator Rob Harrell has the perfect mix of real world and fairy tale.

    But city life doesn’t suit Fiona so at age ten she is sent back to her beloved isles to live with her grandparents. There she learns more about her mother’s strange ways with the seals and seabirds; she hears stories of the selkies, mythological creatures that are half seal and half human; and she wonders about her baby brother, Jamie, who disappeared during the island evacuation but whom fishermen claim to have seen. Fiona determines to find Jamie and strikes up a friendship with her older cousin Rory to enlist his help. When her grandparents are suddenly threatened with eviction, Fiona and Rory put their plans into action.Secret of the Ron Mor Skerry is a magical story of the power of place and family history, interwoven with Scottish folklore. Rosalie K. Fry’s novel was the basis for John Sayles’s classic 1994 film The Secret of Roan Inish.

    Along with bright, bold illustrations, the bestselling OTHER SIDE OF THE STORY series gives young children a fresh perspective on familiar tales. Read others in this series by acclaimed author Trisha Speed Shaskan, including TRULY, WE BOTH LOVE BEAUTY DEARLY! and HONESTLY, RED RIDING HOOD WAS ROTTEN!