Part coming-of-age story, part mind-altering manifesto on gender and sexuality, coming directly to you from the life experiences of a transgender woman, Gender Outlaw breaks all the rules and leaves the reader forever changed.26 black-and-white illustrations.

    Find out what made them consider this in the first place, how they did it, and why they have no regrets! Bonus chapters include Jen’s special recipe for making bite-sized éclairs and a packing list for YOUR move to Costa Rica!

    Readers will learn essential skills like how to haggle, exchange currencies, cross the street, decipher menus, say useful phrases in Chinese, and more. The guide comes complete with survival tips on etiquette, a map, and resource lists. Don’t leave home for China without it!Veteran travelers Qin and Larry Herzberg are Chinese language and culture professors at Calvin College in Michigan.

    While she may have left her home in Alabama, married a New Yorker, forgotten how to drive, and abandoned the puffy headbands of her youth, Helen Ellis is clinging to her Southern accent like mayonnaise to white bread, and offering readers a hilarious, completely singular view on womanhood for both sides of the Mason-Dixon.Making a marriage magically tidy --Topeka three-way --How to stay happily married --Free to be...you and me (and childfree) --Room of one's own (that's full of gay men) --Other woman's Burberry coat --Peggy Sue got marijuana --What every girl should learn from ABC's The bachelor --Ghost experience --Party foul --Today was a good day --Straighten up and fly right. --Halloween people --Tonight we're gonna party like it's 1979 --How to be the best guest --When to write a thank-you note --An Emily Post for the apocalypse --How I watch pornography like a lady --Dumb boobs --Young ladies, listen to me --Seven things I'm doing instead of a neck lift --Serious women --That kind of woman

    Because there’s no single definition of crazy, there’s no single experience that embodies it, and the word itself means different things—wild? extreme? disturbed? passionate?—to different people. (Don’t) Call Me Crazy is a conversation starter and guide to better understanding how our mental health affects us every day. Thirty-three writers, athletes, and artists offer essays, lists, comics, and illustrations that explore their personal experiences with mental illness, how we do and do not talk about mental health, help for better understanding how every person’s brain is wired differently, and what, exactly, might make someone crazy. If you’ve ever struggled with your mental health, or know someone who has, come on in, turn the pages, and let’s get talking.

    There is no other way.” In her fiercely beautiful memoir, Ouellette recollects fragments of her life and arranges them elliptically in order to see each piece as torn and whole, as something more than itself. Caught between the dramatic landscapes of Lake Superior and Casper Mountain, between her stepfather’s groping and her mother’s erratic behavior, Ouellette lives for the day she can become a mother herself, and create her own sheltering family. What she does not know is how the visceral reality of birth and motherhood will pull her back into the body she long ago abandoned, revealing new layers of pain and desire, and forcing her to choose between her idealistic vision of perfect marriage and motherhood and the birthright of her own flesh, unruly and alive. This is a story about the tenacity of family roots, the formidable undertow of trauma, and the rebellious and persistent yearning of human beings for love from each other.A textured remembrance of a traumatic childhood that also offers affecting moments of beauty. ~Kirkus (starred review) I love this book and am grateful it is in the world. ~Dorothy Allison, New York Times bestselling author of Bastard Out of Carolina and CavedwellerSimply beautiful. Precisely imagined, poetically structured, compelling, and vivid. ~Joyce Carol OatesJeannine Ouellette’s memoir glows with incandescent storytelling centered around memories, motherhood, and resilience. The Part That Burns proves that life isn’t lived in a linear way. Girlhood and womanhood can exist simultaneously, our former selves meeting our present selves. Ouellette’s writing is ablaze with a burnished beauty.” ~Michele Filgate, editor of What My Mother and I Don’t Talk About Vital, full of energy and wisdom, Jeannine Ouellette's memoir crackles with excitement. From the shores of Lake Superior to the mountains of Wyoming to the banks of the Mississippi River, this is a story of American migration—not just of families but of spirits. I loved the brave little girl at the heart of this story, so will you." ~Rene Denfeld, bestselling author of The Child Finder and The Butterfly GirlWith a poet's voice and an uncanny knack for mining memory, Ouellette's memoir-in-fragments evokes pain and beauty in equal measure. Ouellette understands the elliptical nature of memory, the way years and experience can transform our understanding of the things we did as children and the things that were done to us. She loops back and forth in time to the same seminal experiences, adding layers of depth and understanding, and in so doing shows us how her wild determination to overcome the trauma of her childhood results in a life lived on her own terms. Full of love, loss, and hard-won redemption, The Part That Burns is a fiercely beautiful memoir. ~Alison McGhee, New York Times bestselling author of The Opposite of Fate and Someday. A writer with an extraordinary gift for prose that's complex, imagistic, and startling. ~Richard McCann, author of Mother of SorrowsAt turns tender and devastating, these essays are finely carved vignettes that, laid together, form a powerful portrait of one woman's path from hard girlhood to motherhood, the grace and mettle it takes not only to survive but to flourish. ~Melissa Febos, author of Abandon Me and Girlhood Powerful and urgent, this is truly a book for our time: It teases beauty out of ugliness; it shows the courage of everyday survival; it creates wholeness out of fragments. With her gorgeous and precise prose, Ouellette shows that when faced with abuse we can do more than merely endure – we can fight back, we can flourish, we can thrive. ~Sue William Silverman, author of How to Survive Death and Other InconveniencesIn The Part that Burns, Jeannine Ouellette has gifted an entrancing and courageous story to those who have ever felt forced to silence memories of childhood sexual abuse. She is a child, searching wild, unending landscapes for doorways to other dimensions of understanding and safety. She is a young wife, then a young mother, hypnotically looping back again and again to make sense of the memories that won’t let her go. Like lacy tumbleweeds finally uprooted and taking to air, this too is a story of flight. Her flight on black-as-space country roads; her flight to reach a faraway mother figure who once said she cared; and the flight of her deepest-down words, finally taking to air for those who must hear them. This is a story about giving voice to all the pieces of one’s life, rendered with devastating beauty, heart, and artistry. ~ Diane Zinna, author of The All-Night Sun

    In Life of the Party, she weaves together her own coming of age with an investigation into our culture's romanticization of violence against women. In precise, searing language—at times blistering and riotous, at times soulful and exuberant—she explores the boundary between what is real and what is imagined in a life saturated with fear. How does one grow from a girl to a woman in a world wracked by violence? Where is the line between perpetrator and victim? What is the meaning of bravery? Visceral and haunting, this multifaceted collection illustrates that what happens to our bodies makes us who we are.

    Her subsequent refusal to tolerate an arranged marriage put her beyond the pale, and as a punishment she was kidnapped by a dacoit (bandit) gang. Many would not survive such brutality, but within a year Phoolan emerged as the leader of her own band, and soon became one of the region's most notorious bandits.In revenge for the murder of her lover, and her own rape, she is said to have been responsible for the murder of 22 high-caste Hindu men. Phoolan made powerful enemies, and the police net closed in on her until she finally surrendered--on her own terms, in front of thousands of peope--in 1983. She faced 55 criminal charges, including murder, and was sentenced to eight and a half years in jail.But she was now a political pawn, and it was not until February 1994 that Phoolan was finally relased, to the discomfort of many high-caste Thakurs, and the unbounded joy of Uttar Pradesh's lower castes.

    The casting director told her that a rich businessman in Singapore would pay pretty American girls $20,000 if they stayed for two weeks to spice up his parties. Soon, Jillian was on a plane to Borneo, where she would spend the next eighteen months in the harem of Prince Jefri Bolkiah, youngest brother of the Sultan of Brunei, leaving behind her gritty East Village apartment for a palace with rugs laced with gold and trading her band of artist friends for a coterie of backstabbing beauties.More than just a sexy read set in an exotic land, Some Girls is also the story of how a rebellious teen found herself-and the courage to meet her birth mother and eventually adopt a baby boy.

    The Professor and Other Writings is a hilarious and heartbreaking exploration of gender, identity, and sexuality in the grand tradition of such feminist luminaries as Susan Sontag, Camille Paglia, and Joan Didion.

    LGBTQIA Studies. Through intertwined threads of autofiction, lyric science writing, and the tale of a newly queer Hawaiian volcano, Sabrina Imbler delivers a coming out story on a geological time scale. This is a small book that tackles large, wholly human questions--what it means to live and date under white supremacy, to never know if one is loved or fetishized, how to navigate fierce desires and tectonic heartbreak through the rise and eventual eruption of a first queer love."When two galaxies stray too near each other, the attraction between them can be so strong that the galaxies latch on and never let go. Sometimes the pull triggers head-on wrecks between stars--galactic collisions--throwing bodies out of orbit, seamlessly into space. Sometimes the attraction only creates a giant black hole, making something whole into a kind of missing." In vivid, tensile prose, DYKE (GEOLOGY) subverts the flat, neutral language of scientific journals to explore what it means to understand the Earth as something queer, volatile, and disruptive."Sabrina Imber's DYKE (GEOLOGY) is not only gorgeous, it is wildly transformative. It contains sentences that mimic the Earth itself: craggy, pitted, alive. There is so much movement, a momentum that sweeps readers along sentence by sentence. The structures Imbler builds are deeply affecting, deeply moving. The heart of it sits exposed, bare and beating, pulsing and insistent. This writing is very queer, very loving, very painful, very poignant. It is revolutionary work."--Kristen Arnett"You'll feel every moment of this book, words twisting, colliding, rooting in the body. With a gentle ferocity that builds from the inside out, I was swept by Imbler's story of navigation, displacement, and the violent marvels of the natural world."--T. Kira Madden"A dazzling work, striking and rich, Imbler's geology reminds us what it means to be alive."--Randa Jarrar"DYKE (GEOLOGY) holds strata of meaning and feeling veined with anger, horniness, and shame, studded with outcrops of facts and nuggets of nerd jokes. All of this together is what makes the sum of Sabrina Imbler's ranging, folding, stacking sentences an effortful pleasure to traverse, even when they dig down into pain. Like a lasting mythology, DYKE (GEOLOGY) offers ways to feel through indirection what it's hard to know head-on. Like good science, it recognizes the mediated ways that power shapes both knowledge and desire, what we're able to find and what we want to be true. Like any landscape, it repays attention and doesn't stop at the surface, but lives in the relationships among history and chemistry, the open air and the hot heart of the Earth."--Kate Schapira"Imbler queers the history of the world here--a thrilling summer romance set to geological time, unlike any I know, spanning the globe and the history of humanity and the space between two dyke hearts. Play in the waves of this mind and emerge renewed."--Alexander Chee

    She draws from her own experiences of illness and bodily injury to engage in an exploration that extends far beyond her life, spanning wide-ranging territory—from poverty tourism to phantom diseases, street violence to reality television, illness to incarceration—in its search for a kind of sight shaped by humility and grace.

    This is a book about a piece of cloth, and how it is able to weave its way into the hearts of people, causing multiple and different chains of reactions.This book aims to shed light on the bigger picture, and the deeper meaning that comes with a person’s choice to either keep it or discard it, giving us a different perspective to consider our side before making assumptions and drawing conclusions.

    Enhancing their work are four seasonally-themed groups of verse, many written by Basho’s students and associates. The translation is thoroughly readable and contemporary, and the images evocative. An enlightening introduction offers biographical information on the featured poets, background on the nature of haiku and its development within the Japanese poetic tradition, and a short account of the Buddhist practice to which most of the writers were connected.

    She tackles a wide range of topics, such as giving feminism a tough-love talk in hopes it can become more intersectional; telling society's beauty standards to kick rocks; and demanding that toxic masculinity close its mouth and legs (enough with the manspreading already!), and get out of the way so true progress can happen.