On the French liner home, he meets two Chinese beauties, Miss Su and Miss Pao. Qian writes, "With Miss Pao it wasn't a matter of heart or soul. She hadn't any change of heart, since she didn't have a heart." In a sort of painful comedy, Fang obtains a teaching post at a newly established university where the effete pseudo-intellectuals he encounters in academia become the butt of Qian's merciless satire. Soon Fang is trapped into a marriage of Nabokovian proportions of distress and absurdity. Recalling Fielding's Tom Jones in its farcical litany of misadventures and Flaubert's "style indirect libre," Fortress Besieged is its own unique feast of delights.

    Comprised of three novellas, "The Golden Age," "East Palace, West Palace," and "2015," this book is the first English translation of his work."East Palace, West Palace," one of the first contemporary Chinese fictional works dealing with male homosexuality, is an S/M-oriented love story between a masochistic gay writer and a handsome policeman unaware of his sadistic tendencies. In "The Golden Age," for which Wang Xiaobo is perhaps best known, the protagonist, Wang Er (literally, Wang number two) is a city student sent to the countryside for rustification during the Cultural Revolution. There he meets a lovely young doctor whom he encourages to live up to her undeserved reputation as "damaged goods." In "2015," another Wang Er, after being put into a labor camp for practicing painting without a license, becomes the love object of a sadistic policewoman.Although the sexual and social roles of Wang Xiaobo's characters intertwine, sexuality functions not as protest but as an absurd metaphor for state power and the voluntary, even enthusiastic, collaboration of those subject to it. Full of deadpan humor and oddball sex, Wang Xiaobo's novellas allow us to see, through a subtly shifting kaleidoscope, scenes from the elaborate dance the individual must do with the state in twentieth-century China.

    He's got everything he ever wanted, except his health. The knives are out. His rivals sense blood. Their time is now. But Thompson's not going down without a fight. Violence in the Blood documents Thompson's rise to power from the backstreets of Glasgow to the industrial heartland of the Midlands. Join the rampage as Malkie and his crew blaze a trail of mayhem and destruction north and south of the border.

    With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems.

    Along the way we meet Communist rioters, ultraviolent gangsters, stallholders at the city’s many covered markets, pop singers enmeshed in the high-stakes machinery of star-making, and a people always caught in the shifting balance of political power, whether in London or Beijing.A gripping and brilliantly constructed novel from a talented new voice in crime fiction, The Borrowed paints a dynamic portrait of Hong Kong and reveals just how closely the past and present are connected in this fascinating city.

    Never before had a fiction writer dealt with the Cultural Revolution in such Daoist-Confucian terms, discarding Mao-speak, and mixing both traditional and vernacular elements with an aesthetic that emphasized not the hardships and miseries of those years, but the joys of close, meaningful friendships. In The King of Chess, a student’s obsession with finding worthy chess opponents symbolizes his pursuit of the dao; in The King of Children—made into an award-winning film by Chen Kaige, the director of Farewell My Concubine—an educated youth is sent to teach at an impoverished village school where one boy’s devotion to learning is so great he is ready to spend 500 days copying his teacher’s dictionary; and in the title novella a peasant’s innate connection to a giant primeval tree takes a tragic turn when a group of educated youth arrive to clear the mountain forest. The King of Trees is a masterpiece of world literature, full of passion and noble emotions that stir the inner chambers of the heart.

    They don't know each other and they don't know how they got there. Their only refuge from the heat and sun is the ghost town shimmering on the horizon.Once inside the ghost town they become pawns in a twisted game. They must figure out the clues, the connection they all have to each other, and the rules of this game if they have any hope of surviving.

    He is grieving for the loss of his wife when the tunnel collapses and traps the bus inside. In the darkness that follows, he manages to fumble out of the bus with the only other survivor, an astute and gentle woman who reminds him of his late wife. Without any light to guide them and with only each other to depend on, they try to escape the stifling darkness and along the way find themselves confronted by their pasts and given their last chance at intimacy, and ultimately, absolution.A realist story that plays with surreal elements, the tale poses a simple question: what is the meaning of hope?

    Surrounded by seasonal joy - and way too many stuffed Yuletide beavers - at the island house her family has owned for generations, she's all set for the perfect holiday.But when a young friend asks for help with figuring out a financial snafu, her perfect day is in jeopardy. Can Irma - a woman with a yen for strong tea, cardio, and a well-oiled gun - find a thief before the festive season kicks off, or will Christmas be ruined?Peace on Earth is a 30,000 word holiday novella, and is the first book in the forthcoming Beaver Island Mystery series.

    The mistakes of Mao Zedong's later years have been officially acknowledged, and the infamous Gang of Four publicly tried and sentence for their crimes. But on the cultural front the thaw had no sooner come than gone. A campaign against what is regarded as "spiritual pollution" is being waged to inhibit free expression among creative writers.Thousands of scholars, authors, respected professors and academicians, who as a class were the most persecuted in what some observers called China's "holocaust," are back at their respective stations, bent over the task of modernization. For understandable reasons, few have written candidly about their experiences during the Cultural Revolution. Yang Jiang is an outstanding exception.In this memoir she give a poignant account of the more than two years she and her husband were sent "downunder" to the barren countryside for reeducation through labor. Yang Jiang touches upon any horrendous acts only in passing, or by indirection; mainly she relates in well-tempered tones the everyday incidents at their "cadre school" which add up to a harrowing tale.Patterned after Shen Fu's "Six Chapters of a Floating Life," a minor classic of the Qing dynasty, Six Chapters form My Life 'Downunder' is a testimony of remarkable sophistication, and at the same time a powerful indictment of the madness of ignorant, totalitarian rule.. The author writes in a subtle, almost allegorical style, letting the reader share in her skepticism, disappointment, and frustration with the people, or the system, responsible for what was done to her family and her fellow victims. More in sorrow than in anger, here and there with a touch of wry humor, she records the backwardness and distrust of the peasants who were their "masters"; the utter waste of human resources; the vicious nature of political campaigns and the people involved in them; and, above all, the devotion between husband and wife which kept them going throughout their ordeal. While describing a society in one of its darkest moments, Yang Jiang reaffirms the endurance of humanity.Although Yang Jiang lives in Beijing, Six Chapters from My Life 'Downunder' first appeared in a Hong Kong magazine in April 1981, and was published in book form there in the following month, attracting wide attention. it was published in the People's Republic of China later that year. The edition sold out quickly and no subsequent printings have been available. The present English translation, first published in the journal "Renditions," is issued here in slightly revised form and with the addition of footnotes and background notes.

    After he marries a woman he had seen eight years earlier, the story becomes, on one level, an analogy between his temporary sexual impotence and the position of intellectuals. A year later he is ready to abandon his wife and escape from the camp. Cameo appearances by philosophic and literary figures (Marx and Meng-tz, Othello and Song Ji) and discussing China and sex allow the incorporation of non-novelistic elements while indulging in gallows humor.

    Lotus Feet. He would give his daughter the dainty feet of a courtesan. This would enhance her beauty and her price, making her future shine like a new coin. He smiled to himself, pouring fresh tea. And it would stop her from running away…When the young concubine of an old farmer in rural China gives birth to a daughter called Li-Xia, or “Beautiful One,” the child seems destined to become a concubine herself. Li refuses to submit to her fate, outwitting her father’s orders to bind her feet and escaping the silk farm with an English sea captain. Li takes her first steps toward fulfilling her mother’s dreams of becoming a scholar — but her final triumph must be left to her daughter, Su Sing, “Little Star,” in a journey that will take her from remote mountain refuges to the perils of Hong Kong on the eve of World War II.

    Against the vivid, gritty backdrop of 1980s China, Lu Yao traces the proud and passionate Gao Jialin’s difficult path to professional, romantic, and personal fulfillment—or at least hard-won acceptance.With the emotional acuity and narrative mastery that secured his reputation as one of China’s great novelists, Lu Yao paints a vivid, emotional, and unsparing portrait of contemporary Chinese life, seen through the eyes of a working-class man who refuses to be broken.

    Born in China in 1943, she moved from Chongqing to Taiwan, Spain to Germany, the Canary Islands to Central America, and, for several years in the 1970s, to the Sahara.Stories of the Sahara invites us into Sanmao's extraordinary life in the desert: her experiences of love and loss, freedom and peril, all told with a voice as spirited as it is timeless.At a period when China was beginning to look beyond its borders, Sanmao fired the imagination of millions and inspired a new generation. With an introduction by Sharlene Teo, author of Ponti, this is an essential collection from one of the twentieth century's most iconic figures.

    Instead of ascribing to the Communist Party's goal of "spiritual civilization", he shunned the heroic models common in Chinese literature. Playing for Thrills is the first book published in English from the man whom Newsweek calls "China's literary bad boy" and The Washington Post acclaims as "the irreverent voice of a disillusioned generation".With shades of Chandler and Kerouac, Playing for Thrills is a dark, disembodied, yet compelling story of an anti-hero's search for the truth about a mysterious murder. As the narrator drifts through the seamy underside of Beijing and its environs, he meets a handful of incredibly varied characters as jaded and enigmatic as himself.