Nicole Lyons' voice undulates from pain to ecstasy, at breakneck speed. Erotic, soulful and authentic, Nicole has written a raw memoir encapsulated in poems. Stepping off the cliff, delving into HUSH, readers will find themselves breathless and wanting more.

    Everything that suffuses her well-loved prose is here: compassion, insight, lyrical precision, and the clear, minimalist eye that reveals how life can turn on a single moment. Musing on the undercurrents and interconnections between legacy, memory, motherhood and the natural world, the poems in the collection begin on the surface and then take us, gracefully and effortlessly, to a far more thought-provoking place.

    From maple ice cream to Z-shaped fire escapes, these poems carry a flashlight you'll want to follow: unexpected as night swimming, entertaining as a music video in sign language.

    Who feel everything and everything has feeling."In My Head, the debut release of one of Instagram's most popular poets whose writing has been liked by millions, dives below the surface of love, loss, and life.J.M. Storm has crafted a haunting yet hopeful poetry collection that is meant to be felt as much as it is read.

    No sign remains of any other structure around them, no ruins of long forgotten buildings. They look... wrong. They feel wrong. Bad things happen if you get too close. Horrible things.You must never, ever ever talk about them.Thirty-four of today's best up and coming writers provide wonderfully unique interpretations inspired by the urban legends of the Internet age. Tales range from science fiction to fantasy, horror to mystery, and one writer even penned a romance!But you must never tell anyone about the stairs!Containing the stories:* Nothing Ever Happens Here by Richard Paolinelli* Star Thistle by J. Comer* Let Him In by Josh Dygert* A New Trail Off Of Old King?s Highway by Michael Reyes* The Strange Stairs at the Aldebourne Estate by Kristen Brand* Exclusive Scoop by J. Trevor Robinson* The Flash-Back Stairs: A Story of Betrayal by Patrick T. Luce* The Peacock House by Matthew Pegg* Where The Wood Thrush Sings by NB Williams* The Refuge by Dawn Witzke* Upon The Stair by Daniel Humphreys* Grand Staircase to the Yellow Court by R.C. Mulhare* Another Dead Man?s Curve by Chris Ingram* Game Warden by Russell Newquist* Stepping Stones by Jarrett Mazza* Reap Dance by James G. Hancock* Descending Stairs, 1699 by Meghan Casey* Where Angels Fear to Tread by Michelle Mellon* Sobek's Staircase by Jeremy Megargee* The Curses We Carry by Russell Mahon* Stranger?s Wood by J.S. Arroyo* Stairway Back to Jonathan's Farm by Dan Allen* The Thirteenth Step by MJ Mars* Cajun Ray by S.D. McPhail* W/M by Isobel Horsburgh* The Sentinel by Richard W. Watts* Sleep, Child by A.G. Lopes* The Lost Ones by Karen Thrower* Ready For Seven More by Christopher Lansdown* Fire and Pine by Bethany C. Gotschall* Stairway to? Where? by William Lehman* The Dead Always by Darren Todd* Missing Persons by Jonathan Bronico* Cedar Road by Mocha Pennington

    

    Rogue's collection Rouge, the bestselling author shares her original and early typewritten work posted on Instagram, Facebook, and Pinterest. In this collection, you will find writing touching on varying topics such as love, loss, heartache, hope, and tenderness.

    Bambrick began writing poems in order to document the forms of violence she witnessed towards the people and the environment of the Columbia River. While working there she found that reservoirs foster a uniquely complex community--from fish biologists to the owners of luxury summer homes--and became interested in the issues and tensions between the people of that place. The idea of power, literal and metaphorical, was present in every action and encounter with bosses and the people using the river. The presence of a young woman on the crew irritated her older, male co-workers who'd logged, built houses, and had to suffer various forms of class discrimination their entire lives. She found throughout this experience that their issues, while not the same, were inherently connected to the suffering of the lands they worked. Introduction by Sharon Olds.

    All you do is sit down at a typewriter and bleed.” -Ernest Hemmingway I don’t lead the kind of life that should be written about. I’ve done terrible things and lived a hundred lives, running away from my problems. That defines me, I guess. An escapist. Maybe I’m just messed up. Whatever the case, this is my confession. These are my truths. I give to you my uncensored life- my heart on a platter. I have sat down at my typewriter. Watch the words form from the blood that pours forth. -R.J. Avenira

    And images of a fantastic idyll complete with falling stars, the sound of the sea, and beautiful countryside. In the hands of Surrealists, though, love poetry also includes gravediggers and murderers, dice and garbage, snakeskin purses and "the drunken kisses of cyclones." Surrealism, the movement founded in the 1920s on the ashes of Dada's nihilism, embraced absurdity, contradiction, and, to a supreme extent, passion and desire. From André Breton's battle cry of "Mad Love" to the quiet lyricism of Robert Desnos, Surrealist writers and artists obsessively expressed the permutations of that fundamental human state, love, and they did so with the vocabulary of natural and unnatural worlds, the explicit language of sex, and a great deal of humor.Surrealist Love Poems brings together sixty poems by Surrealists who charged their work with all forms of eroticism. Expertly and energetically edited by Mary Ann Caws, this collection seeks to demonstrate the truth of Breton's words, that "the embrace of poetry like that of bodies / As long as it lasts / Shuts out all the woes of the world.""Erotic, impassioned and necrophilic, the sixty works gathered in Surrealist Love Poems celebrate the idea of obsessive and transformative love. 'I want to sleep with you side by side. . . . Stretched out on your shadow / Hammered by your tongue / To die in a rabbit's rotting teeth / Happy' writes Joyce Mansour. . . . Caws places poems by major surrealist writers like André Breton and Paul Eluard, along with the poetry of Picasso, Dalí, and Frida Kahlo, side by side with fourteen lushly printed and alluring black-and-white photos by the likes of Man Ray, Lee Miller, and Claude Cahun."—Publishers Weekly

    It's theme is the reader. Everyday we must live through moments of waiting--to get from one place to the next, from one appointment to another, for something to happen. This ingeniously useful compendium offers reading material to fill those gray moments with beauty, wonder, insight, and emotion. Organized by the time that the reader has available at that moment, the anthology provides a poem for that elevator ride to the lawyer's office; a short story for the thirty-minute commute; a novella for the three-hour plane ride. As ever, The Paris Review provides work from only the best writers of the last three generations.Among those to appear:- Mary Robison- Denis Johnson- Michael Chabon- Marilyn Hacker- Robert Pinsky- and many more.

    Among the poems he left behind are a particularly unsettling four that feature the mysterious Robinson: both a prototypical member of the smart set—masking his desperation with urbane savoir-faire—and an alter ego for the troubled Kees himself.In ROBINSON ALONE, Kathleen Rooney performs a bold act of literary mediumship, conjuring Kees through his borrowed character to sketch his restless journey across locales and milieus—New York, San Francisco, the highways between—and to evoke his ambitions, his frustrations, and his skewed humor. The product of a decade-long engagement with Kees and his work, this novel in poems is not only a portrait of an under-appreciated genius and his era, but also a beam flashed into haunted boiler-rooms that still fire the American spirit, rooms where energy and optimism are burnt down to ash.

    The poems in Accepting the Disaster range from lyric miniatures like "The Crossroads," a six-line sketch of an accident scene, to "The Orange Bottle," an expansive narrative page-turner whose main character suffers a psychotic episode after quitting medication. Mehigan blends the naturalistic milieu of such great chroniclers of American life as Stephen Crane and Studs Terkel with the cinematic menace and wonder of Fritz Lang. Balanced by the music of his verse, this unusual combination brings an eerie resonance to the real lives and institutions it evokes. These poems capture with equal tact the sinister quiet of a deserted Main Street, the tragic grandiosity of Michael Jackson, the loneliness of a self-loathing professor, the din of a cement factory, and the saving grandeur of the natural world. This much-anticipated second collection is the work of a nearly unrivaled craftsman, whose first book was called by Poetry "a work of some poise and finish, by turns delicate and robust."

    Edited with a Critical Introduction, Complete Paraphrase of the Text, Annotations and Explainations, and Questions with Answers

    Each chapter holds the symbol of a petal containing a multitude of thoughts crowned with passion, love, light, hope and kindness.