Over the last four decades, Terry McDonell has been at the helm of some of the most influential beacons of American journalism: from his early days at Outside through tenures at Rolling Stone, Newsweek, Esquire, Sports Illustrated, and, most recently, as cofounder of LitHub. Now he tells us what really happens between editors and writers--behind the scenes and between the lines--with deadlines ticking. Here are intimate portraits of the most important (and most eccentric) journalists, novelists, and media personalities: from Hunter S. Thompson and George Plimpton to Richard Ford and James Salter; from David Carr and Steve Jobs to Jimmy Buffett and one remarkable Sports Illustrated swimsuit model. And here is an insider's unimpeachable advice on how to get, and keep, the best writers; what makes a great lede and headline; how to style a cover that flies off newsstands (whether or not there's a celebrity on it); how to build the online traffic that translates into dollars; and how--in whatever format--a good editor really works. From the storied past to today's tumultuous media landscape, this is an incisive, galvanizing account of the pressures, joys, and obsessions of a writing and editing life.

    They do not speak--and are all the more terrifying for their silence.Merridale's dead have returned. All hell is about to break loose.

    Six weeks after they met, he wrote The Judgment for her in one night of feverish activity. Kafka always inferred to the traumatic, public breaking-off of their engagement as his "tribunal," and indeed he began work on The Trial within a month of that event.Kafka's letters to Felice offer rare insights into the writer's life and art. Elias Canetti's brilliant and sensitive examination of this moving correspondence to shows is the origins of Kafka's voice as a writer and his torment as a man.

    They need not only to engage the communities surrounding them, but also to collaborate with visitors on the type and quality of experience they provide. This book -is a ground-breaking manifesto that calls for the establishment of a more inclusive, visitor-centered paradigm based on the shared experience of human habitation;-draws inspiration from film, theater, public art, and urban design to transform historic house museums;-provides a how-to guide for making historic house museums sustainable, through five primary themes: communicating with the surrounding community, engaging the community, re-imagining the visitor experience, celebrating the detritus of human habitation, and acknowledging the illusion of the shelter’s authenticity;-offers a wry, but informed, rule-breaking perspective from authors with years of experience; -gives numerous vivid examples of both good and not-so-good practices from house museums in the U.S.

    He was erudite, cranky, Jewish, wildly creative, and sold most of his wonderful stories to pulp magazines. They are wonderful.Now his estate and his friends have brought together a definitive collection of his finest work, each story introduced by an SF luminary: writers like Ursula K. Le Guin, William Gibson, Poul Anderson, Gene Wolfe, Guy Davenport, Peter S. Beagle, Gregory Benford, Thomas M. Disch, and dozens of others. This is a volume every lover of fantasy will need to own.

    Non-fiction.

    Awarded the Wilfred Owen Prize in 2004 for his poetry condemning U.S. military intervention in Iraq, Mr. Pinter has succeeded as no other of his generation in combining his artistry with his political activism. Death etc. brings together Pinter’s most poignant and especially relevant writings in this time of war. From chilling psychological portraits of those who commit atrocities in the name of a higher power, to essays on the state-sponsored terrorism of present-day regimes, to solemn hymns commemorating the faceless masses that perish unrecognized, Mr. Pinter’s writings are as essential to the preservation of open debate as to our awareness of personal involvement in the fate of our global community.

    In fact, her book is a testament to the miraculous power of language to interpret and transform our world. It is a testament that invites readers to share her vision of experiences we all have in common: sorrow, tenderness, desire, the revelations of art, and mortality - "the hard, dry smack of death against the glass." To this community Mueller presents moments after moment where the personal and public realms intersect, where lives ranging from her own to those of Mary Shelley and Anton Webern illuminate the ways in which history shapes our lives. In "Brendel Playing Schubert," Mueller's breathtaking linguistic virtuosity reminds us how music can transport us out of ourselves and into "the nowhere where the enchanted live"; in "Midwinter Notes," the crepuscular world, stripped of its veil, shines forth as a signal from some realm where the sense of things may be revealed. In the title piece Mueller brings a sense of enduring and unclouded wonder to a recognition of all those whose lives might have been our own.

    Eshleman and his present collaborator, Jose Rubia Barcia, have not only rendered these complex poems into brilliant and living English, but have also established a definitive Spanish test based on Vallejo's densely rewritten manuscripts. In recreating this modern master in English, they have also made a considerable addition to poetry in our language."

    For nearly forty years, the films of George A. Romero have presented viewers with hellish visions of our world overrun by flesh-eating ghouls. This study proves that Romero's films, like apocalyptic literature or Dante's Commedia, go beyond the surface experience of repulsion to probe deeper questions of human nature and purpose, often giving a chilling and darkly humorous critique of modern, secular America.

    Sold-out crowds congregate at Portland’s Arlene Schnitzer Concert Hall to hear these writers discuss their work and their thoughts on the trajectory of contemporary literature and culture. In celebration of Literary Arts’ 30-year anniversary, A Literary Arts Readers collects highlights from the series in a single volume. Whether it’s Wallace Stegner exploring how we use fiction to make sense of life or Ursula K. Le Guin on where ideas come from, Margaret Atwood on the need for complex female characters or Robert Stone on morality and truth in literature, Edward P. Jones on the role of imagination in historical novels or Marilynne Robinson on the nature of beauty, these essays illuminate not just the world of letters but the world at large.

    Lawrence's inner life and his historically significant actions. Extensive research provides the basis for Mack's sensitive investigation of the psychological dimensions of Lawrence's personality and with the history, sociology, and politics of his time. 27 photos.

    Kimmy encounters two wild children who have grown up in the hills of Australia and tries to protect them from the unknown person who murdered their father.

    Now Alistair Horne, one of the great chroniclers of French history gives us a fresh account of that remarkable time. Born into poverty on the remote island of Corsica, he rose to prominence in the turbulent years following the French Revolution, when most of Europe was arrayed against France. Through a string of brilliant and improbable victories (gained as much through his remarkable ability to inspire his troops as through his military genius), Napoleon brought about a triumphant peace that made him the idol of France and, later, its absolute ruler.Heir to the Revolution, Napoleon himself was not a revolutionary; rather he was a reformer and a modernizer, both liberator and autocrat. Looking to the Napoleonic wars that raged on the one hand, and to the new social order emerging on the other, Horne incisively guides readers through every aspect of Napoleon’s two-decade rule: from France’s newfound commitment to an aristocracy based on merit rather than inheritance, to its civil code (Napoleon’s most important and enduring legacy), to censorship, cuisine, the texture of daily life in Paris, and the influence of Napoleon abroad. At the center of Horne’s story is a singular man, one whose ambition, willpower, energy and ability to command changed history, and continues to fascinate us today.From the Hardcover edition.

    He was a writer of some distinction—a prolific novelist and a keen literary critic. He was also a dedicated anti-Semite, an acerbic opponent of French democracy, and editor in chief of the fascist weekly Je Suis Partout, in whose pages he regularly printed wartime denunciations of Jews and resistance activists.Was Brasillach in fact guilty of treason? Was he condemned for his denunciations of the resistance, or singled out as a suspected homosexual? Was it right that he was executed when others, who were directly responsible for the murder of thousands, were set free? Kaplan's meticulous reconstruction of Brasillach's life and trial skirts none of these ethical subtleties: a detective story, a cautionary tale, and a meditation on the disturbing workings of justice and memory, The Collaborator will stand as the definitive account of Brasillach's crime and punishment. A National Book Award FinalistA National Book Critics Circle Award Finalist "A well-researched and vivid account."—John Weightman, New York Review of Books"A gripping reconstruction of [Brasillach's] trial."—The New Yorker"Readers of this disturbing book will want to find moral touchstones of their own. They're going to need them. This is one of the few works on Nazism that forces us to experience how complex the situation really was, and answers won't come easily."—Daniel Blue, San Francisco Chronicle Book Review"The Collaborator is one of the best-written, most absorbing pieces of literary history in years."—David A. Bell, New York Times Book Review"Alice Kaplan's clear-headed study of the case of Robert Brasillach in France has a good deal of current-day relevance. . . . Kaplan's fine book . . . shows that the passage of time illuminates different understandings, and she leaves it to us to reflect on which understanding is better."—Richard Bernstein, The New York Times