It’s about the greatest pirate in history, the most powerful executive in the music business, a revolutionary invention and an illegal website four times the size of the iTunes Music Store. Journalist Stephen Witt traces the secret history of digital music piracy, from the German audio engineers who invented the mp3, to a North Carolina compact-disc manufacturing plant where factory worker Dell Glover leaked nearly two thousand albums over the course of a decade, to the high-rises of midtown Manhattan where music executive Doug Morris cornered the global market on rap, and, finally, into the darkest recesses of the Internet.Through these interwoven narratives, Witt has written a thrilling book that depicts the moment in history when ordinary life became forever entwined with the world online — when, suddenly, all the music ever recorded was available for free. In the page-turning tradition of writers like Michael Lewis and Lawrence Wright, Witt’s deeply-reported first book introduces the unforgettable characters—inventors, executives, factory workers, and smugglers—who revolutionized an entire artform, and reveals for the first time the secret underworld of media pirates that transformed our digital lives.An irresistible never-before-told story of greed, cunning, genius, and deceit, How Music Got Free isn’t just a story of the music industry—it’s a must-read history of the Internet itself.

    This book is not for the squeamish. It blends the intrinsic pathos and humor peculiar to war with face-to-face combat in the bush and death at point-blank range. Now, here is your chance to read what several critics have called the best book on the Rhodesian War ever written.

    The Social History of the Machine Gun, now with a new foreword by Edward C. Ezell, provides an original and fascinating interpretation of weaponry, warfare, and society in nineteenth-and twentieth-century Europe and America.From its beginning, the machine gun threatened established assumptions about the nature of war. In spite of its highly effective use in the European colonization of Africa, the machine gun was resisted by military elites, who clung to the old certanties of the battlefield--the glorious change and opportunities for individual heroism. These values were carried into the trenches of World War I and swept away along with a generation of soldiers.After the war, machine guns became commercially availble in America and in many ways became a symbol of the times. Advertisements touted the Thompson submachine gun as the ideal weapon for protecting factory and farm, while tommy guns entered the culture's imagination with Machine Gun Kelly and Boonie and Clyde. More significantly, Ellis suggests, the machine gun was the catalyst for the modern arms race. It necessitated a technological response: first the armored tank, then the jet fighter, and, perhaps ultimately, the hydrogen bomb.

    Paul Klebnikov pieces together the previous decade in Russian history, showing that a major piece of "the decline of Russia' puzzle lies in the meteoric business career of Boris Berezovsky. Transforming himself from a research scientist to Russia's most successful dealmaker, Berezovsky managed to seize control of Russia's largest auto manufacturer, largest TV network, national airline, and one of the world's biggest oil companies. When Moscow's gangster families battled one another in the Great Mob War of 1993-1994, Berezovsky was in the thick of it. He was badly burned by a car bomb and his driver was decapitated. A year later, Berezovsky emerged as the prime suspect in the assassination of the director of the TV network he acquired. Although plagued by scandal, he enjoyed President Yeltsin's support, serving as the personal financial "advisor" to both Yeltsin and his family. In 1996, Berezovsky organized the financing of Yeltsin's re-election campaign-a campaign marred by fraud, embezzlement, and attempted murder. Berezovsky became the President's most trusted political advisor-playing a key role in forming governments and dismissing prime ministers. Based on hundreds of taped interviews with top businessmen and government officials, secret police reports, contractual documents, and surveillance tapes, Godfather of the Kremlin is both a gripping story and a unique historical document.

    (the most fearful defeat suffered by a Roman army since Cannae in 216 B.C.) and Marignano (1515 A.D.), the last of the triumphs of the medieval horseman. It was extensively revised and edited by John H. Beeler in 1953 to incorporate many new facts uncovered since the late nineteenth century.

    As a military aide to George Washington, forceful critic of the Articles of Confederation, persuasive proponent of ratification of the Constitution, first Secretary of the Treasury, and leader of the Federalist party, Hamilton devoted himself to the creation of a militarily and economically powerful American nation guided by a strong republican government. His public and private writings demonstrate the perceptive intelligence, confident advocacy, driving ambition, and profound concern for honor and reputation that contributed both to his rise to fame and to his tragic early death.Arranged chronologically, Writings contains more than 170 letters, speeches, essays, reports, and memoranda written between 1769 and 1804. Included are all 51 of Hamilton's contributions to The Federalist, as well as subsequent writing calling for a broad construction of federal power under the Constitution; his famous speech to the Constitutional Convention, which gave rise to accusations that he favored monarchy; early writings supporting the Revolutionary cause and a stronger central government; his visionary reports as Treasury secretary on the public credit, a national bank, and the encouragement of American manufactures; a detailed confession of adultery made by Hamilton in order to defend himself against charges of official misconduct; and his self-destructive attack on John Adams during the 1800 campaign. An extensive selection of private letters illuminates Hamilton's complex relationship with George Washington, his deep affection for his wife andchildren, his mounting fears during the 1790s regarding the Jeffersonian opposition and the French Revolution, and his profound distrust of Aaron Burr. Included in an appendix are conflicting eyewitness accounts of the Hamilton-Burr duel.

    We have been through the biggest financial crisis since the Great Depression, unemployment remains stubbornly high, and talk of a double-dip recession persists. Americans are not pulling the world economy out of its sluggish state -- if anything we are looking to Asia to drive a recovery. Median wages have risen only slowly since the 1970s, and this multi-decade stagnation is not yet over. By contrast, the living standards of earlier generations would double every few decades. The Democratic Party seeks to expand government spending even when the middle class feels squeezed, the public sector doesn't always perform well, and we have no good plan for paying for forthcoming entitlement spending. To the extent Republicans have a consistent platform, it consists of unrealistic claims about how tax cuts will raise revenue and stimulate economic growth. The Republicans, when they hold power, are often a bigger fiscal disaster than the Democrats. How did we get into this mess? Imagine a tropical island where the citrus and bananas hang from the trees. Low-hanging literal fruit -- you don't even have to cook the stuff. In a figurative sense, the American economy has enjoyed lots of low-hanging fruit since at least the seventeenth century: free land; immigrant labor; and powerful new technologies. Yet during the last forty years, that low-hanging fruit started disappearing and we started pretending it was still there. We have failed to recognize that we are at a technological plateau and the trees are barer than we would like to think. That's it. That is what has gone wrong. The problem won't be solved overnight, but there are reasons to be optimistic. We simply have to recognize the underlying causes of our past prosperity-low hanging fruit-and how we will come upon more of it.

    But the Chinese, while eagerly accepting Western technical advice, clung steadfastly to their own religious and cultural traditions. As a new era of relations between China and the United States begins, the tales in this volume will serve as cautionary histories for businessmen, diplomats, students, or any other foreigners who foolishly believe that they can transform this vast, enigmatic country.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    . . . May concludes this definitive study by tracing the Mongol legacy to modern mechanized warfare."—Publishers Weekly"They razed cities to the ground, burnt woods, pulled down castles, tore up the vine trees, destroyed gardens, and massacred the citizens and husbandmen; if by chance they did spare any who begged their lives, they compelled them, as slaves of the lowest condition, to fight in front of them against their own kindred." —Matthew Paris recounting the devastation of Poland and Hungary in 1240During the thirteenth century, Mongol armies under Chinggis Khan and his successors established the largest contiguous land empire in history, stretching across Asia and into eastern Europe. Contemporary descriptions of their conquests have led to a popular misconception that the Mongols were an undisciplined horde of terrifying horsemen who swept over opponents by sheer force of numbers. The Mongol army actually used highly trained regiments led by brilliant tacticians, such as Subutai, that carried out planned and practiced maneuvers. It was the strength, quality, and versatility of the Mongol military organization, not unchecked ferocity, that made them the pre-eminent warriors of their time.In The Mongol Art of War, historian Timothy May overturns myths and misunderstandings that distort our understanding of Mongol warfare, and demonstrates that the armies of Chinggis Khan had more in common with modern ones than with the armies of ancient Rome and those of the medieval kingdoms they confronted. Describing the make-up of the Mongol army from its inception to the demise of the Mongol Empire, the author examines the recruitment, weaponry, and training of the Mongol warrior. He also analyzes the organization, tactics, and strategies the Mongols used, how they adapted to fighting in different conditions and terrain—such as using harsh winter weather to their advantage—and overcame a variety of opponents by steadily changing and adopting new tactics and modes of combat.

    Peopling the pages are nobles, peasants, women, students, writers, and rebels--all offering their own distinct and colorful perspective. Illuminating the many ways in which Chinese society has been influenced by foreign cultures, The Open Empire depicts China as a country with a dynamic, open history.

    To compensate, they join the ranks of ideological tribes spawned by identity politics and react with frenzy against any perceived threat to their group. As identitarians track and expose the ideologically impure, other citizens face the consequences of their rancor: a litany of “isms” run amok across all levels of cultural life; the free marketplace of ideas muted by agendas shouted through megaphones; and a spirit of general goodwill warped into a state of perpetual outrage.  How did we get here? Why have we divided against one another so bitterly? In Primal Screams, acclaimed cultural critic Mary Eberstadt presents the most provocative and original theory to come along in recent years. The rise of identity politics, she argues, is a direct result of the fallout of the sexual revolution, especially the collapse and shrinkage of the family.  As Eberstadt illustrates, humans from time immemorial have forged their identities within the structure of kinship. The extended family, in a real sense, is the first tribe and first teacher. But with its unprecedented decline across a variety of measures, generations of people have been set adrift and can no longer answer the question Who am I? with reference to primordial ties. Desperate for solidarity and connection, they claim membership in politicized groups whose displays of frantic irrationalism amount to primal screams for familial and communal loss.Written in her impeccable style and with empathy rarely encountered in today’s divisive discourse, Eberstadt’s theory holds immense explanatory power that no serious citizen can afford to ignore. The book concludes with three incisive essays by Rod Dreher, Mark Lilla, and Peter Thiel, each sharing their perspective on the author’s formidable argument.

    As Jardine boldly states, "The seeds of our own exuberant multiculturalism and bravura consumerism were planted in the European Renaissance." While Europe's royalty and merchants competed with each other to acquire works of art, vicious commercial battles were being fought over who should control the centers for trade around the globe. Jardine encompasses Renaissance culture from its western borders in Christendom to its eastern reaches in the Islamic Ottoman Empire, bringing this opulent epoch to life in all its material splendor and competitive acquisitiveness. "A savvy, street-smart history of the Renaissance."—Dan Cryer, Newsday "Jardine's lively book is specific and down-to-earth. A particularly fascinating section recalls how books suddenly ceased to be principally collector's items or aids to scholars and became the sixteenth century's Internet, dispensing fact and fancy to high and low."—The New Yorker

    Bush campaigned for the White House, he was such a novice in foreign policy that he couldn't name the president of Pakistan and momentarily suggested he thought the Taliban was a rock-and-roll band. But he relied upon a group called the Vulcans--an inner circle of advisers with a long, shared experience in government, dating back to the Nixon, Ford, Reagan and first Bush administrations. After returning to power in 2001, the Vulcans were widely expected to restore U.S. foreign policy to what it had been under George H. W. Bush and previous Republican administrations. Instead, the Vulcans put America on an entirely new and different course, adopting a far-reaching set of ideas that changed the world and America's role in it. Rise of the Vulcans is nothing less than a detailed, incisive thirty-five-year history of the top six members of the Vulcans--Dick Cheney, Donald Rumsfeld, Colin Powell, Paul Wolfowitz, Richard Armitage, and Condoleezza Rice--and the era of American dominance they represent. It is the story of the lives, ideas and careers of Bush's war cabinet--the group of Washington insiders who took charge of America's response to September 11 and led the nation into its wars in Afghanistan and Iraq.Separately, each of these stories sheds astonishing light not only on the formative influences that brought these nascent leaders from obscurity to the pinnacle of power, but also on the experiences, conflicts and competitions that prefigured their actions on the present world stage. Taken together, the individuals in this book represent a unique generation in American history--a generation that might be compared to the wise men who shaped American policy after World War II or the best and brightest who prosecuted the war in Vietnam. Over the past three decades, since the time of Vietnam, these individuals have gradually led the way in shaping a new vision of an unchallengeable America seeking to dominate the globe through its military power.

    After the Limited Test Ban Treaty between the United States and the Soviet Union in 1963, nuclear testing went underground. It became literally invisible—but more frequent: the United States conducted a further 723 underground tests, the last in 1992. 100 Suns documents the era of visible nuclear testing, the atmospheric era, with one hundred photographs drawn by Michael Light from the archives at Los Alamos National Laboratory and the U.S. National Archives in Maryland. It includes previously classified material from the clandestine Lookout Mountain Air Force Station based in Hollywood, whose film directors, cameramen and still photographers were sworn to secrecy.The title, 100 Suns, refers to the response by J.Robert Oppenheimer to the world’s first nuclear explosion in New Mexico when he quoted a passage from the Bhagavad Gita, the classic Vedic text: “If the radiance of a thousand suns were to burst forth at once in the sky, that would be like the splendor of the Mighty One . . . I am become Death, the destroyer of worlds.” This was Oppenheimer’s attempt to describe the otherwise indescribable. 100 Suns likewise confronts the indescribable by presenting without embellishment the stark evidence of the tests at the moment of detonation. Since the tests were conducted either in Nevada or the Pacific the book is simply divided between the desert and the ocean. Each photograph is presented with the name of the test, its explosive yield in kilotons or megatons, the date and the location. The enormity of the events recorded is contrasted with the understated neutrality of bare data. Interspersed within the sequence of explosions are pictures of the awestruck witnesses. The evidence of these photographs is terrifying in its implication while at same time profoundly disconcerting as a spectacle. The visual grandeur of such imagery is balanced by the chilling facts provided at the end of the book in the detailed captions, a chronology of the development of nuclear weaponry and an extensive bibliography. A dramatic sequel to Michael Light’s Full Moon, 100 Suns forms an unprecedented historical document.