A superb draftsman and colorist, he has another, even more enviable gift - a singular rapport with animals. In the text and pictures of this book, the artist and the naturalist speak with equal eloquence. Living as he does in a rustic cottage, Poorvliet has long been a close observer of the comings and goings of wild creatures. He has his favorites, and he presents them here in full color and entrancing detail. Accompanying the charming and sensitive drawings and paintings are essays and captions that express Poortvliet's special feeling for forest-dwelling animals. With gentle wit, unabashed love, and exceptional knowledge he explains the customs, habitats, physical features, and mating habits of boars, ducks, deer, rabbits, partridges, pheasants and foxes (a special favorite). As we meet Reynard the Fox, Poorvliet confides that his friend's reputation for slyness and cunning is greatly exaggerated. Rather, the fox is discovered to be "terribly cautious and suspicious!" Revelations about the duck are even more sensational: in regard to mallards we are told that "no female duck is safe when she is outnumbered by a troop of drakes." A compendium of enlightened natural history, delicate observation, and creative fantasy, The Living Forest cannot fail to instruct and delight anyone who has the preservation and survival of wild creatures at heart and is sensitive to their beauty. Poorvliet is currently working on a book about horses; other books by him include He Was One of Us and The Dutch Farm. His world-famous illustrations for Abrams' best-seller Gnomes also explore the world of forest animals. Robert Elman, who contributed the Introduction, is an American authority on the outdoors. The Wildlife Editor of Outdoor Life magazine, he has written several books and numerous articles. 160 pages of illustrations, 139 in color

    Sienna knows her father feels grateful to be able to offer up these connections to the loving, talented woman his daughter never got a chance to know. Yet for Sienna herself, the letters have become a dreaded burden, a reminder that every milestone is less than it would be if both parents were still living.A month before her twenty-fifth birthday, Sienna finds a lump. Facing a cancer dignosis, Sienna begins to ask questions about her mother’s terminal illness—questions that reveal unsettling inconsistencies and voids in the stories she’s been told. The deeper she digs, the more the image of her mother as a contented homemaker warps into something much darker and far more troubling. If Sienna’s dad lied about this, what else did he lie about?What does it mean to be a good parent? What role does the past play in who we are? And to what lengths should one go to protect a child? Like the best of Jodi Picoult, Whatever It Takes delves into these fascinating questions of family and identity with power, insight, and love.Praise for Jessica Pack’s As Wide as the Sky “Characters as rich and indelible as the life they endure . . . A phenomenal read.”—Internationally Bestselling Author Davis Bunn “In the vein of Jodi Picoult’s Nineteen Minutes, As Wide as the Sky explores the human component of tragedy.” —Mandy Mikulencak, author of The Last Suppers and Forgiveness Road “A story that is painfully relatable even as it shines with originality. I felt this tale all the way to my toes. A treasure.”—Amy Harmon, New York Times bestselling author of The Law of Moses

    their creatures and their regenerative powers. Inspired by Hughes' love of fishing and by his environmental activism, the poems are a deftly and passionately attentive chronicle of change over the course of the seasons. West Country rivers predominate (The West Dartand Torridge), but other poems imagine or recall Japanese rivers or Celtic rivers, and The Gulkana explores an ancient Alaskan watercourse. At its core the sequence rehearses, in various settings, from winter to winter, the life-cycle of the salmon.

    She wears granny panties and is constantly dropping wads of cash at Target, and his son cries all the time. Now his "temporary" roommate, Dave, ate all the Totino's pizza rolls. Again. Karl Welzein is sick of this. So sick of this.Power Moves chronicles the hilarious decline of Karl Welzein on his journey from life as a Dockers-and-golfshirt-wearing dad to a ponytailed party maniac who spits out his life philosophies like a modern-day Charles Bukowski (if he preferred to get drunk at Applebee's).A middle-aged Michigan native, Karl may be overweight, prone to questionable fashion and culinary choices, oblivious to his drinking problem, a poor excuse for an employee, obsessed with the restroom, and a terrible husband, father, and friend . . . but in his heart he means well. He's just like a lot of us—he loves the USA, Guy Fieri, bold flavors, Bob Seger, and thinking he looks jacked in a tight tee and Maui Jim sunglasses. Karl is an everyman and like no other man on the planet all at once.Inspired by the Twitter feed @DadBoner, Karl finally tells his full story. He shares his wisdom on fitness (1. Look at a pic of Stone Cold Steve Austin. 2. Do 'shups 'til you look like Stone Cold. 3. Cut off your sleeves), diet (Eat only the filling of the Taco Bell Beefy Melts for maximum flavor and low-carb health), fashion (Wearin' boots with jean shorts says "I like to keep cool, but I'm ready if the action gets hot"), work life (If you don't have a job that makes you want to kill yourself, you don't deserve to drink until you want to die), and the bliss of the perfect weekend (beers, brats, and babes' chest beefers).But above all, this is a story about America—the real red, white, and blue America of today. Welcome to Karl's world. Reading this book is the ultimate Power Move.

    About a man who has visions, hovering on the edge but hating it, restless and at war with the world but wanting the peace that passeth understanding. Everything he does is half-done, except his death. When he falls, his parched spirit crying "thirsty," his family falls apart. This is a poem about Toronto, the city that’s never happened before, about waiting for a bus, standing on a corner, watching a stranger: the bank to one corner, the driving school on another, the milk store and the church. This is also about the poet, her own restless sensibility woven in and out through moments of lyric beauty, dramatic power and storytelling grace. It is written in the margins, like a medieval manuscript with shades of light and darkness.

    Bilingual with introduction.

    Her first book, Almanacs, was a travellers's litany, featuring a road movie in poems set in the north of Scotland. Nigh-No-Place is the liturgy of a poet passionately aware of the natural world." Nigh-No-Place reflects the breadth of ground she's covered. 'Ten-minute Break Haiku' is her response to working in a fish factory. 'Paternoster' is the Lord's Prayer uttered by a draught-horse. 'Prenatal Polar Bear' takes place in Churchill, Manitoba, surrounded by tundra.

    The time before sleep acts as an invitation to reflect on the world's quieter movements—from gardens heavy after a first storm to the moon slipping into darkness in an eclipse—as well as on the subtle but relentless passage of time. Insomnia embodies Linda Pastan's graceful and iconic voice, both lucid and haunting.

    It is a chronicle of triumph and tragedy-the triumph of gaining an insight about oneself through an understanding of the natural world; the tragedy of seeing its splendor increasingly threatened by people who don't know or don't care. The photographs, all taken by the authors, capture Yosemite, Point Reyes, the High Sierra, the Great Basin, and Glen Canyon in the 1950s and 1960s.Despite the fact that On the Loose has been out of print for more than a decade, contemporary readers have not forgotten this timeless classic. Readers have described On the Loose as moving and inspirational. One reader says, "This book made me cry at [age] 16, and it still does at 45." Another reader notes, "This book expresses that deep yearning to wander, to explore, to live fully like no other artistic expression I have ever come across."On the Loose is available only at http://www.rennyrussell.com

    . . short poems so as to draw us into the doubleness and fluency of feelings."—The New York Times Book ReviewQuietly marked by elegy and memory, National Book Award winner Jean Valentine's thirteenth book is empowered by her signature clear music and compassion. Valentine leads us chronologically from childhood drawings and wartime memories to the present, where she addresses aging and the loss of loved ones. These poems of tender grace reflect on the small histories few ever fully see.Shirt in HeavenCome upon a snapshotof secret you, smiling like FDR, leaning on your crutches—come upon letters I thought I'd burned—I suppose you've got a place with lots of stairs.I'm at the end of something, you're at the beginning . . . —dearest, they told me a surgeon sat downin the hospital morgue, next to your body, & cried.He yelled at the aide to get out.His two sons had been your students.—me too, little-knowing—Jean Valentine is the current State Poet of New York and author of twelve books of poetry, including Door in the Mountain, which won the National Book Award. She has taught at Sarah Lawrence College, New York University, and Columbia University, and lives in the Morningside Heights neighborhood of New York City.

    After Jerry stumbles delirious from a bloody accident, a beautiful girl rescues the boy and brings him home to her decrepit apartment complex.Soon Jerry discovers a hidden entrance into the attic, a crawlspace through which he can secretly enter any apartment.But he isn't the only person aware of the secret entrance.Crawlspace is a terrifying journey into urban legend, darkness, and murder.

    The refined Arab courtier Ibn Fadlan is accompanying a party of Viking warriors back to their home. He is appalled by their customs—the gratuitous sexuality of their women, their disregard for cleanliness, and their cold-blooded sacrifices. As they enter the frozen, forbidden landscape of the North—where the day’s length does not equal the night’s, where after sunset the sky burns in streaks of color—Fadlan soon discovers that he has been unwillingly enlisted to combat the terrors in the night that come to slaughter the Vikings, the monsters of the mist that devour human flesh. But just how he will do it, Fadlan has no idea.

    This book reveals that the best way to catch trout is simply, with a rod and a fly and not much else. The wisdom in this book comes from a simpler time, when the premise was: the more you know, the less you need. It teaches the reader how to discover where the fish are, at what depth, and what they are feeding on. Then it describes the techniques needed to present a fly at that depth, make it look lifelike, and hook the fish. With chapters on wet flies, nymphs, and dry flies, its authors employ both the tenkara rod as well as regular fly fishing gear to cover all the bases. Illustrated by renowned fish artist James Prosek, with inspiring photographs and stories throughout, Simple Fly Fishing reveals the secrets and the soul of this captivating sport. Winner, Guidebooks, Banff Mountain Book Competition 2014

    The Dead Sea Poems, his fourth collection, culminates in a long visionary poem, 'Five Eleven Ninety Nine'. Elsewhere, questions of belief and trust, of identity and knowledge, dealt with as they occur in everyday domestic life, contribute to a picture of our contemporary world that is at once realistic and touched with a unique imaginative intensity.

    35,000 first printing. $25,000 ad/promo.This is an English Translation of the Chinese novel by Lillian Lee / Li Pik-Wah