Each story is less than 55 words long - ideal for the beach, bus , train, anywhere.

    The literature is chronologically arranged by genre and supported by informative and concise editorial matter, including a complete guide to writing about literature at the back of the book. This volume in Bedford/St. Martin’s popular series of Portable Anthologies and Guides offers the series’ trademark combination of high quality and great value.

    The Classic Fairy Tales focuses on six tale types: "Little Red Riding Hood," "Beauty and the Beast," "Snow White," "Cinderella," "Bluebeard," and "Hansel and Gretel," and presents multicultural variants and sophisticated literary rescriptings. Also reprinted are tales by Hans Christian Andersen and Oscar Wilde."Criticism" gathers twelve essays that interpret aspects of fairy tales, including their social origins, historical evolution, psychological drama, gender issues, and national identities.A Selected Bibliography is included.

    This collection brings together Dahl’s finest work, illustrating his genius for the horrific and grotesque which is unparalleled.Contents- Madame Rosette- Man from the South- The Sound Machine- Taste- Dip in the Pool- Skin- Edward the Conqueror- Lamb to the Slaughter- Galloping Foxley- The Way Up to Heaven- Parson's Pleasure- The Landlady- William and Mary- Mrs. Bixby and the Colonel's Coat- Royal Jelly- Georgy Porgy- Genesis and Catastrophe- Pig- The Visitor- Claud's Dog (The Ratcatcher, Rummins, Mr. Hoddy, Mr. Feasy, Champion of the World)- The Great Switcheroo- The Boy Who Talked with Animals- The Hitchhiker- The Wonderful Story of Henry Sugar- The Bookseller

    In his singular universe, televisions talk (and sometimes sing), animals live in small apartments where their nephews visit from the sea, and men and women and boys and girls fall down wells and fly through space and find love on Ferris wheels. In a voice full of fable, myth, and dream, Stories for Nighttime and Some for the Day draws us into a world of delightfully wicked recognitions, and introduces us to a writer of uncommon talent and imagination.Contains 40 stories, including "The Duck," "The Man and the Moose," and "Death and the Fruits of the Tree," as heard on NPR's This American Life, "The Book," as heard on Selected Shorts, and "The TV," as found in The New Yorker.A selection of the Barnes & Noble Discover Great New Writers Program and the Starbucks Coffee Bookish Reading Club.Winner of the 2011 Nobbie Award for Best Book of the Year."This guy can write!" –Ray Bradbury, author of Fahrenheit 451

    In “The View from Castle Rock,” the short story master Alice Munro imagines a fictional account of her Scottish ancestors’ emigration to Canada in 1818. Nathan Englander’s cast of young characters in “How We Avenged the Blums” confronts a bully dubbed “The Anti-Semite” to both comic and tragic ends. In “Refresh, Refresh,” Benjamin Percy gives a forceful, heart-wrenching look at a young man’s choices when his father -- along with most of the men in his small town -- is deployed to Iraq. Yiyun Li’s “After a Life” reveals secrets, hidden shame, and cultural change in modern China. And in “Tatooizm,” Kevin Moffett weaves a story full of humor and humanity about a young couple’s relationship that has run its course.Ann Patchett “brought unprecedented enthusiasm and judiciousness [to The Best American Short Stories 2006],” writes Katrina Kenison in her foreword, “and she is, surely, every story writer’s ideal reader, eager to love, slow to fault, exquisitely attentive to the text and all that lies beneath it.”

    A student plagiarizes a paper and holds fast to her alibi until she finds herself complicit in the resurrection of one professor's shadowy past. A dinner party becomes the occasion for the dissolution of more than one marriage. A woman is hired to find a wife for the one true soulmate she's ever found. In all, Rebecca Lee traverses the terrain of infidelity, obligation, sacrifice, jealousy, and yet finally, optimism. Showing people at their most vulnerable, Lee creates characters so wonderfully flawed, so driven by their desire, so compelled to make sense of their human condition, that it's impossible not to feel for them when their fragile belief in romantic love, domestic bliss, or academic seclusion fails to provide them with the sort of force field they'd expected.

    Contributors include Russell Banks, James Lee Burke, Brendan DuBois, Lou Manfredo, Ed McBain, Joyce Carol Oates, and many others.

    They strive to become an emotional or intellectual cargo that might accompany us wherever, or however, we go. . . . If we are made by what we read, if language truly builds people into what they are, how they think, the depth with which they feel, then these stories are, to me, premium material for that construction project. You could build a civilization with them.” —Ben Marcus, from the IntroductionAward-winning author of Notable American Women Ben Marcus brings us this engaging and comprehensive collection of short stories that explore the stylistic variety of the medium in America today.Sea Oak by George SaundersEverything Ravaged, Everything Burned by Wells TowerDo Not Disturb by A.M. HomesThe Girl in the Flammable Skirt by Aimee BenderThe Caretaker by Anthony DoerrThe Old Dictionary by Lydia DavisThe Father’s Blessing by Mary CaponegroThe Life and Work of Alphonse Kauders by Aleksandar HemonPeople Shouldn’t Have to be the Ones to Tell You by Gary LutzHistories of the Undead by Kate BravermanWhen Mr. Pirzada Came to Dine by Jhumpa LahiriDown the Road by Stephen DixonX Number of Possibilities by Joanna ScottTiny, Smiling Daddy by Mary GaitskillBrief Interviews with Hideous Men by David Foster WallaceThe Sound Gun by Matthew DerbyShort Talks by Anne CarsonField Events by Rick BassScarliotti and the Sinkhole by Padgett Powell

    This timeless truth is showcased in Three Little Words, a charming compilation of short stories written by a trio of popular LDS romance novelists. Readers are invited to follow the journeys of three young women as they encounter love where they least expect it.Rescuing Bailey by Jennie HansenFor as long as she can remember, Bailey has loved the boy next door. But despite her feelings, his schedule and his little brother keep getting in the way. Will her childhood crush finally blossom into something real, or will she discover that true love is waiting just around the corner? Three Little Words by K.C. GrantThe bet is simple: Elizabeth, a speech therapist, has three days to teach a country bumpkin with a drawl as thick as molasses how to speak like a gentleman. But as she gets to know her charming student, it soon becomes clear that there may be more to him than meets the ear. A Crying Shame by Aubrey MaceCassidy is in love with the idea of love, though after her most recent breakup, the possibility of finding Mr. Right seems hopeless. But when she meets a handsome classmate in her painting class, she may end up learning more about chemistry than about art.

    Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.

    Durrant, Roxie Voorhees, Spencer Hamilton, Carla Eliot, Cass Oakley, Christopher Badcock, Carmilla, Joe Clements, Marcus Hawke and Patrick Whitehurst.In this anthology, you'll find incredible stories from some of the freshest faces in horror: in 'My White Star', a bittersweet love story is told through the lens of a chilling spectral haunting; in 'The Violent Snow', a strange artefact summons more from the blizzard than bargained for; in 'Everyone to the Table', sickening wishes come true...Settle in for a cold one. These stories are hard to swallow...

    A woman is left struggling to survive after a bear attack leaves her alone in the wilderness. A writer desperately tries to complete his book while being harassed by a relentless spirit. A poem of warning from a traveling salesman. A young boy disappears after hearing his mother calling to him from the woods and returns later that night acting strangely. This horror anthology features both supernatural and realistic situations that will make you double-check your locks at night. Before you tell yourself that these 15 original stories are just made up, rest assured knowing that one of them is inspired by true events.

    Why, she asks, when writers such as Samuel Clemens, F. Scott Fitzgerald, Eudora Welty, Flannery O'Connor, Saul Bellow, and John Updike have among them written hundreds of short stories, do anthologists settle on the same two or three titles by each author again and again? Isn't the implicit promise of an anthology that it will, or aspires to, present something different, unexpected? In The Oxford Book of American Short Stories, Joyce Carol Oates offers a sweeping survey of American short fiction, in a collection of fifty-six tales that combines classic works with many different, unexpected gems, and that invites readers to explore a wealth of important pieces by women and minority writers. Some selections simply can't be improved on, Oates admits, and she happily includes such time-honored works as Irving's Rip Van Winkle, Poe's The Tell-Tale Heart, and Hemingway's A Clean, Well-Lighted Place. But alongside these classics, Oates introduces such little-known stories as Mark Twain's Cannibalism in the Cars, a story that reveals a darker side to his humor (That morning we had Morgan of Alabama for breakfast. He was one of the finest men I ever sat down to...a perfect gentleman, and singularly juicy). From Melville come the juxtaposed tales The Paradise of Bachelors and the Tartarus of Maids, of which Oates says, Only Melville could have fashioned out of 'real' events...such harrowing and dreamlike allegorical fiction. From Flannery O'Connor we find A Late Encounter With the Enemy, and from John Cheever, The Death of Justina, one of Cheever's own favorites, though rarely anthologized. The reader will also delight in the range of authors found here, from Charles W. Chesnutt, Jean Toomer, and Sarah Orne Jewett, to William Carlos Williams, Kate Chopin, and Zora Neale Hurston. Contemporary artists abound, including Bharati Mukherjee and Amy Tan, Alice Adams and David Leavitt, Bobbie Ann Mason and Tim O'Brien, Louise Erdrich and John Edgar Wideman. Oates provides fascinating introductions to each writer, blending biographical information with her own trenchant observations about their work, plus a long introductory essay, in which she offers the fruit of years of reflection on a genre in which she herself is a master. This then is a book of surprises, a fascinating portrait of American short fiction, as filtered through the sensibility of a major modern writer.

    Reading it is like attending a late night secret banquet where you know each course will serve up something unexpected, forbidden and unforgettably chilling. Take your private seat now for 50 luscious courses of terror, from 50 of the strongest voices in modern horror.