Script of Whiplash.A promising young drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a student's potential.

    160 illustrations including 100 in color.The Newmarket Pictorial Moviebooks, official companions to films, large format (8 3/8 x 10 7/8), heavily illustrated throughout, with color photographs, details on the making of the film, background on the filmmakers and cast.

    and Legendary’s Godzilla, directed by Gareth Edwards, this visually stunning book presents an extraordinary new vision for the beloved character through a dynamic selection of concept illustrations, sketches, storyboards, and other pre-production materials. Godzilla: The Art of Destruction is the definitive book on one of the most anticipated films of 2014. Featuring interviews with the director and key crew and cast members, the book tells the complete story of the making of Godzilla from concept to final frames. Comprehensive and enthralling, Godzilla: The Art of Destruction is a book that no fan will want to be without.

    A full-length stage play adapted from the television film by Arthur Miller, based upon the book of the same title by Fania Fenelon.

    This new edition, with an extensive amount of fresh material, will prove irresistible to all fans of the most popular TV series of all time. Illustrations.

    Dalloway -- a postmodern masterpiece whose minimal action takes place on a single June day in postwar London. The Hours progresses in fuguelike fashion: First we meet Clarissa Vaughan, a New York book editor dubbed "Mrs Dalloway" by her longtime friend and former lover Richard. Next, Cunningham presents Woolf herself, beginning work in 1923 on what is to become Mrs. Dalloway. And finally we are introduced to Laura Brown, a California housewife who is avidly reading Woolf's novel. Scenes from these three narratives are presented in recurrent identical succession: "Mrs. Dalloway," Mrs. Woolf, Mrs. Brown -- all bristling with connections and startling parallels. The "Mrs. Dalloway" strand is particularly rich, filled as it is with one-to-one correspondences to Woolf's novel. But the deepest and most important thing that The Hours shares with Mrs. Dalloway is "the feeling," as Woolf called it, "that it was very, very dangerous to live even one day." Cunningham's three women proceed through the day, through the hours, trying to keep themselves psychologically intact, like someone carrying a glass of water filled to the brim through a crowd and endeavoring not to spill it. They hesitate before plunging into the day because they know how hard it is to live in the world and remain identical with oneself. And they puzzle over a universal dilemma: how to bring the self into the world without its getting broken in the process. In The Hours, Michael Cunningham has explored this dilemma with an impressive and moving subtlety worthy of his great precursor. Benjamin Kunkel

    Now the weirdness has spread throughout the U.S.! Each fun and intriguing volume offers more than 250 illustrated pages of places where tourists usually don’t venture: it’s chock-full of oddball curiosities, ghostly places, local legends, crazy characters, cursed roads, and peculiar roadside attractions. What’s NOT shockingly odd here: that every previously published Weird book has become a bestseller in its region.

    

    As Kubrick comments in his introduction: “I have always wondered if there might be a more meaningful way to present a book about a film. To make, as it were, a complete graphic representation of the film, cut by cut, with the dialogue printed in the proper place in relation to the cuts, so that within the limits of still photos and words, an accurate (and I hope interesting) record of a film might be available… This book represents that attempt.”Screenplay by Stanley Kubrick, based on the novel by Anthony Burgess.

    The various paths are made clear by a concentration on the major works and turningpoints in the music of our time: the new rhythmic force that came in with The Rite of Spring, the unbounded universe of Schoenberg's atonality, the undreamed-of possibilities opened up by electronics, the role of chance in the music of John Cage and the astonishing diversity of minimalism.

    Wenders brings to this collection of photographic essays the same literary and cinematic talents, the same command of the art of storytelling that we find in his films. In the tradition of "Paris, Texas" and "Faraway, So Close," the texts and pictures in "Once" weave ambiguous and moving narratives in fits of rhythmic prose and inventive imagery. Prefaced by Wenders' poetic meditations on the metaphysics of photography and film, "Once" consists of short, autobiographical sketches relating Wenders' experiences-both meaningful and apparently trivial-on his trips across the world scouting locations for his films, as well as photographs taken during these excursions. The resulting book is at once travel diary, photo album, and a series of short films or short stories-revealing the views and sentiments of an auteur inspired by the poetry of the eye and the melody of speech. Fascinating and revelatory, "Once" gives us a unique look at the universe Wenders has created out of the hidden pieces of everyday life.

    George Oppen's New Collected Poems gathers in one volume all of the poems published in books during his lifetime (1908-84), as well as previously uncollected poems and also a selection of his unpublished work. Oppen, who won a Pulitzer Prize in 1969, has long been acknowledged as one of America's foremost modernists. A member of the Objectivist group that flourished in the 1930s (which also included William Carlos Williams, Charles Reznikoff, Carl Rakosi, and Louis Zukofsky), he was hailed by Ezra Pound as "a serious craftsman, a sensibility which is not every man's sensibility and which has not been got out of any other man's book." Oppen's New Collected Poems (which replaces New Direction's earlier, smaller Collected Poems of 1975) is edited by Michael Davidson of the University of California at San Diego, who also writes an introduction to the poet's life and work and supplies generous notes that will give interested readers an understanding of the background of the individual books as well as references in the poems.

    Club has run an extraordinary array of interviews with venerable directors, creators, writers, actors, and musicians who articulately and often controversially expound upon their unique careers. Having its content paired with The Onion's humor allows the A.V. Club to focus its attention away from boring starlets and flashes in the pan. Instead, they interview the story-tellers, with an emphasis on the bitter, jilted cranks who've been in the business long enough to not mince words about their experiences.Mixing the in-depth style of NPR or Rolling Stone with its own unconventional subject matter, this collection weaves high and low culture with equal appreciation and understanding. Included in the book are interviews with Robert Altman, Chuck Jones, Berkeley Breathed, Pam Grier, Merle Haggard, William H. Macy, Russ Meyer, Mr. T, Gene Simmons, Joss Whedon, and dozens more. The Onion A.V. Club's friend and resident pundit, "Weird Al" Yankovic, provides commentary on select pieces.

    Now, at last, he's opening up the Stan Winston Studio to collaborate on the first-ever book to reveal all the behind-the-scenes secrets of his groundbreaking and hugely influential artistry and effects work. Featuring an extensive array of sketches, production art, and photographs straight from the studio archives, this is the book his fans have been waiting for!

    With penetrating insights and straightforward concepts, James gives you the tools necessary to tap into your own spiritual power center. A simple book that is by no means simplistic, combining fun stories and powerful anecdotes, The Science of Success gives you the power and the wisdom to create the life of your dreams.