In this cultural examination of American film noir, poet and novelist Nicholas Christopher contrasts the nightmare world of the genre with the sunny unreality of American popular culture, presenting a fresh view of its meaning for our time.

    Allan Brown describes the filming and distribution of the cult masterpiece as a 'textbook example of How Things Should Never Be Done'. The omens were bad from the start, and proceeded to get much, much worse, with fake blossom on trees to simulate spring, actors chomping on ice-cubes to prevent their breath showing on film, and verbal and physical confrontations involving both cast and crew. The studio hated it and hardly bothered to distribute it, but today it finds favour with critics and fans alike, as a serious—if flawed—piece of cinema. Brown expertly guides readers through the film's convoluted history, attempting along the way to explain its enduring fascination, and providing interviews with the key figures—many of whom still have an axe to grind, and some of whom still harbour plans for a sequel.

    Bigfoot may be howling from a lonely mountaintop, but the bigfoot phenomenon is whispering secrets... if we will only listen.Eyewitnesses, investigators, and cryptozoologists worldwide contend ample evidence exists supporting the survival of large, hairy, apelike creatures alongside mankind today, lurking in the wilderness. By all appearances, these beings seem wholly natural, interacting with their surroundings and leaving behind hair, blood, droppings, and, of course, footprints.Yet despite their apparently physical nature, bigfoot and its hairy hominid kin consistently appear mired in High Strangeness—the peculiar, ineffable, and nonsensical absurdities so often encountered in paranormal phenomena.Some sightings seem more consistent with mythology than biology. Bigfoot often present supernatural attributes, like luminescent eyes or the ability to pass, ghostlike, through structures. Anomalous lights are regulalry seen in areas of frequent sasquatch activity. Footprints persistently, if rarely, display odd numbered toes, and—most bafflingly—bigfoot trackways suddenly terminate in the middle of open, untouched terrain.In Volume 1 of Where the Footprints End: High Strangeness and the Bigfoot Phenomenon, authors Joshua Cutchin and Timothy Renner carefully examine not only the intersection of hairy apemen with global folklore—of poltergeists, faeries, extraterrestrials, magic, witches, ghosts, and archetypal women-in-white—but also question the fundamental assumptions underlying contemporary cryptozoological beliefs surrounding bigfoot.

    Itchy, Tasty narrates the development of each Resident Evil game released between 1996 and 2006, interspersed with fascinating commentary from the game creators themselves, offering unique insight into how the series became the world-conquering franchise it is today.

    This revised edition includes 75 exclusive photos and two new chapters that chart the band’s activities from 1998 to 2001, right up to the release of Everyday and the mysterious discovery of the Lillywhite sessions. Included is fascinating commentary on Before These Crowded Streets, Live at Luther College, and Listener Supported. The personal lives of each band member are expanded upon, and new coverage of DMB tours, the creation of Dave’s own record label, and the worldwide growth of DMB fans is provided.

    This edition brings together some of the best horror writers from the last few decades. Featuring stories from Ray Garton, Kelley Armstrong, Simon Clark, Gord Rollo, Chad Lutzke, Mike Duke, Christina Bergling, David Owain Hughes, P. Mattern & Kevin J. Kennedy.